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We who work in children’s literature speak a language all our own. No, I’m not talking about “simultaneous submissions” or “stet”. You’ll see what I mean when you read the Kidlitionary!
Blubbergasted
When you cannot believe someone has never read a Judy Blume book.
Barnett Storming
Publishing a dozen best-selling, critically-acclaimed books within a ridiculously short time frame.
Caldecutt (or Caldenott)
Being snubbed for a Caldecott honor.

Carpe Read’em
Seize the books.
Dahlings
Fans of Roald Dahl, particularly those of the female persuasion.
Karma
When good things come to you after reading a Karma Wilson book.
Kate Plus Eight
When Kate DiCamillo appears on Betsy Bird’s blog.
Lichtenhold
The hug a child gives to a picture book they love. Most commonly witnessed with books by Tom Lichtenheld.
Meter Maids
Rhyming geniuses who fix meter problems, most notably Corey Rosen Schwartz and Tiffany Strelitz Haber.

Motown
Northampton, Massachusetts, home to Mo Willems.
Raiders of the Last ARC
Book bloggers and eBay sellers who grab the last BEA or ALA ARCs before librarians can.
Revisionist History
The multiple Word docs that exist for one picture book manuscript.
Rexipe
When you have all the ingredients to create a stellar picture book. “Way to be like Adam! You’ve got the Rexipe.”
Santatigans
1. Jocularity and mayhem caused by reading a Dan Santat book.
2. Fans of Dan Santat.
3. Jocularity and mayhem perpetrated by Dan Santat.

Selznicked
When someone is not acknowledged for his or her contribution. “They didn’t thank you. Man, you were Selznicked!” (Origin: 2012 Oscars.)
Shel Shocked
The despair and horror you feel after taking a terrible author head shot.

Swagger
The feeling of superiority while scoring awesome SWAG from your favorite author.
Wiesner
The wisdom that accompanies creating a wordless picture book spread. “You’d be Wiesner to leave the text out.”
Zka Syndrome
Confusing Jon Scieszka with Jarrett J. Krosoczka. Relax; this is a curable condition. Related affliction: confusing Peter Brown with Peter Reynolds (but it doesn’t have as cool a name).

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Got an entry for the Kidlitionary? Please leave it in the comments!
“Don’t use art notes,” is what you may hear as a new writer.

It’s not that editors don’t like art notes. It’s just that many new writers want to dictate illustrations that do not require direction.
For instance, you shouldn’t pick what your character looks like. Red hair, blue shirt, green sneakers, pigtails, etc. are not for you to decide. The editor of Mary Ann Hoberman’s THE SEVEN SILLY EATERS thought the characters should be animals, like crocodiles. Marla Frazee, the illustrator, thought they should be people, and she was right. She even made the mother a cello player, which was not in the text, but it added a delightful layer to the mother’s personality. The options were wide open—the author never described the characters’ appearance.
The exception to this rule is when your character’s appearance is crucial to the story, like FRECKLEFACE STRAWBERRY. Although the title pretty much says it all, right?
You must trust that your editor and illustrator have ideas for what your scenes should look like. Better ideas than you. Leave the art direction to them (and the art director). Writing that the house has a front porch, or that the cat is calico, or that the car is yellow is all unnecessary. Again, unless that car needs to be yellow for your story to work.
But you will no doubt read picture books with subversive text—where the character is doing completely opposite what the words say. Or books with text so spare, the action comes thru only in illustration. These are times when your text requires art notes. SCREAMS for them.

But if you have an art-heavy manuscript, where much of the story relies upon the illustrations, how do you submit it? Putting the art notes in [brackets and italics] is typically the way to go. However, too many art notes can interrupt the flow of the story. It gets difficult to read and comprehend.
So what do you do?
Maybe…submit your manuscript in grid format.
What?! But Tara, I’ve NEVER heard of this before.
I know, me neither. But my agent just submitted a manuscript like this. I was skeptical at first, but then I realized the grid was the best no-nonsense way to present the text with the illustrative mayhem. Yes, this book has MAYHEM. And FRACAS and PANDEMONIUM, too.
Here’s what the grid looks like in manuscript format:

The header includes your name, contact details and a word count.
Then the title (in caps) and your byline.
There is a general art note at top which introduces the story idea. Moreover, it states the art notes are “intended as a guideline.” Again, as an author, you cannot rule over all that is picture in picture books.
Next comes the grid. On the left is the story text, on the right appears “rough art direction.” Notice we said “rough” because they are only suggestions for the editor to understand the story. Remember that the illustrator may create something even better, funnier, more poignant. Remember the CELLO.
The grid continues for as long as it takes to tell your story. Typically one or two more manuscript pages.
Please note this isn’t a standard way to submit, it only serves as an example of what one author and her agent did. It’s like the photos on the front of frozen food boxes that say “serving suggestion”.

Now if you’ll excuse me, I suddenly became very hungry.
I know you’ll probably say, “Tara, you had me at Peter Brown…”, but you will no doubt flip at the entire spectacular line-up of authors, illustrators, editors and other kidlit professionals I’ve secured for this November’s Picture Book Idea Month, affectionately known as PiBoIdMo ’round these parts.
PiBoIdMo challenges picture book writers to create 30 new story ideas in 30 days. Read the full scoop here.
Plus, we have an adorable mascot this year: Doodle! She’s the doggie pal of artist-couple Peter Harren and Kayla Skogh (who are equally adorable), and she’ll be making several cameos throughout the month of November!

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PiBoIdMo will kick-off on October 24th with registration plus a guest post from…
That’s right! One lucky former PiBoIdMo participant will win a guest blogging spot to write about how past events have inspired you, what you’ve done to gear up for the event, and how you sort through that fat file of ideas to pick ones to pursue.
To be eligible:
- Blog about PiBoIdMo and what it means to you.
- Link back to this blog post.
- Leave a comment on this blog post telling me you’ve done so.
- Complete all of the above by October 15th.
I will read all your entries and pick the blogger who most exemplifies the spirit of this annual event.
And now, without further ado, here are your PiBoIdMo guest bloggers!
Peter Brown
James Burks
Priscilla Burris
Dianne de Las Casas
Kelly DiPucchio
Amy Dixon
Kate Dopirak
Ame Dyckman
Donna W. Earhardt
Marcus Ewert
Deborah Freedman
Tiffany Strelitz Haber
Peter Harren
Charise Mericle Harper
Julie Hedlund
Leeza Hernandez
Carter Higgins
Ward Jenkins
Mike Jung
Ella Kennen
Diane Kredensor
Emma Ledbetter, Assistant Editor, Atheneum
Kelly Light
Deb Lund
Tracy Marchini
Wendy Martin
Diana Murray
Laura Murray
Debbie Ohi
Carol Rasco, CEO of RIF
Aaron Reynolds
Laura Sassi
Liz Garton Scanlon
Corey Rosen Schwartz
Kayla Skogh
Tammi Sauer
Mr. Schu, School Librarian & Kidlit Book Blogger
Melissa Sweet
Will Terry
Audrey Vernick
Robert Weinstock
Tamson Weston, Editor & Consultant
Timothy Young
And while you’re waiting for registration to begin on October 24th, why not join our PiBoIdMo Facebook group? Connect with other participants and picture book professionals, chat about the event and other writerly topics.
Stay tuned for more PiBoIdMo announcements in the coming days!
Two books with exclamation points in the title!
So now we have two winners whom I hope will have exclamation points burst over their heads!

The winner of ROBOT ZOMBIE FRANKENSTEIN! is:
Brianna Soloski!
The winner of OH NUTS! is:
Maria Johnson!
Ladies, look out for an email from me.
And tomorrow everyone’s a winner because I’m announcing the guest-blogging line up for November’s PiBoIdMo! Exclamation point palooza!!!!

Yes, it’s finally here!
Congratulations to my great friend, picture book champion and critique partner, Corey Rosen Schwartz. And a round of applause for Dan Santat, whom I knew would be the perfect illustrator for this story.
My rating? Five stars, of course. (And I’m not just saying that. It’s a rollicking good read! Just ask the NY Times.)
Order your copy today!
IndieBound
Amazon
Barnes & Noble
Special thanks to illustrator Kayla Skogh for the Photoshop help! (Check out her illustrative work, she’s amazing!)
No, that’s not an ostrich, it’s an EMU.
See, besides this crazy blog, I also belong to EMU’s Debuts, which is even nuttier because it’s run by debut kidlit authors repped by the Erin Murphy Literary Agency. (Get it? Erin MUrphy?) And we’re one bizarre bunch. (C’mon, we named our blog after an Australian flightless bird. It’s worse than vegemite, mate.)
We did something today that took a lot of NERVE for the release of Jeanne Ryan’s YA debut!
We’re playing “Truth or Dare”, video style!
Check it out because I make a complete fool of myself!
(Which, ya know, is pretty easy to do.)
I call my video “Truth or Date”.
If you can, please leave a comment (I realize that’s difficult while making the cuckoo-sign) because we’re hoping to get more comments than ANOTHER BLOG who DARED us to this challenge!







Billy: Wow, so great to see you Cutesy, Blinky and Bob, stars of OH NUTS! Thanks for stopping to talk. You look fabulous. Tell us, who are you wearing?




Annette Simon says that when she was in kindergarten, she was named Best Artist in her class. When she was in the third grade, she won her school’s Fire Prevention Week poster contest. After she graduated from the University of Cincinnati’s College of Design, Architecture, Art and Planning, Annette earned awards as an advertising creative director. Now, she writes and draws for young readers. Simon says she could not feel more honored. Learn more about her books at 













