I’ve pulled together some questions and answers from yesterday’s QueryDay on Twitter. I’ve edited this slightly to make it more readable (there’s more room than 140 characters here). The questions are in no particular order and may not include every response. In fact, I’ve removed answers by writing peers to concentrate on agent advice.

I hope this helps you with your query process. Thanks to all the agents and writers who participated!

Will an agent overlook a title she doesn’t like to request proposal/chapters for a query that otherwise caught her eye?

Rachelle Gardner: It’s all about the writing. The story. Yeah, a title can help or hurt your chances, but not make or break.

What are the rules for resubmitting after lots of revision? (We’re talking years since the original sub.)

Rachelle Gardner: Most important rule on resubmitting after revision: Be honest, say it up front.

Is it best to send a query to a few agents at once or just send them one by one?

Rachelle Gardner: I don’t know of any agents who expect or even want exclusivity on queries. On requested partials, yes.

Scenario: Big publisher has full manuscript. They offer contract. How can one query an agent to represent you in this situation? Is it proper?

Colleen Lindsay: It will depend on the offer. Agents are in it for $$$ too, so if the offer isn’t big enough, we won’t care. It takes as much time to work on a $2000 deal as a $20,000 deal. Not every deal created equally. But you should always have a publishing lawyer look over the contract even if an agent won’t rep you.

Greg Daniel: If I were a writer trying to find the right agent, I’d pay for access to Publishers Marketplace.com.

Regarding requested material: What is it that ultimately kills the YES when you read a partial or full that had potential?

Lauren MacLeod: Actually, it goes the other way. I start with probably no & you can move to yes with great voice & writing.

Rachelle Gardner: TOP reason I say “no” to queries is the story doesn’t sound unique, fresh, exciting. The problem isn’t the query, it’s the book. What kills the YES? That’s where it gets difficult and subjective. Does the story grab me and not let go, or not? What about being told “your writing is good” but still no? Remember–dozens of queries in the pile. Can only say yes to a few.

I’d think it’s better not to compare your book to other books and just let it stand on it’s own, meself.

Rachelle Gardner: Listing comparable books is important, it puts yours in context, shows you know your market, helps agent “get” your book.

Would this put you off – if someone spends years perfecting one novel? Would output be a concern?

Lauren MacLeod: No need to tell me in the first place (nothing to gain), but I expect first novels to have had more polish than 2nd.

Greg Daniel: No, wouldn’t concern me.

Why do publishers/agents even bother with email partials? Why not just take the whole manuscript and stop reading if it’s a dud?

Lauren MacLeod: I ask for email partials to manage expectations. I try and write longer & more involved rejections for fulls.

Having a hard time deciding what genre my novel is, should I leave that part out of query or can you suggest a way to help decide?

Rachelle Gardner: You must include the genre. Publisher, bookstore, consumer all need to know! Find books/websites that discuss genre.

How much of it is really who you know? How much of the process relies on you receiving recommendations?

Rachelle Gardner: Referrals definitely help. That’s why you go to conferences and network like crazy. I appreciate referrals from my current clients, editors I trust, and other friends in the industry.

Elana Roth: Connections help. Half my list is from referral, but the other half is from queries.

Greg Daniel: The only recommendations that make much difference to me are writers who are referred to me by my current clients.

Are most agents from NY or CA? Is it okay to query agents in other places? Are they for real?

Lauren MacLeod: With email and phones agents anywhere can get in contact with editors. First and foremost, pick someone you connect with.

Rachelle Gardner: It’s a good point about agent location. The Internet has made it easier for publishing folks to live anywhere.

Should a fiction writer ever mention their education or academic publications?

Lauren MacLeod: It should be mentioned in your bio, certainly, esp. if you are planning on doing more, but it should be a CV.

I’m worried about being relevant to the market…will the super hero novel I’m writing now still be relevant six months from now?

Lauren MacLeod: A great story with dynamic writing will always be relevant. Write good books, don’t worry about trends.

Do I need an agent to get a great book published?

Lauren MacLeod: Not necessarily, but probably to get it in the hands of the editors at the big houses & to negotiate a fair contract.

What are you looking for when it comes to voice?

Colleen Lindsay: Authenticity.

In my YA query, would you want to know if I’ve been mentored by famous YA author?

Kate Sullivan (editor): YES, I would LOVE to know if you were mentored by a famous, accomplished or great YA author in a query/pitch.