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by Lydia Lukidis

I fell in love with writing at the age of six. I scribbled poems and stories everywhere I could. But when it came time to choose a field to pursue my studies in, I opted for practicality and studied Pure and Applied Science.

It was hard work and I earned my degree. YAY!

But then, OH NO! The sinking feeling in my heart was undeniable. I realized I didn’t want a career in science.

So it was back to the drawing board. Since writing was always my first love, I decided to study English Literature at McGill University. Cut to a few decades later, I’m a published children’s author and found a way to incorporate my science background into my writing. I finally had the opportunity to use my science degree in a fun way.

It came about unexpectedly, when I began to write for the educational market several years ago. I didn’t know I would love it until I tried it. Now I have over 40 educational books and eBooks under my belt, including two really exciting contracts I landed with Kane Publishing for their Science Solves It! series. I’m happy to announce both books are now officially released: A REAL LIVE PET! and THE SPACE ROCK MYSTERY.

  

You may be wondering if the educational market is right for you. Here’s a list of common questions:

  • Can I submit my own work to educational publishers?
    There may be exceptions, but most educational publishers offer work-for-hire (WFH) contracts. They develop their concepts and specific guidelines in-house. Then they hire freelance authors who will create an outline and write the book under the guidance of an editor.
  • Will I get an advance and royalties?
    In general, most educational publishers don’t offer an advance or royalties. Rather, they pay a one-time flat fee and retain all rights to the work. In some cases, you may not even get credit. On the plus side, WFH contracts typically pay fast, and the turn-around is quicker.
  • Can WFH contracts help open doors to trade publishing?
    Landing WFH contracts can help you break into the market and gain experience working with editors and publishers. It’s also an opportunity to develop your writing skills and gain writing credits. This may help you on your path to traditional publishing, but there’s no guarantee as the two markets are separate.
  • Do I need an agent for the educational market?
    Nope! You can apply and negotiate your contracts on your own. The contracts are typically fairly straight forward. Another bonus is that it’s slightly easier to break into this market in comparison to commercial publishing.
  • How can I get started?
    Start compiling a list of educational publishers that work with the age brackets you’re interested in. In the SCBWI book, there are many great listings. Check the guidelines for each publisher and send them a cover letter detailing your experience and qualifications, along with your CV and some writing samples.

But as all writers know, you’ll need plenty of patience and perseverance. I remember my first attempt several years ago. I painstakingly crafted my cover letter and beefed up my CV as much as I could. I sent off 100 cover letters but didn’t get a single reply. Not even one! I experienced a moment of despair but decided to keep going. A year later, my body of work had grown and my writing samples improved. I sent off another batch of cover letters to the same publishers and lo and behold, I got my first break! From there, it snowballed.

While the educational market is not for everyone, it works well for authors who have a passion for writing nonfiction and want to supplement their income. For those interested in giving it a shot, I wish you luck on your journey! If you have any other specific questions, feel free to post them in the comments below.

Plus, leave a comment to enter to win a copy of A REAL LIVE PET!

A winner will be selected in a few weeks.

Good luck! 


Lydia Lukidis is a children’s author with over forty books and eBooks published, along with numerous short stories, poems and plays. Her background is multi-disciplinary and spans the fields of literature, science and puppetry. Lydia writes fiction and nonfiction for children from K-6, and enjoys working with educational publishers such as Kane Publishing, Houghton Mifflin Harcourt and Red Line Editorial. She is also passionate about spreading the love of literacy and has been facilitating writing workshops for children since 1999. Visit Lydia at lydialukidis.com or connect with her on Twitter @LydiaLukidis.

by Lydia Lukidis

I spent many years as a puppeteer.

I wrote children’s plays.

I performed in them.

I created little people in the form of string marionettes and I crafted miniature sets.

My highlights were collaborating with Cirque du Soleil and participating in the 2012 World Puppetry Festival in Chengdu, China (with my 9 month old daughter attached to me)!

Then in 2013, I made a huge leap. I decided to leave the world of theater and return to my first love, literature. I wanted to pursue my dream of writing books for children.

What was the first thing I did? I became a member of SCBWI. And that, of course, was the best decision ever! Along with the multitude of resources available, I also learned about the SCBWI Eastern and Western chapters specifically devoted to Canadian authors. Then I began to wonder, what other resources were available for us Canadian authors? And the more I researched the Canuck kidlit and writing scene, the more I discovered how rich it is. Here are a few examples:

After a few years and countless rejection letters, I got my first book published, THE DILLY DALLY BEDTIME ROUTINE. Then I thought to myself, I would love to do school visits! But how?

Luckily, in Quebec we have a program called Culture in the Schools. It’s organized by the Ministère de la Culture et des Communications, and UNEQ juries the applicants. The program is designed for professional artists, both Anglophone and Francophone. They range from visual artists to dancers to writers. These artists are given the opportunity to visit schools across Quebec, share their craft, and offer workshops to children.

Since I had been giving puppetry and theatre workshops since 1999, I decided to apply to the program. And (yay), I got accepted! I got a shiny new profile in the repertory and got to work. I learned the ins and outs of the program and soon realized it’s extremely well organized. The Minister establishes the day rate for all artists (so we don’t have the pesky task of negotiating fees), and artists also get reimbursed for materials, per diems, gas, and accommodations if necessary. A day consists 3 workshops of 1 hour each, or 2 workshops of 2 hours each. I have come to love the program and school visits have become a significant part of my career. Here I am below, surrounded by the charismatic students at Westpark Elementary School. This was particularly thrilling for me because I attended the school years ago!

I’m happy to have found all these valuable resources in Canada that have helped carve my path as a professional author. Of course, writing is a universal craft. Though writers may hail from different parts of the world, we all share similar adventures and challenges. Thanks to social media, we can easily connect with one another. And I feel grateful for how generous and open the writing community is!

Lydia Lukidis is a children’s author with thirty three books and eBooks published, along with numerous short stories, poems and plays. Her background is multi-disciplinary and spans the fields of literature, theatre and puppetry. Lydia writes fiction and nonfiction, and also composes educational texts and lesson plans. She is passionate about spreading the love of literacy and has been facilitating workshops for children since 1999.

For more information, please visit lydialukidis.com.

7ate9
Winner of the 2018 Irma S. Black Award and the SCBWI Crystal Kite!
black kite

As a children's book author and mother of two, I'm pushing a stroller along the path to publication. I collect shiny doodads on the journey and share them here. You've found a kidlit treasure box.

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My Picture Books

COMING SOON:


illus by Melissa Crowton
Tundra/PRH Canada
June 4, 2019

THE UPPER CASE:
TROUBLE IN CAPITAL CITY
illus by Ross MacDonald
Disney*Hyperion
Fall 2019

FOUR WAYS TO TRAP A LEPRECHAUN
illus by Vivienne To
HarperCollins
Spring 2020

THE WHIZBANG WORDBOOK
illustrator TBA
Sourcebooks Jabberwocky
Spring 2020

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