

2016 RUCCL Mentors
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If you’re submitting to RUCCL One-on-One Plus Conference, please know…
The manuscript’s the thing.
If you send your submission to the wrong address, don’t worry, we’ll get it to the right place.
If you forget to send a check, don’t worry, we’ll get in touch.
If you somehow mess up the instructions, don’t worry. It’s OK. We are not here to impose penalties on you. We want you to get in, we really do! We read each manuscript thoroughly and determine its merits. There are no red marks on your paper or strikes against you. We strive to look for the positive in every submission we receive.
If you get in, rejoice! It means the reading team liked your submission AND we had a mentor to pair you with. Sometimes we have more mentors for YA than picture books, or more for MG than non-fiction, although we try to keep all genres balanced and fairly represented. So if you don’t get in, do not despair. It does not mean anything bad about your work. It might mean we just do not have enough room for you this year and we hope you will try again. Our conference grows each year. Last year was our biggest RUCCL One-on-One Plus ever, and this year will break the record books once again.
This being said, let’s review some of the issues found in last year’s crop of fiction picture book submissions. Pay attention to these things and polish your manuscript to a high sheen!
- Not picture book language
Some manuscripts were lengthy and overly descriptive. The writer did not exhibit an understanding of the play between words and images that is essential to the picture book format. Sentences described what could have been shown instead. Shorter, snappier language where every word is carefully chosen is preferred. Some writers paginated their submission, with large paragraphs on every page—not the norm for a modern picture book. Overall, there was too much unnecessary text—text that did not move the story forward.
- Story arc needed development
Some submissions did not contain a clear beginning, middle and end. The story had a muddled arc or a “one and done” plot—the character tried once and succeeded, which creates an unsatisfying ending because there isn’t sufficient tension. The reader has not had time to build empathy for the character’s struggle.
- Concept needed development
Many submissions last year focused on the main character or the character’s friend moving. This concept is common and needs a fresh twist. The pretty, fancy princess theme also turned up a lot. The market is saturated with Fancy Nancy and Pinkalicious-like books, so again, a fresh twist is needed to make these concepts stand out. What about your character makes her different than what is already on the market?
- Common concepts need a fresh take
If you are writing about a common concept, it needs a fresh twist to make it different and new. Try changing the character (from a child to a robot) or the setting (from modern times to prehistoric, from land to the sea) to create a new perspective.
For more on the RUCCL One-on-One Plus Conference, please visit ruccl.org.

This year’s guest speakers were recently announced—Pat Cummings as the Keynote and Kate Dopirak as the Success Story.
Submissions are being accepted NOW, postmarked through June 27, 2017.
Good luck and I hope to see you there!
Today I invited author 


Award-winning author Laurie Wallmark’s debut picture book, ADA BYRON LOVELACE AND THE THINKING MACHINE (Creston Books, 2015), received four starred trade reviews (Kirkus, Publishers Weekly, Booklist, and School Library Journal) and several national awards, including Outstanding Science Trade Book and the Eureka Award. It is a Cook Prize Honor Book. Her recently released picture book biography, GRACE HOPPER: QUEEN OF COMPUTER CODE (Sterling Children’s Books, 2017), earned a Kirkus star and was well-reviewed in several trade journals. Laurie has an MFA in Writing for Children and Young Adults from VCFA. When not writing, she teaches computer science at Raritan Valley Community College.



















For some more dragon-y fun, you can take a personality quiz based on DRAGONS RULE, PRINCESSES DROOL! Are you a dragon, a princess, both or something else entirely?
I have been a part of




Tammi Sauer is a full time children’s book author who presents at schools and conferences across the nation. She has sold 29 picture books to major publishing houses including Disney*Hyperion, HarperCollins, Houghton Mifflin Harcourt, Penguin Random House, Simon & Schuster, and Sterling. Tammi and her family live in Edmond, Oklahoma, with one dog, two geckos, and a tank full of random fish (but no lions). Visit her at 


C’est la vie!
PiBoIdMo came at the “write” time in my life. (See what I just did there?) When I finished the challenge in 2013, I had several ideas and even a few manuscripts under my belt—all tossed into the black hole never to be seen again, naturally. But there was this one story that I kept returning to. Not because it was awful. (Not because it was any good at the time, either!) But because this story helped me realize the type of writer I wanted to be.
In the meantime, I’ll just keep writing the stories that matter to me and collecting all the nuggets of wisdom I can along the way. And for the aspiring authors out there, I wish you success and prosperity as you do the same.
They wanted illustrations to appeal to a young audience, but the art had to be a distinctly different look than EllRay. If Alfie was going to step out on her own, she deserved a whole new style.

Shearry, when did you discover your passion for drawing?




























