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by Benson Shum
There are many ways to generate ideas. For me, sometimes it starts with an illustration. Sometimes it starts with a word, a line or a thought. Let’s start with the first. Whether you’re creating the illustration or have a painting that calls to you, there is almost always a story in it. If there isn’t, let’s create one. Start to ask questions. Think about every detail in the illustration.
- What emotion does the painting give you?
- Is there something interesting about the color palette?
- How is the character posed?
- What is their expression?
- What situation are they in?
- How are they feeling? and why? What are they wearing? Or not wearing?
- Could this give insight into who they are?
- Is there an environment? What does it tell us? where does it set the character in? Forest? A city? Is it a bustling city? or a slower paced location?
- Could there be a possible conflict?
- Conflict with their surroundings?
- Conflict with self?
- Conflict with another character?
Hopefully by the end, you will get a basis of WHO this character is, WHERE they’re from, WHAT is the possible problem and WHY. If not, that’s ok! We’ll try again, maybe we could add a character to it? Or look at the painting a different way. Maytbe place the character in a different environment. Create conflict. And start with the questions again!
If we were to start with a word, a line or a thought. I’ll use the example from my book ANZU THE GREAT KAIJU. If you don’t know what a kaiju is, kaiju is a Japanese term for “giant monster” like Godzilla or King Kong. I’m a big fan of King Kong, Godzilla, huge robots, giant monsters in general that tower over cities. So I wanted to take a twist on it. And started to ask “What if” questions. The thought or line for this story was “What if not all kaiju want to destroy?” That was the seed of the story.
- What if Anzu comes from a family legacy of destroyers?
- What if Anzu was different?
- What if Anzu’s superpower wasn’t like his families?
- What if Anzu’s power was kindness and gentleness?
- How does that make Anzu feel?
- How does that make his family feel?
- What happens when his family finds out?
These are some of the exercises I use when trying to come up with story ideas. Even if the idea or solution doesn’t make complete sense, jot it down. You can always delete/erase it. But what it does do is get the idea out of your head and onto paper, which leaves more room for new ideas. Thank you for listening to me ramble! I hope it was helpful!
Benson Shum is a children’s book Author/Illustrator and Disney Animator. He uses watercolor, ink and digital tools to create his illustrations. Aside from writing and illustrating, Benson is also an Animator at the Walt Disney Animation Studios, where he was a part of such films as Frozen, Big Hero 6, Zootopia, Moana, Frozen 2, Raya & the Last Dragon and Encanto. Originally from Vancouver, British Columbia, Benson now lives in Los Angeles, California. Follow him online at bensonshum.com, and on Twitter, Instagram & Facebook as bshum79.
Benson is giving away a copy of ANZU THE GREAT KAIJU, an art print, and stickers to one random winner.
Leave one comment below to enter.
You’re eligible to win if you’re a registered Storystorm participant and you have commented once below.
Prizes will be distributed at the conclusion of Storystorm.
by Carter Higgins
Let’s take a fresh look at once upon a time and the end, okay? You’ve heard the words, you’ve said the words, you’ve written the words (and triumphs, all!)—but what do they look like visually? Endpapers.
Endpapers are the pages that are glued to the case of a hardback book, sticking the book block into place. We all know how valuable the real estate is within the pages of a picture book, whether writing or illustrating. How perfect to have this extra space! A visual bonus of once upon a time and the end.
Let’s use this physical quality to reverse engineer ideas for picture books. You don’t need to be an illustrator, I promise. We’re just imagining how to smoosh a story in between two made-up visuals. Ready?
CIRCLE UNDER BERRY plays with perspective and position thanks to nine base shapes that transform and rearrange. It’s a bit like a puzzle, both in its pictures and poetry. That yellow thing on the cover? Sometimes we call it yellow. Sometimes circle. And one page turn reveals it to be something entirely different.
Here, then, are the endpapers. A hello! And ending with a look at what you did! It’s the surprise of the whole book in a nutshell.
Maybe the initial endpapers show a sunset and the back endpapers are the night sky. What happens in between? What if it’s squeaky clean sneakers in the front and muddy tracks in the back? How? Why? What’s the story in between?
WHEN SOPHIE GETS ANGRY—REALLY, REALLY ANGRY is one of my favorite picture books. Beginning with the endpapers, Molly Bang uses color to effectively mirror the emotions Sophie experiences in the book. It’s immersive as a reader and impossible to not feel how Sophie does.
The initial endpapers: red. Hot, angry, outburst-y red. And at the end? Blue, calm, peaceful ease. Perfect bookends for the story, and I imagine you can understand the action inside—even if you’ve not read the book.
(Just a note here: these pictures are from the ebook version. I’m almost certain the hardback edition has an entire additional spread of both red and blue endpapers at the front and back, a separate-ended book.)
So, what kind of story would be framed between two bright pinks? Inky blacks? Whispers of lavender? Or what if it’s the opposite of Sophie’s—what if the beginning is blue and the end is red? What happens when rusty brown turns to mossy green? Or vice versa?
What about a pattern? Here’s one of mine.
What if this pattern was printed in both the front and back? What if you rotate this pattern ninety degrees or change the color? What story could be anchored by those shapes or lines or colors? Knitting that belongs to a giant? Something Valentine-y?
Or try this. What’s an object near you: a fork? A kitty? A hammer? If one of those things were illustrated and repeated in a pattern on endpapers, what kind of story would be in between? Two of those objects? All of them?
What if the endpapers at the beginning are mostly the same as the end, but with one significant change? What type of story could support that visual? Here’s a favorite: the opening endpapers of THE ADVENTURES OF BEEKLE: THE UNIMAGINARY FRIEND. And the ones at the end are revealed here. A perfect summary of the story if all you read were those two pictures.
A visual once upon a time and a visual the end. What’s in between?
(One extra thing. When you share picture books with kids, slow down for the endpapers. There’s often some extra story for keen observers. And when you do, here’s a joke that always lands. Tell them you’re ‘just not sure why the ones at the front of the book aren’t called beginningpapers,’ and then wonder out loud why they never asked you. Good giggles, every time.)
Carter Higgins is the author of many books for young readers, including Everything You Need for a Treehouse, an NPR Best Book of the Year, This is Not a Valentine, a Kids’ Indie Next List selection, and the chapter book series, Audrey L & Audrey W: Best Friends-ish. Her first book as both author and illustrator, Circle Under Berry, was named a Best Book of 2021 by Publisher’s Weekly, Smithsonian Magazine, and The Wall Street Journal.
Carter is a creative storyteller who designs playful experiences around visual literacy and believes the wit of kids’ language is the best poetry of all. She is an Emmy-winning visual effects and motion graphics artist and spent a decade as an elementary school librarian. You can find her on Twitter and Instagram @carterhiggins or online at carterhiggins.com.
Carter is giving away two signed copies of CIRCLE UNDER BERRY to two winners.
Leave one comment below to enter.
You’re eligible to win if you’re a registered Storystorm participant and you have commented once below.
Prizes will be distributed at the conclusion of Storystorm.
by Lynne Marie
For me, ideas often come in a brainstorm, which is why Storystorm month is one of my very favorite times of year! It’s an April shower for writers! But getting the ideas flowing is just the start of the process—they are seeds. Plant as many as possible—hopefully 31! Gently push them beneath the earth, give them sunshine, water, fertilizer, time, and let them grow! If, after some time, all or many peek through the earth and sprout into flowers, that’s great! But here comes the hard part. Which one do you pick?
It would be nice to pick a bouquet of ideas, but that’s just not feasible. When writing with an eye toward publication, focus can be key. So to maximize your success, you may want to pick the idea or top ideas that are most viable to focus on. How do you do that?
The first way is the Three Hooks Test. Make a list for each idea you are considering. Here are some examples…
For MOLDILOCKS AND THE THREE SCARES, illustrated by David Rodriguez Lorenzo (an actual PiBoIdMo 2015 idea!), I had an idea which was (1) a fracture of the Goldilocks and the Three Bears tale that had not been done before, (2) monsters, which are always a fan favorite for kids, (3) a clear Halloween tie-in, and (4) a unique angle for the tale in that it showcased a blended, diverse monster family and nodded to fostering/adoption.
For LET’S EAT! MEALTIME AROUND THE WORLD, illustrated by Parwinder Singh (Beaming Books, 2019), I had a non-fiction project that (1) explored the world, (2) showcased diverse children, and (3) shared the food that they eat. Another hook is market—kids on the younger end of the target age group can enjoy the text and it has sidebars that level up a bit to older readers.
For AMERICAN PIE, illustrated by Dea Lenihan (coming April 14, 2022), I had (1) a unique and accessible story about how to celebrate the Fourth of July, (2) a friendship tale, and (3) a food-related problem-solving component with an easy recipe for children to make.
For THE THREE LITTLE PIGS AND THE ROCKET PROJECT, (coming January 15, 2022), I had (1) a fun STEM component, (2) a unique fracture of The Three Little Pigs tale in which they get to build with their associated materials, and (3) a bullying/friendship aspect.
Of course, it is important to make your hooks as strong and clear as possible. Many authors even weave them into the title!
Think of it this way, when your book is considered, the publisher and even the bookstore buyers they consult, will need to know what the hooks are. When will they release the book (is there a specific seasonal tie-in)? Is there a holiday, anniversary, timeliness or other tie-in? Where will the book be placed? For example, with holiday books, books about a certain topic or event, STEM books, or books about a specific culture? WHAT ARE THE HOOKS?
The second way is the Has It Been Done Before? test. Research the market. Read, read, read! Read up to 100 books on the topic and theme to see if your idea is fresh and unique. For example, for THE STAR IN THE CHRISTMAS PLAY, with art by Lorna Hussey (Beaming Books, 2017), I read close to 100 picture books on the topics of nativity plays, Christmas, giraffes, self-esteem, body image, and school plays. I realized that my idea had not been done before and was viable. I wrote it and revised it many times, then put it away. And when Sparkhouse Family (now Beaming Books), had their 1st annual picture book contest, I took it out, dusted it off, explored their catalog, revised again, then submitted. This resulted in a sale. For more of my process with this book, you can watch this.
This reading research will prove valuable, so take extensive notes. Titles, themes, topics, publication date, publisher. These will tell you if the idea has been done before, whether the story had a similar theme, which publishers have already done a similar idea and when they had done it, and more! You will be surprised at how much you can learn about what to do and what not to do by reading similar books. It will help you to craft an idea that will stand up and out against the rest!
But for now, just write down those 31 ideas. Dance in the Storystorm rain and don’t stop til you’re done! Hopefully, good things will come of it!
Lynne Marie is the Owner and Administrator of rateyourstory.org and thepicturebookmechanic.com. She is the Spotlight Feature Editor at Children’s Book Insider and a CYBIL Fiction Picture Books and Board Books First Round Judge since 2016. She is the author of Hedgehog Goes to Kindergarten (Scholastic 2011), Hedgehog’s 100th Day of School (Scholastic 2017), The Star of the Christmas Play with art by Lorna Hussey (Beaming Books 2018), Moldilocks and the 3 Scares (Sterling/Scholastic 2019), Let’s Eat! Mealtime Around the World (Beaming Books 2019), The Three Little Pigs and the Rocket Project (Mac and Cheese Press 1/2022), American Pie (Dancing Flamingo Press 4/2022), There Was a Blue Whale Who Tangled with Plastic (Dancing Flamingo Press 4/2023) and another forthcoming. She currently lives on a lake in South Florida with her family, a Schipperke named Anakin and several resident water birds. Visit her at LiterallyLynneMarie.com. Lynne Marie is represented by Marisa Cleveland of theseymouragency.com.
Lynne Marie is giving away a digital copy of one of her books AND a ½ Zoom Consultation which can be used for a critique, mentoring, or career consultation. One winner will be chosen for both prizes.
Leave one comment below to enter.
You’re eligible to win if you’re a registered Storystorm participant and you have commented once below.
Prizes will be distributed at the conclusion of Storystorm.
It all began with “archipelago.”
You remember “Rudolph the Red-Nosed Reindeer,” right? The stop-motion animation special remains a beloved holiday favorite. If you recall, the Island of Misfit Toys existed in a far-off ARCHIPELAGO, and as a child, “Rudolph” exposed me to that word for the first time. ARCHIPELAGO felt mysterious and magical, this secret land where sentient toys longed to be played with and loved. “I’ll love you!” I shouted at the TV.
That warm, fuzzy feeling of childhood resurfaces every time I hear the word “archipelago.”
Then, a few years ago while I was reading, I stumbled across “archipelago” and immediately wrote it down. I wanted to keep it close.
This practice of jotting down words quickly became habit—I recorded every crazy word that made me feel something light and fun, every word that delighted my tongue. Soon I had a list of over a hundred words. And then, knowing how the internet loves lists, I threw it up on this website as “List of 200+ Fun, Cool and Interesting Words.
Through the years, I’ve added to that list. It exploded to over 500 words. And then it became the single-most accessed page on my site (yes, even more so than the picture book page layout post).
Thousands of people visited my site every month just to peruse “the word list.” Now, you’d think they’d buy a book while here, but NAH. As I’m sure many of you authors have learned, just having a website doesn’t guarantee book sales. (Oh, how I wish it were that easy!) So I thought—I should make the list into its own book! BUT HOW???
Of course, the words should be defined. And used in silly sample sentences. With cartoons. Yet, a plain dictionary isn’t very fun to read. But fun facts are entertaining to read (after all, they’re not called “boring facts”)! And organizing the words into common themes meant the entire thing didn’t have to be a list from A to Z…
After YEARS of collecting words, researching their origins, grouping them and sharing the coolest nuggets of I-can’t-believe-that info, ABSURD WORDS is FINALLY HERE! Today is publication day!
This is where ONE WORD can take you.
As I write in the introduction for ABSURD WORDS, words equal power. Every single word in this book had some kind of power that made me include it. And by “power,” I’m talking about the strength to make me FEEL. Each of these words plucked my heartstrings in some profound way.
MUUMUU reminds me of my grandmother, preparing my favorite meals in her kitchen.
LABYRINTH reminds me of that frustratingly exciting wood-and-silver-ball maze I would play with my best friend.
BAUBLE reminds me of the chest of costume jewelry I dug through while playing dress-up.
Yes, these words are fun to say, and they’re unusual enough to add sparkle to a picture book manuscript…but they also evoke a certain emotion. And picture books are about evoking emotion. A good picture book makes the reader FEEL. The character in the book has grown through the tale, but hopefully, so too has your reader.
You might think this Storystorm post is all about getting you to use uncommon, interesting words in your manuscripts. While that’s an idea I endorse—using a difficult word in context helps young readers understand new vocabulary—that’s not the point here.
I’d like you to find words that make you FEEL, and then run with that emotion. What scenario does that word conjure for you? Can you create a story about it?
I encourage you to use words that evoke the mystery and magic of an archipelago!
I am giving away an hour Zoom call to anyone for any reason. We can talk about publishing, picture books, figure skating, the legacy of Betty White, anything!
Leave one comment below to enter.
You’re eligible to win if you’re a registered Storystorm participant and you have commented once below.
Prizes will be distributed at the conclusion of Storystorm.
by Tammi Sauer
Over the years, I have shared all sorts of ways to come up with ideas for the Storystorm crowd…start with a title, celebrate the weird stuff in life, mine your childhood, play with structure….
When Tara asked me to write a post this time around, I was worried. Did I even have another idea on getting ideas?!
Then I realized that both of the books I have coming out February 2022 serve as a fresh way to come up with new ideas. Yay me for inspiring me!
LOVEBIRD LOU (Sterling), illustrated by Stephanie Laberis, is about the appreciation of self, family, and community. NO BUNNIES HERE! (Doubleday Books for Young Readers), illustrated by Ross Burach, is about not making assumptions about others. Both books are filled with humor, heart, and ridiculously adorable characters.
But these books have another thing in common! They each have a holiday hook! LOVEBIRD LOU is a perfect fit for anytime of the year—but it’s especially lovely for Valentine’s Day. NO BUNNIES HERE! is a super fun read on any day—but it’s especially wonderful for Easter.
Did I set out to write a Valentine’s Day book or an Easter book? NOPE! Do these books tie in nicely with those holidays? YUP!
**Please note the more hooks your book has, the more likely it will snag an agent/editor/book buyer/reader!**
In addition to these sorts of books landing in seasonal displays in bookstores, there’s another bonus to having a book with a holiday hook. Sometimes these very same books will get picked up by Scholastic and appear in Scholastic Reading Club Flyers. MOSTLY MONSTERLY, illustrated by Scott Magoon, was in October flyers. The monster stuff made it a nice addition to Halloween books. A LITTLE CHICKEN, illustrated by Dan Taylor, made it into March/April flyers. Why? Well, that little chicken was a nice fit for spring/Easter books.
THIS IS MY CHALLENGE FOR YOU:
Choose three holidays or seasons. Brainstorm characters or situations that have some sort of connection to each of those holidays or seasons.
TIP:
To give your book idea even more of a hook, try not to include the mentioning of the specific holiday in the title. We want people to want your book all year long.
TO EARN BONUS POINTS FROM ME:
Have a book idea hook into two holidays and/or a season. MOSTLY MONSTERLY, for example, ties into Halloween and Valentine’s Day. Read the book to see what I mean. MY WORKING MOM, written by Peter Glassman and illustrated by Tedd Arnold, is another example. It ties into Halloween and Mother’s Day. Want another example? Okay! Check out COLD TURKEY written by Corey Rosen Schwartz and Kirsti Call and illustrated by Chad Otis. It ties into Thanksgiving and winter.
Happy holidays, everyone!
Tammi Sauer, a former teacher and library media specialist, is a full-time children’s book author who presents at schools and conferences across the country. She has more than 30 published picture books and has many others on the way. Her books have received awards, earned starred reviews, made lists, been made into musicals, and been translated into many different languages. Most importantly, kids really like her books! To learn more about Tammi and her books, please visit tammisauer.com and follow her on Twitter at @SauerTammi.
Tammi is giving away three prizes to three separate random winners—a copy of each of her new books and a picture book critique!
You’re eligible to win if you’re a registered Storystorm participant and you have commented once below.
Prizes will be distributed at the conclusion of Storystorm.
The year we’ve had…again…so I’m going to try to gloss over it quickly.
There, I’m done!
As writers, we must continue to swim forward, like a shark. No looking back. There are new ideas on the horizon!
And thus, we come to another installment of everyone’s favorite creative exercise: STORYSTORM!
Welcome to STORYSTORM 2022 Registration!
Five years ago I changed the name and month of my annual writing challenge, from Picture Book Idea Month (PiBoIdMo) to STORYSTORM. Why? Answer’s here.
Although this challenge begun as a picture book writer’s event, any writer interested in brainstorming new story ideas in January is invited to join the STORYSTORM challenge of 30 ideas in 31 days. Any genre, any style; student, amateur, hobbyist, aspiring author or seasoned professional.
How does STORYSTORM work? It’s simple…
- Register.
- Read the daily posts on this blog, beginning January 1st.
- Write down one (or more) story idea daily. (Do not share that idea with anyone.)
- At the end of January if you have at least 30 new ideas, you can sign the STORYSTORM PLEDGE and be eligible for PRIZES.
So are you ready? Follow these steps:
- Register ON THIS BLOG POST by signing your name ONCE in the comments below. Full name, nickname, whatever name you’ll use for the entire event.
- Teachers participating with a class can register under the teacher’s name.
- Please leave ONE comment ONLY. Do not reply to say “hi” to a friend. Do not comment to fix a mistake. ONE COMMENT. Don’t worry if it isn’t perfect.
- Registering makes you eligible for prizes.
- Visit this blog daily (taralazar.com) in January for inspirational essays by guest bloggers—professional authors, illustrators and experts in creativity.
Instead of visiting the blog directly, you can receive the daily posts via email by entering your address and clicking the “Follow Tara’s Blog” button in the left column—look under my photo for it.
At the end of January, if you have at least 30 ideas, sign the STORYSTORM PLEDGE (to be posted on January 31) and qualify for prizes.
Prizes include agent feedback, signed books, original art, writerly gadgets and gizmos.
Remember, do not share your ideas publicly in January. They are YOURS. No need to prove that you have them at the end of the month. The pledge you will sign is on the honor system.
Are you in? Awesome. Optionally, pick up your Official Participant badge (by Susie Ghahremani) below and affix it to any social media account you wish. (Right click to save to your computer, then upload it anywhere.)
You can also opt to join the STORYSTORM Facebook discussion group. Everyone needs writing friends!
The Facebook group remains a year-round source of writing information and support, mostly focused on picture books, I admit, because that is where this all began.
STORYSTORM registration will remain open through JANUARY 7th.
In the meantime, head over to STORYSTORM SWAG CENTRAL to pick up your official journal. All proceeds from sales ($4 per item) will be donated to children’s hunger charity Blessings in a Backpack. This past year, we donated $1,000!
Thank you for joining, and let’s have a month filled with creativity and fun!
It’s here, it’s here! Every writer’s favorite gifting list!
Thanks to illustrator Susie Ghahremani at BoyGirlParty.com for creating the typewriter-tree for our post. And the first item I’ll recommend is straight from her site! I bought a bunch of her adorable enamel pins, plus a typewriter pin! They now proudly adorn my denim jacket. (Psst, all the gifts on this list can be for YOU! Treat yourself; it’s been another rough year!)
The first gift I love for writers keeps your mind sharp and hones your creative connections with all those tricky clues.
NY TIMES GAMES SUBSCRIPTION (APP)
$40 annually
You’ll receive the daily NY Times crossword, mini crossword games, and my current obsession, Spelling Bee. And if you’re truly up for a challenge, NYT fan Sarah Sinclair offers a Spelling Bee knit hat pattern on Ralvery.com.
BOOK DARTS @ The Grommet
$14.95
I always say to classes I visit, “To be a good writer, you must be a good READER.” Book darts are thin metal line markers that hug a page, pointing to a specific line, without marking up the page. Each tin contains 125 book darts, more than enough for multiple books, magazines, journals… Now you can easily refer to your favorite lines.
GERBER SHARD
$7.00
If you’re like me and a box of your books goes KA-THUNK on the front porch, you scramble to grab any old dojigger to open it—a key, a ballpoint pen, even a fingernail. But that’s so wrong! You risk ruining your writing tool, your manicure, and you’ll mangle your lock trying to jimmy it open with a misshapen key. So get a Gerber Shard. It’s even airline-approved!
QUICK SKETCH PRO CRAFT
$8.99
You’re a writer, not an illustrator…so here’s a nifty gadget for you. Put it next to any drawing and it will reflect lines to trace. If there’s an image in a picture book you love, you can recreate it for yourself.
SPY CIPHER DECODING MEDALLION @ Uncommon Goods
$18.00
Don’t worry, it won’t tell you to drink more Ovaltine. However, if you’re a kidlit writer, I know you’re gonna love this! Who doesn’t want to pass secret notes? (Hey, why not write an entire manuscript in code and challenge your critique partners? On second thought, never mind. They’ll kick you outta the group.)
GRIDS & GUIDES NOTEBOOK from Princeton Architectural Press
$16.95
If you’re a visual thinker, this notebook offers varying lined pages for ideas, lists, paragraphs, doodles, anything you can imagine. It’s been a bestseller for a decade.
DRY-ERASE STICKY NOTES by m*c squares
$39.99 for 24-pack of 4×4
It doesn’t matter if you’re a plotter or a pantser, every writer can find a use for these. And another use. And another. They’re erasable, re-stickable, and each one should last about 2 years stuck and unstuck to your wall, your manuscript, your bedside table, or your partner’s forehead.
SCRIBBLER MONTHLY BOX FOR WRITERS
starts at $27 per month
Scribbler says it’s “like a writing conference in a box.” There’s lessons, chats, other writerly gifts and a new novel to enjoy. All you need is a cuppa tea, a cat, and a roaring fire. (In the fireplace. Don’t set your manuscript alight.)
RUSTIC BOOKSTORE CANDLE by Mirus Candles on Etsy
$8.95 and up
Writers love books. But we adore old books, especially the aroma of a used bookstore! I’ve searched high and higher for that scent, and this may be the closest with its combination of old books, worn leather, and fireplaces.
A LITERARY HOLIDAY COOKBOOK by Alison Walsh
$19.99
Published in late 2020 from Skyhorse, this delish little tome may have escaped your notice. “From Christmas and Thanksgiving to Halloween and New Year’s, this seasonal cookbook offers 17 full four-course holiday meals from 25 classic books—each including an appetizer, entrée, side dish, and dessert.” Don’t forget to invite me to dinner!
DIXIT STORYTELLING GAME
$31.97
This game is especially perfect for picture book creators, as it’s based on creating words to describe the illustrated cards and telling stories based on the images. Both children and adults can play together!
ROLANSTAR TREE BOOKSHELF
$86.99
I have bookshelves all over my house, but I could always use another one. That’s probably you, too. This bookcase is narrow, meaning anyone can find a place for it. Besides, it’s a nice excuse to buy more books—to fill it up!
NOVEL TEA BOOK TINS from Uncommon Goods
$35.00 – $39.00
I admit, I don’t like coffee, so you’ll never see that bitter brew on this list. However, I adore a good cuppa tea. I should’ve been born British.
POSTCARDS FROM PENGUIN
$25.00
Maybe the pandemic has renewed your love of old-fashioned letter-writing. Here’s a treasure trove of 100 book jacket postcards for short communiques that are more meaningful (and more fun) than text messages.
ICONIC FEMALE WRITERS NOTECARD SET OF 12 by Etsy Seller CustardApple
$14.10
And for those longer hand-written sentiments, there’s this gorgeous notecard set of 12 iconic female writers, with original portraits by Etsy seller CustardApple. They’re lovely, printed on recycled linen, with Virginia Woolf, Toni Morrison, Maya Angelou, Sylvia Plath, plus 8 others.
EX LIBRIS STAMP by Etsy Seller ExLibrisStudio
$42.90
Personalized gifts are so special and this shop has every “ex libris” design you could ever want, from children’s choices to animals, science, and mystery. Choose a stamp or a sticker for your favorite bookworm.
THE WRITER’S COMPANION SMALL CERAMIC VASE
$20.00
For keeping you writing friends close, and your writing enemies closer. (The pen is a double-edged sword, is it not?)
BLADE BRASS DIP PEN by Dan Berry
£20.00
Speaking of sharp writing implements, I asked my friend, illustrator Kirk Reedstrom, to tell me a little about this curious pen I saw him using last week. He says:
“For the calligraphy lover or illustrator in your life, I cannot recommend Dan Berry’s Blade Pen highly enough! Hand-made by UK-based cartoonist and illustrator, Dan Berry, this pen is a lot of fun! This dip pen’s unpredictable nature helps me loosen up and get a delectably wonky line quality I haven’t found with any other tool.”
Here are a few adorable drawings Kirk made with his new pen:
LAP DESK by Lap Gear
$35.00
During the pandemic, I gave up sitting at a desk. I balance my laptop precariously on a living room pillow. NOT the best set-up. Enter this lap desk. There are tons of designs to choose from if you choose a couch for comfort. There’s even a slot for your phone (so you don’t sit on it, like I do).
MOFT Invisible Laptop Stand
$29.99
Speaking of comfort while writing, this “invisible” laptop stand won a design award for its slim profile that attaches directly to your laptop for go-anywhere convenience. You’ll get a perfect tilt when you need it and a sturdy, flat base when you don’t.
FILL IN THE BLANKS GAME
$22.95
“Each round begins with a rotating judge drawing a Story card and reading the first sentence aloud. The other players then write down a word or phrase that fills in the first blank. After every player has submitted their word or phrase, the judge chooses their favorite and places it on the story card upside down. This continues for every line. At the end of the story, the judge reads the completed story, revealing the winning submissions!”
ABSURD WORDS
$16.99
Shameless plug. If you’re a fan of my List of 500+ Fun, Cool & Interesting Words, you’ll enjoy how I turned it into a book, with 750+ words arranged by category for ease-of-use and fun facts behind entries. Available wherever you purchase books, starting January 2.
NARWHAL FOUNTAIN PEN
$50.00
And finally, thanks to my friends at Goldspot.com, we have the Narwhal Fountain Pen, one of the owner’s, Kiran Mehra’s, favorite pens. I asked her what makes it so special. She says, “Narwhal pens write amazingly! Fountain pens have been around a long time, but the Narwhal fountain pen takes what’s good about classic fountain pens (for example, the Piston-Fill system) and removes the headaches that used to come with them. Narwhal pens are the same quality and often-times materials as expensive luxury fountain pens (which can go upwards of $200 – $2000, believe it or not), but for an affordable intermediate price of $50. There is no better first fountain pen to have!”
And lucky blog readers, thanks to Goldspot.com, you can WIN A NARWHAL FOUNTAIN PEN!
Simply add one gift-for-writers suggestion of your own to this post in the comments below.
One random winner will be selected at the end of 2021.
GOOD LUCK!
HAPPY, MERRY HOLIDAYS TO YOU!
Dianna Wilson-Sirkovsky’s debut picture book just released! When she told me the premise, I knew she had to be on the blog…you’ll soon find out why…
Dianna, since I regularly discuss ideas on my blog, can you reveal where your concept for this book originated?
JAMES’ READING RESCUE is inspired by a true story that I read on the internet a number of years ago. The mom of a young son (who struggled with reading) suggested he read to the cats at the rescue shelter where she volunteered. He improved his reading while helping to socialize the cats for adoption. It was a win-win story that captured my heart!
My own son struggled with reading when he was younger and I’ve been involved in animal rescue for 40 years. This story jumped off the page at me and I just knew that one day it would be a wonderful picture book—no matter how long it took! The rescue began a program called Book Buddies, involving dozens of children reading to the cats and was so successful that other rescues contacted them to find out more about their program. How can you go wrong with a story about reading and cats? They just seem to naturally go together.
Wow! This story was meant for you!
My own kids have read to therapy dogs at the public library. In fact, I had only ever heard of dogs being the “read to” animal. What’s special about reading to cats instead?
Indeed, this story was meant for me! Cats often like the sound of a human voice and it is one of the best ways to help socialize them. So, reading to them is perfect. Some may seem to ignore you, but human presence, a gentle voice and stroking their fur, if they permit it, is a great way to help them become comfortable and “adoptable”. Some animals who have come from a home environment may have missed this human comfort and even seek it out with little readers!
I was not familiar with Clavis Publishing because they are based in Europe, although I understand they have a branch in New York. How did you connect with them?
You’re right, Clavis is based in Belgium but they also have a New York office. I researched all publishers who were accepting unsolicited work for children’s stories. Then I reviewed the types of stories they were publishing. I then submitted!
Clavis prints their books in both Dutch and English and market in Europe, the U.S. and Canada.
Good for you!
What do you hope readers will take away after reading your book?
A few things, actually! Everyone struggles with something. Kindness matters even if no one witnesses it. Hard work really does pay off. Reading opens the world and love of (and from) animals opens our hearts. Rescue animals make wonderful family members and black cats (and dogs) are the least adopted because of their color. Please think of these facts next time you’re looking for a new friend!
You know, my new pet Phoebe is a black cat! I should read to her!
So, what else is on the horizon for you?
I have a couple of stories on submission at the moment, so I’m anxiously waiting to hear about them! I’ve also been busy with revisions on a few other stories and I’m hoping to submit them within the next couple of months. I also have some stories patiently waiting their turn to be written, so I’m excited to get to those and see where they lead!
Did anything about the publishing process surprise you?
Almost everything! As a new writer I was completely untutored in all the “must knows”—story arc, the rule of three and the terrible SHOW not tell!! And then the dreaded query letter…! It has been such a learning experience and the help of more experienced writers along the way has been invaluable.
Dianna, thanks for sharing your debut here!
Blog readers, you can win a copy of the book by leaving a comment below. A random winner will be chosen soon.
Good luck…and happy reading! (I hope you have a cat!)
Dianna Wilson-Sirkovsky has always been a passionate reader and animal lover. As a result, her children grew up in a house full of books and cats! She rediscovered her love of picture books reading to her children and it is the realization of a dream to now write for other children. She spent her childhood years on the Canadian prairies but she has lived in Montreal for many years, raising her family and working at McGill University. Writing for children is both a pleasure and privilege that she hopes to enjoy for as long as possible! Find out more about her debut picture book at Clavis Publishing.
How lucky we all are to be in the midst of the most colorful time in picture books. Cultures from around the world feature prominently, like never before. You can truly visit the globe from the comfort of your living room couch.
Author Joana Pastro grew up in Brazil and she brings the joyous festival of Carnaval alive in her newest book, BISA’S CARNAVAL, due from Orchard Books/Scholastic on December 7th.
Joana, this book is so lively and colorful! Did seeing the illustrations by Carolina Coroa bring you back to the Carnaval of your childhood?
Certainly! Carolina did such an amazing job capturing the energy, the excitement, the joy of Carnaval, and also the fact that in those five days, Brazil means Carnaval! Everything else in the country stops. It’s all a big celebration. I also want to add that because Brazil is a big country, each region has its own slightly different way to celebrate. The one featured in the book is the one that happens in the city of Olinda. Carolina portrayed Carnaval, and everything that’s unique to Olinda’s celebration, like the giant dolls, the geography and the buildings (by the way, a UNESCO World Heritage site), in the most beautiful way. I truly feel transported every time I read the book. I love it!
Sometimes the best stories are inspired from our own childhoods. The magic is that we can refine them to our liking! What from your childhood remains in the story and what did you change?
Joy, excitement, energy, craft-making, and especially love and family are the big elements that remained from my childhood.
As for changes, the first change is the location. Carnaval in my city was joyful, exciting and fun, but it pales in comparison to the festivity in other cities. I changed to Olinda, because of its unique cultural aspects, especially the giant dolls parading along the street side-by-side with the revelers. I was always fascinated by those. They’re very poetic to me. Another change was that, in my childhood, it was my mom, not my great-grandmother, whom I watched zig-zagging at the sewing machine. She made and fixed our clothes, and she’d do all sorts of crafts with us. That taught us to be mindful of our resources, recycle, and not discard things so easily, and also a great way to spend time together as a family.
How does your family celebrate Carnaval now that you’re in America?
Unfortunately, I can’t say we celebrate it. We always know it’s happening, we follow it online and on TV, but that’s it. My children have always heard us talking about it, but it was only after I started writing BISA’S CARNAVAL that they became curious about it. In my interviews I always say that one of the reasons I wrote this book was because I wanted Brazilian-American children to feel proud of their heritage. I just realized that this is already happening with my own children. Who knew your interview would be so therapeutic?
What traditions do you follow and have you created any new ones?
Festa Junina is a religious festivity with dance, music, games, and lots of delicious food. We have our own version of that every year. It’s fun and there’s a lot of eating going on!
I love Christmas. It’s always been my favorite holiday. I decorate my whole house, we always have a baking and craft making session as a family, before actual decorating starts.
As Brazilian-Americans we’ve incorporated Halloween and Thanksgiving as a tradition. Halloween is about dressing up and candy. What’s not to like? When I first moved here, I loved the idea of Thanksgiving, a holiday that celebrates being being thankful. It took me a few years to realize its historical inaccuracies. Today I’m careful not to perpetuate them, and I focus on being grateful for our blessings.
Joana, thank you for sharing your beautiful version of Carnaval with us!
Blog readers, you can win a signed copy of BISA’S CARNAVAL. Just leave one comment below to enter. A random winner will be chosen at the end of the month.
Good luck!
Joana Pastro always wanted to be an artist of some sort. So, she became an architect. But once her first child was born, all the visits to the library, and the countless story times made Joana start dreaming of becoming a children’s book author. After a lot of reading, writing and revising, her dream came true. Her debut picture book, LILLYBELLE, A DAMSEL NOT IN DISTRESS, illustrated by Jhon Ortiz, was published by Boyds Mills Press in 2020. Her second book, BISA’S CARNAVAL, illustrated by Carolina Coroa will be published by Scholastic on December 7, 2021. Originally from Brazil, Joana now lives in Florida with her husband, her three extremely creative children, a rambunctious Morkie, and a needy Maltipoo. Visit her on Twitter @jopastro, Instagram @jopastro, or at joanapastro.com.
by Rosie J. Pova
I remember vividly the exact moment the title for the book popped into my head.
It was Thanksgiving Day and my family and I, along with some friends, had rented a cabin in the mountains in Colorado.
The turkey was in the oven, the salads and the sides were made, and I was bored. Everyone else had left to go to some hot springs and soak up, but I had stayed at the cabin to cook. On top of that, I had a cold and was quite miserable to go anywhere, anyway.
Luckily, Jack Canfield had a 2-hour pre-recorded webinar coming up for which I had registered. He was being interviewed, talking about his journey, his ups and downs, marketing and other interesting topics for authors.
I had watched that webinar a few times already and was pretty familiar with the content, but never tired of listening to Jack’s amazing journey to such tremendous success with his CHICKEN SOUP FOR THE SOUL series.
So, I was ready to soak up his wisdom once again.
As usual, his talk left me feeling inspired and motivated. I was in the mood to write.
I started brainstorming catchy titles for a story that would be fun to write. I asked myself, what would be a title that stands out, is intriguing, memorable, and fun to say all at the same time?
Suddenly, it came: THE SCHOOL OF FAILURE. I liked it! Then I thought of an interesting opening sentence. I was trying to amuse myself… hoping that I’d create one of those classic, memorable opening lines.
What followed was, The school of failure was located in the middle of nowhere, but it was the center of everything! I was delighted with my progress and continued to write the first draft that day.
That was a great feeling, it cheered me up, making me forget I was under the weather. And even though the starting of my day seemed like a bit of a fail, it was well worth it to have this time to myself and end up with a completely new story. I was grateful—maybe this was a divine plan after all.
Fast forward a few years, many, many revisions later, and the story sold!
Many more revisions after that, my precious little opening sentence ended up being cut, but the title stayed with the addition of a subtitle: A STORY ABOUT SUCCESS.
Now finally, I am pleased to share it with the world, and hoping it finds its own success in the homes and hearts of many readers.
Thank you all for celebrating this book with me.
And now, the reveal…the cover by Monika Filipina…
P.S. I did find a way to sneak that opening sentence in to the book—it’s now included in my Author’s note!
Thank you, Rosie, for sharing this cover with us! And some adorable story characters…
Rosie is also giving away a 30-minute consulting phone call (or Zoom, depending on your location) to chat about any writing or publishing questions you have for her.
Leave one comment below to enter.
A random winner will be selected soon!
Good luck!
Rosie J. Pova is a marginalized, multi-published, and award-winning children’s author, poet, speaker, and school presenter. She is also a Writing Instructor for the Dallas Independent School District, an instructor with Writing Workshops Dallas, teaching online picture book courses to children’s writers, and Rate Your Story judge.
Her latest picture book, SUNDAY RAIN (Lantana/Lerner, March 2021), was featured in The New York Times and Parents magazine. Her upcoming picture book, THE SCHOOL OF FAILURE: A Story About Success will be released in 2021 in China and in spring of 2022 in the USA from Yeehoo Press. She has three other children’s books in print as well.
Rosie has been featured on TV, radio, podcasts, and print media, and also speaks on women’s and mom’s topics.
Originally from Bulgaria, she now lives in Dallas, TX with her family.
Visit her at RosieJPova.com and follow her on Twitter @RosiePOV.
Writing for Kids (While Raising Them) 