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Hush little baby, don’t say a word.
Mama’s found a book that beats the herd.
It’s got a little dragon and his mum.
She’s finding food for him, and not just crumbs.
A knight, a queen and a magician.
Yes, those folks are good nutrition.
Set to the tune of a sweet lullaby,
That author Boni Ashburn is awfully sly.
Please excuse my forced rhyme here,
Boni’s verse is better, don’t you fear.
In fact, that couplet with “nutrition”
Is the author’s, not my addition.
My three year-old just loves this book,
Hush Little Dragon boasts quite the hook.
So rush right out and grab this title,
Sorry I have nothing to rhyme with title.
Let me repeat just one more time,
Boni’s verses are better than mine.
Hush little baby, don’t say a word.
There’s a Hush sequel and maybe a third?
If Boni keeps writing books like this,
Kids everywhere will have reading bliss.
Hush, Little Dragon
Story by Boni Ashburn
Illustrations by Kelly Murphy
Abrams Books for Young Readers, March 2008
Want it? Sure you do!
Mirror Book by Heidi Swapp
Dear Vanity Press,
Your website stinks.
I can find more books on an archeology dig than on your site.
Your home page caters to would-be authors instead of book buyers.
Listen, I know your business model depends on signing authors rather than selling books, but at least give book selling a try. I’m sure you have some talented authors. Unfortunately, you make buying books a bothersome activity.
For instance, why do you distribute a press release without a direct link to the book you’re announcing?
Why is the search on your home page broken? I entered the exact title but got:
Can’t find what you’re looking for? Learn more about self-publishing by requesting a free publishing guide.
Thanks, but I’m interested in buying a book. You know, those papery, bound things you publish?
And when I do finally locate the book’s page, why is the excerpt always blank?
Do you think someone is going to buy a $31.99 children’s picture book without browsing a few pages first?
I’m here to tell you: no. Frankly, I don’t know any parent who would spend $32 on a picture book. Even Robert Sabuda’s gorgeous feats of pop-up acrobatics cost less.
I would like to support self-published authors, really I would. But you’re making it impossible.
Regretfully,
A Book Lover
Who doesn’t love Cheerios? Little circles of oat goodness! The TV show “Glee” pays homage to Cheerios by naming their cheerleading squad after the superior cereal. And since we’re already cheering, let’s whoop it up for the Spoonfuls of Stories program! Cheerios distributes 6 million children’s stories in its specially-marked bookish boxes. Bravo!
Well, I do love Cheerios.
When I’m not hating them.
You see, my love/hate relationship with the ubiquitous toddler treat runs deep—deep in my carpeting, that is.
So for the new parents out there, take heed. Sure, run out and buy What to Expect When You’re Expecting. But then, expect Cheerios to be on your grocery list for a lifetime, so pay attention to these lessons:
- Do not purchase carpeting that is the same color as Cheerios. My sand-colored shag disguises stray O’s. We’re endlessly grounding whole grain cereal into the fibers and getting little circles stuck to the bottom of our feet.
- Do not enter the ceramic tile of your kitchen with said Cheerios attached to your heels. You will go flying. It won’t be pretty. (Hey Mom, is that a new dance?)
- Do not buy Cheerios at Costco. The enormous box won’t fit into any cabinet. You will be forced to let it live on the kitchen floor, within easy reach of a newly-walking toddler. You will soon have 5,392 Cheerios dumped onto your floor…with 5,391 rolling under the refrigerator. All the money saved by buying in bulk will be beneath your icebox.
- Do not buy fruity Cheerios in rainbow colors to solve the carpeting dilemma. They will not be eaten, these strange, colorful cereal mutations. Instead, necklaces will be made. Bracelets. They look so beautiful glued to construction paper. If you lick them and press them against the wall, look—they stick!
- Murphy’s Law of Cheerio Consumption: if you place one Cheerio at a time on the baby’s tray to avoid cereal being thrown on the floor, she will eat each quickly and cry for more. If you put more than one on the tray, they will be immediately swiped onto the ground. (Corollary: number of Cheerios provided to your child is inversely proportionate to their hunger.)
I’m sure you other parents have your own Cheerio life lessons. Please share them! (The lessons, not the Cheerios. I have enough all over my floor to make a meal, thankyouverymuch.)
P.S. While I have your attention, please vote for the books to be included in the 2010 Spoonfuls of Stories program. Me, I like Bear’s New Friend by Karma Wilson and The Hair of Zoe Fleefenbacher Goes to School by Laurie Halse Anderson.
Corollary
What makes you pluck a picture book off the shelf? A clever title? The author’s name? What about a charming little girl on the cover, stirring a delicious pot of noodles? That’s what got to me with Cora Cooks Pancit by Dorina K. Lazo Gilmore.
Maybe it’s because I love to cook. Maybe the bright little dot that said “Recipe Included!” spoke to me. (And, by the way, the recipe is delicious!)
But more than anything, vibrant primary colors and Cora’s smiling eyes drew me in. Illustrator Kristi Valiant’s paintings evoke a warm feeling as Cora cooks a traditional Filipino dish with her mama for the first time.
Cora is the youngest of many children and always gets the kiddie kitchen tasks, like licking the spoon clean. Valiant’s opening scene shows the family from Cora’s point of view, as she sits on the floor with the family dog. We see her family from the waist down, spread along the kitchen counter, performing their duties. It’s amazing how Valiant can make the poses so varied and expressive, only working with half a body. Some of the pencil lines remain, creating an illusion of movement—the bustle of the family kitchen.
Valiant’s image presents the conflict immediately: little Cora is not involved with family meal preparation. We feel Cora’s longing to be a “real cook.”
One day when her siblings leave the house, Cora asks to cook with Mama. Mama lets Cora choose the dish. Cora wants pancit.
Mama tells the story of how her own father taught her to make pancit, and Cora feels proud when she gets to wear her Lolo’s red apron.
What follows is a delightful, heart-warming exchange between mother/teacher and daughter/student. Valiant’s illustrations are spot-on, from facial expressions to body language. She gets every detail just right. Even Cora’s feet, slightly off-balance, reveal her trepidation as she prepares the noodles. Sunlight streams in through the kitchen window, framing Cora and Mama in a scene that highlights the special bond created with family tradition.
As usual, I won’t reveal the story’s ending. There’s an oopsie along the way, but there’s also a beaming Cora.
I was so impressed with this book’s illustrations, I asked Kristi Valiant for an interview. Luckily, she agreed to talk to me about the making of Cora and other fun illustration stuff. Watch for it soon!
Cora Cooks Pancit
Text by Dorina K. Lazo Gilmore
Illustrations by Kristi Valiant
Shen’s Books, Spring 2009
Want it? Sure you do!
Last year I attended the Rutgers University Council on Children’s Literature One-on-One Plus conference. (Phew! That’s a mouthful. How ’bout I just say RUCCL from now on?)
It was my first big conference. It was my first conference, period. I thought I was prepared. I don’t get nervous in large crowds of people, nor do I find it difficult to go right up to someone and chat. And I love public speaking and performing. I’m not easily intimidated.
But, when I arrived, I realized it. I hadn’t fully prepared myself.
The day went by quickly. Those organizers pack the event chock full of excellent speakers and interesting topics. (See my post-conference notes from last year.) The time you have to meet people is the time it takes to walk from one presentation to another.
I didn’t get the opportunity to talk to many editors or agents. True, I had only just begun to write for children, and thus, I didn’t know who I should be chatting with anyway.
So I decided that I would try to help other first-timers. Here’s a list of lessons I learned last year. I hope they help you make the most of your day.
1. Research the faculty in advance.
2008 RUCCL mentors arrive
Find out which editors and agents are interested in the kind of work you produce. Make a list of their names, and if possible, look up their photos online. No, I’m not encouraging anyone to be a stalker! There are 80 professionals mixing it up with 80 attendees, all wearing name tags. If you don’t want to squint at people’s chests all day trying to figure out who is who, go online and see if you can find a photo to recognize people by sight.
Approach editors/agents only during appropriate moments. Don’t interrupt another attendee or tap the editor’s shoulder while they’re taking a big honking bite of sandwich. You should know that the restroom is a no-no! The best time you’ll have to approach professionals is between sessions. Another good time is when they announce where mentors and mentees should meet. (They will announce pairings via alphabetical order and ask “A-F” to meet in a specific area, like near the fireplace.) When I went to find my mentor for my 45-minute session, I didn’t immediately see her…because another attendee had already pulled her aside to talk.
And I’ll say it: lunch is a good time to talk. They will seat mentors at numbered tables that correspond with the five-on-five assignments. Although not everyone sits in the right place, it will be easiest to find people during lunch. But again, if someone is chomping on chicken salad, it’s probably not a good time to interrupt.
Why is it important to talk to the faculty directly? Because they may not accept your submission post-conference if you don’t make contact. Now that’s contrary to what I had heard about conference submissions, but I did get one submission returned after RUCCL, citing that they don’t accept unsolicited manuscripts. (Yes, RUCCL was clearly marked on the envelope and in the cover letter.)
So find editors. Ask if you may submit. Ask for a business card. Don’t give them yours unless they ask. Be professional, courteous, polite and to the point! There’s not a lot of time, so don’t ramble. Which brings me to my next lesson…
2. If you know your manuscript needs direction, say so.
My submission last year was a novel I had only recently begun. I was not yet clear on the plot or direction. But when my mentor asked me about it, I meandered. I had two general ideas of the possible direction in my head, but I wasn’t certain which path I should take. Instead of asking my mentor what she thought, I tried to make it sound like I was clear. And I obviously was not.
Another attendee had it right. She told me, “I explained to my mentor that I had started the novel but stopped because I was stuck. I told her I wasn’t sure the direction it should take. She then gave me some very good ideas and we brainstormed the possibilities.”
3. Don’t be afraid to speak up and ask questions.
During the five-on-five, the mentees had an opportunity to ask questions of the professional panel. But our discussion leader asked questions off a prepared, suggested list of topics. They weren’t necessarily the questions I wanted answered, but I didn’t speak up and ask what was on my mind.
Remember, this is your day. The conference is arranged to help you, the mentee, take the next step in your career. So if you don’t find the topics to be of interest, speak up. Politely interject and ask if you can introduce a question instead.
Mixing it up at lunch
4. Prepare a list of questions.
Questions about your submission, questions about the market, questions about the publishing house, questions about your other manuscripts. Whatever questions you have, take them with you. Refer to them. If there’s information you want to collect, this is the place to do it.
Another good idea is to bring a list of your manuscripts with one-line descriptions. Even if you just have ideas, ask if they’re good ones. A mentor might tell you to pursue idea A and D but not B or C because of current market dynamics, competition, or other factors (remember, one of those factors might be personal taste).
5. Have fun!
This is your day. It’s a step forward in your career. Enjoy it, use it to your advantage, learn from it. Congratulations and have a great day!
FYI
I added the schedule from last year as I recall it, for those interested in how the day is structured. Please realize this may not be similar to this year.
2008 RUCCL Schedule
• Arrive, get folder with schedule/mentor assignment/faculty bios, read through it, have breakfast, free time to mingle with other attendees
• Introductory speaker (2008, Kay Winters)
• Mentor session
• Panel Discussion (2008, “How a Manuscript Becomes a Book”)
• Lunch
• Five-on-Five Discussion (You, your mentor and four other mentor-mentee pairs)
• Keynote Speaker (2008, K.L. Going)
Writing for Kids (While Raising Them) 