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A few days ago in Think Before You Write, I mentioned that although a picture book is short, it doesn’t take a short time to write:
You whittle down the length so every word packs a punch, while still presenting a compelling page-turner, full of illustrative potential. (Which means you have to leave some things unsaid.)
So what does that mean? Leaving some things unsaid? Well, I’ve found perfect examples from Kathi Appelt. (Yes, Newbery Honoree Kathi Appelt. She knows her stuff.)
Today my daughter asked me to read Appelt’s Bubba and Beau Meet the Relatives, one of our favorite picture books.
Appelt says a lot with a little, meaning she uses a few words to describe a situation, leaving illustrator Arthur Howard to fill in the blanks.
Bubba and Beau Meet the Relatives is about a baby boy, his bloodhound puppy and the Texan family relatives who come to visit one afternoon. Bubba’s Mama Pearl quickly prepares for the relatives’ arrival.
Appelt says: “First Mama Pearl went on a home improvement spree.”
Howard draws: Mama Pearl shoving clothes into a drawer, pushing an overstuffed closet closed, and sweeping Bubba’s toys underneath the bed.
Notice it took 19 words to describe the illustrations, but Appelt only used 9 words to set the scene.
Appelt says: “Then she handed out orders.”
Howard draws: Mama Pearl pointing to a cobweb which Big Bubba swats with a broom, Mama Pearl holding a bag for the bloodhound to put away his bones and balls, Big Bubba vacuuming with Beau riding the cleaner.
And there it took 36 words to describe the illustrations, but Appelt only used 5. (OK, I could have described the art in a tighter fashion, but I think you see my point.)
Later in the story, Appelt introduces “…Cousin Arlene and her dog, Bitsy.”
Appelt says: “Honey, it was froufrou city.”
Howard draws: Cousin Arlene in a frilly pink dress, with a pink bow to match the one atop Bitsy’s fluffy head.
Once again, Appelt’s petite word count packs a humorous punch, with Howard’s illustrations telling half the story.
In our favorite scene of the story, Bubba, Beau, Arlene and Bitsy have just been discovered in the mud hole. “Only one thing to do,” says Big Bubba.
Page turn. (Which means a surprise is coming!)
Appelt says: “Yeehaw, honey! It was a picture-perfect day in Bubbaville.”
Howard draws: The entire family sitting in the back of Big Bubba’s truck, which has been filled with a hose so it’s a southern-style pick-up truck pool.
At kidlit conferences and events I’ve repeatedly heard that picture book writers must leave room for illustrations. Bubba and Beau provides a superior example of how to write a successful tale that inspires brilliant pictures. The words and images work beautifully together like Bogey & Bacall, Astair & Rogers, and Lady Gaga & Elton John. (OK, maybe that last analogy wasn’t so good. But I needed something current.)
If you have a recommendation of a picture book that says a lot with a little, let’s hear it!
A typical day as a newbie writer: sit down at the computer, start writing.
At least, that’s what I did two years ago. I got an idea and I didn’t stop to think: is this a good idea? Is it marketable? Has anyone written something like this before? Nope. I just wrote, motivated by my muse.
And perhaps this was good back then. I was honing my skills, finding the right words, crafting sentences, building stories.
But they were looooong stories. At an average 1,500 words my tales were neither picture books nor chapter books. I insisted I was writing picture storybooks, and I used Patricia Polacco’s body of work as an example of how my stories could be published, not realizing, c’mon, she’s PATRICIA POLACCO.
It took me a while to learn to THINK before I write.
An idea begins. I ponder it. I write down the initial concept. What is my topic—what is this story about on its surface? Bulldozers or ballet dancers or dragons? What is at its heart? Is it about friendship or fitting in or family? Who is my character and what does he want? What is my hook? Can I boil the concept down to one line?
Then I research. Is there anything similar already published? If so, I’ve got to change it up a bit. Or let it go.
I ask myself these important questions:
- Is this picture book marketable?
- Will someone pay $16 to buy it?
Granted, these are difficult questions to answer objectively. Of course you want to believe that everyone will buy your book! But as a mother of two picture book age kids, I know this isn’t the case. If we don’t love reading the book over and over again, I won’t buy it. I try to use my motherly instinct to answer these questions and I think of my other parent friends. (And then I stalk parents in the bookstore and ask them what they think. No, just kidding. But I’m tempted.)
If I can’t answer “yes,” the idea gets filed away for the future, when I can perhaps transform it into something more extraordinary.
If I do answer “yes,” (or even “maybe”) then I create a brief outline or I just write. And I keep the proper length in mind: 500 to 700 words.
Some writers may call this process stifling. But I call it smart. Because if you want to be published, you have to examine these elements before you write. Because although picture books are short, they don’t take a short time to write.
Sure, you may pump out a first draft in a few days, or even less, but picture book revisions could go on for weeks, months, even years until you get it right. You whittle down the length so every word packs a punch, while still presenting a compelling page-turner, full of illustrative potential. (Which means you have to leave some things unsaid.) With all that time invested in a product you want to sell, you’re playing Russian roulette if you haven’t researched the story’s potential first.
It took me a while to learn this, to realize this, so I’m just paying it forward. Many of you are probably nodding your head in agreement. And maybe some of you are waving a finger at me for being a creativity killer.
In any case, I’m eager to hear from both sides! Think or write? Or a hybrid of both?
Parents of the previous generation who wanted to bestow all their mushy, gushy love on their kids–in book form–had Robert Munsch’s Love You Forever and Sam McBratney’s Guess How Much I Love You for bedtime reading. Cuddled under the covers, snug and cozy while turning pages, is there any better way to share a deep parent-child bond?
But it’s time for those books to move over and make way for new Valentine’s classics!
I can’t think of a better gift for the holiday than a book. Candy rots their teeth, plus you end up eating most if it yourself, don’t you? (Well, I do.) And where will you store yet another Build-A-Bear that gets forgotten by March?
Valentine’s Day belongs to books. And these three are perfect picks to declare all your mushy, gushy love. And grandparents, take note. These books are just right for you and your grandkids, too.
I Love You More Than Rainbows
by Susan Crites
Illustrated by Mark & Rosemary Jarman
Published by Thomas Nelson
With whimsical illustrations as bright as rainbows, Susan Crites’s book uses analogies children can easily understand to explain the concept of love. Kids are crazy about ice cream cones with sprinkles on top, puppies, birthday parties, sleigh riding and hot cocoa. But as great as those childhood favorites are, parental love still trumps them all.
Try inserting your child’s favorites while you read this book. With my kids, “I love you more than albino rock pythons, Sun Chips and Daphne from Scooby-Doo” might work well. Don’t ask about the snake, but I could use help finding something to rhyme with Scooby-Doo. Yabba-Dabba Doo? Anyone have a Hanna-Barbera rhyming dictionary?
But I digress…
With a jaunty rhyme that never gets too sing-songy, this book is a joy to read aloud, and the bold colors will delight a young audience.
Published by Thomas Nelson, I Love You More Than Rainbows won a Mom’s Choice Award and is available in hardcover and in board book form—at a great price, too. There’s even a Kindle version.
Me with You
by Kristy Dempsey
Illustrated by Christopher Denise
Published by Philomel Books
When Kristy Dempsey wrote this story, she couldn’t imagine that her editor and illustrator Christopher Denise would interpret her characters as granddaughter and grandfather. But after reading this book, you’ll agree, there’s no more perfect a pair.
Me with You celebrates the joys of being yourself around someone you love, the comfort a great relationship brings. Grandpa is always there to support his favorite young cub, even when she’s feeling selfish and gruff. The two allow each other to express themselves, always knowing their love will not waver.
Me With You also highlights the importance of spending time apart from those you love, “to be the kind of you that you can be when you’re alone.” This book is a good choice for children who are apprehensive about separation from a loved one.
This rhyming book offers a smooth, gentle beat, and the light, airy illustrations breathe of spring. Denise has mastered body language and facial expressions to demonstrate the deep bond shared by this “pair beyond compare.” A favorite page features Grandpa in a Babe Ruth pose, pointing to the outfield as his granddaughter cheers him on. (I have to mention the blades of grass, which you may think are insignificant, but I’ve never seen such luscious fields, I want to take off my shoes and run across this book.)
You don’t have to be a grandparent to fall in love with it this Valentine’s Day.
You’re Lovable to Me
by Kat Yeh
Illustrated by Sue Anderson
Published by Random House
The theme of You’re Lovable to Me is unconditional love: parents love their children no matter what they do.
Mama Bunny is having a rough day keeping track of her Bunny Babies and all their hare-y mischief. But no matter what they do, Mama Bunny reminds them that through their joy and sadness, their frolic and frustration, “You are my bunnies. And you’re lovable to me.”
Once her bunny babies are tucked in, Mama bunny crashes on the couch. Oh, how we parents can relate! Mama Bunny’s father arrives and upon seeing his exhausted daughter, he reminds her, “You’re lovable to me.”
If this review had a soundtrack, it would be Elton John’s “Circle of Life!” This book reminds our children that we were once children, too–and that everyone needs to be reminded that they are loved.
Sue Anderson illustrates in a simple, pastel style that takes advantage of white space, complementing the sweet story with a gentle, relaxed mood. The nostalgic feel of this book makes it my top pick for being a New Valentine’s Classic!
What are your New Valentine’s Classics?
This is the second art gallery by illustrators who participated in November’s 30-picture-book-ideas-in-30-days PiBoIdMo challenge. You can see ideas taking shape–in the form of characters. (If you didn’t already know, editors are keen on character-driven picture books these days.) And just think, once these stories are published, you can say “I knew them when…”
Loni Edwards
“This is a sketch from my story about going to Nana’s house. I’m entitling it ‘Two Kids in a Sandbox’ until I evolve the story more. I sketch, then I ink using a light table. I scan the piece into Photoshop where I color with a Wacom Tablet.”


Lynn Anne Bemis
“I have not taken lessons as an illustrator. I am a ‘wannabe’ and this is the first year I started adding drawings to my story ideas. So as simple as they are, I am showing them to you. I am, you could say, ‘A work in progress.'”



Debbie Ridpath Ohi
“Regarding the first sketch, this is how I brainstorm sometimes and I figured I’d try it for PiBoIdMo. As you can tell, um, my sketches are VERY rough.
“I’ve always been fascinated by the juxtaposition of cute and scary. The monster guy in the second drawing was inspired by Little Nightmares, which I’d eventually like to include in a picture book. The girl is a character I came up with for my Snarkface cards and she demanded to be included in the drawing as well.
“The third sketch looks drawn on paper, but I actually did it in Corel Painter. I find that experimenting with different virtual media is fun, plus I enjoy trying out different styles. I did this sketch to accompany a text picture book idea. One of the reasons I enjoyed PiBoIdMo so much was because it not only inspired me as a writer but also as an illustrator.”



One more gallery to come, kidlit fans! Stop back soon for more insight into the illustrative process.
Drawings and sketches and art, oh my! Several children’s illustrators participated in November’s PiBoIdMo challenge by moleskining their way through the month. Below you can see what makes an artist’s brush tick…err, I mean flick.
And…this is just Gallery #1 in a series of 3. More illustrators and galleries to come!
Courtney Pippin-Mathur
“I’ve had these ideas bouncing around in my head for a while now, thanks to PiBoldMo, they are now on paper where they hope to grow into picture book dummies one day.”

The Bodyguard

Fritz
Erin Nowak
“Attached is a sketch of the two main characters I got from this little sketch session: Warm & Toasty. Warm is a sweet cup of hot cocoa, and Toasty is her buttery wheat bread buddy. The VERY rough idea is that they’re used to being served up together on cold winter days, but the problem they’re having is that neither wants the other to shine too brightly. A friendship dealing with a little jealousy I guess. I also included my entire sketchbook page from that day as well, complete with scribbles and misspellings, just to give insight into the different ways illustrators work.”


Bonnie Adamson
“The working title is “Robot Rodeo,” made up this summer while illustrating the bookshelf of the main character in Heather Burnell’s picture book, Bedtime Monster. It popped back into my head when I was trying to come up with an idea for day three of the PiBoIdMo challenge. The title was about all I had until I started sketching, and then the robot steer with his knobs and levers began to take on a sort of gentle steampunkish look, which gave me a bit more of a hook for the story. I’ve got a very rough first draft down, featuring a showdown between one of the battered old cowboy robots, Piston Pete, and the ‘shiny stranger,’ who’s, um, not from around here.”


More galleries to come, kidlit fans! Stay tuned…
Once there were crowds, and clinging jockeys, and horses to ride against in the razor-fine seconds it took to be first across the finish line.
As an aspiring author, I’ve been told countless times about the importance of a first line. Never before has a picture book opening reined me in so tightly, so swiftly as Deborah Blumenthal’s Black Diamond and Blake, the story of a racehorse saved by friendship.
Black Diamond, a beloved racehorse, hero of the grandstand crowds, wins race after race. His jockey and owner feed him sweet apples, warm him with a red velvet blanket, and wrap him with such kindness that the horse only wants to win and make them proud.
But no athlete can dominate forever. Black Diamond grows sore, tired and eventually becomes injured. His fans boo instead of celebrate, ripping their losing tickets and tossing them to the ground. The sweet apples and sweet attention disappear.
A gruff, cigar-smoking man purchases Black Diamond and takes the horse to a prison rehabilitation program. The author was inspired by a New York Times article about inmates who cared for retired racehorses. “I read of the deep emotional connections that some inmates made with the animals, so that in the end, men saved horses and horses saved men,” Blumenthal explains.
At the prison, Black Diamond meets Blake, a soft-spoken man who feeds the horse cinnamon candies and takes him on long walks. The two bond in friendship. And then, one day, Blake is released and Black Diamond becomes despondent and difficult, longing for his caretaker, his best friend.
As usual, I never reveal a book’s ending, but the book is titled Black Diamond and Blake for a reason.
The Art-Deco-inspired illustrations by Miles Hyman render bold forms with a soft pastel stroke, a visual juxtaposition befitting this tale of a strong yet sensitive racehorse. The book is gorgeous in all respects—from the language, to the theme, to the green hills of the final spread.
Parents may appreciate Blumenthal’s beautiful words more than children (“in a minute that grew heavy with time”) and those younger than five may not be able to sit for the entire tale, although my horse-lovers, aged three and six, were mesmerized. While the publisher claims it’s appropriate for children up to age eight, I foresee this book being enjoyed by children as old as ten or twelve, especially if they love animals.
Black Diamond and Blake never gets too sappy or sentimental, but instead tells a story of friendship and second chances from the thrill of the races to the gentleness of a rolling countryside.
Black Diamond and Blake
Story by Deborah Blumenthal
Illustrations by Miles Hyman
Alfred A. Knopf, February 2009
Thanks to illustrator Bonnie Adamson, everyone who completed the 30 ideas in 30 days PiBoIdMo challenge has a winner badge to proudly display on their blog or website. Pick it up here!
If you’d like, link the badge back to the first PiBoIdMo post, so curious visitors will know what it is. This isn’t a requirement, just a suggestion.
Onto the Naoko Stoop print winners.

The winners of the prints were not drawn by random. Rather, I chose two people who were, in my opinion, the two most enthusiastic PiBoIdMo supporters. They commented frequently during the month and they both ended the event with nearly twice the number of ideas they were supposed to create.
Congratulations KELLY FINEMAN and JEWEL SAMPLE! You’ll receive an email to arrange delivery of your prizes.
The random winner of the signed Karma Wilson book Don’t Be Afraid, Little Pip is BETH COULTON! You’ll receive an email asking for an address.
The random winner of the signed Jennifer Swanson Penny and Rio book is LORI DEGMAN! An email’s coming your way, too.
Congratulations again to all the winners! You all deserve thanks for making PiBoIdMo a success!
And…stay tuned for a PiBoIdMo Art Gallery, brought to you by the many talented illustrators who sketched their way through November.
Without further ado (I know you’ve been waiting all day), here are the PiBoIdMo Grand Prize winners! With the help of Random.org, winners were selected from the eligible pool of 51 picture book writers who signed the PiBoIdMo pledge.
Grand Prize Winner #1:
AUNTIE FLAMINGO! You have been assigned to agent Jill Corcoran of Herman Agency Inc.
Grand Prize Winner #2:
AMBER ALVAREZ! You have been assigned to agent Lauren E. MacLeod of Strothman Agency.
Grand Prize Winner #3:
LONI EDWARDS! You have been assigned to agent Elana Roth of Caren Johnson Literary Agency.
Congratulations to the three winners! You’ll receive an email soon with instructions asking you to contact your assigned agent by December 7th. So start picking out your 5 best ideas!
Congratulations to everyone else who completed the month with 30 ideas. It was quite a challenge and YOU DID IT! Please come back next week! There will be a winner badge for your blog and more prizes: the Karma Wilson signed book, Jennifer Swanson signed book, and the Naoko Stoop prints.
Thanks again to everyone for making PiBoIdMo a success! See you next year! (Um, well, I hope I see you before that! Lots more kidlit goodies to come!)

Two years ago I won a Six-Word Momoir contest from Smith Magazine, and now another one of my Momoirs is featured in their new book 








Okay, I would be lying if I didn’t pick 





















