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Do you write for children? Then please join the Imagine Monday blog meme!

  • Every Friday a writing prompt will be posted here.
  • Take Saturday and Sunday to write a tiny tale in ten sentences or less.
  • Post your story on your blog this Monday. Use the tag Imagine Monday.
  • Link back here to the prompt.

That’s it! The purpose of this meme is to have fun, stretch your creativity and get in a little writing practice.

This week’s prompt:

In honor of Columbus Day this Monday,
write about a National Monument.
It could be The Statue of Liberty, Devils Tower,
Fort Sumter or Giant Sequoia National Park.
You could use the Monument as the setting,
or simply mention a Monument in dialogue.
However it inspires you, go with it! 
Write in prose or poetry, for young children or young adults.
 

Happy writing! Enjoy your weekend and see you on Monday!

Imagine Monday is a weekly blog meme for children’s writers—and fans of children’s fiction.

One of the fastest growing online venues for micro fiction is Six Sentences, yet the target audience is adults. Imagine Monday challenges you to write an über-short tale for kids in ten sentences (or less) using a weekly prompt. Flash your brilliance in a few lines.

It’s simple:

  • Each Friday a prompt will be posted here.
  • Take Saturday and Sunday to write.
  • Submit your entry via your own blog sometime on Monday.
  • Include a link back to the prompt page. Use the tag Imagine Monday.
  • Visit fellow participants and leave constructive comments if you choose.

Have fun! Stretch your creativity. Use the prompt to put a character from your current project in a different situation. Start something entirely new. Compose a series of connected tales. Or simply get in a little writing practice. Do with it what you will.

Sometimes the prompt will be a sentence, sometimes a single word. We’ll mix it up and include images, too. See what you can create in just a few sentences. Make it tight. Make it memorable.

All are welcome, regardless of age or writing experience–and you don’t even have to own a blog. You can submit your writing here via the comments field.

Imagine Monday kicks off with the first prompt this Friday, October 10. Please join us!

It’s official! I’ve been crowned one of the worst writers in America. No, I’m not talking about the number of rejection letters piling up, but my recent success (or failure) in the annual Bulwer-Lytton Fiction Contest. Am I proud? Yes, and disturbingly so.

Now in its 26th year, the Bulwer-Lytton Fiction Contest seeks to find the worst opening line to a novel. I have received the dubious distinction of penning a sentence so vile, it received a barely-coveted 2008 “Dishonorable Mention.”

Rudy’s feline senses tingled as he watched Minerva pour a glass of milk, thrusting his tongue outward involuntarily, urging him to inexplicably lick his hand and smooth his cowlick, but he could not let Minerva know about the vampire kitten that had sucked his neck–attacking him with a feral ferocity that belied its adorable whiskered face–and how the meowing and purring that had become an integral part of their lovemaking was really just an injection of half-dead Calico.

And yet, I don’t think this was the most wretched of my submissions! For your reading displeasure…

Zander surreptitiously slid closer to the woman whose figure resembled an upside-down butternut squash as he envisioned himself splitting open her rough, dimpled skin to scoop out the pulpy innards of her flesh and devour them raw, ravenously, a primal desire that could only be unleashed during Oktoberfest.

 

Even the lettuce dripped with anticipation, its romaine surface glistening like Roger’s sweaty brow as he stabbed into his Caesar, pricking it with the tines the way Phyllis had poked holes in his heart; he wanted to confess how no waitress had ever affected him so deeply, defiantly pouring dressing over the top, drowning the croutons and his soul, rather than serving it on the side as he had requested.

 

The mountainous mountains loomed large and omnipotent before him, precipitous precipices too gnarled and scraggy to pass, so he endeavored and lamented, heaved himself prodigiously and collapsed in anguish, for he would never scale the bed linens to reunite with his beloved binky.

 

Immediately upon laying his eyes upon the four day-old stubble upon her sturdy legs, he longed to canoodle with her like two cautious porcupines (for he had a bristly, dishevelled beard to match), but due to professional obligations, Dr. Lovelace would unfortunately have to settle for just administering her annual pap smear.

 

The contortionist sulked backstage and tears zig-zagged down his cheeks like the legs twisted behind his head; his limber limbs had been catawampus and askew, jammed into awkward angles and improbable positions, only to be upstaged by a clown doling out balloon animals.

 

Devon’s nemesis recoiled in fear and trepidation, intimidated by the glistening edge of the enemy’s knife and the deftness with which Devon wielded its herculean power and lunged forward upon the mighty blow of the referee’s whistle, commencing a slicing and dicing the vigorous likes of which had never before been seen at the Auxiliary Women’s League annual bake-off.

 

The blizzard winds howled like an alpha-female wolf in heat—a she-wolf ready to mate, not heat as in temperature hot, for our story begins in the frigid north, and therefore a wolf cannot be hot, although one could argue that a wolf’s short, thick undercoat keeps them warm in winter, but certainly not hot—sniveling longingly across the bitter prairie.
Think your opening lines are as shockingly repellent?  Then start submitting! The 2009 Bulwer-Lytton Fiction Contest is already underway. You, too, can be one of the worst writers in America. (Just don’t mention it in your query letters. I doubt Random House will be impressed.)

While writing for children is my passion, I occasionally dabble in short stories for adults.  Today my work appears in book form for the first time with the release of Six Sentences: Volume I.  Check it out:

Many thanks to my friend Robin Mizell, a brilliant, insightful editor who helped me to polish and select the stories for submission.

Don’t have a background in drama?  No experience with public speaking?  It’s OK.  Relax.  You can still excel at reading your work aloud.  Select a dramatic excerpt, build the intensity and practice!  You’ll entertain the crowd and your work will be remembered.

Here are some tips for reading your fiction aloud:

  • Select the right piece. If you’re given a time limit, select an excerpt that fits within the time frame, but don’t be afraid to customize it.  Cut and paste sections if need be.  You want to build excitement to a climax to keep the audience interested, so begin at a place where you’ll be able to increase the tension until the end.
  • Climb a stairway to drama. Think of the piece you’re reading as a rise of stairs.  Start on the first step and build the intensity slowly as you arrive to the climax.  Mark places in your manuscript where you believe the tension mounts to a new step.  With each step you should be a bit louder, a bit more expressive.
  • The sound of music. Your story could be brilliant, but if it’s delivered in monotone, the audience will quickly lose interest.  Your voice is an instrument.  Think of reading as a way to strike different musical notes, some high, some low, some just middle C.  Mark your text with places to increase or decrease the pitch and intensity of your voice based upon the emotions expressed in the work.
  • Be the character you created. Immerse yourself in your character’s world the way you did when you first wrote the words on the page.  Remember the backstory you invented as well as your character’s journey.  All the creative energy you used to develop your character and story should be summoned to draw upon as you read.
  • Practice. Stand in front of a mirror while you read.  Make sure you take moments to look ahead; don’t stare down at the paper the entire time.  Record yourself and listen/watch the playback.  Are you mumbling or enunciating too much?  Ask family and friends to be your mock audience.
  • Scan ahead. If you’ve read your piece in practice enough times, you’ll be able to memorize lines.  While reading, you’ll therefore have a moment to scan a line or two ahead so you can remember to put specific emphasis on an upcoming speech or emotional moment.  Print your work in a large font if that helps you read more easily.
  • Look at the audience. Remember practicing in the mirror?  Now make eye contact with individual people for a second or two at a time.  If you find that distracting, look at someone’s forehead instead.  You’ll appear to be looking directly at the person behind them.
  • Project. Don’t yell, but speak in a volume so that the person in the very last row can hear you.

Try to avoid these pitfalls:

  • Don’t apologize if you make a mistake.  Just keep going.
  • If you drop something, pick it up. Leave a pen on the floor, and the audience’s attention will be drawn to the bothersome ballpoint. They’ll keep wondering when you’re going to reclaim it.
  • Don’t attempt accents. Many people can’t do them well.  Done poorly, they’ll distract rather than enhance.

Most of all, have fun.  Enjoy yourself and the audience.  Don’t put pressure on yourself to be perfect.  You’ll gain confidence with each reading and you’ll be invited to read at future events.

After receiving many positive reviews of my work this week, I’ve finally started floating back down to earth.  I’m listening more to the constructive comments than the complimentary ones.  I had been inspired and encouraged, and while some of that enthusiasm remains, I’m now taking a serious look at the difficult work that lies ahead, and it’s daunting.

One of the most helpful things I’ve realized is that my natural voice suits the middle grade market best.  However, I gravitate towards writing short stories.  A chapter book is a stretch for me and a novel seems as distant as the next galaxy.  I am wondering if there are any short story anthologies for middle grade readers.  If there are not, does that mean kids aren’t interested or there’s a niche to fill?  It’s a question I’d love to ask a professional.  Do you have any knowledge to share?  (If you have a blog about children’s books, please include a link in the comments and I’ll add you to the blogroll.)

On one hand, I’m ignited.  I wrote another story in a flash of inspiration earlier this week.  On the other hand, I’m burned.  As written, it’s probably too advanced for a picture book, although the length would be suitable.  I’m always afraid to reduce the language for fear I’ll lose my voice.  I have to respect that voice.  It has brought attention to my work and it just spills out automatically when I write.  I just have to find a way to make it fit into a neat little box, a box that a publisher wants to fill.

I continue to review my notes from this week’s first page critique.  I have more insights to share with aspiring children’s book authors:

  • A critique is the opinion of just one editor.
    I read an intriguing story about two adolescent rock stars and it just happened to feature bugs.  While a tale about child stars is a great hook, one editor said she would definitely not read on, simply because she hated bugs.  The combination might be unusual, but that doesn’t mean another editor wouldn’t like it.  You have to remember that editors are people with personal preferences and pet peeves which may influence their decisions. (Note: a few months later, I attended another first page critique where this first page, revised, received praise from a different editor who said he would read on.)
  • Make your work believable.
    Even in the fantasy genre, some elements should be grounded in the realm of possibility so readers can relate to the characters.
  • Look to other markets besides the trade and mass market.
    One story about creation was thought to have an excellent hook and a theology that would be embraced by the Christian book market.
  • Watch your message.
    A single line with the wrong message can damage an entire tale.  One story mentioned that a hospital wasn’t any fun for kids.  That’s a message the editors didn’t want to send.  Children need to understand that the hospital is a comforting place where doctors and nurses help them feel better. 
  • Don’t write a nonsense story just for nonsense’s sake.
    While nonsense tales can be fun, they still must have a narrative structure.  You need a hook beyond the humor.
  • It’s difficult to mix whimsy with serious subject matter.
    One tale was told with whimsical language and set a frolicking scene among pond-dwelling animals.  However, there was a serious underlying tone when the conflict was introduced and the editors found these elements too contradictory.

Do you have any insights to share from a recent critique?  Please add to the discussion!

Logging several miles already, I’ve decided to blog about my journey from unpublished children’s writer to seeing my stories in print.  Next stop: having my third picture book manuscript critiqued by my writing group. 

Three fellow writers and good friends mark each other’s pages with red pen and constructive comments, allowing us to polish our tales.  We discuss the merits and shortcomings of our manuscripts and go home feeling a little bruised—yet inspired to do better.

A critique group is an absolute must for any writer serious about their work.  Don’t listen to friends and family, who can often be too complimentary or too harsh.  Don’t rely on the reaction of your own children because they consider you a mommy-goddess no matter what you churn out.

I’ve been with this group for the past 18 months, although I had a long leave of absence after the birth of my second daughter last year.  We’ve lost members to other interests and added one new friend, and this smaller group is now more tightly knit than an eskimo’s sweater.  We’re having fun and improving our work. 

Now I just have to learn how to tuck each one of them into my pocket so I always have an encouraging voice egging me on.

Women Who Write, a collective of published and aspiring female authors from New Jersey, invite you to attend their fall reading at the Bernardsville Public Library this weekend.  On Sunday, October 28, 16 women will read original works of poetry and prose.  Come join us for an inspiring afternoon of stanzas and stories! 

Bernardsville Public Library
1 Anderson Hill Road (center of town off Olcott Square)
Bernardsville, NJ
Sunday, October 28
2pm-4pm

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