Earlier this week The New York Times published an article discussing how young Latino students are not seeing themselves in books frequently enough, and the obstacle many educators feel that omission puts in the path for enjoyment as well as for learning from books for these young children. The Cooperative Children’s Book Center at the University of Wisconsin-Madison of Education, which compiles statistics about the race of authors and characters in children’s books published each year, notes that in 2011 only 3 percent of the 3400 books reviewed were written by or about Latinos; this proportion is unchanged over the last decade. And yet, Hispanic students are one quarter of the nation’s public school enrollment.
Several years ago Reading Is Fundamental (RIF) initiated our Multicultural Literacy Campaign, borne from our concern with the NAEP figures we were studying from years past and the distance with which African-American, HIspanic and American Indian children continued to perform behind their Asian and Caucasian peers. Our campaign is a multi-year effort designed in part to provide children the opportunity to explore and learn about their own culture and the culture of others, the “mirrors and windows with sliding glass doors” concept as articulated by Dr. Rudine Sims Bishop. One component of our effort is a yearly compilation of multicultural book sets through the generous sponsorship of Macy’s; these sets are distributed to more than 500 sites annually with the book lists and activities posted online for all to use.
RIF held the launch for the 2012 collection at the Library of Congress Young Readers’ Center with a panel made up of authors and illustrators whose books are featured in that “CELEBRATIONS” collection; the panel was chaired by Dr. Violet Harris, a literacy expert and chair of RIF’s Literature Advisory Board.
In her presentation, Dr. Harris set the context for the audience regarding the need for multicultural literature for all children, literature representing as many cultures as possible by discussing the work of Dr. Nancy Larrick, the second president (56-57) of the International Reading Association. Larrick is said to have noted the impetus for her oft-quoted study in the early 1960′s was when a five year old black girl asked her why all the children were white in the books she read. Her question came more than 20 years after Charlemae Rollins and others had begun a campaign for more positive examples of blacks and black culture in books for children. The lack of progress as well as that little girl’s sincere question compelled Dr. Larrick to investigate and produce the article “The All White World of Children’s Books” published in The Saturday Review of Books in 1965.
Rollins had published her groundbreaking We Build Together in 1948; this is a publication which “highlighted criteria for choosing books that portrayed Blacks realistically and built democratic attitudes among all people.” Rollins noted in her publication:
For many years books about Negro children followed a stereotyped pattern. The characters portrayed were the barefoot menial, or the red-lipped clown. Rarely did the Negro character in a story where there were other children ever take part in the story as equals. Illustrators, it seemed, could not resist presenting the quaint ‘pickaninny type’.
With regret we note today the change in children’s literature has not kept pace as many of us would have hoped. Similar statements can be made and are indeed written about the lack of inclusion of other cultures in children’s literature.
As Dr. Harris further noted ”…I want to emphasize…, it is a fight that goes on constantly. Each generation or even every couple of years it is two steps forward, one step back.” And further food for thought from Dr. Harris was her question to us: How can we say to the rest of the world that you need to model yourselves after us, our educational systems, our political systems, our economic systems and so forth, when we disenfranchise a significant portion of our citizenry?
You have finished a month of hard work producing ideas for picture books. As you move further into and with each idea, I challenge you to give very serious attention to the issue of children seeing themselves as well as having a window on the world. The book does not always need to be “about” diversity…perhaps it will be like HOW MANY SEEDS IN A PUMPKIN? by Margaret McNamara and illustrated by G. Brian Karas. The classroom shown through the illustrations is diverse, and I have actually heard children mention that diversity they can see in the book. The experience of seeing the diversity present in a book was new to them, but a common everyday experience in the school each attends.
We as a nation have much to do to prepare each child as fully as possible to read well. One element and one relevant to your work is to show we indeed as a nation value each child and celebrate each child; and part of that visible celebration must be that each child sees and reads about children “just like me.”
Book People Unite!
P. S. How can I post on this blog without giving a roaring round of applause to Tara for her sponsorship of PiBoIdMo as well as personally say ‘Thank You” to her and to all who have purchased from the PiBoIdMo store where the proceeds come to RIF. We are deeply appreciative!
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Carol H. Rasco is President and CEO of RIF. She joined RIF in 2001. Throughout her life, Carol has been a devoted advocate for children, youth, and families, as a professional and as a volunteer.
Prior to this position, Carol was the executive director for government relations at the College Board. From 1997 through 2000, Carol served as the senior adviser to U.S. Secretary of Education Richard W. Riley, and as director of the America Reads Challenge, a four-year national campaign to promote the importance of all children reading well and independently by the end of the 3rd grade. Previously, Carol worked for four years in the White House as domestic policy adviser to the president and directed the Domestic Policy Council.
Originally from Arkansas, Carol worked as the chief policy adviser in the Arkansas governor’s office for 10 years and also served as the liaison to the National Governors Association. Additionally, Carol has extensive experience as a volunteer for arts organizations and disability advocacy groups. Carol received her bachelor’s degree from the University of Arkansas and earned a master’s degree from the University of Central Arkansas. She has taught in the public school system and worked as a middle school counselor.
Carol serves on the Board of Trustees of Columbia College in Columbia, South Carolina. She is the mother of Hamp and Mary-Margaret, and the proud grandmother of William and Charlie Marks.
25 comments
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December 8, 2012 at 12:18 pm
Robyn Campbell
Yay for RIF. I volunteered for RIF years ago. What fantastical work they do. Thank you for sharing about the Multicultural Literacy Campaign. How wonderful. And yay for Tara and all the picture book writers who have purchased from the PiBoIdMo. I wear my shirt proudly. 🙂 Thanks Carol.
December 8, 2012 at 12:55 pm
lauraboffa
This is such an important truth. I’m so glad that it is getting some media air time. Thank you for speaking on it, and for the good work you are doing with RIF.
December 8, 2012 at 12:58 pm
rlkurstedt
Thanks for the post and the important work you do.
December 8, 2012 at 1:28 pm
Jill Proctor
Thank you for the work you do. Your post brings light to my writing.
December 8, 2012 at 1:45 pm
Deb Lund
Great to see you here, Carol! We’ve met a couple of times, once at a blogging conference, and I’m so grateful for all you do. As a past educator, I’ve seen the difference RIF has made, and as a mom with kids of different races, I applaud the work you talked about in this post. Happy holidays…
December 8, 2012 at 2:49 pm
Anjali Amit
Thank you for shining the light on issues writers and illustrators don’t often think about. Many decades ago we had the Bernstein Bears books portraying the world, but I guess children need to see themselves mirrored in the books more directly.
Anjali
December 8, 2012 at 3:00 pm
Penny Klostermann
This is an informative post that will make me think differently as I write drafts from my ideas. Thanks for the example of HOW MANY SEEDS IN A PUMPKIN to make us think of creative ways to approach these subjects as we write.
December 8, 2012 at 6:47 pm
Jenny Boyd
Thank you for all you do and for your eye-opening post!
December 8, 2012 at 8:03 pm
The Backdoor Artist
So much in a picture book comes down to the illustration. I think it is good for illustrators to expand their image zone beyond immediate family and and the local neighborhood.
I don’t think they try to exclude, but by not expanding their “community” they only draw a small view.
December 8, 2012 at 9:48 pm
Deborah Holt Williams
It was interesting to read this after reading the article in the latest SCBWI magazine, called “Will Latino Stories Sell?” The author says several multicultural publishes have closed, and that her editor has told her not to write Latino stories! Author Laura Lacamara asks, “How did we lose so much ground?”
December 9, 2012 at 12:50 am
tinamcho
I still remember as a child going to the Rif Book Fair at my school and choosing a free book! Thanks for this wonderful advice and examples of how more multicultural characters are needed in books! I’ll keep that in mind as I write my manuscripts!
December 9, 2012 at 2:10 am
michellewrite
Reblogged this on michellewrite.
December 9, 2012 at 7:45 am
The Ink Pond
I have VIVID memories of choosing my free book at the RIF book fair when I was young. Thank you for a great post to remind me of the many elements/features/cultures to be thinking about when writing for children. Such an important message that we all need to hear.
December 9, 2012 at 9:48 am
Dawnyelle
Well said.
December 9, 2012 at 12:03 pm
bjleepoet
An eye-opening post, to be sure. I was interested to learn about the work you do with RIF. Thank you for posting!
December 9, 2012 at 1:22 pm
Laura Lowman Murray
Thank you so much for your post, Carol! As a teacher in a Title 1 school, I saw over and over again the importance of children seeing themselves in books, and being able to identify with the diversity of the characters and their stories. Thank you for speaking to this here, and for leading the way with wonderful programs like RIF!
December 9, 2012 at 2:34 pm
Carol Munro
When I first began writing for kids in the mid 1980s, I went to a conference and heard editors stressing the desire to see multicultural manuscripts cross their desks. The push was big. Nearly 30 years later, talk is the same. It echos the example Ms. Rasco mentions of the 5yo girl in the early 60s who asked why no black children were in the books she read, when the industry began the discussion twenty years earlier. So, in essence, we’ve wanted to increase diversity in kids’ books since the 1940s — 70 years! — yet in 2011, only 3% of the 3400 books evaluated were written by and about Latinos. (Hmmm, what would the percentage be without including authors?)
This makes me sad.
December 9, 2012 at 3:21 pm
thiskidreviewsbooks
Great post with a good message! RIF is a great program!
December 9, 2012 at 10:50 pm
Stephanie Shaw
Excellent post, Carol. Thank you for the encouragement and also for all you do supporting RIF — wonderful program!
December 9, 2012 at 11:28 pm
Kristiane Pedersen
Thank you Carol. You have given me so much to think about…and work toward. I agree, a big, BIG round of applause to Tara!!!! Thanks Tara!
December 10, 2012 at 8:58 am
Sharon Putnam
Thank you for the wonderful post! RIF is a fantastic program!
December 10, 2012 at 10:23 am
Melanie Ellsworth
Thank you for this informative post and for your work with RIF. You make excellent points.
December 10, 2012 at 12:05 pm
Wafa
Thank you for mentioning the article in the NY TImes last week. That was a powerful reflection on the progress but the gaps that unfortunately still exist in children’s literature today. I grew up as a minority child, and when I recall the books I loved reading (American Book series, then later on the Baby Sitter’s Club/ Goosebumps) the majority of those characters were of the same race and class not reflective of my own. But I think as a writer, there is a fine line you cross that can make you feel generic and pressured to develop a character/book series aimed at a certain group that is underrepsresented in the market today for that sole purpose. Our best work is what lies inside our souls and hearts, and flows freely from our dreams to our computer screens. I think there is a way to create more diverse characters and storylines that will appeal to all children without making ourselves as writers feel that we have sold ourselves short, and without our young readers feeling isolated from the creative we are producing. I want to be proud of what I write, and I want children to enjoy it but at the same time I need to know that I what what is in my heart and my imagination not simply what the market is in need of. I have both hope and faith that this can be achieved in the most natural creative way but I firmly support the awareness that both the NY times and now this post have brought to this important topic.
December 10, 2012 at 9:09 pm
Catherine Johnson
Super post and a great reminder to go buy a mug 🙂
December 11, 2012 at 10:45 pm
Linda Graden
Wow. Thank you for informing me on such important work. Very impressive.