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DianaMurrayBioPhotoby Diana Murray

Picture books are as varied as the potions in a witch’s cupboard. Some are spicy and bubbly, while others are mellow and sweet. So which kinds of stories are editors and agents clamoring for? Well, their tastes are just as varied. But one thing that seems to be on everyone’s wish list is this: character-driven stories. A few examples include FANCY NANCY by Jane O’Connor, LLAMA LLAMA RED PAJAMA by Anna Dewdney, PINKALICIOUS by Elizabeth Kann, RUSSELL THE SHEEP by Rob Scotton, SKIPPYJON JONES by Judy Schachner, PETE THE CAT by Eric Litwin, LADYBUG GIRL by David Soman and Jacky Davis, MAX AND RUBY by Rosemary Wells, and SCAREDY SQUIRREL by Mélanie Watt. As you can see, character-driven books have great series potential and overall marketing potential. When readers fall in love with a character, they want to read more about him/her, and it’s fun to visualize what other sorts of situations the character may get into.

This doesn’t mean that character-driven stories are the only kinds that sell or do well in the marketplace. Nor does it mean that writers should focus primarily on pleasing editors or following trends. The best writing comes from the heart! But with that in mind, if you want to explore the possibilities of a character-driven story, here is one quick and easy recipe for brewing up a strong concept. Two ingredients are all you need!

  • Personality Trait
  • Conflicting Goal

I recommend you start off with a list of your own personality traits. This will make it easy for you to feel an emotional connection with (and understanding of) the trait.

My list might look something like this:

  • introverted
  • joker
  • nerdy
  • perfectionist
  • quiet
  • creative
  • analytical
  • messy
  • quirky
  • worrier

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Pick one trait (or several, if you’re feeling bold!). Next, choose a goal. Not just any goal, but specifically a goal that is in opposition to the trait you selected. When I wrote GRIMELDA, THE VERY MESSY WITCH, I chose the trait of being “messy” and made the goal “to find an item the character desperately wants/needs.” Or let’s say, for example, I choose “quiet”, then perhaps the goal would be to sing on stage, or speak out against something, or win an international yodeling contest. Sprinkle the goal in with your trait and–POOF! Instant conflict. And the conflict is intrinsically related to the essence of the main character. Adding conflict to a story is one way of encouraging readers to keep turning the pages. They’ll want to find out what happens next! Now, how will your character attempt to reach that goal or face that problem in his/her own unique way?

Feel that story bubbling to life? Now all you have to do is write (and revise, and revise) the rest. Of course, that’s the hard part. But a little inspiration magic can go a long way!

guestbloggerbio2014

Diana Murray is the author of several forthcoming picture books including, CITY SHAPES (Little, Brown, Spring 2016), NED THE KNITTING PIRATE: A SALTY YARN (Roaring Brook Press, Winter 2016), and GRIMELDA, THE VERY MESSY WITCH, plus a sequel (Katherine Tegen Books/HarperCollins, Summer 2016, 2017). Diana is the recipient of two SCBWI Magazine Merit Awards (2013 and 2014) and an Honor (2013) for poetry. She also won the 2010 SCBWI Barbara Karlin Work-In-Progress Grant for a picture book text. Diana is represented by Brianne Johnson at Writers House. She was raised in New York City and currently lives in a nearby suburb with her husband, two very messy children, and a goldfish named Pickle. Diana’s character GRIMELDA was brewed up during the first official PiBoIdMo, back in 2009! You can read more about that experience here.

For more information and news, you can visit DianaMurray.com or follow Diana on twitter: @DianaMWrites.

prizedetails2014

Diana is giving away a picture book critique!

This prize will be given away at the conclusion of PiBoIdMo. You are eligible for this prize if:

  1. You have registered for PiBoIdMo.
  2. You have commented ONCE ONLY on today’s post.
  3. You have completed the PiBoIdMo challenge. (You will have to sign the PiBoIdMo Pledge at the end of the event.)

Good luck, everyone!

DianaMurrayBioPhotoIn 2009, I was humming the rejection blues when I spotted Tara’s post on Verla Kay’s Blueboards. PiBoIdMo sounded like just the sort of creative kick in the pants that I needed. And boy, am I glad I took up the challenge, because it started an exciting chain of events.

One of my ideas led to a picture book manuscript for which I was awarded the SCBWI Barbara Karlin Grant in 2010. I’m normally a pretty shy person, but after that, I would often catch myself singing “Zippity doo-da…” in public (much to the dismay of anyone within earshot).

When I emailed Tara to thank her, she invited me to share my story. Another exciting moment! And now, a few years and many revisions later, here I am with a sing-out-loud-worthy update. After signing with Brianne Johnson of Writers House, GRIMELDA, THE VERY MESSY WITCH—the manuscript I based on a 2009 PiBoIdMo idea—sold in a two-book deal to Katherine Tegen Books/HarperCollins. Plus, another manuscript, NED THE KNITTING PIRATE: A SALTY YARN, sold to Roaring Brook Press/Macmillan. Both are scheduled to be released in 2014. I hope my neighbors have industrial-strength ear plugs.

Speaking of singing, here’s a bit of inspiration to help you begin your own exciting chain of events.

If you’ve ever watched Glee, you’re probably familiar with the concept of the “mash-up”. This is when you take two different songs and smash them together to produce something new.

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Bon Jovi and Usher? Who knew that could work?

And it can work with writing as well. The great thing about mash-ups is that they can give your story an immediate sense of conflict. And when you mix concepts that don’t normally go together, you can potentially create something unexpected and fresh. You can also create something really weird, like “Trucks at the Ballet” or “Pet Rock for President!”. But remember, one person’s weird is another person’s unique, funny, and/or intriguing. It’s all about execution (well, and also personal preference). In order to nail the execution, it helps if the idea is something you relate to. Something you connect with on a personal level. That will give you the passion you need to see it through.

By the way, when I posted on Tara’s blog in 2010, I mentioned one of my “bad” ideas about a do-everything hat. I believe it was called “Mabel’s Amazing Hat”. Well, I ended up giving that idea a sporty twist. The new title is “Automatic Baseball Hat” and I recently sold it as a poem to Highlights magazine. So you can even make your bad ideas work for you! And I’m not so sure there’s such a thing as a bad idea at all.

Now get out there and mash it up!

Diana Murray is a picture book author and poet represented by Brianne Johnson at Writers House. She lives in New York City with her husband, two very messy children, and a goldfish named Pickle. For more information, visit her website or follow her on Twitter @DianaMWrites.

7ate9
Winner of the 2018 Irma S. Black Award and the SCBWI Crystal Kite!
black kite

As a children's book author and mother of two, I'm pushing a stroller along the path to publication. I collect shiny doodads on the journey and share them here. You've found a kidlit treasure box.

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My Picture Books

COMING SOON:


illus by Melissa Crowton
Tundra/PRH Canada
June 4, 2019

THE UPPER CASE:
TROUBLE IN CAPITAL CITY
illus by Ross MacDonald
Disney*Hyperion
October 1, 2019

THREE WAYS TO TRAP A LEPRECHAUN
illus by Vivienne To
HarperCollins
Spring 2020

THE WHIZBANG WORDBOOK
illustrator TBA
Sourcebooks Jabberwocky
August 2020

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