♬ You’ve got a long list…you’re counting it twice…

…gotta have 30…or ten times thrice…

…’cause the PiBo Pledge is online to sign! ♬


You can qualify for one of our AMAZING PiBoIdMo prizes just by taking the following pledge. Put your right hand on a picture book and repeat after me:

I do solemnly swear that I have faithfully executed
the PiBoIdMo 30-ideas-in-30-days challenge,
and will, to the best of my ability,
parlay my ideas into picture book manuscripts.

Now I’m not saying all 30 ideas have to be good. Some may just be titles, some may be character quirks. Some may be problems and some may create problems when you sit down to write. Some may be high-concept and some barely a concept. But…they’re yours, all yours! Give them a big, fat, juicy smacker! SMOOCH!

You have until Dec 5th at 11:59:59PM EST to sign the pledge by leaving a comment WITH YOUR FULL NAME on this post. PLEASE COMMENT ONLY ONCE.

The name you left on the registration post and the name you leave on this winner’s pledge SHOULD MATCH.

Again, please COMMENT ONLY ONCE. If you made a mistake, contact me instead of leaving a second comment.

Remember, this is an honor system pledge. You don’t have to send in your ideas to prove you’ve got 30 of them. If you say so, I’ll believe you! Honestly, it’s that simple. (Wouldn’t it be nice if real life were that straightforward.)

If your name appears on both the registration post AND this winner’s pledge, you’ll be entered into the grand prize drawing: feedback on your best 5 ideas from a literary agent. There are LUCKY THIRTEEN grand prizes! Check out the agents here.

So what should you do now? Start fleshing out your best ideas! Write them as elevator pitches. Get ready because YOU might be a CHOSEN ONE.

Other prizes include picture books, manuscript critiques, art prints—all the stuff you saw during the month. All winners will be randomly selected by Random.org and announced NEXT WEEK.

And guess what, PiBoIdMo doesn’t end here! From today through Dec 6th, stop in for Post-PiBo, which offers daily posts about organizing, prioritizing and fleshing out your ideas.

Plus—you can claim your first prize now: a winner badge for your website, blog or social media site, designed by Troy Cummings. You can make it larger or smaller to fit anywhere. And if you want it on a mug, don’t forget to stop by the PiBoIdMo shop where every purchase benefits Reading is Fundamental (RIF).


Don’t be naughty…be nice! Go ahead and sign below!

And don’t forget to come back for Post-PiBo!


Kim and Bookie

by Kim Norman

In a not-very-long-ago life, I was a graphic artist. The first order of business in the ad agencies where I worked: strong slogans. If you were a fan of AMC’s Mad Men, you probably know leading man Don Draper’s alliterative name is no accident. Alliteration is a handy gadget in the ad copywriter’s tool bag. The human ear is tuned and attracted to alliteration. There’s no question alliteration makes a tag line memorable:

“Put a tiger in your tank”
“Melts in your mouth”
“Fly the friendly skies…”

Why not open Don Draper’s bag of tricks for ourselves? First, let’s play with alliteration. Through a random Google search of “things that start with g,” I landed on this helpful page of alphabetically arranged objects:


Scanning the G list, pairing words, my mind positively pops with possibilities.

Gorilla Garden
Grizzly Girl
Golden Galoshes


Open a new browser window and search for “adjectives that start with G,” and you access a further trove of ideas. Add those to your nouns:

Giggly Goldfish
Groovy Grapes
Gassy Grasshopper
(Oops, sorry. I have an 8-year-old’s attraction to scatology.)


Don’t tie yourself to that one alphabetical collection above. It’s missing lots of useful nouns. Search the net for other lists, too.

The one thing I suggest you avoid in this exercise is alliterative names, (Squeaky Squirrel, Rowdy Raccoon and the like). Because they can feel old fashioned and clichéd, many editors are skittish about alliteratively-named characters, although I was unconsciously guilty of it myself with my story about Percy, the pug. But the book was simply titled Puddle Pug, and we don’t learn the main character’s name until we open the book.

Next in the copywriter’s bag of tricks is rhyme. Social science studies reveal rhyme as a powerful persuasion technique. Whether it’s classic end rhyme:

“The best part of waking up is Folgers in your cup”
“Plop plop. Fizz fizz. Oh, what a relief it is”

…or clever internal rhyme:
“Please don’t squeeze the Charmin…”

…rhyme works.

Let’s go back to that alphabetical list of nouns above. When you spot an object that catches your eye, (preferably an animate rather than inanimate object) open a new browser window and go to rhymezone.com.

Paste in your chosen word. I’ll try “puppy.” A slim selection rhymes with the entire word, but if I search with just one syllable, “pup,” I spy great possibilities:

Buckle up, pup!
What’s up, pup?

Even slant rhyme or borrowed vowel sounds will work:

Grumpy puppy
Puzzle puppy
Puppy hunt

Still a Gorilla_COVER Two of my books coming out next year benefited from rhymes that popped into my head. I don’t know exactly what sparked Still a Gorilla, (Orchard, 2016) except I remember scribbling the words on a scrap of paper while wandering around an elementary school library. The paper stayed in my wallet for weeks. After I discovered it during another school visit, I mulled over the idea during a long drive. By the time I got home, I’d outlined the basics of the book in my head, as well as a few of the rhyming stanzas.

A robot manuscript based on “The House that Jack Built” was also improved by a rhyming title tweak. My editor, Meredith Mundy, suggested I come up with a different name for the main character, since “Jack-built” stories are becoming ubiquitous. I’m glad she did. I think The Bot that Scott Built (Sterling, 2016) is even more catchy!

The picture book that evolves from this exercise may end up with a title very different from the Don-Draper-inspired pairing that sparked your story. That’s fine, although I would argue that editors are people, too, who may be as subject to advertising psychology as the rest of us. If a Draperesque title attracts an editor to your manuscript? Presto! Perfect payoff!

Kim Norman (posing with Bookie, one of her half-pug muses) is the author of more than a dozen children’s books published by Sterling, Scholastic and two Penguin imprints. Among them is TEN ON THE SLED, (Sterling, 2010), I KNOW A WEE PIGGY (Dial Books for Young Readers, 2012), a Texas “2×2 Reading List” selection. Her most recent title is THIS OLD VAN, published by Sterling Children’s Books, and illustrated by Carolyn Conahan. Kim is represented by the Andrea Brown Literary Agency in San Diego. Because Kim visits dozens of schools around the country every year, she maintains a website devoted helping authors learn the ropes of school visits at coolschoolvisits.com.

Kim’s own website is at KimNormanBooks.com.

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Kim is giving away a signed copy of THIS OLD VAN!

This Old Van book cover

Leave a comment below to enter. One comment per person, please.

This prize will be given away at the conclusion of PiBoIdMo. You will be eligible for this prize if:

  • You have registered for PiBoIdMo.
  • You have commented ONCE ONLY on today’s post.
  • You have completed the PiBoIdMo challenge.

Good luck, everyone!

by Arree Chung

2015-01-14 08:38

Has this ever happened to you? You’re working on an idea. You’re excited about it. You share it with your agent or editor and then they tell you that it’s not working. Thud, thud, thud (that’s the sound of my head hitting against the wall).

Back to the drawing board. Well, not always. Developing an idea and refining it is really hard but sometimes you can make it work. This happened to me, on the book I’m currently working on. It’s titled OUT.

In this post, I’ll share a few tips on developing an idea and how to make an idea work when it’s not working.

Stories come from many places but sometimes, I like to start with the feeling. OUT began as a story tilted BREAKOUT.

At the start, I knew I wanted to make an adventure story. As a kid, I loved watching the Great Escape with my dad. I loved the humor and the near chances of getting caught.


Kids love to play cops and robbers all the time so I started to think about an adventure of escaping prison. At first, I imagined braking out of prison with a quirky set of animal characters.

2012-08-20 19:30

I worked really hard and made a full picture book dummy of BREAKOUT. I excitedly shared my idea with my agent. He wasn’t in love with it and brought up some good points. Prison is probably a subject to avoid in picture books- some kids have incarcerated parents and we want to be sensitive. But I was disappointed. I had come up with all these ideas that I loved and I didn’t want to scrap them completely.

I was frustrated and stuck. I shared my idea with a good friend who taught kindergarten and 1st grade. We started to brainstorm.

We asked ourselves:

  • How could we adapt this idea to something more age appropriate?
  • How could we retain the same sense of adventure, escape and mischief?

Still thinking graphically about black bars and shadows, I thought about how cribs are like little prison cells for infants and toddlers. And I know lots of kids hate being stuck in them when they want to roam.

I made a few new thumbnails to map out the new story. At this moment, I thought about how a baby and his favorite toy could break out of the crib. It wasn’t a fully developed story yet but we were on our way.


I shared this with my agent. I knew it wasn’t working yet but wanted feedback. One of the most helpful aspects of sharing your ideas with story experts is that they ask you smart questions. In this case, Rubin asked me what could happen once the baby is out of the crib.

I could feel ideas percolating. I didn’t have the solution yet and sometimes it’s helpful to step away for a bit. I had a few other books to illustrate so I spent my days working on those. But I always had this idea in the back of my mind. Then it all came together.

Stories are like puzzle pieces that perfectly fit together in a narrative. The tough part is you never know where to get all the pieces from. Sometimes a picture you see will be a piece. This picture did it for me.


You probably saw these pictures around the internet too. When a boy and his dog started to take naps habitually together, a mom started photographing them and posting on the internet.

That was the missing piece for me. I knew what the story was. It was about a toddler and his dog. When the toddler gets put to bed, the dog and the toddler are separated. When the toddler escapes his crib, the two are on their own adventure. You’ll have to wait to see what the rest of the book is about.

Here’s are a few tips for making a story work:

  1. START WITH A STRONG FEELING. Think of stories that you love and how they made you feel. Capture this in your first draft of your story.
  2. SHARE YOUR IDEA with a few trusted experts. Be careful not to overshare. You don’t need too many ideas in your head, especially at this early juncture.
  3. If your concept isn’t working, THINK HOW YOU CAN SHIFT YOUR STORY to a new setting or new characters. Remember the feelings of the story you want to create. Sets and characters are actors in your world. Anything can change at this early stage.
  4. STEP AWAY AND GET INSPIRED. Collect references. Make boards, folders.
  5. PUT IT TOGETHER. If you have enough pieces, you’ll be able to put together a new story. If you’re not quiet there yet, repeat steps 3 and 4.

If you have an idea or strong feeling for a story, don’t give up. OUT took 2 years to piece together. Refining ideas into a core story is the hardest part of developing a book. Remember the feeling you want to capture in your story and get excited. Keep at it and you’ll get there.

Happy Holidays and Happy PiBoMo!


Arree Chung is the author and illustrator of the popular picture book, “Ninja!”, which has received starred reviews from Kirkus and School Library Journal and has been named one of Amazon’s best books for 2014. “Ninja!” was also named one of NPR’s best children’s books of 2014. “Ninja!, Attack of the Clan” the followup to Ninja will be releasing in 2016, along with “How to Pee: Potty Training for Girls” and “Fix-it Man.” Arree has a two-picture-book contract with MacMillan and is also illustrating books from other publishers. Visit him  online at Arree.com.

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Arree is giving away a signed copy of NINJA!

Leave a comment below to enter. One comment per person, please.

This prize will be given away at the conclusion of PiBoIdMo. You will be eligible for this prize if:

  • You have registered for PiBoIdMo.
  • You have commented ONCE ONLY on today’s post.
  • You have completed the PiBoIdMo challenge.

Good luck, everyone!

PaulaYoo2 copyby Paula Yoo

It’s Day 28 of Tara Lazar’s annual Picture Book Idea Month (AKA PiBoIdMo)! Two more days and you’re done. Best of all, you will have 30 ideas to explore for your next picture book draft… and hopefully, one day, a published book!

For today’s blog, I will walk you through the general process of how I write my non-fiction picture book biographies. Here we go…

1. How do I come up with a non-fiction picture book idea? I do the following:

  • KEEP CURRENT: Read books. Pay attention to the news (social media, TV news, newspapers/magazines).
  • BRAINSTORM: Brainstorm about your own personal life: hobbies, favorite music/TV/books/etc. You never know what ideas might spark!
  • FRIENDS: You never know—a friend might mention something that could spark an idea. For example, I have had friends mention an article they read that would inspire me to jot down a picture book idea based on that!

2. Once I come up with my idea, then comes the research:

  • DO YOUR HOMEWORK: Read/watch books, articles, documentaries, movies, youtube clips, etc. related to your idea/non-fiction subject.
  • TAKE LOTS OF NOTES: Highlight what interests you as a good “story” or character moment.
  • INTERVIEW: If possible, interview the subject (if they are alive) or people who worked with the subject or are friends/family.

3. Then comes the first draft:

  • OPENING IMAGE: I usually start with an opening image—what opening image or action defines immediately the tone and direction of my story?
  • THREE-ACT STRUCTURE: I like to follow the classic “Three Act Structure”—Beginning, Middle, End, where there is an obstacle or conflict that must be overcome along with rising stakes in the action.
  • MAIN CONFLICT/OBSTACLE: I focus on the main conflict & struggle for my subject. What is the obstacle my main character faces? How do they overcome it?
  • EMOTIONAL JOURNEY: I also think about my main character’s emotional journey—what is their flaw? How do they grow and change by the end of the story?
  • THEME: As I write the first draft, a theme usually starts to form. I always ask myself—is the theme universal? Does it appeal to me personally? Can it appeal to everyone with a common universal element?
  • NUTS & BOLTS: As I write, I try to be mindful of using strong, active verbs, specific word choices and vivid descriptions. I make sure there are a variety of sentence lengths from short to long to keep the rhythm alive in my text.
  • STORY, STORY, STORY: Finally, I always remind myself that I’m telling a story—how do I keep my reader interested enough to keep turning the page?

4. Revisions:

  • REVISE, REVISE, REVISE! Once I finish the first draft, I start the revision process. Revisions can range from overall big picture structural notes to smaller nitpicks, fact checking and line edits.
  • READ OUT LOUD: I always read my drafts OUT LOUD to check for typos & spelling/grammar mistakes.
  • FACT CHECKING: Because this is non-fiction, I will double-check my footnotes and bibliography to make sure every single fact is accounted for by a primary or secondary source. You can even do follow-up interviews with your sources, too.

Now, some of you might cringe at the boring footnote/bibliography process. I don’t blame you. It’s a pain for me, too! But trust me, it is VITAL for non-fiction. Really back up your work properly and make sure you can tell your agent/editor/reader WHERE you got all your facts. It’s a painful process but worth it in the end.


For example, with my latest picture book TWENTY-TWO CENTS: MUHAMMAD YUNUS AND THE VILLAGE BANK (illustrated by Jame Akib, Lee & Low Books 2009), I interviewed three expert historians on the country of Bangladesh to make sure I had the correct historical facts.

I highly encourage everyone to try writing more non-fiction because a) it’s a great genre to write picture books for and b) non-fiction is become more popular and in-demand by schools, teachers, librarians, and students. It’s an area of picture books that will never go out of style. Plus, I love the challenge of discovering and creating a fascinating story and compelling character from a bunch of dry facts. Non-fiction picture books make history come ALIVE.

Happy Writing!

Paula Yoo is a published children’s book author and TV writer/producer. She hosts the annual NATIONAL PICTURE BOOK WRITING WEEK (AKA “NaPiBoWriWee”) every May 1-7. The next event takes place May 1-7, 2016. Go here for more details: http://paulayoo.com/category/napibo/.

Paula’s books include the Young Adult novel GOOD ENOUGH (HarperCollins 2008), which was an Honor Book of the Asian/Pacific American Award for Youth Literature, along with the IRA Notable picture book biographies SIXTEEN YEARS IN SIXTEEN SECONDS: THE SAMMY LEE STORY, SHINING STAR: THE ANNA MAY WONG STORY and TWENTY-TWO CENTS: MUHAMMAD YUNUS AND THE VILLAGE BANK from Lee & Low Books. Her TV credits include NBC’s THE WEST WING, Amazon’s MOZART IN THE JUNGLE, and SyFy’s EUREKA and DEFIANCE. She currently is writing for NETFLIX. Paula is also a professional violinist who has played with everyone from IL DIVO to FUN and NO DOUBT. But most importantly, she has three cats named Oreo, Beethoven & Charlotte. Her website is: PaulaYoo.com. You can follow her on Twitter @paulayoo, Youtube, and Instagram @PaulaYoo.

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Paula is giving away a signed copy of TWENTY-TWO CENTS: MUHAMMAD YUNUS AND THE VILLAGE BANK.

Leave a comment below to enter. One comment per person, please.

This prize will be given away at the conclusion of PiBoIdMo. You will be eligible for this prize if:

  • You have registered for PiBoIdMo.
  • You have commented ONCE ONLY on today’s post.
  • You have completed the PiBoIdMo challenge.

Good luck, everyone!

author pic kelly sonya color

Photo by Sonya Sones

by Kelly DiPucchio

It’s Day 27 of PiBoIdMo and based on all of the incredibly inspiring posts being shared here you must have more ideas than Thanksgiving leftovers. So how do you decide which ideas are keepers? Throw a dinner party!

A few weeks ago with another holiday season looming, I got a sudden and unexpected flash in my mind’s eye of all of my book characters seated together at a long table. I found the image amusing because it’s never occurred to me to put all of them together in the same room. But there they were eating, and drinking, and conversing loudly like they were at a swanky after-Oscar’s party.

Grace Campbell from GRACE FOR PRESIDENT was, of course, talking politics and the upcoming presidential election. Gaston was trying very hard to sip (never slobber!) his French champagne. Alfred Zector was passionately discussing books with Crafty Chloe who was busy rearranging the table center pieces. My beloved zombie, Mortimer, was smiling and secretly holding Mildred’s severed hand under the table. And no surprise, Bacon was seated at the head of the table commanding everyone’s attention with his bad jokes, long-winded stories, and impromptu ukulele solos.

bacon cover

Admittedly, some of my older characters weren’t adding much to the discussions. The dinosaurs from DINOSNORES were rudely asleep at the table, drooling into their salad plates, while the monsters from HOW TO POTTY TRAIN YOUR MONSTER spent the majority of the evening locked in the bathroom unrolling toilet paper and eating soap.

I asked myself if I were to extend my guest list to include other picture book characters, who might I want to invite and why?

sophiessquashI’d be sure to invite Matt De La Pena’s character CJ and his Nana because I know I could count on Nana to find something kind to say about my cooking. I’d send a telepathic invitation to Tammi Sauer’s little green alien because who wouldn’t want to hear what life is like on his planet? No doubt Ame Dyckman’s spunky Dot with her strong opinions and big appetite would be a lot fun to sit next to at a dinner party. I’d definitely invite Drew Daywalt’s crayons for a splash of color and Pat Zietlow Miller’s sweet Sophie just to see which vegetable she might befriend at the dinner table.

Characters don’t necessarily have to be as lovable as Dan Santat’s adorable Beekle but they should be memorable. Judy Schachner’s Skippyjon Jones would certainly be an unforgettable guest as would Elise Parsley’s Magnolia and her show-and-tell alligator. My Bacon might not be the kind of character you’d want to be seated next to at a dinner party because he’s exceedingly arrogant, but you can bet he’d be the kind of guest people would talk about on their drive home. And isn’t that better than being the guy in the beige sweater with kale in his teeth who’s name you can’t remember?

rosieWhen you’re contemplating your new picture book ideas, take a close look at your lead actors. Would they be characters you’d remember meeting the day after a dinner party? What about weeks or years later? Would they be the kind of characters you’d love to have as a friend because they’re thoughtful and kind like Amos McGee or imaginative and smart like Rosie Revere?

The characters we create may be playing out their adventures in two-dimensional worlds on the glossy, flat pages of picture books but something truly magical happens when we create characters that take on a multi-dimensional existence and live on in the hearts and memories of our readers for years to come.



Kelly DiPucchio is the award-winning author of nineteen picture books, including two New York Times bestsellers. Her forthcoming titles include DRAGON WAS TERRIBLE, illustrated by Greg Pizzoli, EVERYONE LOVES CUPCAKE, illustrated by Eric Wight and ONE LITTLE, TWO LITTLE, THREE LITTLE CHILDREN illustrated by Mary Lundquist. Kelly lives in southeastern Michigan with one husband, three children, and two puppies. You can see more of her work at KellyDiPucchio.com and follow her on Twitter @kellydipucchio.

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Kelly is giving away a copy of EVERYONE LOVES BACON.

Leave a comment below to enter. One comment per person, please.

This prize will be given away at the conclusion of PiBoIdMo. You will be eligible for this prize if:

  • You have registered for PiBoIdMo.
  • You have commented ONCE ONLY on today’s post.
  • You have completed the PiBoIdMo challenge.

Good luck, everyone!

Pat Booksby Pat Zielow Miller

This Thanksgiving, what are you thankful for?

Yes, I know. Your health. Your family. Food on the table. The upcoming football game. And, perhaps, some Black Friday shopping.

Those are all good and worthy things. I am thankful for them too.

But, it’s Picture Book Idea Month. And that means I am thankful for ideas. All kinds of them.

As I writer, I get asked, “Where do you get your ideas?”

A lot.

For a while, I didn’t know what to say.

But then, I figured it out. Or, I should say that Wendy Reid Crisp did. She wrote an essay in a book that is the perfect answer. I wish I could repost it for you here. But, you know, copyright issues.

The essay is on Page 26 of her 1997 book DO AS I SAY NOT AS I DID: PERFECT ADVICE FROM AN IMPERFECT MOTHER. It’s called, “There Are No Big Breaks.”

Anyway it’s about an aspiring actress in New York who is riding the subway and notices a lone grape rolling down the center aisle. She can’t figure out where it came from, but appreciates the absurdity of the moment enough to write a letter to the New York Times. Her letter is printed.

Then, the actress (who, remember, is unknown) goes to an audition. The director thinks her name sounds familiar and finally asks, “Are you the woman with the grape?” She acknowledges that she is. He praises her eye for detail and understanding of human behavior. She gets the part.

Reid Crisp concludes her essay by writing, “There are no big breaks. There are only rolling grapes. Some people see them, and some people don’t.”

To me, successful writers are people who notice the grapes in life. The weird, funny moments. The unexplainable occurrences. The odd socks the mail carrier is wearing. The squirrel that you can’t stop watching because it reminds you of your Uncle Esteban—except, you know, smaller. The snippet of conversation you overheard from the next checkout lane that made no sense but won’t get out of your head.

That’s where writers get their ideas.

sharing the bread cover

For my Thanksgiving picture book, SHARING THE BREAD: AN OLD-FASHIONED THANKSGIVING STORY (Schwartz & Wade, 2015) I got the idea from some weird words that popped into my brain during one of those boring meetings that make you question every career choice you’ve made to get to this point in your life.

The words were:

Mama, be a cooking pot, cooking pot.
Big and round and black and hot.
Mama, be a pot.

They came out of nowhere and raised logical questions: “Who was Mama?” “And why on earth should she be a pot?”

The words made no sense. I hadn’t been thinking about mothers or pots or cooking. But I liked their very weirdness. I emailed them to myself at home and played around with them that night.

In other words, I noticed the grape and decided to do something with it.

Not that it was easy. First, I thought I might create some kind of play or game where kids could pretend to be different items.

Then, I thought the family might find the items instead of being them. Soon everyone was cooking a meal.

But, the rhyme scheme seemed off. So I revamped, using Dori Chaconas’ ON A WINTRY MORNING as a mentor text. When I told her this at a recent Society of Children’s Book Writers and Illustrators conference, she told me she used a different mentor test to write her book, so I guess we’re all sharing the love.

Then, an editor declined the manuscript but suggested the family make a holiday meal. Enter turkey and cranberries and lots of hair-pulling. (What rhymes with turkey anyway? “Murky?” “Jerky?” “Perky?”)

But, I eventually made the story work, and another editor was interested. Anne Schwartz had me revise again. And again. And then suggested I add a rhyming refrain. Which was incredibly hard to do, but unquestionably added a lot to the book.

Some writers carry notebooks to jot down rolling grapes when they see or hear them. Others keep the grapes corralled in their heads. Do whatever works for you, but notice those grapes. They just might end up in the best fruit salad you ever created.

Oh, and because I do get asked this a lot, here’s what the first stanza of the book eventually became after all the revision:

Mama, fetch the cooking pot.
Fetch our turkey-cooking pot.
Big and old and black and squat.
Mama, fetch the pot.

Have an amazing Thanksgiving!

Pat Zietlow Miller has three picture books in print and seven more on the way. Her debut, SOPHIE’ S SQUASH, won the Golden Kite Award for best picture book text, an Ezra Jack Keats New Writer Honor and a Charlotte Zolotow Honor. It also won the Midwest Region Crystal Kite Award and was a Cybils’ finalist. WHEREVER YOU GO briefly made the Midwest Booksellers bestseller list, and SHARING THE BREAD was, at one point, the No. 1 Amazon.com release for new Thanksgiving books. Pat blogs about the craft of writing picture books at http://www.picturebookbuilders.com. She lives in Madison, Wisconsin, with one wonderful husband, two delightful daughters and two particular cats. Find her on Twitter at @PatZMiller.

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Leave a comment below to enter. One comment per person, please.

This prize will be given away at the conclusion of PiBoIdMo. You will be eligible for this prize if:

  • You have registered for PiBoIdMo.
  • You have commented ONCE ONLY on today’s post.
  • You have completed the PiBoIdMo challenge.

Good luck, everyone!


ajs_bioby AJ Smith

I have a new idea. Well, it’s a start, anyway, and that’s something important; Something special. Something INSPIRED!

Some writers are intimidated by the notion of idea generation. What is the inspiration for your ideas? Where do ideas come from? How can I create stories and characters that aren’t already told and tired? (How can I write a guest blog for PiBoIdMo that’s not already told and tired?)

Idea generation is my favorite step of the writing process—everything is fresh out of the egg with limitless potential. And it’s one of my favorite topics to delve into with my Children’s Book Illustration students at the college level and also with high school art students (yes, even artists have ideas… twisted, caffeine-induced ideas). Actually, for illustrators, there’s often the related fear of the “blank canvas.” I enjoy talking and teaching about ideas and where they come from because there are so many ways to approach it, and there’s not really a wrong way… but just maybe, I can provide a few new ways to help shore up the chin straps of your thinking caps.

1. I’ll start with (but won’t spend too much time on) the tried and true traditional brainstorming methods: free form lists, mind maps, and word webs. They all have their place and I admit to using them all the time.
But you also probably know and use similar methods—if you don’t, google told me you should start here: https://www.google.com/search?q=brainstorming+ideas+word+webs+lists&ie=utf-8&oe=utf-8 and now, there are also apps to help you brainstorm like Mindscope and Random Word Generator. My kids and I even use Rory’s Story Cubes around the dinner table. All of the above are great places to start but let’s try some techniques specific to storytelling aimed at children…

2. First lines! Let’s reference some of the classic first lines that hook editor and reader… That means the prerequisite:

There was a boy called Eustace Clarence Scrubb, and he almost deserved it.

If you are interested in stories with happy endings, you would be better off reading some other book.

And of course,

Where’s Papa going with that ax?

First lines are great hooks to pull in editors, agents, and young readers. The best first lines simultaneously evoke emotion and interest while causing the reader to ask questions. And they often do so with great immediacy. As such, they make for the perfect idea springboard. Here are a couple off the top of my medulla:

With the amount of gum I put in Henry Beauregard’s hair, I really believed I’d finally get him to ask me on a date.


Mrs. Nussbaum scraped the few remaining crumbs of her lunch off her tray into the grate under her desk and hissed, “You hush down there.”

or maybe

The whole car rumbled from the impact.

3. This last one leads me to what I like to call the ping-pong method. Sometimes one idea will spur another and then I lob it back to the original idea and around and around we go. Many times, for me, this means something I write will inspire a new drawing and that drawing will in turn alter the original idea or spawn a completely new one. Here’s an example of doing that with the line above:


And that ping-pong method of writing-to-drawing-to-writing is one I recommend for non-illustrators (maybe especially for them) as well.

4. Give them what they (need and) want and then take it all away! Every character has a goal and every good story has something standing in the way of that goal. But underneath all that, kids have very basic emotional needs:

  • a. The need to feel empowered or be in control,
  • b. the need to succeed/win or master a skill,
  • c. the need to nurture and help,
  • d. the need to love and be loved and/or receive attention/acclaim.

Obviously you must supply the specific goal on top of these desires, but these fundamental emotional needs can help supply the ideas for more specific wants (to tour the world earning kazillions in a kazoo band, to win the heart of Henry Beauregard, to graduate from Spider Spy Academy with top honors, etc). Now what would stand in the way of those needs and wants?

5. Don’t just make obstacles. Make seemingly insurmountable ones. And building obstacles around fears is a great idea generator! And just what are kids afraid of? The most common (by age – and that’s an important distinction) are: Ages 1-5: divorce, loss of parent, monsters, separation, and unfamiliar experiences (animals, environments, noises, strangers, etc). Ages 6-9: loss of parent, burglars, criticism, the dark, divorce, injury, monsters, new situations, personal danger, and war (think of how culture, time period, and geographic location can impact that last one). Tweens: loss of loved one, loneliness, kidnapping, divorce, personal danger, war. YA: loss of loved one, divorce, romance/relationships, drugs, kidnapping, large crowds, gossip, personal danger, terrorism/war. Getting specific with these fears is a lot of fun. It’s even more fun figuring out how they conquer those fears and achieve their goal…

6. How do they fulfill their wishes?

  • a. Achievement by the main character: (this is the method we’re told is preferred by editors). The protagonist has to go out and make it happen by their own doing!
  • b. Magic/Supernatural: (Harry Potter, anyone?) – this ties back into the need to be empowered and the need to master a skill.
  • c. Science/Technology: Think Iron Man for using technology to their advantage… or The Incredible Hulk, for having been effected by it.
  • d. Plain old Dumb Luck: This can provide for lots of laughs, but can make it harder to root for a character who seemingly achieves their goals through random series or happenstance.

7. Along the road to achieving their goal, your character NEEDS to have transformed. This is the basis of “character arc” and it’s another quick means to fruitful idea generation. Some of the classic arcs/transformations are:

  • a. angry to happy
  • b. boring to exciting
  • c. creature to human
  • d. loser to winner
  • e. novice to master, klutz to athletic
  • f. rags to riches
  • g. scared to brave
  • h. selfish to selfless
  • i. shy to confident
  • j. small to big
  • k. unloved to loved, nerd/geek/invisible to popular
  • l. ugly to beautiful
  • m. weak to strong

8. Opposites Attacked! I love when characters are created with traits opposite to what might be prototypical for their job, background, or character “type”. It’s a nice way to help keep characters relatable and flawed. And you can employ the above classic transformations to help generate ideas: The tortoise who wanted to fly, the eagle who COULDN’T fly, the gumshoe groundhog afraid of shadows, etc. Along the same lines, try creating characters with purposefully contradicting, conflicting, and/or ironic traits: the veterinarian who is allergic to pets, the vegan butcher, the pilot with acrophobia, etc. The same goes for objects and setting: Camouflage high heels or how about the world’s most boring amusement park?

9. Use word play as a vehicle to drum up ideas. This can be through alliteration (a bit overused in character names, IMHO), anagrams, rhyming, palindromes, and even onomatopoeia. The best is you can apply these to book titles, character names, gadgets, and places/settings. “OW-L” is my latest idea cooked up through wordplay.


10. Stuff… Everybody loves stuff. Kids REALLY love stuff. Thinking up your own breakfast cereal, fast food restaurants, gadgets, rusty skeleton keys, maps, sneakers, thing that came in the mail, old baseball card, vial full of fairy tears, or unexpected gift from a secret admirer are great fun! But how and why your characters utilize their stuff – that’s where small ideas can lead into tangible story pieces. Could you use an object as a motif, emblematic of something greater? Is it just a tiny detail or can you use their stuff to help build character and drive the story? Check out how other authors use their stuff by perusing the study guides at http://www.BookRags.com

11. Oh, the places you’ll go (write about): Ideas can be hatched through setting and the characters and situations you choose to put in those settings… some of my favorite, particularly kid-centric places that can help jumpstart the old noodle: playgrounds, movie theaters, bedrooms, attics, under rocks, between couch cushions, inside wishing wells, sewers, zoos, under couch cushions, backyards, alley-ways, sports stadiums, the mall, atop tree forts, toy stores, ice cream stands, the beach, undersea anything, caves, volcanoes, mountains, other planets, school, the library, the woods… How would your character act when taken out of their element and dropped into unfamiliar territory? What places can harbor a secret something?

12. New twists on an old classic… This is a tricky one, as the market is flooded with these types of books every year, and unless you’re doing it in a really strong, wholly original way (see: Lazar, Tara. “I Thought This Was A Bear Book” or Lazar, Tara. “Little Red Gliding Hood”), you are swimming against the current.

13. Endings! Some writers HAVE to know the ending of their story before they dig too deeply into the rest of it… as an exercise, try starting with a hypothetical last line as a fun means to generate story ideas. It at least provides a target (even if you don’t really know what to aim at that target yet) — I’ll give you a few and you cook up some simple stories for whatever the heck might have come before it…

No more tears or tantrums, not for now.
Gertie is a good girl (until she’s not again, anyhow).

or how ‘bout:

With Saturn’s rings back up in the sky and the stars all put away one by one, Martin P. Teabuckle, Cosmic Cowboy closed his eyes and hoped to dream; The moon could wait until morning.

or maybe a shameless plug from “Even Monsters”:

Sometimes even monsters need a kiss goodnight.


13. But maybe inspired ideas are your forte’ – so then, WHAT DO WE DO WITH THEM? I’m certainly open to suggestion. I’ll defer to a very non-kidlit author… Stephen King turned me on to the simple power of asking, “what if?” in his must-own book, On Writing. Take some of the above items you’ve toyed with and try asking what if?… Take a simple, commonplace situation and take it somewhere off the wall, take the implausible and make it possible. Ask questions!

What if Tara Lazar asked you to write a 400-800 word blog post and you gave her 1800?

AJ Smith teaches Children’s Book Illustration at Montserrat College of Art in addition to high school art in his hometown of Newburyport, MA. He also enjoys giving writing and illustration workshops at SCBWI. AJ’s first trade picture book, Even Monsters came out in 2014. His next book, “Tyra & Tops” hits stores in 2016.

Before writing and illustrating children’s books, AJ worked as an animator/designer on fun shows like Courage the Cowardly Dog, Sheep in the Big City, and Word Girl. He continues to work with exciting clients like Cartoon Network, Fablevision, PBS Kids, Ranger Rick, Scholastic, Sesame Street, Sourcebooks, and Weston Woods. See more of his work at AJSmith.net.

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evenmonstersAJ is giving away a copy of EVEN MONSTERS.

Leave a comment below to enter. One comment per person, please.

This prize will be given away at the conclusion of PiBoIdMo. You are eligible for this prize if:

  1. You have registered for PiBoIdMo.
  2. You have commented ONCE ONLY on today’s post.
  3. You have completed the PiBoIdMo challenge. (You will have to sign the PiBoIdMo Pledge at the end of the event.)

Good luck, everyone!

JesseKlausmeierPicby Jesse Klausmeier

It’s Day 24 and I don’t know about you, but at this point, I’m thinking I’ll never have a good idea again. How can there still be a whole week left?

Before you start looking for inspiration at the bottom of that can of pumpkin pie filling (not that I ever do this), take heart! I have a solution for these moments of doubt, exhaustion and brain-fog. What is this magical cure of which I speak?


That’s right, notecards to the rescue!

I’ve loved notecards ever since elementary school. Making them feels productive and like I’m accomplishing something. Our notecards will cover the four essential ingredients for a story:

  1. Character
  2. Setting
  3. Goal
  4. Obstacle

Make at least five notecards for each ingredient, and give yourself a range within each category, from general to specific.

The character category can include a generic boy, or something super specific like, the world’s loudest burper.

Setting can be a precise place, like Beth’s Toy Shop, or it can be an entire season, like winter.

The goal cards are what our characters want to achieve, and the obstacles are what stand in their way. A goal could be putting the star on top of the Christmas tree, or something universal, like acceptance. Obstacles could be grand, like fear, or explicit, like Uncle Frank.

Here are some examples for each category:


Making these notecards is a fantastic exercise in and of itself, and will get your creative juices flowing. Keep your notebook handy while you’re making them so you can jot down the story ideas that come to you throughout.

Once you have your four piles of notecards, pick a card (any card) from each. This is your story recipe.


For example, girl + beach + make a friend + time.

Let the ingredients simmer in your imagination until a story sizzles to the surface. One story that could come from these ingredients is about a girl and the friend she makes on vacation in San Diego. Though their time together is fleeting, it is no less special.

The beautiful thing about this exercise is that you don’t have to stick with the cards you choose. If your cards spark an entirely different premise, go with that one! If they bring up a memory, explore it!

There are many variations to this exercise, like only choosing two cards. If you choose a character and goal card, tailor the obstacle and setting to fit. The obstacle you make up should create as much tension as possible, and the setting should enhance the story.

For example, if you chose magician + eat the cake, an obstacle could be that the magician doesn’t have enough information, and doesn’t know the spell. Or the obstacle could be that his/her rabbit keeps eating every cake the magician whips up. The setting of the story could be a castle or talent show.

The more notecards you make for each category, the more story possibilities you’ll have.

So write on, dear PiBoIdMo-ers! Make those notecards and behold the tasty smorgasbord of stories you cook up!


Jesse Klausmeier’s acclaimed debut picture book, OPEN THIS LITTLE BOOK, won a 2013 Boston Globe-Horn Book Honor for Excellence in Children’s Literature. She has worked at Nickelodeon Animation Studios and Penguin’s Dial Books for Young Readers, where she was an assistant editor. Jesse lives in Madison, WI where she writes and edits children’s books, cheers for the Packers, and eats way, way, WAY too many cheese curds. Visit her online at JesseKlausmeier.com and on Twitter @JesseKlausmeier.

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OTLB CoverJesse is giving away a copy of OPEN THIS LITTLE BOOK.

Leave a comment below to enter. One comment per person, please.

This prize will be given away at the conclusion of PiBoIdMo. You are eligible for this prize if:

  1. You have registered for PiBoIdMo.
  2. You have commented ONCE ONLY on today’s post.
  3. You have completed the PiBoIdMo challenge. (You will have to sign the PiBoIdMo Pledge at the end of the event.)

Good luck, everyone!

Duffield Image 1 Cropped 2 copy 2by Katy Duffield

I’ve always loved picture books. I love those oh-so-perfect opening lines, the breathtaking art, and those endings that you don’t expect, but that make you say “Of course!” I also love the giggle-worthy characters, the “ahhhhh…” of the perfectly plotted story, and of course, the “I can’t wait to read that again,” feeling.

I knew without a doubt that I wanted to write picture books, but when I first began writing for children, my first publications came in children’s magazines. I thought magazine writing would be a way to help me learn and explore and gain confidence. And it was. I had a nice amount of success writing for magazines. But my heart was still with picture books—that’s where I always wanted to end up. So even as I wrote rebus stories for Highlights and inspirational middle-grade short stories for Clubhouse, Jr., I always had a few picture book manuscripts in the works.

That effort eventually led to the publication of my first picture book, FARMER MCPEEPERS AND HIS MISSING MILK COWS (illus. Steve Gray) in 2003.

Farmer Cover Image copy

After Farmer McP sold, I thought I’d done it. I thought I had it figured out. I thought I had an ‘in’ to the picture book publishing world. But it wasn’t… quite… that… easy. I kept writing and submitting picture books, but had no luck regarding acceptances. I received some personal replies from editors. I got invitations to submit more work—but no sales.

During that time, I also kept hearing all these negatives about the picture book market—“the market is soft.” “the economy is awful.” “No one’s buying picture books.” “It’s harder than ever to get a picture book published.” All of these “no’s” kept bombarding me. All of these negatives kept running over and over again in my mind. I really began to internalize these things. And that made me begin telling myself that I would be lucky if I ever got another picture book published. So, even with my overwhelming desire to write picture books, I decided if I wanted to write for publication, I would need to move in a different direction.

I’ve always loved research, and I’ve always loved reading about weird, quirky topics so it made sense that I’d begin exploring nonfiction writing. Nonfiction wasn’t, of course, fictional picture book writing, the thing I most wanted to write, but it did involve something I enjoyed, and it would be a new adventure for me.

Over several years, I ended up writing a BUNCH of nonfiction books. I absolutely enjoyed writing nonfiction (and I still do!), but my love for writing picture books never strayed too far from my consciousness. Actually, my love for picture books felt almost like an obsession. I just could not shake it. It felt as if there was a hole inside of me that could only be filled with picture book writing. So, I began to think: Wait a minute. I want to write picture books more than ANYTHING. Am I going to give up on writing picture books without truly trying? Am I going to allow other people to tell me I can’t, without even giving it a shot? Shouldn’t I trust myself? Shouldn’t I believe in myself?

So I decided to rededicate myself to my true writing love—picture books. I couldn’t NOT let myself go for something that meant so much to me.

And I’m happy to say that dedication has yielded results. My second picture book LOUD LULA (illus Mike Boldt) was released in late October. And another picture book, ALIENS GET THE SNIFFLES, TOO (illus K.G. Campbell) is forthcoming from Candlewick Press.


Soooo, you had to endure that entire story, simply so I could tell you—
“Don’t give up!”
“Believe in yourselves!”
“If picture books are your passion—write them!”

And NEVER let anyone tell you: “You can’t.”

Katy Duffield LOVES picture books—reading them and writing them. And she has a newfound reason (as if she needs another reason) to overstuff her picture book shelves—her first grandbaby!

Katy is the award winning author of more than twenty children’s books including the picture books Farmer McPeepers and His Missing Milk Cows, illustrated by Steve Gray (Rising Moon Children’s Books), Loud Lula, illustrated by Mike Boldt (Two Lions, 2015), and the forthcoming Aliens Get the Sniffles, Too, illustrated by K.G. Campbell (Candlewick Press, tba).

Katy has also written many nonfiction books for older readers, both fiction and nonfiction for many children’s magazines, and for several educational publishers.

You can connect with her at KatyDuffield.com or on Twitter @KatyDuffield.

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Katy is giving away a copy of LOUD LULA!

Leave a comment below to enter. One comment per person, please.

This prize will be given away at the conclusion of PiBoIdMo. You are eligible for this prize if:

  1. You have registered for PiBoIdMo.
  2. You have commented ONCE ONLY on today’s post.
  3. You have completed the PiBoIdMo challenge. (You will have to sign the PiBoIdMo Pledge at the end of the event.)

Good luck, everyone!

Anna Staniszewskiby Anna Staniszewski

I’m sure you don’t have this problem, but I’m not exactly smooth in social situations. Not too long ago, for example, I complimented a friend by telling her that her hair looked like a tornado. For some reason she wasn’t terribly flattered. I’m certainly better on paper than I am in person–that might be the definition of being a writer, right?–but sometimes my tendency to say strange things is actually useful. In fact, two of my picture books came about that way.

Way back in 2010, Tara was nice enough to let me share the story of how I got the inspiration for my first picture book. The short version: I was getting ready to take the dog for our morning jaunt. (The word “walk” can no longer be uttered in our house.) As she whimpered in impatience, I told her, “Hold on, Dogosaurus Rex! We’re going!” During our stroll, my brain started churning. What would a Dogosaurus Rex be? A dino/dog hybrid? A dog that acts like a dinosaur? A dinosaur that acts like a dog? Whatever it was, I knew I had to write about it. And thus Dogosaurus Rex, my forthcoming picture book with Henry Holt, illustrated by Kevin Hawkes, was born.

Fast forward a couple years. This time, as I was going to sleep, I turned to my husband and said in my best robot voice, “Dream sequence initiated.” My husband, who’s used to the oddities of being married to a writer, gave me a “yes, dear” look and started snoring. But my brain was churning again. Was there a Goodnight Moon about robots? When I looked it up, the type of story I was imagining didn’t exist. I knew I had to write it, and this past March, Power Down, Little Robot, illustrated by Tim Zeltner, was published by Henry Holt.

Power Down Robot final cover small

I have a theory about those moments when we do/say things that other people think are odd. I suspect our imaginations are to blame. While we’re trying to go along in our everyday lives, pretending that we’re just like everyone else, our imaginations don’t shut off. And sometimes the things that our imaginations concoct can’t help but burst out of our mouths. When this happens, you might wind up offending a friend when you’re trying to pay her a compliment, but it might also mean stumbling upon the kernel of a story idea.

So don’t be embarrassed next time you do or say something that makes others scratch their heads. Grab a pencil and write it down! You never know where that bit of strangeness will lead you. Now, if you’ll excuse me, I’m off to brainstorm a story about a girl whose hair turns into a tornado. And if it ever gets published, I know exactly which friend I’ll dedicate it to.

Anna Staniszewski is the author of the My Very UnFairy Tale Life series, the Dirt Diary series, and the Switched at First Kiss series, as well as the picture books Power Down, Little Robot and the forthcoming Dogosaurus Rex. When she’s not writing, Anna spends her time teaching, reading, and eating far too much chocolate. Visit her at AnnaStan.com.

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Anna is giving away a copy of Power Down, Little Robot.

Leave a comment below to enter. One comment per person, please.

This prize will be given away at the conclusion of PiBoIdMo. You are eligible for this prize if:

  1. You have registered for PiBoIdMo.
  2. You have commented ONCE ONLY on today’s post.
  3. You have completed the PiBoIdMo challenge. (You will have to sign the PiBoIdMo Pledge at the end of the event.)

Good luck, everyone!

Follow Me on Pinterest As a children's book author and mother of two, I'm pushing a stroller along the path to publication. I collect shiny doodads on the journey and share them here. You've found a kidlit treasure box.

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