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This list of literary agents on Twitter is mostly comprised of kidlit agents, and it isn’t comprehensive, and some are no longer agents…but all are worthy of a follow. They are in no particular order.

Know other literary agents on Twitter? Please post a comment and I’ll periodically add to the list.

You can also find this list here: http://twitter.com/#!/taralazar/literary-agents/

Pippin PropertiesLovethePippins
Pippin Properties
We are a boutique literary agency dedicated to the management and representation of the finest authors and artists working today.

Kelly Sonnack

KSonnack
Kelly Sonnack
Children’s agent for the Andrea Brown Literary Agency.

Jamie Weiss Chilton

Jamie Weiss Chilton
Agent, Andrea Brown Literary Agency, shameless caffeine addict, farmer for Marbles, my gray and white rescue bunny.

Jen Rofe

Jen Rofe
Children’s lit agent with Andrea Brown who dreams about being a bakery-owning cowgirl. Nevermind that I don’t bake much or have a horse.
Steven Malk
Literary agent with Writers House musing on publishing, music, and sports–not necessarily in that order.

The McVeigh Agency

The McVeigh Agency (Mark McVeigh)
A boutique literary agency representing authors, illustrators, graphic novelists and photographers.

Donald Maass

Donald Maass
President of Donald Maass Literary Agency in New York, author of Writing the Breakout Novel, The Fire in Fiction and other craft books for fiction writers.

SlushPile Hell

SlushPile Hell
Literary agent. Supervillain.

Kathleen Ortiz

Kathleen Ortiz
Associate Agent & Foreign Rights Manager; Books + Chai + Tech. = Life

Joe Monti

Joe Monti
Children’s & YA, F&SF, Literary Agent & Hero Myth Cycle believer.

Joanna Volpe

Joanna Volpe
NYC lit agent and lover of pizza.

Michelle Wolfson

Michelle Wolfson
I’m a literary agent. Check out my site and if you think we’re a fit, let me know. Otherwise just support my authors and buy their books!

The Knight Agency

The Knight Agency
Our talented agents include Deidre Knight, president, Pamela Harty, Lucienne Diver, Nephele Tempest, Elaine Spencer and Melissa Jeglinski.

Kate McKean

Kate McKean
Literary Agent, www.morhaimliterary.com Image (c) William G. Wadman

DeidreKnight

DeidreKnight
Literary Agent and New York Times bestselling author of romance/women’s fiction who loves to travel to far away places, mentally and geographically.

Mary Kole

Mary Kole
Kidlit enthusiast and associate agent at Andrea Brown Literary Agency!
TracyMarchini
Editorial Consultant, former Literary Agent Assistant, freelance copywriter.

Suzie Townsend

Suzie Townsend
book lover, former HS teacher, literary agent, sci-fi/fantasy nerd, and owner of an unused $6000 wedding dress. love my life.

Michelle Andelman

Michelle Andelman
Dark Lady of Letters

Upstart Crow

Upstart Crow
We’re a brusquely friendly literary agency.

Chris Richman

Chris Richman
Kid’s book agent, music snob, Philadelphia sports fanatic.

Michael Bourret

Michael Bourret
Literary Agent, bran muffin enthusiast and nerdy cat person

Nathan Bransford

Nathan Bransford
Author of JACOB WONDERBAR AND THE COSMIC SPACE KAPOW (coming in May)

Colleen Lindsay

Colleen Lindsay
Publishing browncoat. Cat herder. Queer human. Professional nerd. TARDIS fan. Athlete’s foot survivor. Part of Penguin Group (USA) Business Development team.

Jessica Faust

Jessica Faust
literary agent, blogger, business owner, book lover and foodie

Kim Lionetti

Kim Lionetti
Literary Agent representing women’s fiction, romance, mystery, true crime, pop culture and pop science.

Ginger Clark

Ginger Clark
I am a literary agent. I work at Curtis Brown. I respond only to queries I’m interested in. This twitter account will be boring.

holly root

holly root
literary agent, theater wife, cat person, iphone addict.

Lauren E. MacLeod

Lauren E. MacLeod
A literary agent @strothmanagency with an emphasis in YA and MG fiction and nonfiction. Opinions are my own.

jennifer laughran

jennifer laughran
literary agent at andrea brown lit, children’s bookseller, reader, raconteur, eccentric multi-millionaire and patron of the arts… and some of those are lies

Jill Corcoran

Jill Corcoran
Literary Agent with Herman Agency representing primarily MG and YA authors.

Rachelle Gardner

Rachelle Gardner
Literary agent, firefighter’s wife, mom of two awesome girls, Starbucks freak.

Elana Roth

ElanaRoth
Elana Roth
Brooklynite, children’s book agent, Squarespace support specialist, semi-pro Jew, bourbon drinker. I work for lots of people. None of these tweets are theirs.

Marie Suzette

MarieSuzetteYA
Marie Suzette
At work, I’m a literary agent focusing on the YA genre, and I have to bite my tongue. On Twitter, I’m the anonymous Marie Suzette, who says whatever she wants.

Kate Epstein

EpsteinLiterary
Kate Epstein
Literary agent representing nonfiction for adults and nonfiction and fiction for YA and MG readers I tweet mainly advice for writers and updates on my books.

Alanna Ramirez

AlannaLitAgent
Alanna Ramirez
Alanna Ramirez is a literary agent with Trident Media Group.

Michael Stearns

mikalroy
Michael Stearns 

Literary agent. A bit obsessive compulsive about words and writing, books and pop culture.

Edward Necarsulmer

edwardnecarsulm
Edward Necarsulmer
Director and Principal Agent, Children’s Department, McIntosh & Otis, Inc.

Janet Reid

Janet_Reid
Janet Reid 

Writer wrangler. President of the Fabulosity Fan Club. Reader. Easily annoyed, often amused, devoted NYer. I love my job more than makes any kind of sense.

Barry Goldblatt

barrygoldblatt
Barry Goldblatt

Julia Churchill

JuliaChurchill
Julia Churchill
We’re the Greenhouse Literary Agency, a transatlantic agency specialising in children’s fiction.

Adams Literary

adamsLiterary
Adams Literary 

A full-service, boutique literary agency exclusively representing children’s and young adult authors and artists.

Sarah Davies

SarahGreenhouse
Sarah Davies
Founder and agent of children’s/YA at Greenhouse Literary Agency, based in DC and London. Dachsund-slave, photographer, lover of history and wild places.

Mandy Hubbard

MandyHubbard
Mandy Hubbard
Agent with D4EO Lit and multi-pubbed author writing as Mandy Hubbard and Amanda Grace. I like words. And pasta. Not necessarily in that order.

Sarah LaPolla

sarahlapolla
Sarah LaPolla 

Associate Literary Agent at Curtis Brown, Ltd., pop culture junkie, writing enthusiast, all around book nerd.

Sara Kendall

seekendall
Sara Kendall
Literary assistant and junior associate at Nancy Coffey Lit. Lover of books and food. And cupcakes.

RebeccaSherman

RebeccAgent
Rebecca Sherman
Literary Agent at Writers House. Midwesterner transplanted to NYC. Musical theater loving, pop culture addict vegetarian.
Kathleen Rushall KatRushall
Kathleen Rushall
There’s more to life than books, you know, but not much more. Children’s Literary Agent at Waterside Productions, Inc.
Taylor MartindaleTayMartindale
Taylor Martindale
Literary Agent with the Sandra Dijkstra Literary Agency Proudly representing YA, children’s picture books, and some adult projects!

Congratulations to the 198 participants who completed the 30-ideas-in-30-days challenge! I hope the inspirational exercise you started this November will continue through December and creep into the new year. (Hmm…creeping into the New Year. Did I just get another idea?)

Three lucky grand prize winners will receive feedback from picture book agents. Each winner is encouraged to write a 30-second pitch for their five best ideas, which you will email to your assigned agent no later than December 6th. Winners, please await an email from me with further instructions. If you do not receive an email from me by the end of today, please contact me.

So without further ado…

Congratulations, Jeanne Balsam!

You’ve been paired with Ammi-Joan Paquette of Erin Murphy Literary Agency.

Hooray for Diandra Mae!

You’ve been paired with Kelly Sonnack of Andrea Brown Literary Agency, Inc.

Squee, Dana Carey!

You’ve been paired with Joanna Volpe of Nancy Coffey Literary & Media Representation.

If you didn’t win one of the grand prizes, don’t worry! There are more winners to be announced. Coming up next, winners of the manuscript critiques in a separate post.

One winter morning in 1976, my father was reading the Sunday paper when he stumbled across an ad for ice-skating lessons. He snapped the paper in front of me and asked, “It says you have to be able to skate across the length of the ice to sign up. Can you skate across the ice?”

“Of course I can skate across the ice,” I said, and then gulped a spoonful of oatmeal.

A minute later he was on the phone, registering me. What on earth made  him believe a five year-old who had never put on a pair of skates could cross a slippery arena, I’ll never know. But I was excited to begin lessons and I imagined zooming around in circles, faster than everyone at South Mountain.

The next week I proudly stepped onto the ice in my new skates.

And promptly fell.

And fell again.

And again.

Then I learned to hold onto the side. And then I learned what it’s like to hit the boards AND the ice. And this was in the days before helmets.

A guard helped me off the ice. She told my father I could not be in group lessons. I thought I might cry. Then she suggested I spend a private lesson with her, learning to skate. My father agreed and by the end of the lesson, I was indeed moving across the ice.

I took group lessons every winter for a few years, earning my USFSA patches faster than everyone else. And when I had completed those patches, they told me I was ready for a coach and private lessons–lessons my family could barely afford.

I went for one private lesson and waited for my coach in the corner, practicing simple figures. The older skaters yelled at me because, unbeknown to me, I was hogging the JUMP corner. I was trying to stay out of the way, but I was totally screwing up their double lutzes.

And then when my father heard what time the coach wanted me at the arena–5:30am twice a week–that was the end of private lessons.

Over the years, I skated recreationally instead, going to the arena once a week and trying to teach myself. I was able to do a scratch spin and a waltz jump, crossovers in every direction, and a few fancy turns. But my real desire was to compete. I always thought…some day.

That day came as an adult. As soon as I had my own money, I took lessons. And like I had done as a child, I quickly moved up through the ranks. I hired a coach. I competed. And I won. In 2002, I competed at Adult Nationals in Ann Arbor, Michigan, after winning Gold at Eastern Sectionals and two other Golds, a Silver and a Bronze in other competitions that year. It was a dream come true.

I thought–if I can do this, I can do anything.

And now, here I am today, accepting an offer of literary representation. Skating gave me the confidence to pursue another dream, that of becoming a published children’s author. And now I’m one step closer to that dream.

I’m here to tell you–work hard, believe in yourself and your talents, find a great critique group and writer friends who support you, and go for it!

You will stumble. You will fall. But brush yourself off and soon you’ll hit your stride–or in my case–glide!

OK, excuse the bad rhyme in the title. I told you before, I don’t write rhyming picture books. (I hear you breathing a sigh of relief. Me too.)

Kidlit agent Mark McVeigh is running a contest on his new blog. Well, it’s not really a contest, it’s a give-away. Of his time. Find 10 friends to follow his blog and he’ll give you a 15-minute Skype or phone chat.

So, if you follow him, let me know by leaving a comment!

(You should follow him. Don’t make me come over there and beg. It won’t be pretty.)

Without further ado (I know you’ve been waiting all day), here are the PiBoIdMo Grand Prize winners! With the help of Random.org, winners were selected from the eligible pool of 51 picture book writers who signed the PiBoIdMo pledge.

Grand Prize Winner #1:

AUNTIE FLAMINGO! You have been assigned to agent Jill Corcoran of Herman Agency Inc.

Grand Prize Winner #2:

AMBER ALVAREZ! You have been assigned to agent Lauren E. MacLeod of Strothman Agency.

Grand Prize Winner #3:

LONI EDWARDS! You have been assigned to agent Elana Roth of Caren Johnson Literary Agency.

Congratulations to the three winners! You’ll receive an email soon with instructions asking you to contact your assigned agent by December 7th. So start picking out your 5 best ideas!

Congratulations to everyone else who completed the month with 30 ideas. It was quite a challenge and YOU DID IT! Please come back next week! There will be a winner badge for your blog and more prizes: the Karma Wilson signed book, Jennifer Swanson signed book, and the Naoko Stoop prints.

Thanks again to everyone for making PiBoIdMo a success! See you next year! (Um, well, I hope I see you before that! Lots more kidlit goodies to come!)

OK, time’s up! Do you have 30 new picture book ideas? You do? Excellent! Time to take the PiBoIdMo pledge to qualify for one of our keeno-Yaccarino prizes. (Sorry, there are no Dan Yaccarino books to give away. I just like that phrase.)

I do solemnly swear that I have faithfully executed
the PiBoIdMo challenge, and will to the best of my ability,
parlay my ideas into picture books from the list of 30 I have created.

Now I’m not saying all 30 ideas have to be good. Some may just be titles, some may be character quirks. Some may be problems and some may create problems when you sit down to write. Some may be high-concept and some barely a concept. But…they’re yours, all yours. Small seeds that may sprout into a story.

You have until December 3rd at 11:59:59PM EST to sign the pledge. Remember, this is an honor system pledge. Those who sign will be entered into the random grand prize drawing: review of your best 5 ideas by a literary agent. There are three grand prizes! Thanks to Jill Corcoran of Herman Agency, Inc., Lauren E. MacLeod of Strothman Agency, and Elana Roth of Caren Johnson Literary Agency for volunteering their time and expertise to PiBoIdMo.

In addition, I have two adorable kidlit prints by illustrator Naoko Stoop to give away–something to keep you inspired throughout the year.

Winners will be drawn and alerted on December 4th. Grand prize winners must contact their assigned agent no later than December 7th. Winners will be given full instructions…when they win!

If you’re an illustrator who participated and want to display your artwork, when you sign the pledge, please let me know that I should contact you to collect images. I’ll create a special PiBoIdMo art gallery to showcase your sketches.

Illustrator Ryan Hipp, who so generously created the PiBoIdMo logo and participator badge,  is busy making you an “I did it!” badge to proudly display on your blog. Everyone’s a winner, so it will be posted when the grand prize winners are announced.

Finally, a ginormous THANK YOU to everyone who participated in PiBoIdMo, from the guest bloggers to the aspiring writers and illustrators to the authors and agents. This has been a inspiring month full of creativity and imagination and, not to sound corny, but I couldn’t have done it without your support and enthusiasm!

*Sniff, Sniff*

So enough of the sappy stuff, go sign the pledge. When you leave a comment, be sure to put your email address in the email field so I know how to contact you. You do not have to put your email address in the comment itself. And, you do not have to submit your 30 ideas–they are yours. Treasure them. Just your name and “I did it!” will suffice. Let everyone see your virtual John Hancock. Or maybe that should be a virtual Jon Scieszka?

Today, bookish Brooklynite Elana Roth of Caren Johnson Literary Agency agreed to join PiBoIdMo to offer grand prize number THREE.

If you haven’t checked the prize announcement page, please do! It’s been updated with Elana’s information and the tentative prize schedule.

I’m also planning to give away books and other goodies, so stay tuned. I’ve got more figuring to do. And you’ve got ideas to flesh out.

trophybookRemember when I promised PiBoIdMo’ers that if you ended the month with 30 ideas, there would be a special prize? But I just hadn’t figured it out yet?

Well, it’s been figured.

Everyone who takes the December 1st PiBoIdMo pledge (“I do solemly swear that I have 30 ideas stashed in a Word doc, doodled in a notebook, or scrawled on the back of grocery receipts”) will be placed in a random drawing for a grand prize:

A literary agent will review your best five ideas and suggest the picture book concepts worth pursuing.

(What did you think? That I would let your ideas sit around the house in their jammies all day? Well, maybe YOU can but your ideas shouldn’t. This prize will dress them up and get them out into the world. In other words, it will help you decide which ideas should become manuscripts.)

The agent will tell you if an idea has been done before or if it’s unique and well-suited to today’s market. Then the writing is up to you. This isn’t a critique, but simply an agent’s best professional opinion regarding which ideas are worth your time. And time is gold in this industry.

And just when you thought it couldn’t get any better, there’s THREE grand prizes!

One winner will be assigned to Jill Corcoran of Herman Agency Inc.,one will be shipped off to Lauren E. MacLeod of Strothman Agency, and the third gets Elana Roth of Caren Johnson Literary Agency. Thanks to the agents for their time (remember, time=gold) and expertise!

So, as you’re formulating your ideas this month, make an effort to flesh them out. The agents will want at least a sentence about each concept. You can only send five ideas if you win a grand prize, so polish them like you would a trophy! A grand prize trophy!

To recap:
December 1st: Take the PiBoIdMo “30 ideas in 30 days” pledge
December 4th: Grand prize winners chosen at random from pool of pledgers, receive agent assignment
December 7th: Grand prize winners must contact agent by today
December 14th: Grand prize winners receive feedback by today (this date subject to change)

Last year I attended the Rutgers University Council on Children’s Literature One-on-One Plus conference. (Phew! That’s a mouthful. How ’bout I just say RUCCL from now on?)

It was my first big conference. It was my first conference, period. I thought I was prepared. I don’t get nervous in large crowds of people, nor do I find it difficult to go right up to someone and chat. And I love public speaking and performing. I’m not easily intimidated.

But, when I arrived, I realized it. I hadn’t fully prepared myself.

The day went by quickly. Those organizers pack the event chock full of excellent speakers and interesting topics. (See my post-conference notes from last year.) The time you have to meet people is the time it takes to walk from one presentation to another.

I didn’t get the opportunity to talk to many editors or agents. True, I had only just begun to write for children, and thus, I didn’t know who I should be chatting with anyway.

So I decided that I would try to help other first-timers. Here’s a list of lessons I learned last year. I hope they help you make the most of your day.

1. Research the faculty in advance.

rucclmentors

2008 RUCCL mentors arrive

Find out which editors and agents are interested in the kind of work you produce. Make a list of their names, and if possible, look up their photos online. No, I’m not encouraging anyone to be a stalker! There are 80 professionals mixing it up with 80 attendees, all wearing name tags. If you don’t want to squint at people’s chests all day trying to figure out who is who, go online and see if you can find a photo to recognize people by sight.

Approach editors/agents only during appropriate moments. Don’t interrupt another attendee or tap the editor’s shoulder while they’re taking a big honking bite of sandwich. You should know that the restroom is a no-no! The best time you’ll have to approach professionals is between sessions. Another good time is when they announce where mentors and mentees should meet. (They will announce pairings via alphabetical order and ask “A-F” to meet in a specific area, like near the fireplace.) When I went to find my mentor for my 45-minute session, I didn’t immediately see her…because another attendee had already pulled her aside to talk.

And I’ll say it: lunch is a good time to talk. They will seat mentors at numbered tables that correspond with the five-on-five assignments. Although not everyone sits in the right place, it will be easiest to find people during lunch. But again, if someone is chomping on chicken salad, it’s probably not a good time to interrupt.

Why is it important to talk to the faculty directly? Because they may not accept your submission post-conference if you don’t make contact. Now that’s contrary to what I had heard about conference submissions, but I did get one submission returned after RUCCL, citing that they don’t accept unsolicited manuscripts. (Yes, RUCCL was clearly marked on the envelope and in the cover letter.)

So find editors. Ask if you may submit. Ask for a business card. Don’t give them yours unless they ask. Be professional, courteous, polite and to the point! There’s not a lot of time, so don’t ramble. Which brings me to my next lesson…

2. If you know your manuscript needs direction, say so.

My submission last year was a novel I had only recently begun. I was not yet clear on the plot or direction. But when my mentor asked me about it, I meandered. I had two general ideas of the possible direction in my head, but I wasn’t certain which path I should take. Instead of asking my mentor what she thought, I tried to make it sound like I was clear. And I obviously was not.

Another attendee had it right. She told me, “I explained to my mentor that I had started the novel but stopped because I was stuck. I told her I wasn’t sure the direction it should take. She then gave me some very good ideas and we brainstormed the possibilities.”

3. Don’t be afraid to speak up and ask questions.

During the five-on-five, the mentees had an opportunity to ask questions of the professional panel. But our discussion leader asked questions off a prepared, suggested list of topics. They weren’t necessarily the questions I wanted answered, but I didn’t speak up and ask what was on my mind.

Remember, this is your day. The conference is arranged to help you, the mentee, take the next step in your career. So if you don’t find the topics to be of interest, speak up. Politely interject and ask if you can introduce a question instead.

Mixing it up at lunch

Mixing it up at lunch

4. Prepare a list of questions.

Questions about your submission, questions about the market, questions about the publishing house, questions about your other manuscripts. Whatever questions you have, take them with you. Refer to them. If there’s information you want to collect, this is the place to do it.

Another good idea is to bring a list of your manuscripts with one-line descriptions. Even if you just have ideas, ask if they’re good ones. A mentor might tell you to pursue idea A and D but not B or C because of current market dynamics, competition, or other factors (remember, one of those factors might be personal taste).

5. Have fun!

This is your day. It’s a step forward in your career. Enjoy it, use it to your advantage, learn from it. Congratulations and have a great day!

FYI
I added the schedule from last year as I recall it, for those interested in how the day is structured. Please realize this may not be similar to this year.

2008 RUCCL Schedule
• Arrive, get folder with schedule/mentor assignment/faculty bios, read through it, have breakfast, free time to mingle with other attendees
• Introductory speaker (2008, Kay Winters)
• Mentor session
• Panel Discussion (2008, “How a Manuscript Becomes a Book”)
• Lunch
• Five-on-Five Discussion (You, your mentor and four other mentor-mentee pairs)
• Keynote Speaker (2008, K.L. Going)

Remember #QueryFail? If you want to land a book contract, don’t send a letter like this to an editor or agent. Sung to the tune of “Paperback Writer” by The Beatles, here’s a pop parody with a cautionary theme.

♫ Picture book writer (picture book writer) ♫

To whom it concerns, will you buy my tale?
I’m a stay-home Mom with degrees from Yale.
It’s an alphabet book based on Mother Goose,
And I’ve much to teach so I want to be a picture book writer,
Picture book writer.

It’s a didactic yarn of a wise old sow
Chased by vampire ducks and a zombie cow.
I’ll outsell Mo Willems and Dr. Seuss,
I was in movies but I want to be a picture book writer,
Picture book writer.

♫ Picture book writer (picture book writer) ♫

It’s six thousand words, give or take a few,
My cousin’s friend can illustrate it, too.
I have a twelve-book series that’s told in rhyme,
My three kids love it and I want to be a picture book writer,
Picture book writer.

If you sign me right now, you can be the first,
It’s been e-mailed to hundreds, including Hearst.
If you must reject it, please don’t send a form,
I need your critique and I want to be a picture book writer,
Picture book writer.

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