artiebennetby Artie Bennett

It’s only fitting that Tara would choose me, the author of THE BUTT BOOK, to bring up the rear, closing out the guest blogs of Post–Picture Book Idea Month—or Post-PiBoIdMo, to the cognoscenti. And I’m pleased as punch to oblige—and grateful for the opportunity.

I wasn’t always a picture-book author. I spent my days chiseling away at the manuscripts of others, fashioning them into presentability. And at night I would dream. I would dream that someday, some blessed someday, I too would write a picture book. Inspiration struck while reading Dr. Seuss’s wacky anatomical series. You know, The Foot Book, The Eye Book, The Tooth Book, The Eyetooth Book! They’re a goldmine of zaniness and fun. But something was missing. And that something was . . . THE BUTT BOOK. Now, I know it was presumptuous, even cheeky, of me to think that I could write it, but someone had to. Dr. Seuss would have penned it himself, I’m sure, had he not passed away in 1991, when the zeitgeist was less disposed to the duff. So I wrote THE BUTT BOOK, and the rest is history. Bloomsbury Children’s Books selected the superb illustrator Mike Lester to bring pictorial life to my words, and it published in January 2010. There would be no stopping me now. I had a cranium full of ideas—and several new notebooks.

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While THE BUTT BOOK still had legs (and long ones at that), it was now time for my second act. I didn’t want to be a one-trick pony. I cast about for the perfect follow-up. What should it be? Should it be . . . naaaah. Or maybe . . . naaah. But then I had a brainstorm. Perhaps a children’s book in verse about poop might be the ticket! After all, what more fertile topic could there be for one’s “number two” picture book. And there seemed to be a natural progression. Butts yield poop. So I was thinking about answering the call of doody. And when the word “poopendous” came to me out of the poo—I mean, out of the blue—that clinched it! I raced to Amazon to see if anyone had written a book called POOPENDOUS! And I kept checking, day after day after day, as I set about researching and writing it. Then began the Sisyphean task of finding a publisher, all the while praying that no upstarts would trump in with a Poopendous! of their own. Could there be room in this wide world for two Poopendi! (the plural)? Blue Apple Books bit and matched me up with the super-talented artist Mike Moran, who brought a large dollop of goggle-eyed charm to the proceedings. POOPENDOUS! popped up in March 2012.

I do love writing nonfiction in verse on unmentionable topics, and the books have been very well received, but I’ve decided to take a detour with my next picture book. It will be a more traditional storybook, though still in verse, with appealing animal characters. PETER PANDA MELTS DOWN!, illustrated by the wonderful John Nez, will be coming out in February 2014. Its protagonist is a pettish panda prone to periodic paroxysms. Will he learn to calm down before much put-upon Mama Panda melts down herself!? Time will tell.

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But the detour will be short-lived. I happily get back on track with BELCHES, BURPS AND FARTS—OH MY!, which will disgorge in July. My Old World grandmother would have said, “From this he makes a living?” And she would’ve been right to ask. Still, readers may wonder if I had, say, some posterior motive in writing THE BUTT BOOK. Or perhaps a natural poopensity for its sequel. I think, though, that the truth is deeper—and darker. You see, somewhere inside my stodgy exterior lurks a juvenile delinquent. In fact, scratch the surface of any do-gooding milquetoast of a man and you find a rip-roaring rapscallion. What I’ve seen also is that all boys—and intrepid girls—are drawn to these topics. It’s nature’s way. And the books bring a unique perspective to these matters, melding humor, wordplay, fun facts, and verse.

One of the great joys is getting the occasional piece of fan mail. The other day a young mother wrote to say how much she and her three-year-old son are enjoying POOPENDOUS! But she added, with a hint of exasperation, that all he says now is “Hey, farmer, have you tried manure?” So I offered a sincere apology for the disruption.

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And I have admirers. After my reading at Celebrate Children’s Book Day at Sunnyside, a mommy eagerly approached me, with her adorable little towhead in tow. Little Samantha, all of four years old, stood shyly before me and began to recite Poopendous! “Poop is yucky, poop is foul. Step in poop and you will howl. To read this book, you must be strong. Just hold your nose and come along!” Apparently, she and her mom had picked up a copy while summering in the Hamptons, and she was so taken by it that she had committed it to memory. I was deeply moved by her recital.

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But I’ve also had hecklers. The very first time I read THE BUTT BOOK before a live—and sizable—audience was at a synagogue for a Purim celebration. I was nervous, never having done anything like this before. I had just completed the opening verse—“Eyes and ears are much respected. But the butt has been neglected. We hope to change that here and now. Would the butt please take a bow?”—when a small boy, sitting right up front, yelled out, “That’s not possible!!!”

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And I have to admit, it shook me up just a little bit. So I would tell that story at subsequent appearances and say how I hoped there were no hecklers in the audience today. Then one day, during an appearance at the Book Revue in Huntington, Long Island, a young mom, flanked by her small daughters, raised her hand just as I finished relating this anecdote. “Yes, what is it?” I asked. “Our last name is Heckler. We’re the Hecklers!” she proclaimed. “You’re the good Hecklers, You can stay!” I told her.

Well, I think it’s a wrap. It’s way past my bedtime. Time for milk and cookies.

In conclusion, I believe we’ve seen how ideas for great picture books are everywhere—and how inspiration surrounds us. We’ve only to greet the world with compassion, courage, and humor, and our dreams may all come true.

Happy reading—and writing!

guestbio
Artie Bennett is the executive copy editor for a children’s book publisher and he writes a little on the side (but not the backside!).

Artie, who would be hailed as “the Dr. Seuss of your caboose,” wrote THE BUTT BOOK, his first “mature” work, which published in 2010. THE BUTT BOOK was showered with praise and won the prestigious Reuben Award for Book Illustration. His “number two” picture book, fittingly, was entitled POOPENDOUS! What more fertile topic could there be but poop!

His third picture book, the much-anticipated PETER PANDA MELTS DOWN!, illustrated by the virtuosic artist John Nez, publishes in February 2014. His fourth picture book, the uproarious BELCHES, BURPS AND FARTS—OH MY!, will publish in July 2014.

Artie was the youngest (at age thirteen) person to originate and sell a crossword puzzle to the New York Times. He went on to sell several dailies and two large Sunday puzzles to the Times before he began college. It’s been downhill ever since.

He and his wife, Leah, live deep in the bowels of Brooklyn, New York, where he spends his spare time moving his car to satisfy the rigorous demands of alternate-side-of-the-street parking and shaking his fist at his neighbors.

Visit ArtieBennett.com . . . before someone else does!

ame dyckmanby Ame Dyckman

There they are! Your PiBoIdMo ideas! Staring at you with perky eyebrows and expectant smiles and wiggling like puppies.

Now, whatddya DO with ’em?!

Your 30 ideas all have potential for something. (Except that 11:59 PM idea about the talking toilet. Let that one go.)

Your 29 ideas all have potential for something. But no matter how rockin’ each of them may be, you really can’t develop more than a few of them into picture book manuscripts at the same time. And you don’t know to choose just two or three to focus on now.

So you try my patented Idea Herding Method® and bang your head on the table*, causing most of your PiBoIdMo ideas to run and dive into various folders in your brain:

  • Possible Future Manuscript Ideas
  • Possible Tweet/Post/Social-Media-of-Your-Choice Ideas
  • Possibly Too Weird To Share With Anyone Else Ideas

*You agree that Ame shall not be held responsible for damage to your forehead—or table—and acknowledge that suing Ame would be pointless as she spends all her money on books and candy.

These hiding-in-folders ideas aren’t gone gone. They’ll probably peek out to say, “Howdy!” from time to time. (And the ideas in the last folder are bound to pop out and create Very Embarrassing Moments at parties. Nuthin’ you can do.)

But a few of your PiBoIdMo ideas don’t run away. They rush over and give your poor sore head a reassuring pat.

’Cause they really like you.

And you realize you really like them, too.

So be a good host and offer your Special Ideas a little something. Like opening lines.

MY SPECIAL IDEA

No, not “Hey, baby. Come ’round my brain often?” I mean opening lines for the stories your Special Ideas want to tell.

Genius opening lines, ones that set up worlds where each of your Special Ideas can hang out and grow.

Got ’em? Awesome! Looks like you and your Special Ideas are bonding.

Write each Special Idea’s opening line (and title, if you’re feelin’ it) on its own piece of paper.

Now fetch a roll of tape. And this is the Really Important Part…

Tape your nose like a pig.

Yeah, it has absolutely nothing to do with writing. But it’s FUN! And having fun is Really Important!

Right. Back to writing.

Use the tape that’s not on your nose to tape each of your Special Ideas’ opening line pages to a door in your home.

Yeah, I’m being serious. (What? It happens occasionally.)

You don’t get to make any excuses for not doing this. ’Cause I’ve already made them—and countered them—for you:

  • “I don’t want people to see my ideas.”
    Your signings are gonna be interesting.
  • “I might scuff my door.”
    So repaint it when you’re done. Purple would be nice.
  • “I don’t have a door.”
    Really? I will be right over to investigate your freaky slide-in-the-windows-General-Lee-style home. And then I will find something in your home to tape your opening lines to:
  • Your fridge.
  • Your TV.
  • Your pet. (Sorry, Fluffy!)

Because this is the Really Important Writing Part: when you feel your Special Ideas can stand up to the Blood (paper cuts, yo), Sweat, and Revisions necessary to try to bring them forward, then they’re worth keeping them where you can see them—and sharing with the Special Folks that supported your participation in PiBoIdMo in the first place:

  • Your family.
  • Your friends.
  • The delivery guy with the sideburns that look like Peru. (Okay, maybe not him. But definitely your family and friends.)

And with your continued work and your Special Folks’ continued encouragement, your Truly Special Idea has the potential to become an Amazing Manuscript—and hopefully, more.

So, get to taping! Then say it loud, say it proud:

“This is the Future Published Picture Book I’m writing. And here’s how it starts…”

GOOD LUCK, GUYS! I can’t wait to see ’em on the shelves!

guestbio

TEA PARTY RULES COVER FOR TARAAme Dyckman is the author of BOY + BOT (Knopf; 2012); TEA PARTY RULES (Viking; 2013); WOLFIE THE BUNNY (Little, Brown; 2015); and HORRIBLE BEAR (Little, Brown; 2016). Her Super Agent Guy is about to sub her latest manuscript, previously taped to a purple door in Ame’s house. (The manuscript. Not her agent.) Find Ame sitting on the floor of her local library, or on Twitter: @AmeDyckman.

prizeinfo

Ame is giving away a signed copy of TEA PARTY RULES (brilliantly illustrated by K.G. Campbell), and a TEA PARTY RULES prize pack: bookmark, sticker, button, and squeeze cookie. (If you win, do not attempt to eat the squeeze cookie. Ame says they taste gross.) This prize pack will be given away at the conclusion of Post-PiBo.

TEA PARTY RULES PRIZE PACK

You are eligible for this prize if:

  1. You have registered for PiBoIdMo.
  2. You have commented ONCE ONLY on today’s post.
  3. You have completed the PiBoIdMo challenge. (You have signed the PiBoIdMo Winner’s Pledge.)

Good luck, everyone!

Stacy_McAnulty_72 webby Stacy McAnulty

When I tell people that I have a mechanical engineering degree and that I’m also a picture book author, they look at me like I’m trying to mate two different species. Like I’m part alligator and part butterfly. (That would be one scary insect/reptile.)

But as an engineer, I relied heavily on my creative gifts and as an author I can use engineering skills to organize and tackle writing projects. November and PiBoIdMo were about the creativity. Now in December, let’s use our engineering skills to tackle the what-is-next problem. (Don’t worry. You DO have engineering skills. You just don’t know it.)

When I worked as an airline seat engineer I had to create a bill of material (called more affectionately a BOM). A BOM was used by purchasing to order all the parts needed to create an airline seat—everything from nuts and bolts to cushions to motors. (These were the awesome first class seats that fully recline and offer in-flight entertainment.) I’m suggesting a BOM could also be used to create a children’s picture book.

Let’s look back at our ideas from November. This is our inventory from which we can create a BOM. I like to use a spreadsheet, but you can do the same thing with paper, pen and a straight edge. Make a list of all the characters that sprung to life in November and put them in column A. Then make a list of other components needed in a book: settings, problems, titles, goals, situations, emotions, other, etc. It’s OK if you have fifty characters listed and only five settings.

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(click to view chart at full size)

Now we have a list of components we can use to build a story. By creating your spreadsheet, you might see that you have a great character and interesting problem that you do not previously consider putting together. Your cookie-loving shark might be the perfect hero to free Mars of aliens.

Or maybe not.

Engineers—like authors—also go through numerous revisions. And every part you need to build your picture book will not be in your inventory list. Your BOM for each story will require the creation of new components. Your goal and your setting may work, but you may need to create a new character (a character not created in November, but in December).

So don’t be afraid to engineer your picture book. In the end, creativity and structure can live happily ever after.

guestbio

santasaurus3x3Stacy was a mechanical engineer for 8 years before becoming a full-time writer. DEAR SANTASAURUS, her first picture book, was released in October from Boyds Mills Press. She has also engineered two other picture books to be published in 2015 by Random House and Knopf. Stacy lives in a messy house in North Carolina with her 3 messy kids, 2 messy dogs, and 1 messy husband. Visit her at StacyMcAnulty.com.

prizeinfo

Stacy is giving away a signed copy of DEAR SANTASAURUS and a picture book critique. Leave a comment to be entered.

You are eligible for this prize if:

  1. You have registered for PiBoIdMo.
  2. You have commented ONCE ONLY on today’s post.
  3. You have completed the PiBoIdMo challenge. (You have signed the PiBoIdMo Winner’s Pledge.)

Good luck, everyone!

kristivaliantby Kristi Valiant

Isn’t it fun to hone and revise your hilarious dialogue in your manuscript until it’s just perfect? To give your character another tiny quirk that makes them that much more them? To make sure every little word is important and cut each unnecessary one?

I love details, but they can drag me down too soon.

Most of us have truckloads of ideas now that PiBoIdMo is over. We want to jump into the tastiest one and get writing!

That can be a wonderful way to write a first draft. Find an idea you love for a picture book and jump in headlong. Let the joy of doing your craft show!

But then comes revising, and that’s where the dragging down can happen. I had a bad habit of looking at my first draft and trying to fix the tiniest problems first. I’d fix all my grammar mistakes and look for just the right nuance for every word in each sentence.

I was failing to look at the big picture first: plot and story, a strong or unique concept, character development, an element of surprise, pacing, and so on. Not all of those are right in the first draft. Most, if not all, need some heavy work right away. I was wasting time perfecting tiny details in my manuscripts that needed to change later anyway after I fixed the big problems.

Now I try to look at the big picture first and talk out the major points with my agent before I even write the story. My agent knows the marketplace and can advise me on what might work and what might not before I pour time into a manuscript. You can do that with a trusted writer friend or even by yourself.

When I wrote PENGUIN CHA-CHA, I was figuring out my approach to writing picture books (still am, actually). I knew I wanted to write about dancing penguins, and that was all I had to start. I wrote about penguins dancing in a talent contest, perfected the tiny details, and then realized my story wasn’t unique enough to make it in the market.

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I wrote a whole different story about a brother and sister who bought dancing penguins from an exotic pet store, and again, discovered the big overall problems with the story after I spent loads of time sketching up the story into a dummy. (Since I write and illustrate, I submit my stories as a sketch dummy. If you aren’t an illustrator, you submit just the manuscript to publishers without illustrations—the publisher picks the illustrator.)

My final PENGUIN CHA-CHA book is very different than any of my earlier versions. It’s now about a girl who is determined to jitterbug with the penguins at the zoo after she discovers they’re secretly dancing. Random House published the book a few months ago.

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I think these processes were necessary for me to learn, and it was fun working those tiny details, so maybe the time wasn’t exactly wasted.

A lot of illustrators go through this same learning experience. I love drawing faces the most. After all, eyes and facial expressions show emotion and the character’s heart. It’s so tempting to get lost drawing those tiny details on a face before I even plan out the rest of the illustration. If you watch kids draw, they start with the faces too. And then later they realize they should have drawn the face smaller to fit everything else on the page or drawn their character in a different spot.

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It’s hard to start over with an illustration after you’ve put so much time into drawing the details on the face.

It’s hard to start over with a manuscript after you’ve put so much time into perfecting the written details.

Start with the big picture first. Unless you’re writing and drawing the details just for fun. Then by all means, get lost in those details! And maybe those details will lead to inspire the big picture. In that case, start with the details.

Oh my, we’re all confused now, aren’t we?

So maybe you need to do what you need to do to write your book best. And maybe that’s different than what I do. And that’s OK too.

guestbio

penguinchachaKristi wrote and illustrated the picture book PENGUIN CHA-CHA. She illustrated Danielle Steel’s upcoming picture book PRETTY MINNIE IN PARIS, as well as the Little Wings chapter book series, THE GOODBYE CANCER GARDEN, CORA COOKS PANCIT, and others. Kristi volunteers as the Regional Advisor of Indiana SCBWI and is represented by Linda Pratt from Wernick & Pratt Agency. She graduated magna cum laude from Columbus College of Art & Design with a major in Illustration. She lives in Indiana with her husband, little girls, and a room full of hippos, monkeys and sneaky penguins.

Visit Krisi online at KristiValiant.com or on her blog at KristiValiant.blogspot.com. The penguins do their own dance at PenguinChaCha.com.

prizeinfo

Kristi is giving away a picture book critique. Leave a comment to enter the random drawing.

 You are eligible for this prize if:

  1. You have registered for PiBoIdMo.
  2. You have commented ONCE ONLY on today’s post.
  3. You have completed the PiBoIdMo challenge. (You will have to sign the PiBoIdMo Pledge by December 3rd.)

Good luck, everyone!

by Corey Rosen Schwartz

So, you have your list of 30 or more ideas. Now what?

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First of all, DON’T STOP. Your mind is fertile right now. This is when most of my ideas come… the week after PiBoIdMo.

The pressure is off, but the brain is still in idea-generating mode.

Take advantage of it. Keep your list in a handy place and add, add, add.

whatpops

Check your list twice. Then check last year’s list. And the one from 2011. What pops? While some ideas may seem too overdone or too dull, there are likely to be two or three that jump out at you.

Tuxedo-saurus: too fancy
Hip-Hop-a-Saurus: too dancy
Ho-Hum-a-Saurus: a bore
Sashay-a-Saurus: too prancy
Piggy-Bank–a-saurus: too finance-y
Snooze-a-saurus: a snore
Poker-a-saurus: too chancy
Trig-a-saurus: too advance-y
Slobberdon: yes, score!!!

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Look at your best options. Do some research. Have they been done before?

Explore. Check Amazon to see what competing titles are out there.

One year I had Panda-monium on my list. Done. Another, I had Dino-snores. Also done. Better to find this out BEFORE you begin.

This brings me to my final point…

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Once you’ve got a solid manuscript, shop it to editors and/or agents.

Tyrannosaurus Wrecks was one of my favorite ideas from 2011. I wrote a draft, but wasn’t happy with it and put it aside. Turns out, I was too slow. Someone has now beat me to it!

So, if you have a winning idea, get rocking.

guestbio

coreyCorey Rosen Schwartz is the author of THE THREE NINJA PIGS and the upcoming GOLDI ROCKS AND THE THREE
BEARS. Her singing is extremely pitchy, but she does hold Family Idol and X Factor events in her living room.

prizeinfo

Corey will give away a signed copy of GOLDI ROCKS & THE THREE BEARS (as soon as it releases on Feb 6th).

goldi cover

This prize will be awarded at the conclusion of Post-PiBoIdMo. You are eligible for this prize if:

  1. You have registered for PiBoIdMo.
  2. You have commented ONCE ONLY on today’s post.
  3. You have completed the PiBoIdMo challenge. (You will have to sign the PiBoIdMo Pledge at the end of the event.)

Good luck, everyone!

BUZZZZZZZZZZ!!!!!

OK folks, time’s up!

November and the 5th annual PiBoIdMo have officially come to a close.

dirtyharry

Well, do ya, PiBoIdMo’er?

Do you have 30 ideas?

If you do, you can qualify for one of our AMAZING PiBoIdMo prizes just by taking the following pledge. Put your right hand on a picture book and repeat after me:

I do solemnly swear that I have faithfully executed
the PiBoIdMo 30-ideas-in-30-days challenge,
and will, to the best of my ability,
parlay my ideas into picture book manuscripts.

Now I’m not saying all 30 ideas have to be good. Some may just be titles, some may be character quirks. Some may be problems and some may create problems when you sit down to write. Some may be high-concept and some barely a concept. But…they’re yours, all yours! Give them a big, fat, juicy smacker! SMOOCH!

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You have until December 3rd at 11:59:59PM EST to sign the pledge by leaving a comment WITH YOUR FULL NAME on this post. PLEASE COMMENT ONLY ONCE.

The name you left on the registration post and the name you leave on this winner’s pledge SHOULD MATCH.

Again, please COMMENT ONLY ONCE. If you made a mistake, contact me instead of leaving a second comment.

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Remember, this is an honor system pledge. You don’t have to send in your ideas to prove you’ve got 30 of them. If you say so, I’ll believe you! Honestly, it’s that simple. (Wouldn’t it be nice if real life were that straightforward.)

If your name appears on both the registration post AND this winner’s pledge, you’ll be entered into the grand prize drawing: feedback on your best 5 ideas from a literary agent. There are NINE grand prizes! Check out all the agents here.

So what should you do now? Start fleshing out your best ideas! Write them as elevator pitches. Get ready because YOU might be a CHOSEN ONE.

Other prizes include picture books, manuscript critiques, art prints—all the stuff you saw during the month. All winners will be randomly selected by Random.org and announced NEXT WEEK.

And guess what, PiBoIdMo doesn’t end here! From tomorrow through December 6th, stop in for Post-PiBo, which offers daily posts about organizing and prioritizing your ideas.

Plus—you can claim your first prize now: a winner badge for your website, blog or social media site, designed by Joyce Wan. You can make it larger or smaller to fit anywhere. And if you want it on a mug, don’t forget to stop by the PiBoIdMo shop where every purchase benefits Reading is Fundamental (RIF).

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Congratulate yourself on a job well done, PiBoIdMo’er. Take yourself out to brunch. Buy a new infinity scarf. Browse a bookstore. Pat your head and rub your tummy. Do what you want, you deserve it.

Go ahead, sign below and make my day! And your month!

And remember, stay tuned for Post-PiBo!

laurie-kellerby Laurie Keller

It looks as though you’re almost to the end of PiBoIdMo—CONGRATULATIONS! It’s impressive that you signed on for that big undertaking. I’d like to try it myself some time!

I’ve read through many of the previous PiBoIdMo posts and they’re all so inspiring and helpful. I’ve been trying to think of what I could possibly add to all the great writing tips and personal experiences people have shared and the one thing that comes to mind is to TRUST YOUR OWN INSTINCTS with your ideas and writing. It seems like such an obvious thing to say but of all the things I’ve learned over the years about writing, learning to trust my own instincts might be the most important.

I have a massive collection of books and they are a constant source of inspiration. There are certain authors and illustrators I can’t get enough of and their styles have had a huge influence on my own work.

inspirational authors-illustrators

There have been times when I’d be working on a story or illustration and it just wasn’t working and I’d realize days or weeks later that the reason was because I was unconsciously trying to emulate someone else’s style. After working and reworking it again and again, eventually there would come a day when I’d be in just the right mood and my own “voice” would “speak up” and things would finally gel. I’ve learned the hard way that when I try to draw or write like people I admire it only ends up being, at best, a poor man’s version of their style.

When I do school visits, I talk to kids about writing and we draw together, too. I show them how I draw an otter (based on my book, Do Unto Otters) and then I encourage them to turn it into a character—a pirate, a rock star, a scientist or whatever—and then hopefully later write a story about it.

otters

I let them know that even though we’re all drawing an otter, each one will be unique and different from anyone else’s. I love that about drawing and it’s the same with writing. We could all write a story about a banjo-playing pelican (don’t you dare though—that one’s MINE—I just thought of it!) and there’s not one of them that would be alike. You have your own unique way of telling a story so do all you can to develop that.

Lots of people have asked me to review their manuscripts over the years and I’m still surprised at how many try to write just like well-known authors—namely Dr. Seuss. Editors aren’t looking for another Dr. Seuss. There was and always will be only ONE Dr. Seuss. They want to hear fresh, NEW ways of telling a story. What if Dr. Seuss had tried to write like William Shakespeare? “Would thou liketh them in a box? Would thou liketh them with a fox? Those are the questions!” Doesn’t have quite the same ring to it, does it? With all due props to Mr. Shakes, thankfully, Dr. Seuss trusted his own instincts. To any Dr. Seuss wannabe’s—yes, he is a wonderful source of inspiration but take the qualities you like in his work and DO YOUR OWN THING with them. We can’t wait to see it!

light bulb ideas

As far as book ideas, they can come from anywhere, as you know, and there’s no one right way to get them. There will be times when you know what you want to write about and other times an idea may just pop into your head. When you can’t think of what to write about there are lots of techniques for generating ideas and to get your brain thinking in unexpected ways (you must know many of those exercises by now). As a writer, there aren’t many things that make me happier than when I get a book idea I’m excited about. There’s no way of knowing which ideas will be popular with readers so I’ve learned that the most satisfying thing you can do as a writer is to write what YOU like and tell it in YOUR voice. The rest will fall into place.

I heard a saying once and I’m paraphrasing here:

gut feelings

That really resonated with me and I think it’s spot on when it comes to writing. HOWEVER you come up with your book ideas, trust that gut feeling—your writing road map.

CONGRATULATIONS, AGAIN on completing your challenge. I wish you all the best with your writing. HAVE FUN and DON’T QUIT!!!

guestbio

LK booksLaurie Keller is the author-illustrator of many picture books including The Scrambled States of America, Do Unto Otters, Open Wide: Tooth School Inside and Arnie the Doughnut. She has a new early chapter books series, The Adventures of Arnie the Doughnut, and the second book in the series will be published in February 2014. Laurie lives in Michigan, deep in the woods along the shores of Lake Michigan. Visit all her characters at LaurieKeller.com and like her on Facebook.

prizeinfo
Laurie is giving away an ARNIE THE DOUGHNUT PRIZE PACKAGE! It includes: Arnie the Doughnut picture book (one of Tara’s all-time favorites!), Book 1 in The Adventures of Arnie the Doughnut series: Bowling Alley Bandit andArnie the Doughnut and 4 Other Fantastic Adventure Stories” Weston Woods/Scholastic DVD.

Arnie prizes

This prize pack will be given away at the conclusion of PiBoIdMo. You are eligible for these prizes if:

  1. You have registered for PiBoIdMo.
  2. You have commented ONCE ONLY on today’s post.
  3. You have completed the PiBoIdMo challenge. (You will have to sign the PiBoIdMo Pledge at the end of the event.)

Good luck, everyone!

kami headshotby Kami Kinard

I’m one of those people who has always known I wanted to be an author. What? You too? It’s pretty common (but not necessary) among we writer types. When I first started out, more than a decade ago, I wasn’t exactly sure what type of writer I wanted to be. So I played around with different genres. It was a lot of fun.

But I wanted to do more than have fun. So I devoured Writer’s Market and Children’s Writers Market. I purchased books of writerly advice, and books featuring quotes from authors.

Whenever I felt inspired, I wrote and wrote and wrote. When I didn’t feel inspired to write, I used my free time to do other things. I took courses in metal working, I learned bead stringing techniques, I started a small jewelry-making business, and I even learned to play the banjo.

Then I purchased the book that changed my methods, and ultimately led to publication success.

You might say I experienced a lifestyle change because of this book. One of the quotes featured in it was just a few words from Jack London. Here, I’ve made a little poster of it for you, so you can print it out and hang in your workspace.

You_can’t_wait_for_inspiration_(1)

Reading this quote resulted in an important ah-ha moment for me. The reason I wasn’t moving forward with my writing was that I was waiting for inspiration to lead me. When it didn’t, I was wandering off of the trail. I realized that in order to capture my dreams, I needed to focus on my quest for inspiration. I gave my metalworking supplies to a cousin in design school. The banjo went to a friend who’d borrowed it a few times. The jewelry making business was sold. I kept the bead stringing supplies because—hey—everyone needs a hobby! (And if you’re serious about this, writing can’t be your hobby.)

Then, I grabbed my club and started spending my lunch break in libraries. I chased down inspiration between the covers of books, captured ideas, and caged them into poems that were soon published in children’s magazines.

I hunted down the idea for this poem, sold to Jack and Jill, on the “UBA” page of a rhyming dictionary. Scuba and Tuba? What’s not to love?

Tuba Scuba page 1

I stumbled across the idea for this story about gopher tortoises, published in Ladybug, while stalking a story about alligators. (The alligator story escaped me, but at least I didn’t come away from the excursion empty handed.)

Burrow Borrowers pages 1& 2

I tracked down inspiration in unlikely places, like the stroller handle where an inch worm journeyed, and an autumn maple that was reminiscent of a gigantic golden feather. Often, as in these two cases, the inspiration resulted in stories I was able to sell.

Eventually, my club and I apprehended inspiration between the pages of my old middle school diaries, and my trophy looks like this.

the boy project

My first published book!

You can find inspiration almost anywhere. But you have to stalk it. Sniff the air. Listen for it. Be alert to its presence.

Now, when people ask me, “Where do you find inspiration?”

I answer, “Anywhere I have five minutes of free time.” And this is true. I don’t wait for huge blocks of time, for peace and quiet, or for good atmosphere. Give me five minutes, and I’ll find inspiration. After all, I’m never without the tools of my trade. That’s the best thing about working with words: they’re lightweight, omnipresent, and free!

When Tara invited me to post for PiBoIdMo, my first response was, “I haven’t sold a picture book.” True confession. Notice I put this at the end of the post! Years ago, I imagined I would author only picture books and poetry. But pursing inspiration led me in an unexpected direction. My first published book was not the picture book I predicted it would be, but a middle grade novel.

November is filled with inspiration and ideas. As the month draws to a close, I invite you to pick up your club and keep chasing inspiration. Focus on your quarry. Be relentless. You never really know where the chase will lead you, but if you can capture your inspiration with words, the award is magnificent!

Bonus: If you’d like more PiBoIdMo tips, check out my blog nerdychicksrule.com for another post about writing.

guestbio

Author Bio: Kami Kinard’s poetry, articles, and stories have been published in some of the world’s best children’s magazines. Her first middle grade novel, The Boy Project (Scholastic 2012), will soon be followed by a companion novel, The Boy Problem (Scholastic 2014). A former public educator, Kami currently teaches writing for children and adults and leads writing workshops at conferences and retreats. She lives in balmy, buggy, and beautiful Beaufort, SC with her husband, two children, and the world’s smartest dog. You can learn more about her and her books by visiting her website KamiKinard.com or her blog at nerdychicksrule.com.

prizeinfo

Kami is giving away a critique of up to ten pages of any single children’s manuscript. An experienced critiquer, Kami has critiqued picture books, novels, and poems that have gone on to be published.

This prize  will be given away at the conclusion of PiBoIdMo. You are eligible for this prize if:

  1. You have registered for PiBoIdMo.
  2. You have commented ONCE ONLY on today’s post (as per Annette’s spine-tingling challenge).
  3. You have completed the PiBoIdMo challenge. (You will have to sign the PiBoIdMo Pledge at the end of the event.)

Good luck, everyone!

joni headshot 0709by Joni Sussman

As a children’s book publisher, I love the idea of PiBoIdMo! As a publisher of Jewish-themed children’s books, I love it even more. If you’re reading this post on the day it posted—Thanksgiving—you’re also reading it on the first of Hanukkah, an occurrence so unusual that it won’t happen again for another 77,798 years (yes, you read that right). So with the unusual situation of Hanukkah falling on Thanksgiving this year, I’ve got Hanukkah—and Hanukkah books—on the brain as I write this. In particular I’m thinking of one of Kar-Ben’s new Fall 2013 titles “Esther’s Hanukkah Disaster” because it’s especially apropos to the PiBoIdMo theme: this book is all about having a gem of an idea and then writing a book around it.

Author Jane Sutton came up with a premise that, by itself, may have had nothing to do with Hanukkah: How about a funny story about the exact wrong gift one animal could purchase for another? A giant pair of socks for a tiny monkey? A jogging suit for a turtle? And then she wove this premise into a delightful Hanukkah story about Esther the Gorilla who goes off to buy Hanukkah gifts for her friends. Although this premise becomes a charming Hanukkah story including latkes and candles and dreidels, it’s really about a gorilla who—like most of the little kids who are going to read this story—usually means well but often misses the mark.

As Publishers Weekly said about this book, ”[Esther] happily chooses the gifts, but as she hands them out to her monkey, elephant, hyena, turtle, and zebra pals, Esther realizes that her gifts may not have been as perfectly thought-out as she had hoped. Esther’s innocent mistakes and her ingenious solution will prompt laughter.” Lots of laughter, as it turns out, because not only is the story funny, but the art by Andy Rowland is hilarious: the shopping list on Esther’s frig lists “bananas, bananas, bananas and bananas,” her bookshelf contains “Gorilla’s (instead of Gulliver’s) Travels” and ” Gorillas in the Mist,” the department store where she buys the gifts includes all sorts of sight gags that will likely be missed by kids but thoroughly enjoyed by parents. “Esther’s Hanukkah Disaster” is a great example of the germ of an idea that grows into a terrific little story.

karben

At this time of year I always find myself thinking about the ongoing need for clever original Hanukkah stories that are not just about the Maccabees or lighting candles or eating latkes, and that are not a Jewish take on “The Night Before Christmas.” (You’d be surprised how many writers think that’s a new idea!) I’m always on the hunt for special/unique/unusual Hanukkah stories that are not only creative but that make kids revel in the fact that they’re Hanukkah celebrators in a world of Christmas celebrators.

So as authors, I give you this charge: no matter whether you’re writing for the religious or secular market: It’s all about having a gem of an idea and creating a story around it. The more gems, the more stories! Take advantage of PiBoIdMo and generate those ideas for titles, plotlines, subjects and/or characters. Put pen to paper (or finger to computer key) and get those ideas written down. Good luck and may the (creative) Force be with you. And if you come up with a Hanukkah or other Jewish-themed story to send me, I’d love to hear from you!

guestbio

Joni Sussman is the Publisher at Kar-Ben Publishing, a division of Lerner Publishing Group. Kar-Ben’s concentration is Jewish content picture books for children, both fiction and non-fiction for preschool through approximately 4th grade, including holiday books, life-cycle stories, Bible tales, folktales, and board books. In particular, Kar-Ben seeks stories that reflect the wide cultural diversity of today’s American Jewish community. Joni invites PiBoIdMo participants with Jewish-themed manuscripts to submit to her—just contact Tara directly for the email address and subject line code.

prizeinfo

Joni is donating a selection of Kar-Ben’s new Fall 2013 titles (including Esther’s Hanukkah Disaster) as a prize.

This prize pack will be given away at the conclusion of PiBoIdMo. You are eligible for these prizes if:

  1. You have registered for PiBoIdMo.
  2. You have commented ONCE ONLY on today’s post (as per Annette’s spine-tingling challenge).
  3. You have completed the PiBoIdMo challenge. (You will have to sign the PiBoIdMo Pledge at the end of the event.)

Good luck, everyone!

by Annette Simon

Thank you for asking. My work-in-progress? Uh, well….

1 (1)

Story limbo.

2

I don’t know why I’d thought this would work.

3 (1)

No, it’s awful. I’m a hack. #failure. Okay, FINE.

4 (1)

Maybe if I distract myself….

5 (1)

Random yelling is fun.

6 (1)

I need more.

7 (1)

Wait.

8 (1)

And …

9

Hmm.

10

Could they be…?

11

I’m goin’ in.

12

12

Hey!

14

It’s true.

15

At least until the next draft.

16

.

guestbio

annette_simon_picAnnette is an advertising-creative-director turned picture-book-maker, and a BookSeller at The BookMark in Neptune Beach, Florida, where she took these photos. Her titles include MOCKING BIRDIES and THIS BOOK IS FOR ALL KIDS by Jack Simon, and she’ll follow up last year’s Indie Kids’ Next Pick and Buckeye Children’s Book Award nominee, ROBOT ZOMBIE FRANKENSTEIN!, with an awfully loud read-aloud, ROBOT BURP HEAD SMARTYPANTS!, in February. Please see more at AnnetteSimon.net.

prizeinfo

A PiBoIdMo Prompt/Offer: Share your picture book spine creation for a chance to win a personalized copy of ROBOT ZOMBIE FRANKENSTEIN! and related bling (robot chest panel iron-ons, child-size chef hat and apron, a mini notepad, a disguise, and foam shape stickers). Keep spine photos for yourself, but stack the picture book titles in the comments section below like this: HERE I AM / STUCK. While your local indie bookstore is a great resource, titles don’t have to be new ones—old favorites and library books are game, too. Meantime, you may find you’ve escaped story limbo. Plus, random yelling is fun.

RZFprizepackage

This prize pack will be given away at the conclusion of PiBoIdMo. You are eligible for these prizes if:

  1. You have registered for PiBoIdMo.
  2. You have commented ONCE ONLY on today’s post (as per Annette’s spine-tingling challenge).
  3. You have completed the PiBoIdMo challenge. (You will have to sign the PiBoIdMo Pledge at the end of the event.)

Good luck, everyone!

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