Today I invited The Girllustrators, Austin-based kidlit artists, to guest blog for PiBoIdMo, so you’re getting THREE inspirational essays—by Emma Virján, Caitlin B. Alexander and Marsha Riti—for the price of one. (And they’re all FREE, LOL.) I recommend following these talented ladies on Twitter @Girllustrators.
Up first: Emma Virján!
WHAT THIS STORY NEEDS IS A PIG IN A WIG started with this doodle of pig snouts.
Sketches of pigs started to fill my notebooks.
After many drawings, I determined pig needed a name. I named her Pig.
It was also determined that she needed a wig.
I drew Pig wearing many different wigs.
I loved Pig in all of her wigs (still do) but this one became my favorite.
The story of Pig and her wig started to take shape. Work began on a manuscript.
The words “on a boat” kept cropping up and I started drawing images of Pig near a boat.
Sometimes I only drew the boat. The boat always had a pig snout on the bow.
The first of many thumbnails were created.
So began the real work of the images and words becoming a picture book.
Revisions happened. Drawings were scrapped and new ones were drawn. More revisions happened and eventually What This Story Needs Is A Pig In A Wig was finalized.
It’s amazing to think that a black and white doodle of pig snouts, drawn while on the phone with a client, became the inspiration for a character and a story.
And the endpapers.
Emma J Virján was born under an Aries moon on a Wednesday, her dad’s bowling night. This explains her attraction to hardwood floors. She likes to draw, work in her garden and often lets her dog sleep on the couch. She makes her home in Austin, Texas where she spends her days as an illustrator and graphic designer.
She is the author-illustrator of Nacho the Party Puppy, Random House, 2008, and the forthcoming What This Story Needs Is A Pig In a Wig, HarperCollins, May 12, 2015.
Next is Caitlin B. Alexander!
Being an illustrator, my concept for a story grows in tandem with my visual ideas. I look at children’s books that I admire, both old and new, and take note of what draws me to them. Is it the overarching message? The color palette? The scenery? What medium did they use for the art, and what kind of characters did they use? The art or writing may not resemble my work, but something about it can still inspire me. I have a massive collection of books that I turn to frequently.
I am somewhat of an overly-organized person, so I make all sorts of bubble charts and graphs, with ideas sprouting into other ideas. Some of these are just images I would love to incorporate into a story, like a sailboat, and others are larger concepts. Eventually, with a lot of scribbling, listing, doodling, highlighting, and sample-writing, I come up with a rough idea or two that can be explored further. It reminds me of a slab of clay that has barely taken shape, but has a lot of potential.
I wish I could say that I know what perfect and repeating formula works for getting a book published, but there are probably few people who do. The rest of us just create things that we love, and keep learning, making mistakes and trying new things. If we’re lucky, we’ve hit the right combination, and someone else has fallen in love with the idea as much as we have.
Caitlin B. Alexander is an illustrator based in Austin, Texas with a particular love for dry-brush gouache painting. Both her life and work are heavily influenced by the aesthetics of the 1940’s, ’50s and ’60s. She fancies herself a collector of memories as much as a collector of things, andenjoys bringing this sense of nostalgia to her audience.
Clients include: Spider Magazine, Ladybug Magazine (Cricket Media), Geneologie, Texas Board of Tourism, Dallas Child Magazine, Bearded Lady Screen Prints, Austin Society of Children’s Book Writers and Illustrators, PERC Coffee, The Kloud Agency, What’s Up Annapolis? Magazine
And now…Marsha Riti!
Because I consider myself an illustrator first and foremost, the way I approach storytelling is a bit different than a writer. My inspiration comes from sketching and playing around with materials.
I’m currently working on a dreamy story about a girl, a rabbit, and the moon. This story came about from playing around with loose watercolor techniques and other materials.
Then I started playing with character sketches.
Here’s a small sample of a double-page layout.
And here’s a finished spread.
This process naturally lends itself to wordless storytelling, but I don’t want to limit myself. If the story needs words, then I’ll supply them. If it does not, then so be it.
One other place I find inspiration is this quote below from a Blake poem titled “Night.”
“The moon like a flower,
In heaven’s high bower,
With silent delight!
Sits and smiles on the night.” ~ William Blake
My husband and best friend Adam happened across it while reading “Songs of Innocence.” Adam is another source of inspiration. We have wonderful conversations about life and philosophy that are always giving me new ideas.
Marsha Riti is a children’s book illustrator from Austin, Texas. She has been a member of SCBWI for a number of years, and is also a co-founder and member of a female illustrator collective called the Girllustrators. She is currently illustrating a chapter book series for Simon & Schuster, The Critter Club, and is represented by Teresa Kietlinksi of Prospect Agency. And she’s got a wicked sense of humor.
Emma is giving away a NACHO THE PARTY PUPPY book and tee!
And Marsha is donating two books from THE CRITTER CLUB!
These prizes will be given away at the conclusion of PiBoIdMo. You are eligible for these prizes if:
- You have registered for PiBoIdMo.
- You have commented ONCE ONLY on today’s post.
- You have completed the PiBoIdMo challenge. (You will have to sign the PiBoIdMo Pledge at the end of the event.)
Good luck, everyone!