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by Ame Dyckman
Hi, guys! Need picture book ideas? Me, too. So, I’m not going to be a grown-up today.
Today, I’m going to be a kid.
Wanna play? Go grab a towel. Tie it around your shoulders like mine.
Got your cape on? It’s time to:
Open all the cereal boxes—search for hidden passageways—whisper secrets to a dog—attempt a world record—pick up pennies—make a newspaper hat—sit on top of the monkey bars—build a fort—get fooled by pyrite—try to fool someone else with pyrite—sneak up on pigeons—blow a kazoo—roll down a hill—split your pants—eat a crust-less sandwich—pop bubble wrap—taste paste—rescue worms from puddles—draw the sky as a stripe—pee-pee dance—forget to flush—break a geode—spell Mississippi—beg a cookie—give sticky kisses—staple things—juggle oranges—throw a tantrum—wiggle a tooth—catch a frog—fall down laughing—wear olives on your fingers—race a friend—declare Backwards Day—cross your heart—mix baking soda and vinegar—collect pebbles—spin in circles—lose a sock—thumb wrestle—demand a do-over—run from bees—spray the hose—wish for stilts—build another fort—slide down the stairs—beat pots and pans—dig for buried treasure—help a robot friend who accidentally turned himself off—deny being tired—
Whew! I’m tired. I’ve got some ideas, though. Hope you do, too. Feel free to borrow from the list above. (Except the second-to-the-last-one. I already used that one.)
You can take your cape off now.
No? You’re going to wear yours a little longer?
Me, too!
Ame Dyckman is represented by Super Agent Scott Treimel, Scott Treimel NY. Her debut picture book, BOY AND BOT (illustrated by Dan Yaccarino), will be released by Knopf in Spring, 2012. Ame loves cryptozoology, peanut butter, and screaming at Japanese game shows on TV. She lives in New Jersey (“Go, NJ SCBWI!”) with her husband, daughter, black cats, hermit crabs, fish, and obnoxious-yet-endearing pet squirrel.
As a prize, Ame is offering a chat about… ANYTHING! From getting an agent/book contract to advice on love, money, and your manuscript, Ame answers ALL! (For entertainment purposes only.)
by Pam Calvert
So, today you’re supposed to be eating lots of turkey, stuffing, mashed potatoes, dressing, pies (emphasis on the plural here)…AND talking (not fighting) with your relatives. Enjoying your day! But still…it IS Picture Book Idea Month and so you’re also supposed to be thinking of a blockbuster picture book idea today as well. But I’m not thinking about today. No. I’m thinking about tomorrow.
BLACK FRIDAY!
Mwahahahaaaa!
And in honor of Black Friday, I’m going to veer off from the normal “how I get my ideas” blog post to a more material slant—something all picture book writers should have sitting with them when they’re about to brainstorm. Something you should ask for Christmas so you can weave all those good ideas into editor-loving stories. It’s something I bought myself (SPLURGED on) several years ago and it helped me brainstorm two of my upcoming picture books.
It’s called the Magna Storyboard Pad (pictured). Notice it has three areas where you can draw and lines for writing. “But WAIT!” you say. “I’M NOT AN ILLUSTRATOR!”
Well, I’m not either, but if you’re going to be a picture book author, you better be visualizing your story even before you start writing. This pad forces you to think in pictures. A lot of times, it’s easy for me to get swept away by my words when I should be visualizing my story first. And since I bought this pad, thinking in pictures has never been easier. And another secret?
No one has to see your pictures!
But I’ll show you some of mine so you’ll feel better about your artistic talent (because it’s gotta be better).
When I started on the sequel to my math adventure, MULTIPLYING MENACE, my editor told me I needed to meld one of my contracted stories with an earlier version of the sequel, MULTIPLYING MENACE DIVIDES. The contracted story was entitled, THE FROG PRINCE IN FRACTIONLAND. That meant I had to apply frogs throughout my original (that didn’t even have a frog in the background.) And I had to apply fractions throughout. This required pictures. Oh yeah, and I needed another villain. Panicking, I grabbed my math books, desperately searching for an idea. But then I remembered the storyboard pads. I hadn’t used them (even though it was at the top of my things to do list). I started with the new villain…
Her name was Diva Divine in a feeble attempt to use a play on words with division. Of course, through revision her name ended up being Matilda, but this is what she ended up looking like in the book:
There’s quite a bit of resemblance and I never had a talk with the illustrator, Wayne Geehan, about the witch. He suspected what she’d be like from her actions. But without my visualization on paper, her character may not have come out so well.
Now, the witch was the easy part. So much fun. I had her reading In Stye magazine and wearing Jimmy Ooze shoes (um…that never made it in the book…ha!).
The next part was thinking in fractions. So, I plotted out every element. Here’s one page example when I had to show how the division magic worked with dividing twelve kittens. I brainstormed some ways I could show this on the storyboard paper:
Not only did I brainstorm dividing the kittens into frogs, but I had to divide things by fractions, which makes a larger number. In the storyboard picture I used frogs, but they ended up being pigs. Here’s the finished page of the kittens.
After I completed this story, I was hooked! I would never again brainstorm without my storypad.
Here’s another example using my newest PRINCESS PEEPERS book entitled, PRINCESS PEEPERS PICKS A PET. These are the initial thoughts. Notice, I’m terrible at illustrating, but the ideas flow much more freely when I use it, and I can tell if my story would lend itself well to illustration. You need at least sixteen different scene changes for a picture book.
Here is Peepers trying to find a pet for the pet show:
She’s frustrated because she can’t find anything (that’s a frog on her head!) In the finished book, she does find the frog and it looks like this:
Before I leave you with your Black Friday find, I’ll show you my newest picture book idea brainstorm.
HAPPY THANKSGIVING!
Pam Calvert has written picture books and stories for over ten years. Her picture books include MULTIPLYING MENACE: THE REVENGE OF RUMPELSTILTSKIN and PRINCESS PEEPERS, a Scholastic Book Clubs selection and listed as a Texas Mockingbird picture book pick. Her newest picture books will be out in the spring of 2011 entitled, MULTIPLYING MENACE DIVIDES and PRINCESS PEEPERS PICKS A PET. She’s writing new picture books as well as longer stories from her home in Houston, Texas.
by Jannie Ho
I saw this quote the other day and it had a powerful effect on me. Whether you are a writer, illustrator, or both—in order to create something, you must follow through. It is almost towards the end of the challenge and most of you already have plenty of ideas on your list. Sometimes ideas are a dime a dozen. The hard part is spending the time to sit with it and flesh it out, finish it, and get it out there into the world.
I participated in the PiBoIdMo last year and came out a with a few ideas. I even started a picture book dummy with one, but it is half way completed. My goal is to get that finished up, no matter what happens to it. Perhaps giving the time and attention to one idea will lead to many others.
Good luck to all!
Jannie Ho, also known as chicken girl, is an illustrator/designer specializing in the children’s market, with her work appearing in books, magazines, toys, crafts, and digital media. Her books include The Haunted Ghoul Bus (2008), and The Great Reindeer Rebellion (2009), both written by Lisa Trumbauer, published by Sterling. She is currently working on a picture book with Viking entitled Road Work Ahead, written by Anastasia Suen (2011), and a sequel to The Great Reindeer Rebellion (2012).
Jannie is generously giving away her signed illustration above. Leave a comment to enter. A winner will be randomly selected one week from today. A signed copy of The Great Reindeer Rebellion will be given away at the conclusion of PiBoIdMo 2010.
by Tammi Sauer
One of the ways I come up with picture book ideas is to push myself to put a twist on the familiar. This technique worked out well for me with my latest book MOSTLY MONSTERLY (Simon & Schuster, 2010) and my upcoming book ME WANT PET (Simon & Schuster, 2012).
The initial seed for MOSTLY MONSTERLY came from my editor wanting a young, funny Valentine’s Day book about friendship. She encouraged me to try to write one. Oh, the thrill! Oh, the pressure. I went to the library and read Every Valentine’s Day Picture Book Ever Written.
I discovered that most of those books were about cutesy things like kittens and puppies and mice. I knew my story had to be different, so I thought as un-cutesy as possible. And came up with monsters. Bernadette is an ordinary monster on the outside, but, underneath her fangs and fur, she has a deep, dark secret. She—gasp!—has a sweet side.
Even though my editor and I eventually decided to tweak out the Valentine’s Day references and make the book marketable year-round, the story is still very much the same. But it never would have come about if I wasn’t trying to find a way to make my story stand out from the competition.
ME WANT PET sprang from my desire to write a book about a kid who really wanted a pet. There was only one problem. Every publishing house already had a pet book. Once again, I knew my story had to be unique if I wanted any chance of selling it. So I brainstormed. And read, read, read, read, read, read. And thunked my head on the keyboard.
One day, it hit me. My pet story wasn’t going to be about a typical kid who wanted a typical pet. Mine would star a cave boy in pursuit of the perfect prehistoric pet. Ooga!
So give it a try. Come up with a basic topic (Valentine’s Day, pets, siblings, pirates, first day of school, etc.). See what else is already out there. Then brainstorm a way that sets your story apart.
Tammi Sauer spends the bulk of her free time hanging out with cowboys, chickens, monsters, ducks, princesses, three disgruntled chipmunks, and the occasional cave boy. Her next book, MR. DUCK MEANS BUSINESS (Simon & Schuster, 2011), debuts in January. To learn more about Tammi, please visit her at www.tammisauer.com.
Tammi will be giving away a signed copy of MOSTLY MONSTERLY at the conclusion of PiBoIdMo.
by I wish I could tell you some great strategies I use to brainstorm picture book ideas. I really do. Unfortunately, most of my best ideas don’t work that way.
No, my best ideas are more like a butterfly flitting by. They’re beautiful and they’re fast and, if I have a butterfly net handy and I’m really quick, I just might be lucky enough to catch one for a closer look.
So here’s how catching an idea works for me (and how you can try it too):
Are you listening?
(Yes, I know you’re listening to me, but that’s not what I meant. 🙂 )
Are you listening… to yourself?
Yes, that’s the way I come up with many of my best ideas. By listening, to myself.
Here’s how it works:
I’m talking to my husband or my son or a friend and suddenly I hear myself say something curious or funny or thought provoking or odd.
Before I took myself seriously as a writer, those comments used to just “fly away”, but now…
“That sounds like a picture book,” I exclaim, and use my handy dandy “idea net” to catch it and store it in my ideas with possibility pile.
Now if you want to be even more effective at catching promising ideas before they fly away, here’s another hint:
It can really help if the people around you start to listen for picture book ideas too. (My husband and I were in the middle of a wacky conversation, when he pointed out that the silly topic we were discussing just might make an interesting picture book idea. It hadn’t even occurred to me. But, guess what? He was right!)
Now, maybe because many of my best ideas start out sounding like picture books, I often seem to catch titles. That’s what happened with my upcoming picture book, WHERE DO DIGGERS SLEEP AT NIGHT?
I was talking to my almost-three-year-old about his favorite topic, trucks, when I heard myself saying, “Where do diggers sleep at night?”
“That sounds like a picture book!” I exclaimed, and I had my idea. Hurray!
But just because I had my idea didn’t mean I knew what to do with it. For me, that’s when the brainstorming really starts going in earnest. So I decided to go just a bit further with this post, to trace what happened to this idea after I caught it.
Should a book called “Where Do Diggers Sleep at Night?” be a nonfiction book, factually explaining where a variety of trucks slept at night?
I definitely considered that possibility. After all, my truck-loving son had exposed me to many wonderful informational books. I eagerly began researching where trucks truly spent the night. Somehow, though, this direction didn’t feel right to me. Nonfiction is awesome, but the title I had caught felt more fanciful.
So, I went back to the drawing board. What else could I do with this title? I wondered. It should be a bedtime book, I thought, and I started to draft a rather sweet book about a bunch of trucks getting ready for bed.
Right direction, but this new version still had one major problem. It just wasn’t “truck-y” enough. The getting ready for bed story I was writing could have been about airplanes or clowns or elephants (or little boys).
The whole reason I was intrigued, and that I thought my young readers would be intrigued, was that this story would be about trucks. So I headed back to the drawing board once again. This time, I made sure that each stanza contained something about bedtime and something about trucks. Bingo! I finally knew where to go with my idea.
Then came lots and lots of revisions, but that’s another story.
So, good luck with Picture Book Idea Month! Listen to yourself closely and you just might catch an idea. And once you catch it, good luck with brainstorming until you know just what to do with it. 🙂
Brianna Caplan Sayres has taught students ranging in age from kindergarten to graduate school. Now she’s busy writing and raising two kids of her own. Brianna’s writing has been published in magazines including Highlights for Children and Cobblestone, and she’s super excited that her first picture book, WHERE DO DIGGERS SLEEP AT NIGHT?, is scheduled to be published by Random House in Summer 2012. Brianna and her critique group chat about writing for children at The Paper Wait. Brianna is represented by Teresa Kietlinski of Prospect Agency.
by Jo Swartz
The expression “A picture is worth a thousand words” for me, is very true. Sometimes inspiration comes from an idea, sometimes the words just come, but mostly the idea creeps up on me and surprises me when I least expect it out of something else. The only scary feeling accompanying it is “can I pull it off?”. Will the finished product turn out as fabulous as I imagine it?
Lately I have been quite surprised by the source of 3 of my newest picture books—all ‘works in progress’. They each began as a simple, single drawing. One was for a licensing line I am hoping to develop, another was just a portfolio sketch based on a fairy tale, and my shiniest new idea began while trying to think of a single picture to show my illustrative abilities for the upcoming SCBWI conference in New York. Aaack! Since, only one picture is allowed. I had to create one that would encapsulate my style and ability which for me meant I needed to create a concept where I showed beautifully costumed people, and talking animals. (At least I think so…who knows if this will be the image I use).
As I was working out what the picture should look like, my family became the source of inspiration for the theme, and suddenly there it was—the whole picture book. Right now, it is just all pictures in my head and very few words…but they are on their way. And I hope I can ‘pull it off’.
I don’t know how authors who don’t draw plan out a picture book. I don’t think I could without pictures early on in the process, even sketching out a rough stick figure dummy about what is going on in each page really helps me.
Even if you don’t draw—collage can do the trick. Just one picture can give you so much. Setting, characters, emotions.
This post is pretty late in the PiBoIdMo challenge, and if you are doing well with it—you have probably found that the more ideas you get, the more ideas you get! I think the challenge is great for training the mind to see opportunities for a story. Suddenly you find something humorous—whether it is a picture or a comment you heard while eavesdropping, the juxtaposition of something, irony, all these things can create a wonderfully original story, and sometimes something you never thought or intended to become a story—suddenly does.
I would also like to add for the illustrators out there—that not all picture books need to have words, either.
The story idea that I got while working on the licensing project has no words. I think of it like a silent movie. I just found that the illustrations told it all and words added nothing.
So, whether you draw, write, or both, don’t wait for your muse. If the one for writing isn’t showing up that day for work, try calling on one that handles the pictures to guide you. And if you are too scared to work with her—try the one for song, history, and so on. Or, do something completely different…but keep your mind ready for when the idea pops in. Mine likes to wake me in the middle of the night—so it is a good idea to always have a pen and notebook nearby!
The thing with inspiration is you never know what you’re going to get. None of the stories I am most pleased with, I intended, or planned, or saw coming. And whatever you do…have fun with the whole process—it will show in the work.
Jo Swartz is a writer/illustrator in Toronto. She works with both traditional media (mainly watercolor & ink) and digitally. She has several WIPs at various stages of completion. Jo is a former fashion designer, and has worked internationally in ready-to-wear and haute-couture in Paris, and a former creative director/graphic artist. This is her 3rd career. Jo’s work can be found at www.littlejolit.com and you can follow her on twitter http://www.twitter.com/littlejolit. She has recently been featured at Smith Micro’s Manga Studio site.
by James Burks
It’s day 18 of PiBoIdMo and I’m here to give you inspiration or at least a small push towards the finish line. I’m sure that, at some point in your life, most of you have put together a puzzle. It could have been a small puzzle with only a hundred pieces, or a ginormous puzzle with a bazillion pieces. Regardless of the size, if you can put together a puzzle then you can put together a story. So let’s get started.
To put together a story puzzle, the first things you need are the pieces. That’s where your ideas come in. Every single idea you come up with is a piece of the story puzzle. This includes characters, settings, or lines of dialogue; you name it, they are all pieces of the puzzle. And here’s the best part: there are no wrong pieces. If a piece doesn’t seem to fit into the puzzle you’re working on, you can set it aside to use later.
Here’s an example of a recent story puzzle that I put together:
About a year ago, I sat down and tried to come up with my next great idea. I had just sold my first two stories to different publishers and was trying to come up with a third story that my agent could send out. I had the first piece of my story puzzle: a squirrel. I spent the next few days creating more pieces. I gave the squirrel a name (another puzzle piece), and I came up with a bunch of stuff that he loved to do (more puzzle pieces). After a few days I took all the pieces and arranged them into a simple story, drew some rough drawings (for illustrators, these are more pieces), and sent it off to my agent. My agent thought it needed something more, though, and at the time I didn’t know what that was. So I set the entire puzzle aside and went off to work on another project.
After about a month, my agent called and asked if I had come up with any new ideas. I hadn’t. Or at least that’s what I thought. After hanging up the phone I started running through a bunch of random ideas while surfing the internet. I remember contemplating Amelia Earhart (I think the biopic was coming out or had just came out), went from there to Penguins, then to the South Pole, and from there to a bird migrating south for the winter. (It’s always a good idea to let your brain off its leash once in a while and let it run free. You never know what it might bring back.) Something about a bird flying south for the winter ended up sticking with me.
I didn’t know it just yet but I had just found another piece to my story puzzle.
From there, everything seemed to magically fall into place. I took the bird migrating south for the winter and stuck him with the squirrel from my earlier story. A small part of my story puzzle took shape.
Then I started to ask myself a series of questions to fill in the rest:
Why do they have to migrate south together for the winter? There had to be a reason and it had to be big. I asked myself what would happen if Squirrel was forced to go along after he unintentionally sacrificed his entire winter stash of food to save Bird from an attacking cat. He would have no other choice; if he didn’t go with Bird then he’d starve.
But, where was the conflict? What was going to make my story interesting? Maybe they were like the odd couple. I imagined Bird as a total free spirit who just wanted to have fun, while Squirrel was a bit neurotic and was all about responsibility. Squirrel can’t stand Bird, but they’re stuck together. A natural conflict of personality that would provide for some humorous scenes.
This left one last question. How would the two characters change by the end of the story? What would their character arc be? In the case of this story, I decided to have Bird learn to be a little more responsible and Squirrel learn to have a little more fun. The story, at its heart, would be about finding a balance between having fun and being responsible. And by the time the journey ended, they might even become friends.
At that point I could pretty much see the overall structure of my puzzle. The edges were complete and all the major parts were coming together. All I had to do was fill in the missing pieces in the middle, which solidified as I wrote the outline and got to know the characters better. Two weeks later I sent it off to my agent, we made some minor tweaks, and eventually sold it to a major publisher. (Deal announcement pending; I’m drawing and writing the book for release sometime in 2012.)
I hope you find inspiration in my recent experience and are able to put together some great story puzzles of your own. Just remember that there are no wrong pieces. You may not use every idea or piece you think of right now, but every piece (used or not) helps you build your puzzle. Now go forth and conquer the book world!
James Burks has spent the last 15 years working in the animation industry on various movies and television shows, including The Emperor’s New Groove, Atlantis, Treasure Planet, Home on the Range, Space Jam, The Iron Giant, Wow Wow Wubbzy, and most recently on Fan Boy and Chum Chum. His first graphic novel for kids, GABBY AND GATOR, was published by Yen Press in September 2010 and is a Junior Library Guild selection. James is currently working on a picture book with Lerner/Carolrhoda entitled BEEP AND BAH (2012), and the graphic novel mentioned above.
James is giving away a signed copy of GABBY & GATOR! Leave a comment to enter. A winner will be randomly selected one week from today.
Thanks to James for the PiBoIdMo 2010 logo and badges!
by Salina Yoon
Toys, toys, toys! I love toys! They are often the inspiration to my novelty books—board books with interactive features. They are designed to be touched, pulled, squeezed and played with, so my books and toys are like cousins.
Colored stacking rings, the Connect Four game, wooden puzzles, rubber duckies, and even a football has inspired a book idea! And sometimes, it’s not even a toy at all. Random objects will inspire me. My husband’s toolbox, kitchen utensils, scrap fabric, a greeting card, and even a funny jack-o-lantern on Halloween! I can’t get away from ideas creeping into my head because I’m surrounded by objects. Needless to say, I develop a ton of ideas every year. About a dozen are usually good enough to publish. And the others crawl back into my deep, dark dummy closet of doom. (See photo!)
My books are concept- and format-driven, so I’m not looking for story ideas. I look for fun concepts that allow a child to interact in a meaningful way from the physical design of the book. Rock & Roll COLORS is an excellent example. The book has a hidden track within each narrow page that allow a shiny disk to roll back and forth when the book is tilted. It makes a nice, satisfying clunking sound when the disk hits the edge. Each side of the page has an image with die-cuts, so the foil comes shining through. Each spread focuses on one color, and both images on the page are that same color. It’s so simple, but effective!
So how does this help you if you’re not developing novelty books? I say keep an open mind! Even simple objects can inspire, if you let them. For the PiBoIdMo challenge, all you need are concepts.
Surrender to your imagination! I don’t actively try to create ideas as much as allowing ideas to come into my head. Allow your mind to be free! Relax. Smile. Enjoy the process. Like the Chinese finger trap, the harder you pull, the stronger it resists. Don’t stress too much about trying to think up great ideas. When they come a-knockin’, just invite them in!
Salina Yoon is the creator of over 150 innovative books for young children. She has been named a finalist for the CBC’s Children’s Choice Book Awards for K-2nd Best Book of the Year, for Opposnakes (S&S/Little Simon), received the Oppenheim Toy Portfolio Gold Seal awards for Little Scholastic TOYS (Scholastic/Cartwheel) and Rock & Roll COLORS (Scholastic/Cartwheel), and the Nick Jr. Family Magazine Best Book of the Year award for My First Menorah (S&S). An author search on B&N, Amazon or IndieBound is the best way to track Salina’s books down. There are lots and lots of new titles releasing soon! (And Salina promises to have an updated website in Spring, 2011.)
Kids says the darndest things. And who better to give picture book authors great ideas than their readers? I asked Mrs. Lombardo’s 2nd Grade and Mrs. Mozer’s 3rd Grade classes what kind of book they would like to write and why.
“If I could publish a children’s book, it would be about…”
“Dragons because a lot of little boys like dragons.” – Oscar
“Soccer because I could teach others how to play soccer.” – Victor
“Dinosaurs because children like the T. Rex, triceratops and others.” – Aidan M.
“Friendship because children should learn how to be nice to each other.” – Mark
“Presidents because they are important for our country.” – Marshal
“Turkeys because it’s November.” – Dylan
“A girl and a boy walking in the woods and a witch would take them and bring them home. I would write it so some people would get scared a little bit.” – Taylor
“Dragons because I like dragons.” – Chris
“A little funny eraser who has big adventures all around the world because kids always like adventures.” – Gabriela
“Animals because lots of people like animals.” – Eliana
“Vampires and aliens because that is what most kids like.” – Annika
“A kid getting a pet. I would do it because they might like the book.” – Angelina
“Two girls who buy cotton candy. One of the girls eats it and the other one doesn’t. So it makes fun of that cotton candy. I would write this story because it makes me laugh.” – Neda
“Dragons. My book will be about dragons because it’s easy to make the problem and solve the problem.” – Thomas
“Friends because at school we learn about being bullied and good friends have to be nice to each other.” – Kyle
“Snow because children like to play in snow.” – Payoon
“Valentine’s Day because a lot of people like Valentine’s Day.” – Rebecca
“A girl and a boy helping others because other people could help others, too.” – Sophia
“A long time ago so kids can learn about a long time ago.” – Aidan Z.
“Christmas because it’s my favorite holiday.” – Halle
“A scarecrow, pumpkin, witch, house, people, crayons, lunch, snack, class. You could write a school.” – Vikesh
“A boy that could fly because it would be cool to see the world.” – George
“A boy who’s stuck in a haunted house because I like to tell spooky stories and it would be a cool adventure.” – Melanie
“A boy who could create pictures in his mind and make things happen because I think that would be exciting.” – Nick
“A girl who plays soccer because I think it would be interesting to read about a girl like me.” – Leah
“A girl who was teased because she was so good at math because I’m so good at math.” – Sophie
“A girl that has powers because I think that would be interesting.” – Hanna
“Dinosaurs because kids really like dinosaurs.” – Pierson
“A girl in a wheelchair because it would be cool to see how she dealt with school and her differences.” – Alex
“A girl that could fly because I would love to fly.” – Ella
“A girl that could go anywhere because she’d be able to get anything.” – Meredith
“A girl that wanted a dog because I want a dog and can’t get one.” – Denise
“A bear that is lazy and never helps people because it would be funny.” – Christian
“A boy who could fly because it’s my dream to fly and it would be cool to read about.” – Matthew
“People with powers because that would be cool.” – Jenna
“A boy who could fly because I like fantasy.” – Jimmy
“An alien who is friends with a boy because it would be cool.” – Julia
“A boy that could do amazing things because that would be interesting to read.” – Alexander
“A boy with super powers because that would be awesome.” – Henry
“Football because I know a lot about it and I play football.” – Tucker
“A kid who stunk at soccer and then becomes the best player on his team because it would be a good book.” – Lucas
“A boy who could fly because a lot of children want to fly and would like to read a book about it.” – Ethan
“A girl that has a brother and sister that annoys her a lot because I have a brother and sister that annoy me.” – Abby
Today’s inspiration from author-illustrator Adam F. Watkins is purely visual. You figure out the story—and you can also win this signed illustration. Just leave a comment! A winner will be randomly selected one week from today.
Adam lives in southern Ohio with his wife Amy and daughter Lucy. He graduated from the Columbus College of Art and Design in 2004, where he majored in illustration. He studied under C.F. Payne his junior and senior years. He worked for an advertising agency in Cincinnati after graduation and is now a full-time freelancer. He loves children’s books and the outdoors. Adam hopes to one day share his illustrations and stories with kids all over the world.
Some awards he has acquired along the way:
2003 – Society of Illustrators student show
2004 – Best in Show, Art of Illustration Show
2006 – Gold Addy Award
Writing for Kids (While Raising Them) 