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Two books with exclamation points in the title!
So now we have two winners whom I hope will have exclamation points burst over their heads!

The winner of ROBOT ZOMBIE FRANKENSTEIN! is:
Brianna Soloski!
The winner of OH NUTS! is:
Maria Johnson!
Ladies, look out for an email from me.
And tomorrow everyone’s a winner because I’m announcing the guest-blogging line up for November’s PiBoIdMo! Exclamation point palooza!!!!

Yes, it’s finally here!
Congratulations to my great friend, picture book champion and critique partner, Corey Rosen Schwartz. And a round of applause for Dan Santat, whom I knew would be the perfect illustrator for this story.
My rating? Five stars, of course. (And I’m not just saying that. It’s a rollicking good read! Just ask the NY Times.)
Order your copy today!
IndieBound
Amazon
Barnes & Noble
Special thanks to illustrator Kayla Skogh for the Photoshop help! (Check out her illustrative work, she’s amazing!)
When I teach a picture book writing class or speak to new writers, I tell them I don’t subscribe to the “write every day” philosophy. That just doesn’t work for me as a picture book author. Sorry, wise writing sages.
However, I do give out this suggestion: “stare every day”.
Yes, I spend the bulk of my time staring (a.k.a. thinking) when writing a picture book. In fact, it’s about 50% of my effort. And thanks to my friend Carter Higgins from Design of the Picture Book, I can now share this secret with you in a deliciously accurate chart.
Can I get you a slice?

(Please note: “Writing” is the cherry on top!)
Three is a magic number. Not only because it’s the age when tiny toy parts no longer pose a choking hazard to your toddler, but because the universe is full of threebies.
Three square meals a day.
Three strikes and you’re out.
Three ring circus. And three ring government. (Excellent analogy, Schoolhouse Rock.)
Then there’s the “rule of thirds” design principle for composing visual images with tension and interest.
Ever heard of the FOUR LITTLE PIGS? Of course not. There’s just three, like THREE BLIND MICE and THREE BILLY GOATS GRUFF. Heck, there’s even THREE STOOGES.
In picture books, you’ll often find the protagonist struggling to solve their problem three times before finally succeeding. This technique encourages the reader to become invested in the hero’s journey. If the character were to try once and triumph, what fun is that? There’s no time to root for her!
Likewise, you’ll often see groups of three drawings on one picture book page. Three offers a nice balance because two is too few and four is too many. Like Goldilocks and the THREE Bears know, three is “just right”.
So today I’m going to extend “The Rule of Three” to you, the aspiring author. How so? I encourage you to have THREE polished manuscripts ready before submitting to an agent or editor.
Three manuscripts means that you’ve been writing for a while. Not a month or two, but most likely a year or two…or yes, even three. You’ve taken the time to hone your craft. Three manuscripts also means you’ve got a body of work an agent can review. If they don’t like your first story, but they see potential, they will ask for some more. Wouldn’t it be a missed opportunity if you didn’t have more?
In fact, even if they LOVE your first story, they will ask to see more. Picture books are a difficult sell, so if the first manuscript doesn’t find a home, they’ll want something else to submit. Three stories lets the agent know that your body of work, your style, resonates with them. On the flip side, they may LOVE your first book but not see a market for your other stories, or personally dislike them. Their lack of enthusiasm means they are not the right agent for you. You want to know this BEFORE you sign with someone, not AFTER….’cause breaking up? It’s hard to do.
And listen, if you have three manuscripts ready, I’m going to go a bit further and suggest you get FIVE ready. Because five is shiny, like “five golden rings” or “The Jackson Five”.
Yeah, it’s easy as A B C, 1 2 THREE.
Geesh, you’d think I wouldn’t forget about my own book contest. But I plead summer brain. It’s all mushy with Slurpees and Sno-Cones. Maybe I should plead brainfreeze then, too!

So without further ado, the red guy on the front cover is named DUSTER!
While no one guessed the exact name, Wafa Musitief guessed DUSTERS, so she wins an original signed monster sketch by illustrator James Burks!
But wait! We added a second prize for a random winner. And that winner is Jarm Del Boccio!
Congratulations Wafa and Jarm! I’ll be emailing you shortly.
Once again, thanks for subscribing to my blog. Rest assured there will be a lot more prizes coming soon. You’re bound to win one eventually. And if you don’t, I’ll treat you to a Slurpee. Brainfreeze is an awesome way to float through summer.
I am ridiculously far behind in picking winners. So without further ado, here they are!
WINNER of CRASHING EDEN by Michael Sussman:
MIKE ALLEGRA! (heylookawriterfellow)
WINNER of THE MONSTER WHO LOST HIS MEAN by Tiffany Strelitz Haber:
LESLIE G!
Congratulations, guys! I’ll be emailing you shortly.
I’m sorry if you didn’t win, but everyone’s leaving with a consolation prize. No, not a lifetime supply of Turtle Wax. (Do they even make Turtle Wax anymore? If you ever won a lifetime supply on Let’s Make a Deal you’d be ripped off.) Instead, it’s a piece of picture book writing advice:
Think BIG and carry a SMALL manuscript.






Billy: Wow, so great to see you Cutesy, Blinky and Bob, stars of OH NUTS! Thanks for stopping to talk. You look fabulous. Tell us, who are you wearing?




Annette Simon says that when she was in kindergarten, she was named Best Artist in her class. When she was in the third grade, she won her school’s Fire Prevention Week poster contest. After she graduated from the University of Cincinnati’s College of Design, Architecture, Art and Planning, Annette earned awards as an advertising creative director. Now, she writes and draws for young readers. Simon says she could not feel more honored. Learn more about her books at 














