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Poor, sad, neglected blog!
I’ve been whisking off to school visits and conferences, but I’ve not been too busy to blog. Too lazy, perhaps. And I have an avalanche of awesome authors and illustrators waiting for me to post about their books. I need a swift kick in the pantaloons.
Remember when Twitter was introduced, “they” dubbed it a micro-blogging platform? (“They” are always busy, have you noticed?)
Well, I’ve been micro-blogging. Here are some recent tidbits of #pubtips…
Don’t follow me on Twitter?
Let’s fix that, shall we? (Does that make us a “they”?)
And now, here are “they” who won recent giveaways here:
Cate Berry’s PENGUIN & SHRIMP DON’T DO BEDTIME
Amanda Sincavage
Tracy Marchini’s CHICKEN WANTS A NAP
Carole Calladine
Troy Cummings’ CAN I BE YOUR DOG?
Kara Newhouse
Congratulations, winners! I will email you shortly…
This list of literary agents on Twitter is mostly comprised of kidlit agents, and it isn’t comprehensive, and some are no longer agents…but all are worthy of a follow. They are in no particular order.
Know other literary agents on Twitter? Please post a comment and I’ll periodically add to the list.
You can also find this list here: http://twitter.com/#!/taralazar/literary-agents/
LovethePippins
Pippin Properties
We are a boutique literary agency dedicated to the management and representation of the finest authors and artists working today.
KSonnack
Kelly Sonnack
Children’s agent for the Andrea Brown Literary Agency.
ElanaRoth
Elana Roth
Brooklynite, children’s book agent, Squarespace support specialist, semi-pro Jew, bourbon drinker. I work for lots of people. None of these tweets are theirs.
MarieSuzetteYA
Marie Suzette
At work, I’m a literary agent focusing on the YA genre, and I have to bite my tongue. On Twitter, I’m the anonymous Marie Suzette, who says whatever she wants.
EpsteinLiterary
Kate Epstein
Literary agent representing nonfiction for adults and nonfiction and fiction for YA and MG readers I tweet mainly advice for writers and updates on my books.
AlannaLitAgent
Alanna Ramirez
Alanna Ramirez is a literary agent with Trident Media Group.
Michael Stearns
edwardnecarsulm
Edward Necarsulmer
Director and Principal Agent, Children’s Department, McIntosh & Otis, Inc.
Janet Reid
barrygoldblatt
Barry Goldblatt
JuliaChurchill
Julia Churchill
We’re the Greenhouse Literary Agency, a transatlantic agency specialising in children’s fiction.
Adams Literary
SarahGreenhouse
Sarah Davies
Founder and agent of children’s/YA at Greenhouse Literary Agency, based in DC and London. Dachsund-slave, photographer, lover of history and wild places.
MandyHubbard
Mandy Hubbard
Agent with D4EO Lit and multi-pubbed author writing as Mandy Hubbard and Amanda Grace. I like words. And pasta. Not necessarily in that order.
Sarah LaPolla
seekendall
Sara Kendall
Literary assistant and junior associate at Nancy Coffey Lit. Lover of books and food. And cupcakes.
Rebecca Sherman

Kathleen Rushall
There’s more to life than books, you know, but not much more. Children’s Literary Agent at Waterside Productions, Inc.
In early March, several literary agents, organized by Colleen Lindsay and Lauren E. MacLeod, participated in QueryFail on Twitter. They sat at their desks, inboxes open, a pile of envelopes at their side, and then read queries one-by-one, Tweeting examples from undesirable letters: “I know that I have attached a file, but please have a read even though it’s against your policy.”
Lesson #1: follow submission guidelines.
Lesson #2? Even though many writers felt QueryFail was interesting and helpful, there was a considerable backlash from those who felt it was unfair to share query letters meant only for the agents’ eyes. But listen, if you’re an aspiring author, that means you want your words to go into print someday. You have to be ready for the criticism. If you’re not confident about sharing your query letter, perhaps you should try writing another one.
QueryFail2 was all set for yesterday, but it didn’t happen. Instead, we got QueryDay. The guidelines were supposedly the same, but the tone was decidedly different. Agents opened the floor to questions from writers, making QueryDay an interactive event. And because writers became participators, I doubt that anyone who witnessed QueryDay had anything negative to say about it.
Several positive spins emerged. Elana Roth of Caren Johnson Literary Agency announced her first QueryWin of the day early on. She requested “a YA light sci-fi novel. Strong query. Good voice in sample pages.” She was also impressed with a “Smart cookie author/illustrator: did not attach art to email, but pointed me to link of her art online. Win.”
Later on Ms. Roth passed on “a 3,000 word picture book” and a “YA novel set in college. Still on the fence about that. And only 39,000 words.” Writers, you need to know the proper word counts for your genre.
Agents also provided tips. Rachelle Gardner offered, “This may be hard to hear, but I suggest you avoid being in a rush to get published. Take TIME to develop your craft.” Later she confessed, “A query that makes me laugh is a great thing! Whether or not the book is for me, it definitely gets my attention.”
Agent Lauren MacLeod shared information on her preferences: “For the record, I prefer not published to self-published. For me, self-published has to try harder. Others feel differently.” She then explained, “Why my self-pubbed position? 1) I assume it has already been widely rejected by agents, 2) might have already exhausted the market.”
Some themes and suggestions emerged repeatedly, like submitting polished work. Lauren MacLeod announced, “I assume you have edited your work, have a writers group and have shown this to someone who likes it.” Later on, Colleen Lindsay said, “A writer needs to get the manuscript into the best shape possible before querying. An agent’s job is not to handhold or coddle or boost a writer’s self-esteem. An agent’s job is to sell the manuscript.” Editor Kate Sullivan presented this caveat, “Remain open-minded and be ready to revise. You need to be open to changes every step of the way.” Even a polished manuscript can be improved.
The most important thing learned from QueryDay is really quite basic: write a sharp query and follow guidelines.
And just how much time does an agent devote to your query? Lauren MacLeod answered, “A query that is to our guidelines, within normal word count range and my genre? About 5 minutes. These are rare.”
She then summed it up: “More important than anything: WRITE A GOOD BOOK. Good writing, good plot & good voice trump all.” Rachel Gardner agreed, “Fiction writers…it’s ALL about the writing. Nothing’s as important as what’s on the page. If it rocks, nothing else matters.”
Got that? Now if only the word “good” weren’t so subjective…
I collected a number of questions and answers from QueryDay that other writers may find useful. I’ll post separately…coming very soon.