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Fangirl moment. THE Carin Berger is on my blog today. A children’s book creator I have long admired, Berger’s cut-paper illustrations bring delightful whimsy to books by former U.S. Children’s Poet Laureate Jack Prelusky, as well as imbue her own stories with a joyful spirit.

 

When I read her newest release, ALL OF US, I thought, “This is a perfect book for today—for right now.” So of course, I had to ask her about it. Thankfully, she agreed to an interview.

Carin, ALL OF US feels so timely, however I know it can take years to create a picture book. How did you decide upon the theme (and when)?

While it is true that it can take years to bring a picture book into the world, I wrote ALL OF US, in a single burst, in response to the turmoil in our country, especially in the lead up to the election. In fact I wrote it while I was in Germany, the country that my family was forced to flee in the 1930s because of unrelenting racism, hatred and violence directed against vulnerable minorities. I had actually voted on Election Day and then flown to Germany that afternoon. I landed to the news of the election results. The juxtaposition of the events in our country against my own family’s history of forced displacement was upsetting and surreal. I wanted to do something to make a difference, to remind those that felt unbalanced or ostracized or alone, that community, diversity, inclusion and love are powerful and will ultimately triumph. This idea of wanting to do something dogged me for days. Or maybe it was months. In any case, there in Germany, with such a stew of feelings inside, I woke up in the middle of the night with the words to the book almost like a song or refrain in my head. I scribbled them down and made thumbnail drawings in my sketchbook. The next morning I took a picture of this on my phone and then emailed to my publisher, Greenwillow Books. And, in a terrific leap of faith, Greenwillow agreed to put this project ahead of one that was about to go to final art in order to get ALL OF US out into the world quickly.

You are known for your cut paper illustrations. Was there any special consideration of the paper you chose for this project?

I do think a lot about the paper that I use in my illustrations. I work with found ephemera in part because I love that each piece of paper comes with its own history…like secret stories…that inherently add another layer of depth to the books. I intentionally gather really diverse papers from around the world, so if you look closely at the illustrations in ALL OF US, you might see a bit of Chinese or Spanish or Japanese or Hindi or Russian.

I know you surreptitiously include your daughter’s name “Thea” in every book. Did you hide any messages in ALL OF US? Or is your message out in the open?

I love that you remember that I put “Thea” in all of my books.

It is true, in ALL OF US, there are some covert messages. Others are right out in the open.

Some examples of hidden messages are:

Thea’s name appears on the hand that is on the “know that I am here, as steady as stone” page.

Elsewhere in the book, my brother’s name, Daniel, appears in one heart.

Additionally, there are two self portraits in the book. One appears on the wordless “love wins” page holding a heart that says “thea”.

A second family portrait is on the lowest row of the left hand side of the 2nd “love wins” page. There you will find me, my husband, Max, Thea, and our pet rabbit, Pearly.

Finally, on all of the pages in the book that have illustrations of people, I have included images of family and friends within the crowds.

Also, if you look closely, you will find my daughter’s black cat, Cosette.

What’s more, there is a gentle, unspoken story going on in the book.

There are two characters that reoccur, the little girl in the yellow boots and the little boy with the red kite. The girl starts the book with a heavy heart and an unsure step. The little boy is on the page with the unclear path and his kite appears on the stormy past page.

They first appear together on the “hazy future” page, and they don’t notice each other.

Eventually, as we make our way through the book, they notice each other and join together as friends in part of the larger community.

allofusspread

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(Click to enlarge spreads.)

Carin, what do you hope readers will connect with? What do you hope they will take away after reading ALL OF US? 

Hope is a great word. I HOPE that the message of HOPE in ALL OF US will resonate with readers.

I HOPE that the book makes readers feel more connected, that it opens up conversations about inclusion and community and the power of HOPE and love in the face of adversity.

Children face so many challenging moments in growing up…they are figuring out who they are, and how they fit it. They are trying to make sense of the world and navigate through all sorts of new situations. I really HOPE that ALL OF US can be a tool to bring people together and to offer empathy and light and HOPE in difficult times.

Thank you, Carin, for bringing us such a beautiful book for our uncertain times. I know I will treasure my copy.

Blog readers, if you would like your own copy to treasure, plus ALL OF US bookmarks and swag, please comment once below.

A winner will be randomly selected in September.

Good luck and thank you for reading.

 

 

In one month, The Carle Museum of Picture Book art will hold its annual Carle Honors, awarding four people/entities who have made significant contributions to the art form.

Also that evening, September 27th, final bids are accepted on original artwork by picture book masters. The auction goes live on August 31, and you can browse and bid here: https://501auctions.com/carlehonors2018.

If you could ask the Carle Honorees one question, what might it be? My question is here—

“Why are picture books an art form to enjoy not only in childhood, but through every age, every stage of life?”

 

—and the answers are diverse and delightful, just like picture books themselves.

 

Paul O. Zelinsky
2018 Carle Honors Artist

“Why are pictures an art form to be enjoyed by people of all ages?  Well, that has to be a function of what picture books exist in the world to be enjoyed. Some, aimed at children in a pedantic and condescending way, are no fun at all for adults, and might be appreciated by only the most deluded or idiosyncratic child. But the world has come to contain an increasingly large number of picture books created by genuine artists, addressing the full extent of their humanity. These books may not look the same through the eyes of a four-year-old as they do to an adult of ninety-five (even putting aside questions of cataracts), but they somehow charm and enrich the thoughts and the vision of both.  Picture books can be appreciated by people of all ages because there are picture books that deserve this kind of appreciation. One of the best ways to prove this is to visit The Eric Carle Museum of Picture Book Art!”

 

Dr. Rudine Sims Bishop
2018 Carle Honors Mentor 

“Picture books are indeed an art form, and enjoyment of art is not limited by age. With their unique combination of interdependent visual and verbal art, picture books speak to readers and viewers on a fundamental level. In addition to their aesthetic appeal, their thematic content often evokes universal emotions and experiences. Picture books also offer opportunities for older students to examine and learn about artistic styles, media, and technique. Picture book texts, in their conciseness, are often poetic, and can evoke the same kinds of responses as poetry. And because many literary genres come in picture book format, picture books can be a rich source of information as well as entertainment. Like other art forms, picture books are never outgrown.”

 

Dona Ann McAdams
(and Lynn Caponera),
representing The Sendak Fellowship & Workshop
2018 Carle Honors Angel

“I never assume a picture book is just for children. When a picture book works it marries images and words in a way few other mediums can. Each time we revisit an old beloved picture book we discover something new within its covers and new within ourselves.”

 

Elena Pasoli
The Bologna Children’s Book Fair
2018 Carle Honors Bridge

“The language of illustration is borderless not only in terms of cultural and geographical heritages, but more and more often also in terms of the age of the readers. Who could describe ‘The Arrival’ by Shaun Tan as simply a children’s book? This is the same for most of the wordless books which have been sharply growing in production and sales in the last few years all over the world. Illustrations speak clearly to everybody; they tell stories and leave people free of traveling across pages and thoughts; they are powerful and add emotions to the words; they can engage the readers’ memories as well as accompany them to discover new worlds.”

 

Andrea Davis Pinkney
Children’s Book Author, Editor &
2018 Carle Honors Presenter

“Come, little one. Climb onto my wings. Nestle, settle, celebrate. My feathered pages take you to places only the clouds can touch. Up, up! Here we go, soaring through words and pictures that fill you with my unforgettable flutter. Do you see the view from where my colors paint themselves into your quietest places, into the deep-down knowing that brings you comfort, giggles, wonder, discovery?

“Listen to my wisp of words spinning stories that will someday become your heart’s memories. Yes, child, I am a picture book. Our journeys—yours and mine, together—will last your whole life. This is what we picture books do—we lift you. We let you rise to skies filled with wonder. This, the awakening of your soul, starts from the day our wings hug your imagination. From there, we beckon you higher. Child, young or old, I am a picture book. No matter your age, stage, time or place, I give you the power to fly!”

 

Thank you, Honorees, The Carle Museum…and picture books!

What question would you ask the Honorees? Please tell us in the comments…

Thanks to Jarrett Lerner for asking me to kick off his new feature. (And I am happy to talk cheese on Twitter.)

Jarrett Lerner's avatarJarrett Lerner

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My name is… Tara Lazar. Not Tara Laserbeam, but that would be pretty awesome if it were.

I am a… weird person. At least that’s what my kids say.

As a kid, I was… a budding inventor, a neighborhood entrepreneur, a creative writer, a voracious reader, weird and odd, loud and annoying, a fiercely loyal friend.

Writing is… the best way to be me.

Reading is… as necessary as cheese. (I cannot live without either.)

Books are… my favorite friend.

Did you know… I used to be a competitive figure skater? I got married in Hawaii? I have two daughters and a hamster? I have Multiple Sclerosis? I choose cheese over chocolate? I despise coffee? I live in New Jersey? I make the best meatballs in the world? I have a five-foot stuffed purple orangutan named Norman who lives on my stairway?

You can find me… somewhere in my imagination.

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