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You know the Piña Colada song, right? Getting caught in the rain?
Well, imagine that song in a picture book for kids (without the dunes of the cape, of course). Two besties have great times together, but they get stuck in a rut and go off to seek other adventures…only to rediscover each other.
That’s the premise of Tiffany Strelitz Haber‘s charming OLLIE AND CLAIRE. The light and cheery watercolors by Matthew Cordell feature sketchy lines that suggest fun and frolic. A delight to read aloud, your voice just skips along like the two friends do. Tiffany’s a master of rhyme and one of the two ladies behind The Meter Maids.
Besides having two successful picture books to her credit (the other is THE MONSTER WHO LOST HIS MEAN), Tiffany has branched out into ebooks. She recently released HUNGRY HARRY with StoryPanda and MORE CHEESE, PLEASE with KiteReaders. I interviewed her to find out about the ebook process and this emerging opportunity for children’s book writers.
Tiffany, what attracted you to ebooks?
To me, ebooks are just another way for kids to experience reading. In some cases there are interactive aspects to the ebook that can really help them learn, and in other cases it might just be a nice opportunity for a more reluctant reader to enjoy stories and story time in general.
Did you write HARRY and CHEESE specifically for an ebook format, or were these traditional picture book manuscripts first?
I have this sort of arsenal of completed picture books. Some have been subbed out widely. Others to just a couple places, and others have never actually seen the light of day! I picked two stories that I liked a lot and just rolled with those. Not sure CHEESE was ever subbed out anywhere and HARRY went to one place, actually got to editorial, but didn’t make it through. Wait. Does that even answer your question? Kind of, right?!
How did you go about researching ebook publishers and in what format did you submit?
Oh, I googled the bejesus out of ebook publishers and chose to submit to ones that I felt the most comfortable with. There’s a lot of communication available with the actual publishers and marketing directors etc., so you can really get a feel for who you would be working with before you actually work with them.
I hired illustrators (after exhaustive searches on freelance websites) and submitted completed manuscripts (text and art) to the ebook publishers. The illustrators I chose were those willing to accept a flat fee for the work, and OK with the fact that I would retain the rights to the images as well. Hopefully it is some good publicity for them, and also additional work to add to their portfolio when searching for agents, etc. There are so many wonderful artists out there!
How was the ebook editorial process different from a traditional picture book process?
Um…it’s different in that it’s ALL YOU. Period.
Care to expand upon that?
It’s basically self-publishing your picture book online. You need to edit it, and make all the art decisions, and check the spelling and punctuation, etc. There isn’t an editor or an art director to do that with you—although with HARRY I did work with someone at StoryPanda to create the interactive elements of the story.
The sounds all the crazy stuff HARRY eats sure are fun!
What recommendations and cautions do you have for other picture book writers about delving into the world of ebooks?
I think it’s too soon for me to make any cautionary statements OR recommendations about ebooks yet. It’s something I am experimenting with, and really enjoying so far…but definitely too soon to say much more than that!
How have you gone about marketing your ebooks?
Well, again—this is all very new to me, but I’ve started sending them out for reviews and of course there’s social media. And on a larger scale, I am trying to work with schools to get the books on their computers, etc. Definitely a very entrepreneurial endeavor; but I think if you’re up for the challenge, it’s also lots of fun with somewhat limitless possibilities!
So you’ve now published two traditional picture books and two ebooks. What’s next for you?
Hmmm…I’m working on a middle grade novel right now, which is taking up most of my writing time—but still juggling a bunch of picture book works in “progress”, although I use the term “progress” loosely, as they seem to be at a dead stop for the time being!
Well, jump back into it because you’re a perfect rhymer and the world needs more great rhyming books!
Thanks for stopping by to let us in on the ebook process!
Blog readers, don’t go yet. Tiffany has a copy of HUNGRY HARRY and MORE CHEESE, PLEASE to give away. Just leave a comment below to enter the giveaway. Two winners will be chosen one week from today. Good luck!
Want to know the whole story behind PiBoIdMo? I tell it today on The Whole Megillah.
When I finally decided to write for children with the intention of becoming published, I got online. I made writing friends. And I listened to them talk.
In the fall of 2008, everyone got loud about an event: NaNoWriMo—National Novel Writing Month. Sounded great! Write a 50,000 novel in a month, join a community of writers doing the same, talk shop every day, and become immersed in the work. I’d feel like a REAL writer.
Except I didn’t write novels. And the thought of writing one? Daunting.
You see, my entire life I’ve been a fan of the short form. I prefer the brilliance in its brevity. I understand how every word must be carefully selected, how every action and scene must contribute to the “single effect,” as dubbed by Edgar Allen Poe. I studied short stories in college, I read short stories voraciously and I began my writing career…
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It’s NOVEMBER ALREADY?
Well, almost. October will whip by in a sugar-induced haze. Especially because a) I’ll buy candy way too early and eat it all; and b) my kids will change their minds about their Halloween costumes umpteen times. “I wanna be Frankie Stein! No, Draculaura! No, a zombie mermaid! Ooh, I know, a picture book author! I can trick-or-treat in my jammies with a story stuck to my forehead! You’re sorta like a zombie, right, Mommy?”
Um, YEAH.
October is NOT the month of jack-o-lanterns, candy corn (BLECH!) and costumes. It’s the month of PiBoIdMo-eve!
Don’t know what PiBoIdMo is? Check it.
Our 5th anniversary logo, banners and badges have been designed by the kawaii-cutie, author-illustrator Joyce Wan.
Joyce knows my penchant for hot-air balloons. (My husband almost proposed on one. But I think he was afraid I’d drop the ring.)
So this year’s theme is IDEAS TAKING FLIGHT!
WAIT A MINUTE! DID THE BANNER UP TOP SAY 5TH ANNIVERSARY?!
Yep, it sure did. Which means I’ll have to come up with something super-snazzy for this year. So how ’bout JANE YOLEN?
Besides the legendary Ms. Yolen, here are some of the authors and illustrators who’ll be blogging all November long, helping you to fill your idea notebook with 30 picture book concepts:
- Drew Daywalt
- Michael Garland
- Melissa Guion
- Leeza Hernandez
- Lenore & Daniel Jennewein
- Renee Kurilla
- Mike Allegra
- Elizabeth Rose Stanton
- Bitsy Kemper
- Julie Falatko
- Adam Lehrhaupt
- Wendy Martin
- The McQueen Brothers
- Pat Miller
- Pat Zietlow Miller
- Anne Marie Pace
- Betsy Devany
- Paul Schmid
- Annette Simon
- Tammi Sauer
- Sudipta Bardhan-Quallen
- Kami Kinard
- Dianne de las Casas
- Dorina Lazo Gilmore
- James Proimos
- Marcie Colleen
- Karen Henry Clark
- Maria Gianferrari
- Laurie Keller
- Katie Davis
- Ryan Sias
- Zachariah Ohora
- Kelly Light
- Steve Barr
- Greg Pizzoli
And even more to be announced…
Official registration will begin on this blog on OCTOBER 24th and run through NOVEMBER 4th. Watch for it! (It’s easy-peasy-lemon-squeezy if you just follow this blog. See left column.) Only officially registered participants will be eligible for PRIZES, like a consultation with a picture book agent!
But you can grab the “Official Participant” Badge NOW and proudly slap it on your blog or social network site. Kindly link it back to taralazar.com/piboidmo so folks know where to join the challenge. You can also grab the “Ideas Taking Flight!” slogan above.
Do you Tweet? Add a PiBoIdMo Twibbon to your Twitter avatar. Just visit the PiBoIdMo 2013 Campaign to upload it.
And here’s some adorbs lightbulb balloons! Use them when you’re blogging about PiBoIdMo to express yourself!
The only thing that’s missing is the PiBoIdMo 2013 merchandise to benefit RIF—like your official idea notebook—so I’ll be announcing that soon.
In the meantime, let us know how YOU’RE gearing up for PiBoIdMo. Blog about it or leave a comment below. What are you looking forward to this November?
Me? Tonight I’m hosting one of NJ-SCBWI’s PiBoIdMo kick-off parties at the Manville Public Library. Maybe I’ll see some of you there? I promise I won’t be a zombie.
I seriously debated posting this, since it’s a subject not often discussed. But heck, I’m known for my honestly, so let’s giddy-up…
How do authors handle being asked to donate individual book(s) to worthy causes? Honestly, they’re all worthy, but let’s shed some light on an aspect of publishing most people don’t realize: authors DO NOT get their books for free.
Oh yes, we receive author copies, but a very limited number which are for our own collection or have already been promised to family and close friends. My author copies for THE MONSTORE were gone the week they arrived. I don’t have any more. If I want my book, I have to buy it. This holds true for all authors. While we did write the book, the publisher edited it, printed it, warehoused it, marketed it and distributed it. And that costs money. Someone has to pay for it!
Authors do receive a discount off the retail price, but it’s not a staggering discount. And, the copies we order this way are recorded as “author copies” and don’t count toward our sales figures. And if you ask any author, if the Publishing Fairy could grant their most favoritest wish, it would be for higher sales figures.
So if we’re going to buy our own books, we tend to buy them like any other consumer would—online or at a book store, wherever we might get the best price.
Now let’s circle back to donations. When someone asks an author to donate their book to a school fundraiser, church tricky-tray or Elk’s basket auction, it’s not free to that author. True, the author might ask their publisher to donate the book on their behalf if it’s a really well-known cause, but otherwise, a small, local organization’s fundraiser is not going to sway the publisher. So then the author must decide if they can spend about $15 to donate their book to the cause (the cost of a picture book, plus shipping, plus any SWAG).
Imagine an author gets about five of these requests a month. That’s not an unreasonable number, especially if they have multiple books in print. If the author generously says “yes” to all requests, that’s $75 a month. Multiply by 12 months and it’s $900. That’s not an insignificant amount of money. In fact, that’s more than some book advances!
Now, if an author says “no” to a donation request, this does not make them a bad person who does not understand the worthiness of the cause. It simply means they cannot afford to do so. They cannot honor every request. While they probably *want* to donate to someone’s school or house of worship, they do have their own schools and houses of worship to support as well. So it’s more likely that they’ll donate to their local organizations than to a stranger’s cause.
Please know that the last thing authors want to do is hurt anyone’s feelings. Authors write books to make people feel good, to entertain, to bring smiles to faces. We love our readers. We don’t want to disappoint them. It’s difficult for us to say “no”. But sometimes our own wallets force the decision.
I haven’t been asked to donate much, so I’ve tried to oblige when I can. But the simple fact is that I have not logged any income as a writer this year, only expenses. Shocking? Not really. My first book was just released and I haven’t made a new book sale in 2013 yet—and even if I do, it’s so close to the end of the year, by the time the contracts are signed and a check is cut, it will probably be 2014. I’m not the only author spending this year in the red.
If you really LOVE an author’s work and want to share it with others, why not ask your local bookseller for a donation of that author’s book(s) instead? They may donate if they’re a neighbor who supports the same school, the same church, the same Rotary Club. They’ll receive advertising out of the donation and can probably expect locals to visit the store as a result, especially if they include a coupon or gift card to redeem. And if they unfortunately say “no”, it probably means they can’t afford to do so, either. (See comment thread about why I don’t mention “advertising” for authors. Good points made on both sides.)
But it never hurts to ask, right? We can all ask, but we can also understand the reasons behind the answer.
Do you have any thoughts on this? It’s a subject that ‘s tricky to discuss…
In THE MONSTORE, Zack just wants to buy a monster to spook his pesky little sister, Gracie. (As you may know, things don’t work to plan.)
But when I do school visits, I’ve found that kids have all kinds of things they’d like a monster to do for them.
- Shoot cupcakes from their feet.
- Hide under their bed and scare away OTHER monsters.
- Walk their pet pot-belly pig.
- Eat clouds so it stops raining.
- Reach the shelf where Mom keeps HER chocolate.
And even more outrageously clever tasks.
So here’s your child’s chance! What would THEIR monster do? What would it look like?
Print out this MONSTORE coloring page (courtesy of illustrator Wendy Martin) and then email me a pic of your child’s monsterly creation by October 17th. (My email button is in the top left column of this blog.)
I’ll pick 5 finalists and post them here, then you’ll have a week to vote for the winner.
(Click on the image for larger version, mouse over for a + magnifying glass, click, then you can then print 8 1/2 x 11. Or, click here for a PDF: Monstore Draw Your Own Monster.)
The winner will earn their class a signed book and a SKYPE VISIT from me on HALLOWEEN! (And if the child is homeschooled, I’ll Skype with them at home or anywhere they choose.)
The contest is open to kids through age 12. Whole classes can enter. If I had a lawyer, you might expect a lot of legal mumbo-jumbo to appear here. But I don’t. So there isn’t. (PHEW!)
Any questions? Ask away below.
Happy creating and I’ll hope to SEE YOU on HALLOWEEN!
Hippity, hoppity…
Come meet some new kidlit authors with the Children’s Author Blog Hop!
I was invited to participate by Darlene Beck-Jacobson, an author I know from NJ-SCBWI whose historical middle grade novel WHEELS OF CHANGE releases next year. It’s set in 1909 Washington D.C. and follows a young girl who attempts to save the family carriage business during the proliferation of the automobile. (Really cool premise I cannot wait to read!)
To participate in this hop, you don a pair of your fluffiest Hello Kitty socks and…wait a minute! This isn’t the Children’s Author SOCK HOP? Oh darn. And I was itching to do the mashed potato, too.
Darlene and me at a NJ-SCBWI book signing
To participate in the BLOG hop, you answer four questions, then pass the torch onto three other authors. One of the great privileges of writing this blog is to promote other talented kidlit professionals. I’m so pleased to introduce you to PiBoIdMo participants and authors you may not know yet—Elaine, Angie & Jacque—but you will!
And now the four questions…
Why is this night different from all other nights?
Whoops. Sorry. That’s the first of the Passover four questions. Maybe my Jewish friends had a chuckle. The rest of you are going HUH?!
1. What are you currently working on?
As you may know, I host Picture Book Idea Month (PiBoIdMo) every November. It’s the picture book writer’s alternative to NaNoWriMo. The challenge is to create one new picture book idea daily.
I caution PiBoIdMo participants NOT to post their ideas anywhere online. Concept is primarily what sells a picture book, and you don’t want someone to snatch your hook-y concept.
So I’m going to follow my own advice and be a little cryptic about what I’m working on. It’s a magical story about someone who’s not happy with magic.
My usual M.O. is to begin with a title, and that’s what I’m doing yet again. It’s got a snazzy, catchy title, something that will make people wanna snag it right off the shelf. The bad news is that I’ve already written this story once before—and revised it at least a dozen times. But it just didn’t work. In fact, I set aside this story for an entire year before I re-read my final draft again just last week.
WHOA! WHAT A STINK! WHAT DIED IN THERE?
In my zealous quest to perfect the manuscript, I darted further and further away from my original intentions. The story didn’t resemble anything I’d like to call my work. And so, it got filed in the circular file.
This week I began again with nothing but the title. I’ve got the opening down and I can already see it’s going far better than it did last year, but I’ve still got a long way to go.
I’m also putting final edits on LITTLE RED GLIDING HOOD, a punny skating adventure coming from Penguin Random House Children’s in October 2015. All your favorite fairytale characters will be along for the glide—Humpty Dumpty, Old MacDonald, even Jack Sprat and his wife.
2. How does it differ from other works in the genre?
The magical story will feature an adult. In fact, it opens with an adult. I know this is typically a no-no, but the adult is not an ordinary grown-up. You’ll see. Know the rules, but know when to break them, too.
3. Why do you write what you do?
I have always had a love affair with the short story. I prefer the brilliance in their brevity. And with picture books, I adore the juxtaposition of words and images. It’s like playing for a living.
4. What is the hardest part about writing?
Not letting the words get away from you. Sometimes the words have a way of writing themselves, pulling you in a direction you didn’t want to go. You have to learn to tame your words, and that’s no easy feat.
And now, ladies and gentleman and children of all ages, I’m pleased to present the three authors I’ve chosen to hop to: Elaine Kiely Kearns, Angie Karcher and Jacque Duffy!
E. Kiely Kearns is an elementary school teacher and a member of the SCBWI. She earned her Masters in Education from Fordham University. She dreams up wild and wonderful stories in New York State where she lives with her husband, two children, and menagerie of animals. She lives on coffee, chocolate and humor. Mostly humor. Get your “Book Smarts” fix at EKielyKearns.com.
Angie Karcher’s first book, WHERE THE RIVER GRINS: THE HISTORY OF EVANSVILLE, ILLINOIS came out in November 2012. It was part of the city’s Bicentennial celebration and is a resource book for local history in all third grade classrooms in Evansville. Her current project, THE LEGENDARY COWBOY JONES, about a 70-year-old jockey who’s still racing, comes out after the first of the year. She is a former Kindergarten teacher and professional storyteller. Read more of her story at AngieKarcher.wordpress.com.
Born in Brisbane, Australia, Jacque Duffy has always been creative and entrepreneurial. She has written, illustrated and self-published seven children’s books in a series. These books were sought and purchased by the Queensland State Government and placed into schools and libraries. In 2014 her first picture book THE BEAR SAID PLEASE will be released by Wombat books. Follow her down under at JacquesArtandBooks.com.
Happy hopping!
A very honest post about my debut experience and, sadly, my last for EMU’s Debuts. Please follow my fellow debut friends on their incredible journeys!
Let’s jump right into it, shall we?
Things I Learned During my Debut Process:
- Landing an agent and selling your debut book isn’t THE hurdle. It’s THE FIRST hurdle.
- Not being in Barnes & Noble does make a difference in your book’s success, no matter how many well-meaning people try to assure you otherwise.
- Being in Barnes & Noble does not guarantee your book’s success.
- You will read reviews of your book that will leave you scratching your head, wondering if it’s really YOUR book the reviewer read.
- Just because you have thousands of social media followers doesn’t mean they’ll actually buy your book.
- Just because you publish a book with Simon & Schuster doesn’t mean people who schedule author appearances will want you. You’re still just small potatoes. Think fingerling instead of Idaho.
- You’ll check your Amazon ranking more often than you care to admit and you’ll cringe every…
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You’ve been waiting a long time…but here they finally are: the Mira Reisberg contest winners! I will contact those of you listed here with an exclusive email address to submit to Mira’s Hummmingbird Literary.
Donna Earnhardt
Mary Uhles
Vivian Kirkfield
Laura Renauld
Angie Karcher
There were SO MANY great marketing suggestions, I wanted to pick EVERYONE. You can imagine why it took me so long. Once again I want to thank the lovely and talented Mira Reisberg for sponsoring this contest, and best wishes to all the winners.
Next, the winner of Kristi Valiant’s PENGUIN CHA-CHA Prize Pack! It’s…
Pam Brunskill!
Be on the lookout for my email, Pam. And congrats!
And while I have your attention, NJ-SCBWI just opened registration for a flurry of inspiring and entertaining fall events. I’ll be hosting a PiBoIdMo Kick-Off on October 1st in Manville, plus there’s two other PiBo and NaNoWriMo parties. I’ll also be teaching a picture book workshop at the Fall Craft Weekend on November 10th.
Check it all out at NJSCBWI.com and click “follow blog” so you don’t miss any future event announcements!
Happy writing to everyone! And stay tuned…some PiBoIdMo announcements are coming soon!
Two years ago at NJ-SCBWI, someone mistook Tory Novikova for my daughter.
Eek! Am I that OLD? No, really, Tory is quite young, so let’s just say that if I were a teenage bride, it could be a possibility. I mean, look at those eyes and hair! Totally plausible.
While Tory’s definitely not my daughter, she does work with her mom, and that’s pretty cool.
Torynova’s adorbable Mushroom Fairy Print leggings.
Her mom played a heavy role in inspiring the styles for Tory’s own fashion company, Torynova Couture.
“The woman had me drawing as soon as possible, so kudos to that child-rearing dedication. She’s a fashion designer, graduated from Moscow’s Textile Institute and had worked for the top fashion houses there and also made costumes for theater and ballet. Even my great grandparents worked on costume and stage production for the Bolshoi Theater, so one could say appreciation for the classics runs through my blood.”
With Tory’s talent and drive—she also illustrates for video game, comic and apparel companies—I knew picture books couldn’t be far behind for this Pratt Institute 2010 BFA. Flash forward to NOW and her book TUKE THE SPECIALIST TURTLE is swimming your way!
Tory, how did you land the job illustrating TUKE?
I was approached really out of the blue (for me, anyway) by Jim Ritterhoff about illustrating this children’s book he had written and meant to publish through his company, Chowder Inc. Profits were to benefit CCMI, the Central Caribbean Marine Institute and the Central Reef Conservancy, a nonprofit dedicated to sustaining coral reefs in the Caribbean. He seemed really dedicated to the marine ecology of the reefs, being a diver himself. So I came on board and drew him Tuke.
Your illustrations for TUKE are so vibrant and fun. They really bring the ocean and Tuke’s personality to life. Could you give us a little background on your process for creating the art?
I think there is a natural juiciness to my color palette and aesthetic, no matter how far I try to run away from it. It must be a side effect from having my eyes stuck to the TV, growing up watching too many cartoons for it to be healthy. Thankfully, it came in very handy with Tuke because the story takes place in the Caribbean Reef. Though I’ve never seen it in person, I’ve researched enough about it to know that it’s riddled with colors beyond imagination. In fact, the very first spread I finished in full color was the entire reef, which comes in right after the introduction. The reaction I got from Jim, who is an avid diver and knows the reef so well, was pretty much like—YES! This totally works! So after that point, there were no doubts about color constraints. Though, I did get to play around with different depths of blues, which was lovely.
As far as my process goes. The entire book, 60+ pages, was laid out in clean pencil sketches like a storyboard. And for me, clean is a relative term…since my lines are pretty gestural and loose (I really dislike the look of pencil lines that have been traced over lovely loose sketches). Anyway! After each page or spread was drawn, I went over it with an ink brush, picking up and adding textures that I could snap up and use later for the finish. Eventually these were all scanned and saved for later. Then came the flat vector shapes. I really enjoy drawing freehand in Illustrator – is that strange? There is a satisfying gravity about a solid mass that contorts to form the daintiest of details. The expressions of the animals were probably my most favorite parts to draw!
And finally, the image is completed in Photoshop, all the bits are assembled, and the color is fully applied. It may be a little tedious of a process, but it lent itself a lot to the look of the book, and Tuke! And of course there were many moments of going back into inks, rescanning, and altering the finished pages by administering bits of texture for the final polish.
So, what’s next for you, Tory?
Hmmm…what IS next?!?! Well for starters, I’m about as knee-deep into education and new media as I’ll ever be. In fact, I’m currently involved in the creation of an entire educational game world revolving around children’s books and characters due for release in 2014. So I’m definitely still deep in pursuit of creating for kids—video games, books, products, cartoons—you name it! But it’s always been a dream to illustrate picture books. So I’m very much looking forward to the next opportunity that comes my way! 🙂 Any takers?!
Well, I’ll bet there will be plenty of takers for our special TUKE giveaway!
One lucky blog reader will win a custom sketch of Tuke made especially for them! You can even enter twice!
Comment or leave a question for Tory here on the blog for one entry, then Tweet or Instagram an image of the book with hashtag #TuketheSpecialistTurtle and tag @torynova for another entry. Contest ends September 21st and a winner will be announced shortly thereafter.
For more about Tory and her various projects, visit ToryNova.com.
by PENGUIN CHA-CHA is my first book as both author and illustrator, so my process was very different than when I’ve illustrated manuscripts written by other authors.
Usually I receive a manuscript from a publisher, I read it over—that first read tickles the first glimpses of images into my head—and then I decide if that manuscript is one that I want to spend months illustrating.
Illustrating stories by other authors gives me a chance to illustrate ideas that I wouldn’t have had otherwise and brings variety to my work.
For example, in THE GOODBYE CANCER GARDEN, the author Janna Matthies wrote about a family growing a healthy vegetable garden as Mom recovered from cancer. It’s a powerful story of healing. Since I’ve never gone through something like that, I wouldn’t have thought to write that story, but Janna experienced a very similar cancer battle in her own life before writing this hope-filled story. As soon as I read that manuscript, I knew it would be an important book for many families. It was an honor to be able to illustrate it.
Another part of illustrating someone else’s manuscript is to add my own voice to the book through the illustrations. I need to figure out what to add to the story they’re telling, and that may mean showing things in the illustrations that the author never thought of. (That’s why publishers like to keep the authors and illustrators away from each other.)
In the picture book CORA COOKS PANCIT by Dorina K. Lazo Gilmore, Cora feels ignored at first by her family. To echo her feelings, I drew a little dog that follows Cora around wanting to play, so he brings her more and more toys on each page. Cora ignores him.
Just as Cora gets her happy ending, the dog gets his own happy ending when Cora finally plays with him. The dog wasn’t part of the text by the author. The dog is my own contribution to rounding out the story with the illustrations. Since parents are usually busy reading the words, they may not even notice the dog, but be assured that the kids who are hearing the story and studying the illustrations definitely notice that dog! Kids are master picture readers, so that’s always something I think about as I decide how to draw my half of the story in books written by someone else.
My process for PENGUIN CHA-CHA was different from the start because the illustration came first instead of the manuscript. Way back in 2007, I drew an illustration of penguins dancing. I used to be in a swing and Latin dance group and I liked penguins, so I decided to combine two things I liked to create a fun portfolio piece.
Around the same time I had tried my hand at writing my first picture book manuscripts about other subjects. I had a meeting with an editor and showed her my picture book manuscripts and also my portfolio. She remarked about how much more my face lit up when we got to the dancing penguin illustration than when I talked about my manuscripts!
So I realized I really needed to write about the things that make my face light up. Makes sense, right? So I wrote story after story about dancing penguins. It was much harder to write a wonderfully marketable picture book than I thought it would be! What remained constant were the dancing penguins, but the plots of the stories were all over the place. Those penguins danced for years as I figured out my story. I even licensed them out as wrapping paper at some point. I finally sorted out my story as it played as images in my head. I only wrote down the words that I felt were necessary and not shown in the illustrations. In the end, my editor at Random House asked me to add in a bit more text. I may be the only picture book author that’s happened to—usually they want to cut words!
.
Writing my own books allows me the freedom to draw my favorite subject matter and favorite kinds of characters and things that make my face light up like dancing penguins. And the story usually starts with an image for me. Illustrating someone else’s manuscript brings more variety to my work and new experiences. So I love both!
Speaking of new experiences, I’m currently illustrating a picture book written by Danielle Steel called PRETTY MINNIE IN PARIS. For research, I visited Paris—what a lovely city to experience! The story combines Paris, a fashion runway show, a long-haired teacup Chihuahua, and a stylish little girl. Oh la la! Watch for PRETTY MINNIE in the fall of 2014.
Thanks, Kristi, for giving us a glimpse into your process!
PENGUIN CHA-CHA releases today! Happy Book Birthday, Kristi!
And lucky readers, Kristi is giving away a PENGUIN CHA-CHA prize pack! You’ll receive a signed book, magnet, bookmark and sticker! Just leave a comment below by September 5th to enter, and if you’d like to ask Kristi a question, you can do so there, too.
You can learn more about the book at PenguinChaCha.com and download a Storytime Activities Kit.
Also follow Kristi’s blog at KristiValiant.blogspot.com.
Writing for Kids (While Raising Them) 