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Author Chana Stiefel is here today to release the cover of her upcoming nonfiction book, illustrated by Chuck Groenink: LET LIBERTY RISE! HOW AMERICA’S SCHOOLCHILDREN HELPED SAVE THE STATUE OF LIBERTY. This book will be released on March 2, 2021 with Scholastic…

But first, Chana shares a few things she’s learned in the process of creating this nonfiction book:

1. Listen to your friends for book ideas!
A few years ago, when humans still ate meals together, I invited my author friends Sue Macy and Jackie Glasthal over to my house for Friday night dinner. Jackie mentioned that she had published a middle grade novel based on the true story of the building of the Statue of Liberty.* Many of us know that the French sent the statue to America as a symbol of friendship. But did you know that America didn’t want it? And New York’s richest millionaires refused to contribute $100,000 to build the pedestal! Joseph Pulitzer, owner of the World newspaper, was outraged. He insisted that the statue stand in New York harbor, the gateway to America. Pulitzer said he would print the name of every person who donated to the pedestal fund—no matter how small the sum or how small the person. Guess who donated their pennies to America’s first crowd-sourcing campaign? KIDS, of course! Right then and there, I knew this story had to become a picture book! Jackie gave me her blessing and offered to help.

2. Do the research!
Researching this book took years. Back when humans could take ferries and visit libraries, Jackie and I met at the Bob Hope Memorial Library on Ellis Island. We pored over archives and took pictures. I also time traveled in the map room of the New York Public Library, scrolling through microfilm of the World newspaper from the 1870s. I read through stacks of books and shared every exciting fact with my family. (You’re welcome, kids!)

3. Practice patience!
Even after you’ve received multiple critiques and edited your manuscript a bazillion times, publishing takes time—enough time to turn copper green. But waiting for a great book deal and the perfect illustrator is worth it! Illustrator Chuck Groenink captured 1870s America oh-so-beautifully, down to the adorable knickers on the newspaper boy. My editor at Scholastic Dianne Hess and I fact checked every single word. (Fab facts: How many stars were on the U.S. flag in 1876? In how many pieces was Liberty shipped to America? Answers below**!)

4. Take nothing for granted.
Publishing a book is an incredible gift and for that I will always be grateful. I hold my torch high for Dianne, Chuck, my family, my critique partners, the kidlit community (thank you Tara!), and my former agent John Cusick. Most of all, I am grateful to Jackie for giving me the gift of this story. Sadly, Jackie passed away three years ago. She stood for liberty, freedom, and friendship and this book is dedicated to her memory. On that bittersweet note, presenting the cover of LET LIBERTY RISE!

*Liberty on 23rd Street by Jacqueline Glasthal, illus. by Alan Reingold, Silver Moon Press, 2006.
**Answers: 38 stars; 350 pieces


Chana Stiefel is the author of more than 25 books for kids. In addition to LET LIBERTY RISE! (Scholastic, 3-2-21), Chana’s books include MY NAME IS WAKAWAKALOCH, illustrated by Mary Sullivan (HMH), ANIMAL ZOMBIES…& OTHER REAL-LIFE MONSTERS (NatGeoKids), and DADDY DEPOT, illustrated by Andy Snair (Feiwel & Friends). She is represented by Miranda Paul at Erin Murphy Literary Agency. Learn more at chanastiefel.com. Follow @ChanaStiefel on Facebook, Twitter, and Instagram.

In honor of National Poetry Month, today we’re revealing the cover for Lisa Rogers’ debut picture book 16 WORDS: WILLIAM CARLOS WILLIAMS AND THE RED WHEELBARROW, illustrated by Chuck Groenink. The story is a behind-the-scenes look at the creation of that famous poem and releases on September 24, 2019. Find out more here.

Lisa, When did you first get the idea to write 16 Words, and what inspired you?

One summer morning, just before my family was to embark on a dream Italian vacation, I was sipping coffee and reading The New York Times. A photo of a mustachioed man standing proud beside towering sunflowers caught my eye. Thaddeus Marshall, ramrod-straight in a suit jacket, had been identified as the owner of a red wheelbarrow—the red wheelbarrow of William Carlos Williams’ famous poem.

Marshall was a street vendor who raised chickens and grew vegetables in his Rutherford, N.J., garden. And, he was a patient of Williams, who was a medical doctor as well as a poet.

I told my husband that there needed to be a book about Mr. Marshall—and that I was going to write it. But not immediately. I wanted it to be just right. I carefully cut out Jennifer Schuessler’s story, folded into a tiny Moleskine notebook that my oldest friend had given me, and packed it with my sundresses and sandals. I thought about the story, thought about the relationship between Marshall and Williams, but I didn’t write down a word.

Then, on a train from Venice to the Italian Riviera, I took out my little notebook and began to write.

What kind of challenges did you face while writing the manuscript?

Ever since it was published, that seemingly simple 16-word poem has got people wondering just what depended upon that wheelbarrow. Williams had said he was inspired by a scene out of a window—and it turns out that window was Marshall’s. That conclusion was reached by the scholar William Logan, through an amazing amount of dogged research that turned up details like the wheelbarrow’s shade of red and the kind of chickens Marshall most likely raised.

But in telling the story of how Williams came to write the poem, I had to put together my own research so I could see what Williams saw. I combed census records and military records, walked the short distance between Marshall’s and Williams’ homes in Rutherford, and more. Teresa Marshall Hale, Mr. Marshall’s great-granddaughter, had grown up in the family home and told me the bedrooms faced the garden. Then, I distilled all that I had learned and tried to create the emotional story behind the poem’s creation.

What was your favorite part of the writing process for this story?

I loved creating the spare frame of the story. To me it felt like painting. When I paint, I like to layer color over color. I keep going back in and adding a little more. That’s how I worked on this story—slowly, carefully, layering in something else. Like a watercolor, it was important to know when to stop. I enjoyed working with my editor, Anne Schwartz, who gently guided me through this process.

The most incredible part of this process was viewing the illustrations. Chuck Groenink, through his own careful research and prodigious talent, has created a tender and beautiful work of art.

Lisa Rogers is an elementary school librarian and former newspaper reporter and editor. A native of the New Jersey shore, she lives outside Boston with her family and hound dog and is a three-time (soon to be four!) runner of the Boston Marathon. Visit her online at lisarogerswrites.com and on Twitter @Lisa LJRogers.

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My Picture Books

COMING SOON:

BLOOP
illus by Mike Boldt
HarperCollins
July 2021

ABSURD WORDS
illustrator TBA
Sourcebooks eXplore
November 2021

"PRIVATE I" SERIES #3
illus by Ross MacDonald
Little, Brown
2022

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