by Kelly DiPucchio

For many years I did a school visit presentation on voice.  I’d begin by reading a line or two from popular books that I felt had distinct voices and then I’d ask the students to guess the titles. They always got them right!

So how do you create an unforgettable voice for your manuscript? I suppose the process is a little different for every writer but here are a few things I’ve discovered over the years.

1. Let the voice come to you.

I usually let my ideas percolate for several weeks before writing down a single word. During this waiting period the story is being worked out in my head and in the process, it’s forming its own personality. This personality continues to grow until one day it becomes too large to contain and the story (and its unique voice!) is literally told to me, not by me.

2. Never try to copy someone else’s writing voice.

It just doesn’t work and it’s not very honorable. However, you can (and must!) study other voices. Doing this might cause you to feel annoying pangs of envy. I can’t even begin to tell you how often I swoon and sigh and lament that a particularly charming voice in a book is not my own. The envy eventually turns into admiration and I’m inspired to work even harder at improving my craft.

3. Don’t try too hard.

If you try to force an overly clever voice it’s going to come across sounding disingenuous or convoluted and there’s a good chance you’ll end up ruining your story.

4. Less can definitely be more.

Sometimes writing short, punchy lines without a lot of frills can create the loudest, most memorable voices. A minimalist approach gives the illustrations more room to shine and tell the story.

5. Be flexible.

Personally, I don’t have much luck changing the voice in a story after it initially comes to me. I kind of feel like the story is telling me who it is and who am I to disagree? However, if for whatever reason, the manuscript is missing a spark, you may need to consider a new approach. Many stories that initially came to me in rhyme were eventually rewritten in prose. I almost always despise the non-rhyming version at first, but if I push through and give myself some time to adjust, I usually end up liking it better than the original.

I didn’t set out to write a story about telepathy and the value of listening in my new picture book, POE WON’T GO. I thought I was writing a story about a stubborn elephant. But more often than not, I’m just a passenger when it comes to writing the first draft of any new story. I’m not entirely sure where the omniscient voice in my head is going to take me and I learned a long time ago it’s better to just relax and go along for the ride.

I thought it would be fun to ask Zachariah OHora, the illustrator of POE WON’T GO, for his thoughts behind the creation of the art of our new picture book and this is what he had to say:

First off, I’ve been a huge fan of your work, so I was pinching myself that we actually were doing a book together! After the happy delirium wore off a bit and I had time to think about the story. I started thinking about elephants and pink elephants like those from Dumbo. Delirium Tremens. A symbol of hallucination. And it made me think about how some of our problems can be a collective hallucination and that if we talked it out we could solve it.

At the same time I was sketching it out, the White House was trying to ban people coming in from a seemingly random list of countries. All Muslim countries though, and they were obviously stirring up some racial and ethnic hatred. Which gave me the idea that the main character Marigold would wear a hijab and she would hold the solution for solving the town’s collective hallucination/problem.

And the solution is listening, right? 

Speaking someone else’s language, or stepping into their shoes.

Try to understand what they are struggling with or worried about.

The small town of Prickly Valley then became a stand in for the whole world, which is why they are illustrated as impossibly diverse for a town that has only one light and intersection.

Each group of people tried and failed to solve the problem in how they were trained, usually by some form of force.

I had a lot of fun illustrating these constructions, some of which were in the text but there were plenty of others that were left wide open for anything I could think of. I got to illustrate four pages of text that were just:

“Remarkably, that plan failed as well. 

As did this one. 

And that one. 

Nope. Nothing doing.  

Seriously?”

What a gift for the illustrator! To have the openness to be surprised by the outcome.

That kind of generosity of spirit and trust which leaves room for real collaboration is the solution!

Marigold would approve!

Thank you, Zach! It’s been a true honor for me to work with you on POE WON’T GO. I couldn’t love it more. And thank you, Tara, for generously giving us both a voice here on your blog!

Thanks, Kelly, for teaching us how to speak elephant. And now, the elephant will sound the trumpet because we are giving away a copy of POE WON’T GO to a lucky blog reader who comments below.

One comment per person, please.

A winner will be randomly selected in a couple weeks.

Good luck!

Kelly DiPucchio is the New York Times bestselling author of twenty-eight picture books for kids including Grace For President, Zombie In Love and Gaston. Visit Kelly at kellydipucchio.com or connect with her on Twitter @kellydipucchio.

Zachariah OHora is an award-winning illustrator and author. His work has appeared in numerous publications, including The New York Times, The Atlantic, and Bloomberg Business Week, and on posters and record covers. He lives and works in Narberth, Pennsylvania, with his wife and sons. Visit him at zohora.com or connect with him on Twitter @ZachariahOHora.