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Supercalifragilisticexpialidocious does not even begin to describe the week I’ve been having! I know, I know, why should YOU care? Frankly, I don’t know. The fact that anyone other than my mother reads this blog blows my mind.

First, on Friday, my agent said she loves the 900-word picture book I just wrote. Who knew that many words was possible? I tend to stick to the 500-is-best rule, but this story was too librarious (made-up word) to fit in such a tiny space. So it’s busting out into the world and I hope it writes home soon. Au revoir, dahlink!

Next, I spoke at the RUCCL One-on-One Plus conference. And people thanked me for my speech! To know that I helped a few mentees feel less nervous that day—whoa! Mission accomplished.

And now, I have an announcement!

Drum roll please….

Oh, you’re an animal, Animal!

I have an illustrator for I THOUGHT THIS WAS A BEAR BOOK (Aladdin/S&S, 2014)!

And he is full of awesome sauce! (Although he’s from the UK, so that might be called “admirable gravy” across the pond, I dunno.)

Without further ado (and I do a lot of ado), it’s…

(No, that’s not Benji in the picture. Although I think that may be me on a non-showering day.)

Benji is the admirable gravy behind such books as WINSTON WAS WORRIEDDINO PARADE and HODGE THE HEDGEHOG (which I mistakenly thought was about John Hodgeman), plus the delightful interactive book app series from Nosy Crow, BIZZY BEAR.


So can you tell I’m absolutely tickled to have him working on my book?

This is one of the most exciting parts of being a picture book author—finding out who your illustrator will be and falling in book love. (Not to be confused with marriage love, as I am already taken by a dashing computer geek. And yes, you can use the words “dashing” and “computer geek” in the same sentence. Although to the computer geek, it may have a programming connotation.)

So check out Benji’s work, congratulate him, and also give him fair warning that he’s working with an absolute nut. He may require counseling after the book launch.

After all, I called him “admirable gravy”!

I was stunned, honored and thrilled when renowned author/illustrator Trinka Hakes Noble asked if I would be the Rutgers University Council on Children’s Literature “Success Story” speaker this year. She asked me to tell the RUCCL attendees about my path to publication, to inspire them, to make them realize that they are the stars of the day. So I tried to be funny and touching and inspirational, and I hope I succeeded with the success story. For those of you who couldn’t be there, and for those who heard it and want a recap, here’s my speech.

Please note: I begin in costume, speaking with a deep English accent like a terrible, stereotypically stuffy author.

Good morning, ladies and gentleman.

Allow myself to introduce…myself.

I am a published author.

I have a luxuriant beard.

I smoke pipes.

I wear tweed jackets with elbow patches.

I take afternoon tea with Joan Didion. Ahh, dear, dear, Joan. Occasionally Joyce Carol Oates pops in with Michael Chabon. Oh, those two are a bloody riot! One time JC snuck a whoopee cushion on Michael’s chair and…well, that’s not a story for mixed company.

Ever since I signed my first contract, I have never received another rejection. Publishers fall at my feet and kiss my freshly polished Oxfords!

I use words like “verisimilitude” in everyday conversation. See, I just used it. “Verisimilitude, verisimilitude, verisimilitude.”

My toilet scrubs itself under the rim.

I have not a care in the world. Ahh, yes, the life of a published author is so very glamorous and elegant, don’t you agree?

[Remove costume. Shake hair loose.]

Yeah, right.

OK, this is really me.

Just an ordinary housewife and mother from Jersey. No, I didn’t say Jersey Shore. Snooki and I, we’re not author buddies.

But listen, just four years ago, I was you.

Sitting out there.

RUCCL 2008 was my first big conference. Heck, it was my first conference, period. I looked across the room to Kay Winters speaking and thought there was this enormous divide between me, the great unwashed, and Kay, the successful, multi-published author.

Turns out the divide was only five tables wide. Because that’s how far away I was sitting!

Once I approached Ms. Winters to thank her for the inspiring speech, we shook hands and suddenly there was no divide. And I’m here to tell you just that—there is no divide.

You’re here today because you’ve earned it. You’ve written something exceptional that has gotten noticed. Out of—how many applications were there this year, Trinka?—62.8 million applications, 88 of you are here! Amazing! You have great potential. You are on your way. You are so close to becoming published and you don’t even realize it!

If you think, like I did, that there is some great divide and you are going to be a transformed person once you sign a publishing contract, then, I’m sorry, but you are mistaken.

You’ll be just like Samantha Baker waking up on her 16th birthday, staring at her boobies in the mirror and realizing they’re the same size they were yesterday. (Sorry, fellas.)

Listen—we writers are one. We all share a common goal—to tell the best story we possibly can. I strive to do that every day, and so do you. There is no divide.

Of course, you will be jubilant when you receive an offer, but you will still be you. Unfortunately, your toilet will not clean itself. I should know. I’ve been staring at that damn toilet for three years!

So let me tell you a little about how I got here. I took 287 South, got off at Exit 9, merged right and…no sorry…

It began in second grade when I read CHARLIE AND THE CHOCOLATE FACTORY. (And let me tell you, Gene Wilder will always be my Willy Wonka, not Johnny Depp.)

That book was so outrageously delicious, I knew immediately that I wanted to create fantastical stories like that. So my best friend Francine and I collaborated on our own book, a series of fractured fairy tales. I wrote and she illustrated. It was a beautiful little thing, and I still remember the jaunty little cap she drew on the main character. We were so proud of this thing, we called all our relatives and told them it was published.

After all, we were sure it would get published. It was perfection. Who would turn it down? They’d be crazy. If Ally Sheedy was only 12 when she wrote SHE WAS NICE TO MICE, we could beat her record and get published at age 8!

So we made our announcement prematurely and my two 80-yr-old great-grandparents fired up the ’67 Chrysler for the first time in months and creaked their bones to the local bookstore…but of course, our masterpiece could not be found.

So OK, it was my first newbie mistake!

I loved writing as a child and I did not understand why everyone else did not love it. When it was time for creative writing I jumped out of my seat and cheered. Everyone else groaned. Especially when the teacher gave the word count. I always asked, “Please sir, may I have some more?” Yes, Tara, you can write as many words as you want.

So flash forward to college…right here on the banks of the Old Raritan, I studied English and Creative Writing. I had every intention to land a job in children’s publishing so I could learn the business inside-out. But it was 1992, and our country was in a recession. There were no kidlit openings. But I did get a job in publishing. COMPUTER PROGRAMMING BOOKS. Blech.

Bored out of my mind, I didn’t stick around long. I then rode the wave of irrational exuberance of the “Information Superhighway” age and was too busy in high-tech marketing to write for children. Besides working insane hours, I was figure skating four times a week. Who had time to write?

I got married. I had my first daughter. I stayed home. We read together. And then those old feelings bubbled up to the surface. (And this analogy has nothing to do with nursing. Sorry again, fellas.) But I had a colicky baby and even less time. (Well, I really had more time than I wanted—I had 2am, 3am, 4am…)

When I was pregnant with my second daughter, in 2006, I saw an ad in my local paper for an organization called Women Who Write. They were organized into critique groups by genre, and they had an opening in their Writing for Children group. I told my husband I wanted to join. He agreed to put our toddler to bed (no easy feat, she didn’t sleep for four years and now I can’t get her out of bed) and I waddled off to evening meetings twice a month. I was only in the group two months when they went on summer hiatus. Then I took time off to have my daughter, but vowed to return in six months.

Well, six months turned into 12 months and I was more impatient than ever to get published. After all, I had postponed it most of my life. I was like Veruca Salt—“But Daddy, I want to publish a book NOW!”

But my early picture books were dreadful. Didactic. Adult protagonists. 1500 words. I didn’t know a thing about writing them.

So I joined SCBWI. I attended every NJ event I could, beginning with first page sessions. I took copious notes about every manuscript the professionals critiqued. I put those notes on a blog. And some knowledge started seeping in.

And then a mutual friend introduced me to author Corey Rosen Schwartz. Again, I imagined this great divide between us. I thought there was no way this woman, a published author, would want to be friends with me, a nobody, a wannabe. But remember, there is no divide. It only exists in our heads. Corey and I became fast friends. And we started critiquing each other’s work. And my stories began getting better.

Things were going pretty well for me. The Rutgers acceptance in 2008 gave me the confidence to know that I was on the right track.

And then, in 2009, I veered off track. Or rather, my body did. (OK, this is the sad part now. So everybody get your hankies out.)

On Halloween, I slipped on some wet leaves while trick-or-treating with my daughters and sprained my ankle. It was no big deal for me because I always sprain my ankle. I was a figure skater and my ankles had suffered a lot of damage over the years.

So I went home and put my feet up.

But the next day I woke up and half my foot was numb.

It was odd, but I thought maybe I had exacerbated an old injury. I had ankle surgery years ago and I remember my toe going numb at that time. So I just ignored it.

Until my entire left foot lost feeling.

And then my right foot joined the numb party.

Something was terribly wrong.

I went around like this until Thanksgiving, when the pressure of cooking a five-course meal collided with the distinct lack of pressure in my feet. I exploded at my family. I was sick and I needed help.

Three months worth of doctor’s visits and I had a diagnosis: Multiple Sclerosis.

I was devastated. And if there is a word that means beyond devastated, that’s what I really should insert here.

And the timing was really bad. I got the diagnosis a mere week before I was to attend an NJ-SCBWI Mentoring Conference. I had already sent in a manuscript called THE MONSTORE and I was supposed to be meeting with an editor from Sterling to discuss it.

There was no way I could attend.

The organizer was a friend so I called her and bawled, explaining that I was too sick to make it. She said she’d have the editor write up my critique and mail it out.

But I was in a deep depression. Not only was my walking impaired for the rest of my life, I thought my dream of becoming a kidlit author was kaput. Now, you don’t have to WALK to be able to TYPE so I don’t know why I thought this way, but I was not in a rational state of mind.

So when that envelope from the editor at Sterling arrived, I ignored it. I stayed in bed for days on end. My life was over.

Then I received an email from my friend at NJ-SCBWI. She said the editor was upset that I couldn’t make the workshop; she had wanted to meet me in person.

Meet me? WHY on earth would she want to do that? Remember the great divide?

This manuscript had been rejected from Rutgers (GASP! SHOCK! HORROR! I know, you weren’t expecting that, right?) and I had met with a picture book consultant who had gently pushed it back across the table like it was pea soup with a fly in it and she dubbed it “a practice manuscript”.

So I sneered at that envelope, skeptical of what lay concealed inside. It was thick. I assumed she hated it and she wanted to meet me in person to scold me about all the things I did wrong.

Instead I opened the envelope to read, “What a fun title and a unique premise. I was hooked on page one.”

She liked me! She really, really liked me!

I mean, she liked the STORY. (Don’t make that mistake of equating your work with YOU.) She asked to see a revision.

But I had always known I wanted an agent. Holy bacci balls, it was time!

Things then started happening fast. Corey had won a critique with author Jean Reidy and sent THE MONSTORE instead because she had nothing ready. Jean read THE MONSTORE and then Tweeted about how awesome it was. Then Ammi-Joan Paquette saw the Tweet and asked what she was reading. All of a sudden, I had a referral to Joan.

I got busy sending out queries to four other agents I had targeted.

Now you must realize at this time, I was still so sick and filled with anxiety and dread that I couldn’t get out of bed most of the day. In fact, I could barely speak until noon because I was on the wrong medication.

So when an agent called me two hours earlier than he said he would, I don’t know how I did it, but I managed to talk. Thank goodness I had an acting background because it was the best performance of my life.

But ultimately, I signed with Joan. I would like to say that signing with her finally lifted me out of my MS funk, but it didn’t. I knew I was doing something big, something I had dreamed of all my life, but I couldn’t even walk the contract to the post office. And I focused on what I couldn’t do instead of what I had accomplished.

Even when the offer from Aladdin came in a month later, I was only pretending to be happy. I had about two seconds worth of “I DID IT!” and then I went back to bed.

But, I went back to bed with a purpose…and a laptop. If I was now published, I certainly wasn’t going to stop with one book. I needed more. I could not be a one-hit wonder. The name KajaGooGoo Lazar does not look good on the cover of a picture book. (C’mon, who knows KajaGooGoo, the one-hit wonder from the 80’s? “Too shy shy, hush hush, eye to eye.”)

Writing slowly lifted me out of my funk. And once I was brave enough to tell my friends and family what was happening with my health, they began to lift me up, too.

And so, two years after I signed my first contract for THE MONSTORE, I now have two more books under contract…and I’m waiting to hear on a few more. There’s a few editors here I need to speak to…

But again, because I am up here and you are sitting down there does not mean there is a divide. As Kay Winters spoke in 2008, I said to myself, that’s going to be me someday. And look! Here I am! There is a space for you up here, too.

You should be proud of yourselves for making it here. When I attended in 2008, I really had only an inkling of how important this day was. And I had no idea that everyone was here for ME.

That’s right.

We’re all here for YOU.

This is YOUR special day. Like Katy Perry says, “Baby, you’re a firework. C’mon let your colors burst!” (Singing is not one of my talents.)

Remember that everyone assembled is here to help you take the next step in your career. This day was planned with you in mind. This fact was a little difficult for me to grasp back in 2008, so I put together something to help you remember this.

And because our chair informed me it was a fire hazard to set off Grucci fireworks in this room, I have something else that sparkles and glows all day long, just like you. (Will Sheri, Anita, Marcy and Andrew please come help me.)

These glow bracelets are for you to wear today, to remind you of how special you are. Of how you are the star of today. Every time you look down at your wrist, remember that we’re all supporting you. Any question you have, ask it. Anyone you want to approach, step right up, don’t be “too shy shy”. This is YOUR day. Make the most of it. And be a little kid at the same time.

So I leave you with these words:

There is no divide.

But there are glow bracelets!

Enjoy and have fun today!

UPDATE: 2/5/2013 #Bedtimepicks hasn’t caught on, so I’m changing the hashtag to #BedtimeReads, which is more appropriate and easily understandable. Please join in! Just Tweet the hashtag with the titles of the books you’re reading to your children each night.

For two years I’ve been Tweeting the hashtag #bedtimepicks to share the picture books I’m reading to my kids that night. For two years some folks have joined in, yet all have dropped out.

Then I realized: YOU HAVEN’T BLOGGED ABOUT THIS FOR TWO YEARS?

What is wrong with me? (Don’t answer that!)

So I now triumphantly propose we get moving with this hashtag! It’s a simple way to share and discover great picture books for parent-child bonding. (And if you read chapter books or middle grade novels to your kids, of course, those count, too!)

In the evening, tweet something like this:

Then click on the hashtag to see what other parents and caregivers are reading.

VOILA!

TWO YEARS IN THE MAKING!

If you’re in, let me know in the comments. And please blog about it to spread the word.

Now quick, let’s all play catch-up!

We who work in children’s literature speak a language all our own. No, I’m not talking about “simultaneous submissions” or “stet”. You’ll see what I mean when you read the Kidlitionary!

Blubbergasted
When you cannot believe someone has never read a Judy Blume book.

Barnett Storming
Publishing a dozen best-selling, critically-acclaimed books within a ridiculously short time frame.

Caldecutt (or Caldenott)
Being snubbed for a Caldecott honor.

Carpe Read’em
Seize the books.

Dahlings
Fans of Roald Dahl, particularly those of the female persuasion.

Karma
When good things come to you after reading a Karma Wilson book.

Kate Plus Eight
When Kate DiCamillo appears on Betsy Bird’s blog.

Lichtenhold
The hug a child gives to a picture book they love. Most commonly witnessed with books by Tom Lichtenheld.

Meter Maids
Rhyming geniuses who fix meter problems, most notably Corey Rosen Schwartz and Tiffany Strelitz Haber.

Motown
Northampton, Massachusetts, home to Mo Willems.

Raiders of the Last ARC
Book bloggers and eBay sellers who grab the last BEA or ALA ARCs before librarians can.

Revisionist History 
The multiple Word docs that exist for one picture book manuscript.

Rexipe
When you have all the ingredients to create a stellar picture book. “Way to be like Adam! You’ve got the Rexipe.”

Santatigans
1. Jocularity and mayhem caused by reading a Dan Santat book.
2. Fans of Dan Santat.
3. Jocularity and mayhem perpetrated by Dan Santat.

Selznicked
When someone is not acknowledged for his or her contribution. “They didn’t thank you. Man, you were Selznicked!” (Origin: 2012 Oscars.)

Shel Shocked
The despair and horror you feel after taking a terrible author head shot.

Swagger
The feeling of superiority while scoring awesome SWAG from your favorite author.

Wiesner
The wisdom that accompanies creating a wordless picture book spread. “You’d be Wiesner to leave the text out.”

Zka Syndrome
Confusing Jon Scieszka with Jarrett J. Krosoczka. Relax; this is a curable condition. Related affliction: confusing Peter Brown with Peter Reynolds (but it doesn’t have as cool a name).

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Got an entry for the Kidlitionary? Please leave it in the comments!

“Don’t use art notes,” is what you may hear as a new writer.

It’s not that editors don’t like art notes. It’s just that many new writers want to dictate illustrations that do not require direction.

For instance, you shouldn’t pick what your character looks like. Red hair, blue shirt, green sneakers, pigtails, etc. are not for you to decide. The editor of Mary Ann Hoberman’s THE SEVEN SILLY EATERS thought the characters should be animals, like crocodiles. Marla Frazee, the illustrator, thought they should be people, and she was right. She even made the mother a cello player, which was not in the text, but it added a delightful layer to the mother’s personality. The options were wide open—the author never described the characters’ appearance.

The exception to this rule is when your character’s appearance is crucial to the story, like FRECKLEFACE STRAWBERRY. Although the title pretty much says it all, right?

You must trust that your editor and illustrator have ideas for what your scenes should look like. Better ideas than you. Leave the art direction to them (and the art director). Writing that the house has a front porch, or that the cat is calico, or that the car is yellow is all unnecessary.  Again, unless that car needs to be yellow for your story to work.

But you will no doubt read picture books with subversive text—where the character is doing completely opposite what the words say. Or books with text so spare, the action comes thru only in illustration. These are times when your text requires art notes. SCREAMS for them.

But if you have an art-heavy manuscript, where much of the story relies upon the illustrations, how do you submit it? Putting the art notes in [brackets and italics] is typically the way to go. However, too many art notes can interrupt the flow of the story. It gets difficult to read and comprehend.

So what do you do?

Maybe…submit your manuscript in grid format.

What?! But Tara, I’ve NEVER heard of this before.

I know, me neither. But my agent just submitted a manuscript like this. I was skeptical at first, but then I realized the grid was the best no-nonsense way to present the text with the illustrative mayhem. Yes, this book has MAYHEM. And FRACAS and PANDEMONIUM, too.

Here’s what the grid looks like in manuscript format:

The header includes your name, contact details and a word count.

Then the title (in caps) and your byline.

There is a general art note at top which introduces the story idea. Moreover, it states the art notes are “intended as a guideline.” Again, as an author, you cannot rule over all that is picture in picture books.

Next comes the grid. On the left is the story text, on the right appears “rough art direction.” Notice we said “rough” because they are only suggestions for the editor to understand the story. Remember that the illustrator may create something even better, funnier, more poignant. Remember the CELLO.

The grid continues for as long as it takes to tell your story. Typically one or two more manuscript pages.

Please note this isn’t a standard way to submit, it only serves as an example of what one author and her agent did. It’s like the photos on the front of frozen food boxes that say “serving suggestion”.

Now if you’ll excuse me, I suddenly became very hungry.

I know you’ll probably say, “Tara, you had me at Peter Brown…”, but you will no doubt flip at the entire spectacular line-up of authors, illustrators, editors and other kidlit professionals I’ve secured for this November’s Picture Book Idea Month, affectionately known as PiBoIdMo ’round these parts.

PiBoIdMo challenges picture book writers to create 30 new story ideas in 30 days. Read the full scoop here.

Plus, we have an adorable mascot this year: Doodle! She’s the doggie pal of artist-couple Peter Harren and Kayla Skogh (who are equally adorable), and she’ll be making several cameos throughout the month of November!

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PiBoIdMo will kick-off on October 24th with registration plus a guest post from

…YOU?!

That’s right! One lucky former PiBoIdMo participant will win a guest blogging spot to write about how past events have inspired you, what you’ve done to gear up for the event, and how you sort through that fat file of ideas to pick ones to pursue.

To be eligible:

  • Blog about PiBoIdMo and what it means to you.
  • Link back to this blog post.
  • Leave a comment on this blog post telling me you’ve done so.
  • Complete all of the above by October 15th.

I will read all your entries and pick the blogger who most exemplifies the spirit of this annual event.

And now, without further ado, here are your PiBoIdMo guest bloggers!

Peter Brown
James Burks
Priscilla Burris
Dianne de Las Casas
Kelly DiPucchio

Amy Dixon
Kate Dopirak
Ame Dyckman
Donna W. Earhardt
Marcus Ewert
Deborah Freedman
Tiffany Strelitz Haber
Peter Harren
Charise Mericle Harper
Julie Hedlund
Leeza Hernandez

Carter Higgins
Ward Jenkins
Mike Jung
Ella Kennen
Diane Kredensor
Emma Ledbetter, Assistant Editor, Atheneum
Kelly Light
Deb Lund
Tracy Marchini
Wendy Martin
Diana Murray
Laura Murray
Debbie Ohi
Carol Rasco, CEO of RIF
Aaron Reynolds
Laura Sassi
Liz Garton Scanlon
Corey Rosen Schwartz
Kayla Skogh
Tammi Sauer
Mr. Schu, School Librarian & Kidlit Book Blogger
Melissa Sweet

Will Terry
Audrey Vernick
Robert Weinstock
Tamson Weston, Editor & Consultant
Timothy Young

And while you’re waiting for registration to begin on October 24th, why not join our PiBoIdMo Facebook group? Connect with other participants and picture book professionals, chat about the event and other writerly topics.

Stay tuned for more PiBoIdMo announcements in the coming days!

Two books with exclamation points in the title!

So now we have two winners whom I hope will have exclamation points burst over their heads!

The winner of ROBOT ZOMBIE FRANKENSTEIN! is:

Brianna Soloski!

The winner of OH NUTS! is:

Maria Johnson!

Ladies, look out for an email from me.

And tomorrow everyone’s a winner because I’m announcing the guest-blogging line up for November’s PiBoIdMo! Exclamation point palooza!!!!

Remember my video about the nightmare book signing?

Well, bad signings make frequent appearances in author circles.

Recently a friend set up a table at a “free” outdoor event for parents and toddlers. She thought it would be a good opportunity to showcase her picture book and sell some copies.

No one approached her all morning. She was getting very discouraged.

Finally, a woman who had been manning another table walked up. “I’d like one for my son,” she said. “His name is [very unusual name].”

My friend picked up her pen, personalized the book to the woman’s son, wrote a special note, and autographed it. “That will be $15, please.”

The woman stared. “Oh, I thought it was free.”

My friend was taken aback. “Free? This is a picture book from [Big 6 Publisher].”

“But everyone here is giving away free stuff,” the woman said.

My friend then felt bad. SHE FELT BAD?! “Well, since you didn’t know, I will let you have it at cost. I paid $10 for it.”

“Never mind,” the woman said. “I don’t want it.” And she turned back to her table.

My friend was near tears. She hadn’t sold a single book and now she was stuck with one signed to “Jakellen.” What were the odds that another “Jakellen” would come to a future book signing? About a Jakellen-to-one!

This serves as a cautionary tale for both readers and authors.

Authors do not get their own books for free.

They are offered a very limited quantity upon publication, usually somewhere between 5 and 15 copies, most of which they use for promotional purposes. The rest they have to pay for themselves, typically at 30-40% off the retail price. Sometimes they do better purchasing from Amazon and not the publisher-direct! Free books are very rare.

And remember, that author has worked years to publish that book. And authors do not get paid while they are writing it. A lot has been sacrificed to get that book onto shelves. So please don’t expect a book for free. And don’t walk away from a book that has already been personalized. That author has now lost whatever they paid for the book, and the royalty they earned doesn’t even cover 10% of it.

While tempting, it may not be the best idea to do signings at advertised “free” events. People arrive with the expectation that they’ll never have to dip into their wallets. (And considering the economy, that’s the kind of feeling they want to experience often!) They are not in the mood to buy, and therefore may avoid you, even if what you’re selling looks good. They have not arrived with the mindset (or the money) to make a purchase.

And finally, it may be proper to let the reader know the price before you sign a book. Or else you might get stuck with a lot of “Jakellen” copies. And frankly, “Jakellen” isn’t even on the Social Security Administration’s List of Top 1000 Names. FOR ANY YEAR.

But who knows, maybe like “Splash” I’ve inadvertently begun a Madison-like name craze?!

My friend may be Jakellen-sellin’ after all!

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Book and pen photo courtesy of Flickr user Jain Basil Aliyah.

Yes, it’s finally here!

Congratulations to my great friend, picture book champion and critique partner, Corey Rosen Schwartz. And a round of applause for Dan Santat, whom I knew would be the perfect illustrator for this story.

My rating? Five stars, of course. (And I’m not just saying that. It’s a rollicking good read! Just ask the NY Times.)

Order your copy today!

IndieBound
Amazon
Barnes & Noble

Special thanks to illustrator Kayla Skogh for the Photoshop help! (Check out her illustrative work, she’s amazing!)

OMG! I’m having a fangirl moment. Somebody fan me and feed me chocolate. (No, not YOU. Get Ryan Gosling.) Because not only is the brilliantly prolific author Tammi Sauer here, but she brought along the stars of her newest picture book, OH NUTS!

      

Thankfully I have Billy Bush helping me out (who will do as a Ryan Gosling substitute in a pinch). Billy’s qualified to interview Miss Universe contestants, so he will no doubt pose the tough questions to our guests Cutesy, Blinky and Bob. He caught them on last night’s Emmy’s Red Carpet.

Take it away, Billy.

Billy: Wow, so great to see you Cutesy, Blinky and Bob, stars of OH NUTS! Thanks for stopping to talk. You look fabulous. Tell us, who are you wearing?

Cutesy: Carolina Herrerra’s “Forest Dwellers” collection.

Blinky: Um, obviously Bob. Will someone please peel him off my back?

Bob: Wait, I was supposed to get DRESSED?

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Billy: So you guys reached the pinnacle of popularity but then retreated from the limelight. What caused you to give up show business? Was the pressure just too much?

Blinky: Well, dude, we realized we had to be true to our inner chipmunk, you know?

Cutesy: Plus, all those flashing lights kind of wrecked my mascara.

Bob: Huh?

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Billy: But your fans really want you to get back into the game. We heard that Alvin and his crew rejected an offer to star in “The Hunger Games IV: Acorn Atrocity”. Will you be lobbying for those roles now?

Cutesy: Our agent definitely wants us to consider it.

Blinky: Like whoa. It would be an awesome opportunity to showcase my six-pack.

Bob: I like noodles.

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Billy: Do you think you’d like to branch out into other forms of entertainment? You know, become a triple-threat with a triple-threat?

Cutesy: We’ll always stick together, but we each have something special to give the world. Soon I’ll be launching my very own line of accessories called Chic Chipmunk.

Blinky: ABC wants me to be the next Bachelor.

Bob: I’m going to…wait…I forget.

.

Billy: How would you like to be remembered and immortalized by your fans?

Cutesy: We just want everyone to remember that chipmunks are people, too.

Blinky: I’d really like a street named after me.

Bob: I’d really like a nap. And a taco.

.

Billy: Oh wow, here comes Brangelina…so…SCRAM!

Cutesy: You know, we have a nickname, too. It’s “Blutesy”.

Blinky: I like it!

Bob: Hey, where’s the “Bob” in that?

.

Well, thanks Billy Bush, Cutesy, Blinky and Bob for the interview. And thanks for leaving behind an autographed copy of OH NUTS!

One lucky US resident will win it, just leave a comment to be entered! A winner will be randomly selected one week from today. Good luck!

And don’t forget to check out the rest of Tammi Sauer’s books. I mean, there must be a million of them now.

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