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BUGS MAKE IT BIG IN GRAPHIC NOVELS…HERE’S HOW
by Aaaron Reynolds & Neil Numberman
(Interior. Aaron Reynolds, a writer of children’s books and graphic novels, is sitting at his writing desk. He’s typing, but suddenly stops when a shadow falls over his screen. It’s a kid, about ten or eleven.)
Aaron: (looking up) Hey.
Kid: Hey. Whatcha doin’?
Aaron: Um…writing. Who are you? What are you doing in my writing room?
Kid: I’m just some random kid.
Aaron: Ah. A random kid in my writing room. Okay.
Kid: Yeah. Act like I’m not here. (pause…Aaron starts to get back to work, but is interrupted) Aren’t you an author?
Aaron: (turning back around) Ignore you, huh? That’s gonna be tricky. Yeah. I write kid’s books and graphic novels.
Kid: Graphic novels? Like comic books?
Aaron: Kinda.
Kid: Whatcha writing now?
Aaron: An article about how a graphic novel gets made, but I wanted to write it LIKE a graphic novel, so that’s what I’m doing.
Kid: But…there’s no pictures. A graphic novel has lots of pictures.
Aaron: Not at first. Not mine anyway.
Kid: What?
Aaron: Seriously. I don’t draw.
Kid: I must have the wrong house then. I thought the dude that lives here makes graphic novels.
Aaron: I do. But I don’t draw them….I write them.
(Kid pauses while he thinks about this, then…)
Kid: That’s messed up.
Aaron: No, it’s not.
Kid: You can’t make a graphic novel without being able to draw.
Aaron: Well, I do. Like my new graphic novel…it’s called Joey Fly, Private Eye…
Kid: Way to work that in there. Nice plug. Smooth.
Aaron: Yeah, thanks. Well, Joey Fly starts out like this. A script, just like this one.
Kid: Just the stuff people say?
Aaron: Mostly. I also write in what I see happening in each scene.
(Kid flops into a big cushy chair and puts his feet on Aaron’s writing desk, makes himself at home. He looks at Aaron like he’s lost his mind.)
Aaron: See? Like that. It’s called “stage directions.”
Kid: Oh cool! Like actions and stuff!
Aaron: Yeah, exactly.
Kid: Do it again.
(Kid gets up, kind of excited now. He’s putting it all together in his head, but then he notices a fresh sandwich on Aaron’s desk. Goes over, lifts the bread…he’s kinda hungry…but decides he doesn’t like tuna. Flops back down in the chair.)
Kid: Hey, that’s awesome how you made me do all that stuff! And I do hate tuna.
Aaron: It’s a script. In the graphic novel, I write the story. I come up with the characters. In Joey Fly, Private Eye, I create what happens, what characters are in it, all that stuff. Then I put it into a story…a script like this.
Kid: But it’s not a graphic novel. No pictures.
Aaron: Not yet. It will be soon. But first, I break it into panels.
Kid: Panels?
Panel
Aaron: Like this. Chunks. How I imagine it will get broken into boxes in the finished graphic novel. This helps me figure out the flow and pacing of the story, helps me cut extra junk that’s not needed, and helps the illustrator figure out how he’s gonna lay out the pictures on the page.
Panel
Kid: Cool. I notice you use lots of words like “gonna” and “whatcha” and stuff. My Language Arts teacher would go nuts on you for that.
Panel
Aaron: Yeah, well… I try to write how people really talk. I think that’s important, especially for a graphic novel. It all depends on the character. Like, Joey Fly says some gonnas, but he also uses lots of detective-y phrases…
Panel
Joey: Life in the bug city. It ain’t easy. Crime sticks to this city like a one-winged fly on a fifty-cent swatter.
Panel
Aaron: Like that. That’s his opening line in the book.
Kid: Okay, that’s pretty funny.
Panel
Aaron: Well, I try.
Panel
Kid: But it’s still not a graphic novel.
Panel
Aaron: Man, for a random kid who shows up in my writing room, you’re seriously pushy.
Panel
Kid: Do you know many eleven-year-olds? We’re all like this.
Aaron: That’s right. Not being one, I forget sometimes.
Panel
Aaron: Well, now that it’s all broken into panels, I give it to my publisher. And once she’s happy with it, she sends it off to the illustrator and he starts drawing.
Panel
Kid: You tell him what to draw?
Aaron: No.
Panel
Kid: You tell him what the characters should look like?
Aaron: No.
Panel
Kid: What do you tell him?
Aaron: Nothing. Most of the time, we never even meet.
Panel
(pause…the kid’s mouth is hanging open.)
Panel
Kid: That is seriously messed up.
Panel
Aaron: That’s how it works. Unless you are the writer and the illustrator (which I’m not…I don’t draw, remember?), that’s how it works.
Panel
Kid: So what happens then?
Aaron: The illustrator looks at it and begins to sketch out what he thinks the characters look like.
Panel
Aaron: Like, for Joey Fly, Private Eye, the illustrator is a guy named Neil Numberman.
Panel
Neil: Hey kid. What’s up? Hey Aaron.
Panel
Aaron: Hey Neil. So, Neil might decide after reading this script that you look like this:
Panel
Kid: That’s me?
Neil: Yep.
Panel
Kid: You made me a bug!
Neil: Well, we’re talking about Joey Fly, Private Eye, so I’m thinking in bugs. It’s my job to use my imagination, to come up with my ideas of what Aaron’s characters and story look like.
Panel
Kid: Cool.
Panel
Neil: And as I start drawing and figuring out what it all looks like, Aaron’s story moves away from being a script and I start creating real characters…
Neil: …and pretty soon, I take Aaron’s written words and begin to put them into the mouths of the characters I’ve created.
Aaron Reynolds is a human, not a bug, but he often writes about bugs. He is the author of Chicks and Salsa, Superhero School, Buffalo Wings, and, of course, the Joey Fly, Private Eye graphic novels.
Neil Numberman is a termite currently residing in New York City. Joey Fly, Private Eye is his first graphic novel, but he is also the author/illustrator of the picture book Do NOT Build a Frankenstein.
So there you are, folks. That’s how to make a graphic novel. Thanks, Aaron & Neil. (And Joey & Sammy, too.)
PiBoIdMo’ers, maybe you’d like to approach your next picture book idea in graphic terms. Your story doesn’t have to be a novel to fit the format. Author/illustrator Sarah Dillard penned Perfectly Arugula in this style, with perfect results.
So, how’s it going today?
[UPDATE: PiBoIdMo 2010 sign-up has begun. Do not sign up on this post. Go to the PiBoIdMo 2010 kick-off post, scroll to the bottom and leave a comment to sign up.]
It’s here! Picture Book Idea Month!
Welcome!
Sharpen those pencils, open a Word document, grab a crayon. It doesn’t matter what you use, what matters is that you get an initial idea down. You might get such a great idea you can’t help but write the story immediately, or you might just record the first entry in this month’s idea file and leave it for a future burst of creativity.
I had so much fun doing this last year, but I was all by myself. I’m happy to have you join me. Four of the ideas from November 2008’s idea file turned into picture book manuscripts and one is out on submission. I expect you to have even better results.
So how is this going to work?
Stop here once a day in November for a new inspirational little tale. We’ll have guest bloggers and giveaways. And at the end of the month, if you’ve collected 30 ideas, you’ll get a PiBoIdMo badge for your blog (based on the logo above by Ryan Hipp) and a special super-secret prize. (You’ve guessed it, “super-secret” is code for “I don’t know what it is yet.”)
Now, get out of your seat.
That’s right.
I advocate butt-in-chair for getting writing done, but now I want you to jump up.
Go lift up that area rug.
Peek underneath.
What would you expect to find there? Footprints, dust bunnies, a penny, a plastic board game piece missing since 2003?
What would you NOT expect to find there?
Now go stand in the far corner of the room.
(Don’t worry, you’re not being punished.)
Turn around and face the room.
Have you ever looked at this room from this angle? Probably not. What’s different about the room?
Now run outside.
(You get a rain check if it’s pouring.)
Stand beneath a clump of trees.
What would a child create out of this little spot? Now imagine this same clump of trees in a different season. Did the child’s creation change?
OK, I hear you breathing hard. You’re tired of running around. And your neighbors are starting to gossip.
I think you get the point.
Change your perspective. Do things differently this month.
If you walk your kids to school every day, take a different path.
If you shop at a particular grocery store, go to a different one.
Start looking at your world from strange new angles.
When we settle into a routine, we take things for granted. The teaspoon you use to stir your morning coffee is just a spoon, but Amy Krouse Rosenthal turned that spoon into the main character of a picture book.
Go sit now.
Open your notebook or Word document.
Write something down—a working title, a character’s name, a location, an unusual object. Something that may someday sprout into a story. You don’t have to write the story now, you just have to file the idea away for another day.
And you don’t have to stop at one idea a day. If you get a non-stop flicker of flashbulb moments, just keep writing.
All month long that idea file will grow. Maybe today’s idea will connect with an idea on November 14th and you’ll start building a plot in your head. Who knows? Anything can happen this month.
That’s the idea.
So, how’s it going?
Mirror Book by Heidi Swapp
Dear Vanity Press,
Your website stinks.
I can find more books on an archeology dig than on your site.
Your home page caters to would-be authors instead of book buyers.
Listen, I know your business model depends on signing authors rather than selling books, but at least give book selling a try. I’m sure you have some talented authors. Unfortunately, you make buying books a bothersome activity.
For instance, why do you distribute a press release without a direct link to the book you’re announcing?
Why is the search on your home page broken? I entered the exact title but got:
Can’t find what you’re looking for? Learn more about self-publishing by requesting a free publishing guide.
Thanks, but I’m interested in buying a book. You know, those papery, bound things you publish?
And when I do finally locate the book’s page, why is the excerpt always blank?
Do you think someone is going to buy a $31.99 children’s picture book without browsing a few pages first?
I’m here to tell you: no. Frankly, I don’t know any parent who would spend $32 on a picture book. Even Robert Sabuda’s gorgeous feats of pop-up acrobatics cost less.
I would like to support self-published authors, really I would. But you’re making it impossible.
Regretfully,
A Book Lover
Who doesn’t love Cheerios? Little circles of oat goodness! The TV show “Glee” pays homage to Cheerios by naming their cheerleading squad after the superior cereal. And since we’re already cheering, let’s whoop it up for the Spoonfuls of Stories program! Cheerios distributes 6 million children’s stories in its specially-marked bookish boxes. Bravo!
Well, I do love Cheerios.
When I’m not hating them.
You see, my love/hate relationship with the ubiquitous toddler treat runs deep—deep in my carpeting, that is.
So for the new parents out there, take heed. Sure, run out and buy What to Expect When You’re Expecting. But then, expect Cheerios to be on your grocery list for a lifetime, so pay attention to these lessons:
- Do not purchase carpeting that is the same color as Cheerios. My sand-colored shag disguises stray O’s. We’re endlessly grounding whole grain cereal into the fibers and getting little circles stuck to the bottom of our feet.
- Do not enter the ceramic tile of your kitchen with said Cheerios attached to your heels. You will go flying. It won’t be pretty. (Hey Mom, is that a new dance?)
- Do not buy Cheerios at Costco. The enormous box won’t fit into any cabinet. You will be forced to let it live on the kitchen floor, within easy reach of a newly-walking toddler. You will soon have 5,392 Cheerios dumped onto your floor…with 5,391 rolling under the refrigerator. All the money saved by buying in bulk will be beneath your icebox.
- Do not buy fruity Cheerios in rainbow colors to solve the carpeting dilemma. They will not be eaten, these strange, colorful cereal mutations. Instead, necklaces will be made. Bracelets. They look so beautiful glued to construction paper. If you lick them and press them against the wall, look—they stick!
- Murphy’s Law of Cheerio Consumption: if you place one Cheerio at a time on the baby’s tray to avoid cereal being thrown on the floor, she will eat each quickly and cry for more. If you put more than one on the tray, they will be immediately swiped onto the ground. (Corollary: number of Cheerios provided to your child is inversely proportionate to their hunger.)
I’m sure you other parents have your own Cheerio life lessons. Please share them! (The lessons, not the Cheerios. I have enough all over my floor to make a meal, thankyouverymuch.)
P.S. While I have your attention, please vote for the books to be included in the 2010 Spoonfuls of Stories program. Me, I like Bear’s New Friend by Karma Wilson and The Hair of Zoe Fleefenbacher Goes to School by Laurie Halse Anderson.
Corollary
What makes you pluck a picture book off the shelf? A clever title? The author’s name? What about a charming little girl on the cover, stirring a delicious pot of noodles? That’s what got to me with Cora Cooks Pancit by Dorina K. Lazo Gilmore.
Maybe it’s because I love to cook. Maybe the bright little dot that said “Recipe Included!” spoke to me. (And, by the way, the recipe is delicious!)
But more than anything, vibrant primary colors and Cora’s smiling eyes drew me in. Illustrator Kristi Valiant’s paintings evoke a warm feeling as Cora cooks a traditional Filipino dish with her mama for the first time.
Cora is the youngest of many children and always gets the kiddie kitchen tasks, like licking the spoon clean. Valiant’s opening scene shows the family from Cora’s point of view, as she sits on the floor with the family dog. We see her family from the waist down, spread along the kitchen counter, performing their duties. It’s amazing how Valiant can make the poses so varied and expressive, only working with half a body. Some of the pencil lines remain, creating an illusion of movement—the bustle of the family kitchen.
Valiant’s image presents the conflict immediately: little Cora is not involved with family meal preparation. We feel Cora’s longing to be a “real cook.”
One day when her siblings leave the house, Cora asks to cook with Mama. Mama lets Cora choose the dish. Cora wants pancit.
Mama tells the story of how her own father taught her to make pancit, and Cora feels proud when she gets to wear her Lolo’s red apron.
What follows is a delightful, heart-warming exchange between mother/teacher and daughter/student. Valiant’s illustrations are spot-on, from facial expressions to body language. She gets every detail just right. Even Cora’s feet, slightly off-balance, reveal her trepidation as she prepares the noodles. Sunlight streams in through the kitchen window, framing Cora and Mama in a scene that highlights the special bond created with family tradition.
As usual, I won’t reveal the story’s ending. There’s an oopsie along the way, but there’s also a beaming Cora.
I was so impressed with this book’s illustrations, I asked Kristi Valiant for an interview. Luckily, she agreed to talk to me about the making of Cora and other fun illustration stuff. Watch for it soon!
Cora Cooks Pancit
Text by Dorina K. Lazo Gilmore
Illustrations by Kristi Valiant
Shen’s Books, Spring 2009
Want it? Sure you do!
Last year I attended the Rutgers University Council on Children’s Literature One-on-One Plus conference. (Phew! That’s a mouthful. How ’bout I just say RUCCL from now on?)
It was my first big conference. It was my first conference, period. I thought I was prepared. I don’t get nervous in large crowds of people, nor do I find it difficult to go right up to someone and chat. And I love public speaking and performing. I’m not easily intimidated.
But, when I arrived, I realized it. I hadn’t fully prepared myself.
The day went by quickly. Those organizers pack the event chock full of excellent speakers and interesting topics. (See my post-conference notes from last year.) The time you have to meet people is the time it takes to walk from one presentation to another.
I didn’t get the opportunity to talk to many editors or agents. True, I had only just begun to write for children, and thus, I didn’t know who I should be chatting with anyway.
So I decided that I would try to help other first-timers. Here’s a list of lessons I learned last year. I hope they help you make the most of your day.
1. Research the faculty in advance.
2008 RUCCL mentors arrive
Find out which editors and agents are interested in the kind of work you produce. Make a list of their names, and if possible, look up their photos online. No, I’m not encouraging anyone to be a stalker! There are 80 professionals mixing it up with 80 attendees, all wearing name tags. If you don’t want to squint at people’s chests all day trying to figure out who is who, go online and see if you can find a photo to recognize people by sight.
Approach editors/agents only during appropriate moments. Don’t interrupt another attendee or tap the editor’s shoulder while they’re taking a big honking bite of sandwich. You should know that the restroom is a no-no! The best time you’ll have to approach professionals is between sessions. Another good time is when they announce where mentors and mentees should meet. (They will announce pairings via alphabetical order and ask “A-F” to meet in a specific area, like near the fireplace.) When I went to find my mentor for my 45-minute session, I didn’t immediately see her…because another attendee had already pulled her aside to talk.
And I’ll say it: lunch is a good time to talk. They will seat mentors at numbered tables that correspond with the five-on-five assignments. Although not everyone sits in the right place, it will be easiest to find people during lunch. But again, if someone is chomping on chicken salad, it’s probably not a good time to interrupt.
Why is it important to talk to the faculty directly? Because they may not accept your submission post-conference if you don’t make contact. Now that’s contrary to what I had heard about conference submissions, but I did get one submission returned after RUCCL, citing that they don’t accept unsolicited manuscripts. (Yes, RUCCL was clearly marked on the envelope and in the cover letter.)
So find editors. Ask if you may submit. Ask for a business card. Don’t give them yours unless they ask. Be professional, courteous, polite and to the point! There’s not a lot of time, so don’t ramble. Which brings me to my next lesson…
2. If you know your manuscript needs direction, say so.
My submission last year was a novel I had only recently begun. I was not yet clear on the plot or direction. But when my mentor asked me about it, I meandered. I had two general ideas of the possible direction in my head, but I wasn’t certain which path I should take. Instead of asking my mentor what she thought, I tried to make it sound like I was clear. And I obviously was not.
Another attendee had it right. She told me, “I explained to my mentor that I had started the novel but stopped because I was stuck. I told her I wasn’t sure the direction it should take. She then gave me some very good ideas and we brainstormed the possibilities.”
3. Don’t be afraid to speak up and ask questions.
During the five-on-five, the mentees had an opportunity to ask questions of the professional panel. But our discussion leader asked questions off a prepared, suggested list of topics. They weren’t necessarily the questions I wanted answered, but I didn’t speak up and ask what was on my mind.
Remember, this is your day. The conference is arranged to help you, the mentee, take the next step in your career. So if you don’t find the topics to be of interest, speak up. Politely interject and ask if you can introduce a question instead.
Mixing it up at lunch
4. Prepare a list of questions.
Questions about your submission, questions about the market, questions about the publishing house, questions about your other manuscripts. Whatever questions you have, take them with you. Refer to them. If there’s information you want to collect, this is the place to do it.
Another good idea is to bring a list of your manuscripts with one-line descriptions. Even if you just have ideas, ask if they’re good ones. A mentor might tell you to pursue idea A and D but not B or C because of current market dynamics, competition, or other factors (remember, one of those factors might be personal taste).
5. Have fun!
This is your day. It’s a step forward in your career. Enjoy it, use it to your advantage, learn from it. Congratulations and have a great day!
FYI
I added the schedule from last year as I recall it, for those interested in how the day is structured. Please realize this may not be similar to this year.
2008 RUCCL Schedule
• Arrive, get folder with schedule/mentor assignment/faculty bios, read through it, have breakfast, free time to mingle with other attendees
• Introductory speaker (2008, Kay Winters)
• Mentor session
• Panel Discussion (2008, “How a Manuscript Becomes a Book”)
• Lunch
• Five-on-Five Discussion (You, your mentor and four other mentor-mentee pairs)
• Keynote Speaker (2008, K.L. Going)
Picture book brilliance isn’t easy to achieve, as many children’s writers know. Telling a story in 500 words–with page turns that work within a 32-page format–challenges the most talented of writers.
Let’s not forget that a picture book should appeal to both parent and child. Silliness keeps the kids begging “again!” But if a parent thinks the language is too repetitive or annoying, you’ll lose the gatekeeper. (You know, the one with the wallet.)
Sappy stories can attract Mom and Dad, but kids might declare them snoozers. I recall tearing up at a lovely, sentimental picture book while my daughter rolled her eyes. “Mom, what is wrong with you?”
So what makes a great picture book that both parent and child can call a favorite?
A balance between humor and heart, imagination and reality.
That Rabbit Belongs to Emily Brown by Cressida Cowell and Neal Layton has it all.
Emily and her stuffed pal Stanley explore the world together–they scuba-dive, swing through the rain forest, and launch into outer space. But they are constantly interrupted by a rat-a-tat-tat on their garden door. Her Royal Highness Queen Gloriana’s guardsmen keep insisting that Emily give her Bunny-Wunny to the matriarch. It is the Queen’s decree!
Now, the Queen tries to be fair about it. She offers all these new-fangled toys in exchange, upping the ante each time Emily refuses. But the Queen’s toys are “stiff and new and gold and horrible…with staring eyes and no smile at all.” Once it’s clear that Emily will not trade Stanley, the Queen resorts to extreme measures.
Emily awakens the next morning without Stanley! She knows who’s behind his disappearance and marches straight to the palace. But the Queen is not happily playing with her Bunny-Wunny. She’s crying over him.
That silly, naughty Queen had Stanley re-stuffed and washed, turning him an odd pink color. They were both miserable.
As usual, I won’t tell you how it ends. You’ll just have to pick it up for yourself. And cuddle with it. And go on adventures together. Wear out the pages a bit.
That Rabbit Belongs to Emily Brown celebrates the special bond between child and toy. Almost everyone had a lovey, that one thing we couldn’t live without, dragged by a leg to grocery stores and Grandma’s. This story reminds adults that there’s still a kid inside us, longing to curl up with our own flip-floppy stuffed rabbit.
Luckily we can snuggle with a cute kid instead, reading Emily Brown over and over and over again.
That Rabbit Belongs to Emily Brown
Written by Cressida Cowell
Illustrated by Neal Layton
Hyperion Books for Children
Want it? Sure you do!
Remember those embarrassing dance moves your Aunt Myrna unveiled at Cousin Frannie’s wedding? She flapped her arms, wiggled her tush and tumbled onto the parquet floor?
Well, that’s not this chicken dance.
No siree, this Chicken Dance is a brilliant barnyard romp featuring two hilarious hens and their idol Elvis Poultry, thank you. (Thankyouverymuch.)
Author Tammi Sauer grew up on a Kansas farm, tending cows at dawn. Those daybreak chores paid off, ’cause this little lady sure knows how to milk the humor.
According to henhouse pals Marge and Lola, Elvis Poultry is a hunk of bawking love. When the barnyard talent show is announced, the pair discover the grand prize is two tickets to Elvis’ Final Doodle Doo concert tour. They must win!
But the ducks waddle by and wave a wing at the hopeful hens. “Don’t bother, drumsticks.” Seems ducks are top dog at this farm.
Marge and Lola test out their talents but the ducks quack at every failed attempt. When Marge and Lola finally hit the stage–following solid goat, pig and cow acts–they stammer and gulp. A duck heckles, “What’s the matter? Are you chicken?” so they begin to flap, shake and bawk. Just regular chicken stuff, nothin’ fancy. But the crowd loves it and crows for more.
The next spread features Marge and Lola performing dance moves that would make Aunt Myrna shake in her boots. They vogue, point like John Travolta, domo arigato misuta robotto, and walk like an Egyptian. Illustrator Dan Santat makes chickens boogie better than So You Think You Can Dance finalists.
I can’t reveal the contest results, as that would spoil all the feathery fun. But I will tell you that Elvis is in the building. Err, I mean barn.
The jokes even extend beyond the story, with end pages that demo step-by-step “Disco Chicken” and “Chattanooga Choo Choo” dance moves. Funky album covers replace the typical staid author and illustrator photos.
Yes, just one look at the blinged-out, white-caped Elvis Poultry on the front cover, and you know this ain’t your Aunt Myrna’s paltry poultry impersonation.
Can’t get enough of the silliness?
Publisher Sterling Kids is holding a video contest now through October 31. Just shake your tail feathers along to the official music and post your hoe-down on YouTube.
And tell them Elvis Poultry sent ya.
Chicken Dance
Written by Tammi Sauer
Illustrated by Dan Santat
Sterling Kids, August 2009
Want it? Sure you do!
Come visit a new website that lets kids spread their storytelling wings.
Storybird is “collaborative storytelling for family and friends.” When I first heard the tagline, I scratched my head. What is this all about? Then I got the beta tester invite. And I played on the site for hours. Days. My daughter begged, “Mommy, can we make another Storybird?”
So what is this high-flying new creature?
Storybird helps you create a tale with an intuitive book-like interface and a whimsical selection of artwork. (We’re not talking stick-figures here. These are high-quality images from some of the most talented “undiscovered” children’s illustrators today, like Irisz Agocs and Victoria Usova.)
Select an artist’s work to begin. A page appears in the center of the screen, surrounded by thumbnail images. Simply drag and drop an image onto a page, then write text to accompany the picture. Add as many pages as you like and you’ll soon have a bonafide book—one that looks professional, one that can be read online over and over again. You can choose to keep your Storybird private, or you can share it with the Storybird community. And they can read it online over and over again.
But the smartest feature of Storybird brings family and friends together. Is Grandma in Gary, Indiana? Cousin Kate in Kalamazoo? You can invite them to write a page in your story. Or two pages. There’s no limit…and what’s better, there’s no fee to join Storybird. According to CEO Mark Ury, “Making, sharing, and reading Storybirds online will always be free. Printing and premium services—when we introduce them later this year—will have a fee associated with them.”
Read this Storybird
(Uhh, Mark, could you please hurry up with that? My daughters want a copy of The Runaway Rabbit in their hands right away.)
Other planned features include the ability to: choose artwork based upon theme, upload your own images, and record your voice to accompany Storybirds. For those on the go, an iPhone app is coming, too.
What’s more, Storybird wants your ideas to improve and enhance the service. The site has only been live for 6 days, but educators in over 100 countries have already asked for a multi-user platform to help teach literacy skills in classrooms. Ury says his company is working on a teacher log-in that would enable students to work under that account without having to submit their information. Storybird be nimble, Storybird be quick.
And Storybird be popular! Some stats from their not-quite-a-week online:
- 1,000 users in 100+ countries
- 8,000 unique visits
- 76,000 page views
- 7-minute average visit
- some Storybirds viewed 325+ times each
Families and teachers will see enormous benefits in Storybird, as will artists. Storybird creates a marketplace to share your work and develop a fan following. If you’re an aspiring children’s illustrator, I encourage you to sign up.
So what are you waiting for? Slide a kid onto your lap and flap your wings on over to Storybird. (Or, if you’re like me, you don’t even need a kid. The child inside you will have plenty of fun on her own!)
Kidlit Book Trailers
Bookselling is changing rapidly with advances in technology and the belt-tightening economy. Publishers and authors are having an ongoing discussion of electronic rights, trying to anticipate the future of digital books.
But the forces of technology aren’t all daunting. Heck, authors are having a blast creating book trailers to promote their titles. What better way to capture the attention of an increasingly online, plugged-in audience?
Award-winning storyteller Dianne de Las Casas has created a Ning community for sharing and discussing kidlit book trailers. Authors are invited to post their trailers and other videos (like a school visit). Bibliophiles can browse the selections to discover great reads.
http://kidlitbooktrailers.ning.com
Haven’t seen a book trailer? Here’s a gorgeous one from the site: Where the Mountain Meets the Moon by author/illustrator Grace Lin.
The Unread
Here’s where you cover your ears because I’m gonna toot my own horn. Picture book author Heather Ayris Burnell (Bedtime Monster, Raven Tree Press 2010) interviewed me for her Unread series of aspiring authors. As you may have guessed, there’s almost as much talk about food as there is about books.
Besides Unread, Heather’s blog is dedicated to author interviews, book reviews and being a writer and librarian. So there’s lots of reasons to visit regularly.
http://frolickingthroughcyberspace.blogspot.com/2009/08/unread-interview-with-tara-lazar.html
Mitali Perkins’ Fire Escape
I am in awe of this woman. Not only is Mitali Perkins an amazing novelist, she shares the most compelling kidlit news and information via Twitter and her blog, with special emphasis on multi-cultural issues. If you haven’t visited, you really need to.
http://www.mitaliblog.com
http://twitter.com/mitaliperkins
Meet Eric Carle
August 23, 2009 marks Eric Carle’s 80th birthday and there’s a big bash at The Eric Carle Museum of Picture Book Art in Amherst, MA. Crayola will unveil “The Very Hungry Caterpillar Green” crayon as part of the celebration. Wow, getting a crayon named after your work. Now that’s iconic.
http://www.carlemuseum.org/Programs_Events/Upcoming/Meet_Eric_Carle/
Sudipta Bardhan-Quallen’s Picture Book Intensive
On November 15, picture book author Sudipta (yes, she has earned one-name status) will lead a four-hour picture book intensive workshop in Princeton, NJ for the NJ-SCBWI.
Some topics she’ll cover:
- Choosing Timeless Themes
- Ebb & Flow of Tension
- Creating Emotional Attachment to the Main Character
- Finding Ways to Make Your Book Re-Readable
- Humor and Heart
- Query Letters
- Marketing
I know I’ll be there!
For more info:
http://sudiptabq.wordpress.com/2009/08/10/picture-book-writing-intensive-workshop/
To Register:
http://www.newjerseyscbwi.com/events/091115-pbintensive.shtml
Do you have any can’t-miss kidlit links to share?
Writing for Kids (While Raising Them) 