by Meredith Mundy (from 2015)
I recently celebrated my 20th anniversary as a children’s book editor. (Still loving it as much as ever!) One of the questions I am still asked most often is why an author and illustrator so rarely collaborate directly. Why WOULDN’T it be a great thing for the two creative parents to discuss and brainstorm? Why don’t I encourage lengthy Skype chats about their amazing book-to-be? What’s up with those control-freak publishers anyway?!
Most people assume the worst: surely author and illustrator are kept apart so the publishers can hold all the cards, hoard all the power. But I am here to tell you this couldn’t be further from the truth! The reason editors and art directors keep the wordsmith separate from the artist is to allow for maximum inspiration and creative freedom on BOTH sides. Authors needn’t weigh down their manuscripts with descriptions of scenery or characters, and illustrators are allowed unencumbered freedom to conjure with paintbrush or pixels the story’s characters and surroundings without trying to match an author’s vision of them.
I’d like to share three very recent examples of how well it can work out when an author trusts an illustrator and refuses to define how a character should look or how a plot should unfold visually:
When Tara Lazar sent in her hilarious picture book manuscript for NORMAL NORMAN, in which a scientist attempts to pin down a definition for the word “normal,” I needled her to tell me more. Who exactly is this scientist? And who—or what—is Norman?? But Tara could not be persuaded—she had complete faith that illustrator Stephan Britt (AKA S.britt) would know exactly what to do with the scientist narrator and his or her mysterious test subject. It was fascinating to see Stephan experiment.
.
First Norman looked a bit like a lion.
Then he looked more like a friendly monster.
Finally Stephan found exactly the right Norman.
Who knew he would be a purple orangutan in square-frame glasses?!
And much to our surprise, the scientist turned out to be a young Latina girl in black Mary Janes and a stylish bob. This certainly would NOT have been the case had Tara (or art director Merideth Harte or I) attempted to sway Stephan in some definite direction.
Tammi Sauer is another author who very rarely includes illustration notes in her manuscripts. When I acquired YOUR ALIEN, I asked Tammi what the lost extraterrestrial in her story might look like, and all she would say is that she hoped it would be so adorable that readers everywhere would wish for an alien to crash land in THEIR front yards.
By giving illustrator Goro Fujita complete carte blanche to imagine the cutest alien in the whole universe, Tammi got exactly what she’d hoped for. See for yourself!
My final example of an author bravely allowing an illustrator’s inspiration to take the driver’s seat is Kim Norman and her charming THIS OLD VAN, sung to the tune of “This Old Man.”
.
Not only did she boldly leave wide open what exactly the characters should look like . . . she also left the entire ending up for grabs! In this rollicking picture book road trip, a pair of hippie grandparents receive a very important invitation from their grandson. Soon they are zipping cross-country in their trusty old van, which must deliver them to their destination in time for The Big Event. But WHAT IS THAT EVENT?, I kept asking Kim. She assured me that illustrator Carolyn Conahan would come up with something PERFECT, but I was too anxious. Surely an illustrator would want some guidance from the author on something as crucial as the ending, wouldn’t she?? Reluctantly, at my insistence, Kim brainstormed a few ideas—perhaps the grandson was starring in the school play or had a big solo in a recital? Carolyn wisely ignored the illustration notes and surprised us with a grand finale so clever that any alternative is unthinkable now: of course the grandson is racing his own miniature version of the old van in the Downhill Derby!
For those of you writing picture books, I challenge you to leave 50% of the inspiration to an illustrator. You are not alone and by no means have to do all the heavy lifting. Write the story and then step away. And for those of you illustrating picture books, I challenge you to ignore any illustration notes that don’t inspire you! Trust one another from afar, inspire one another at a distance, and then get together AFTER the book is printed to celebrate what your wonderful, individual, untainted visions brought into the world.
Meredith Mundy was formerly Executive Editor at Sterling Children’s Books. She now serves as Executive Editor of the Appleseed imprint at Abrams.
At the conclusion of Storystorm, prize packs will be given away (books, swag, writing tools). Comment once on this blog post to enter into the prize pack drawing.
You’re eligible to win if you’re a registered Storystorm participant and you have commented once below.
Good luck!
521 comments
Comments feed for this article
January 26, 2019 at 8:46 am
tanyakonerman
I always work to leave space for the illustrator’s ideas too, but I love this reminder of just how amazing it can all turn out!
January 26, 2019 at 8:48 am
Tara Hannon
I love reading about these examples! Great inspiration. Thank you!
January 26, 2019 at 8:50 am
Mark Bentz
Thank you for posting this great advice Meredith.
It really does work. Trust the illustrator, and the publisher. When it works…its amazing.
January 26, 2019 at 8:50 am
Amy Houts
Thanks for your sharing your experience with the editor/writer/artist relationship. Very inspiring!
January 26, 2019 at 8:57 am
danielledufayet
Thanks for reminding us that PBs are a collaboration – a marriage of two great minds! That’s part of their unique magic!
January 26, 2019 at 9:00 am
Erik Ammon
Thanks for sharing! I wonder how often the author’s imagination, as they picture their characters, end up close to what the illustrator creates?
January 26, 2019 at 9:02 am
Katie L. Carroll (@KatieLCarroll)
Love this advice and the examples!
January 26, 2019 at 9:03 am
Kim Wilson (@AuthorKimWilson)
Thank you – great advise!
January 26, 2019 at 9:03 am
Shutta Crum
Perfect! A great reminder to all of us.
January 26, 2019 at 9:03 am
andreesantini
I love this post, and the examples you gave. Thanks!
January 26, 2019 at 9:04 am
Cathy Stenquist
Love this article! You conveyed to us writers in such a great way to focus on just the right words. Love the examples!Thank you!
January 26, 2019 at 9:05 am
authoryvonafast
Great advice, and wonderful examples. Thank you! As a wordsmith, i’m happy to leave the visuals to the illustrator!
January 26, 2019 at 9:06 am
nataliecohn0258
I loved this article I gave me an idea when they say leave room for an illustrator. Now, I know what they mean.
January 26, 2019 at 9:08 am
Lori Dubbin
Thanks for sharing these examples of beloved books that can’t be imagined any other way. Out with illustration notes and in with trust from afar and getting together after a book is published!
January 26, 2019 at 9:12 am
Hélène Sabourin
I can only try to imagine how satisfying it must be for authors to see the interpretation of their stories in pictures.
January 26, 2019 at 9:20 am
naturewalkwithgod
Thank you, Meredith Mundy, for this insight into the inner workings of the magic that happens to create a picture book — words and visuals. –Kim
January 26, 2019 at 9:21 am
pathaap
Great blog! Love the examples you gave about how the illustrations came about. Thanks!
January 26, 2019 at 9:22 am
Lynne Marie
I always love hearing what Meredith has to say! She acquired my Storystorm Idea book Moldilocks and the 3 Scares 🙂 Thanks for sharing the stories behind these characters!
January 26, 2019 at 9:23 am
C.L. Murphy
I love seeing the results of these untainted visions! Thank you, Meredith.
January 26, 2019 at 9:27 am
Jennifer Bower
Thank you Meredith for a great post. I can only hope that one day I have the opportunity to worry over illustrations. That would be the best worry ever! Thanks again.
January 26, 2019 at 9:28 am
Aurora K
Love the examples. Great advice. Now time to free an ms from art note constraints.
January 26, 2019 at 9:28 am
lindaschueler
Very cool examples. Thank you for the reminder.
January 26, 2019 at 9:32 am
Angela Kunkel 📚 (@angkunkel)
I’m now left wondering (in a completely wonderful way) if this is what my editor was doing when she asked me to go back and add MORE text instead of cut . . . so interesting and such a great editorial take on the age-old advice of leaving room for the illustrator!
January 26, 2019 at 9:33 am
Katherine Thomas
Thank you for this insight into the minds of both parties! It’s a little intimidating for each of them, I guess, but communication is key!
January 26, 2019 at 9:34 am
authoraileenstewart
I think it would be exciting to see how an illustrator would interpret a story through pictures.
January 26, 2019 at 9:34 am
susan
Great examples.
January 26, 2019 at 9:34 am
betlw
Thanks for a great post, Meredith. I am so used to adding specifics when writing short stories for mid-grade, that this is a great reminder to leave them to the illustrator when writing picture books. Again, thank you for the reminder.
January 26, 2019 at 9:35 am
Nancy Riley
I love how author and illustrator combine to make the final story more than the sum of the parts! Thanks so much!
January 26, 2019 at 9:40 am
Patti Ranson (@pcakeran)
All the world is made of faith, and trust, and ‘pixel’ dust 🙂
January 26, 2019 at 9:42 am
Jay
Great post and great advice. Thank you.
January 26, 2019 at 9:42 am
Aimee Satterlee
I love all of the authors and illustrators mentioned in this post. Picture books allow creative minds to combine and create book magic!
January 26, 2019 at 9:43 am
ssafra22
Wow, this was really great to read!!! I’ve always been one to put too many art notes and not been so willing to trust the illustrator. Everything you said made so much sense though! Thank you for clarifying and opening my eyes a bit more to the creative genius that is the artist. 😊
January 26, 2019 at 9:46 am
hallee2012
Thanks for sharing this post! I loved seeing this view behind the editor’s desk. Also excited to read the other two of these books that I hadn’t read. Congrats on your new-ish role at Abrams!
January 26, 2019 at 9:50 am
kiwijenny
Thank you. I am ready to let go.
January 26, 2019 at 9:50 am
thecrowsmap
What delightful examples! Thanks, Meredith.
Gail Hartman
January 26, 2019 at 9:54 am
Kathy
Such great examples! Authors are always delighted with what the illustrators create. Thank you for the insight!
January 26, 2019 at 9:54 am
michelemeleen
What a great and inspiring explanation!
I look forward to the day when an illustrator turs my story into their story too😍
January 26, 2019 at 9:54 am
Ellen Sirianni
Great examples! Thank you for sharing.
January 26, 2019 at 9:55 am
Matt Forrest Esenwine
As someone who’s very detail-oriented and loves to write about details…it’s a struggle sometimes to NOT give all the details in a PB ms. For example, in “Flashlight Night,” I mention a boat but don’t specify what type; I mention a ‘peculiar door,’ but don’t say why it;s peculiar. And sure enough, our illustrator did a great job taking the ball and running with it!
January 26, 2019 at 10:00 am
Alexandra Hinrichs
These are fantastic examples! My favorite moment in the publication process of my debut picture book was when I saw the illustrator’s sketches of my protagonist for the first time. I’d prepared myself that she wouldn’t look like how I had imagined her (I had given no notes on her appearance), but I recognized her instantly! It gave me goosebumps.
January 26, 2019 at 10:02 am
Katja Bertazzo
Great post.
January 26, 2019 at 10:03 am
Annie Cronin Romano
Wonderful examples of the inspiration coming independently from author and illustrator. Thanks for sharing!
January 26, 2019 at 10:03 am
Julie Mondi
I have wondered about this while writing. Would an illustrator have the same picture in their head as I have in mine? It’s just all about trust and letting go. Thank you!
January 26, 2019 at 10:06 am
bgonsar
It’s hard to give up control but you present a valid reason why it’s a good idea to. Thanks!
January 26, 2019 at 10:08 am
beckylevine
Thanks for the reminder about how this magic happens!
January 26, 2019 at 10:08 am
jennagrodzicki
Love this!
January 26, 2019 at 10:08 am
Deb Sullivan
Great reminder for writers and illustrators to follow their own creative instincts – clearly that’s how the magic happens! Thanks for the post!
January 26, 2019 at 10:09 am
megcason1
Illustration notes are so hard, include them or not include them?
Thank you for this inside look!
January 26, 2019 at 10:09 am
Natalie Lynn Tanner
MEREDITH: I remember reading this original post; an oldy, but a goody, and something we ALL need to be reminded of every once in a while. THANK YOU for showing specific examples of how the best kind of author-illustrator partnership works. I am extremely visual, so it takes A LOT for me to leave my story in another person’s hands. But your take as an editor is incredibly helpful, insightful, and INSPIRING!!! THANK YOU!!!
January 26, 2019 at 10:12 am
Nadine Poper
Thank you for this post. The text should be able to stand on its own without too many illo. notes. Illustrators are magical!!! And rock stars.
January 26, 2019 at 10:13 am
Barbara Senenman
Enjoyed the re-post thank you! I try not to have illustrator notes and take joy when my critique partners tell me what they envision. But sometimes, you just gotta sprinkle in one (or a couple).
January 26, 2019 at 10:13 am
Carmen White
I’ve been writing comic pages for about half a year now and I have to say, while it requires a bit more instruction to the artist than picture books do, I’ve always love what artists can come up with when given the chance. They always make the story a million times better! ❤
January 26, 2019 at 10:13 am
Sally Lotz Spratt - Badass 2019🦋 (@SallyLotzSpratt)
A great reminder to us all – leave room for the illustrator to do their thing. 🙂
January 26, 2019 at 10:15 am
rimna
Great advice and examples – thank you!
January 26, 2019 at 10:15 am
Susan Macartney
Helpful insight into the publisher’s process. And great reminder of the exciting results achieved when things are left open to the illustrator’s interpretation!
January 26, 2019 at 10:26 am
Joanna Rowland
One of the reasons I like to write in first person is because it gives the illustrator total freedom to decide most everything about the character from gender and all the rest. I also like leaving some sentences mite vague so the illustrator can add layers to the story like “every where we’ve been.” Then the illustrator gets to decide where that is. Loved seeing the samples on this blog.
January 26, 2019 at 10:28 am
Jessica Potts
What an insightful post!
January 26, 2019 at 10:31 am
Margaret Flint Suter
Fun to read how hard AND easy it has been for authors to give up their idea of what things look like and trust the illustrator to make it right…
January 26, 2019 at 10:31 am
Sue Heavenrich
Sharing the road means leaving space for the other guys. Yet when I have something that is based on science and someone reading it says “what’s that?” – I know I need a note to clarify species.
January 26, 2019 at 10:37 am
Sara Fajardo
Thank you!
January 26, 2019 at 10:37 am
Andrea Mack
One of the most challenging things about writing picture books! Thanks for your take on it.
January 26, 2019 at 10:38 am
Lisa Johnston Hancock
Thank you so much for this insight. I’m an illustrator and I definitely like having room to express creativity. It’s nice to see the clear reasons described here. Great post!
January 26, 2019 at 10:38 am
Tina Hoggatt (@tinahoggatt)
This!
January 26, 2019 at 10:39 am
Jill
Great information! I was thrilled with Sue Safianoff’s illustrations for my debut picture book. She made Priscilla perfectly and added an adorable kitty! Her expertise is drawing, mine is writing. It works well!
January 26, 2019 at 10:39 am
Joy Pitcairn
It was really interesting to me how much interpretation was left up to the illustrators in these examples. And it is so fun to see the results!
January 26, 2019 at 10:41 am
marykatesmithdespres
Thanks, Meredith. It was great to see the process and evolution behind these books!
January 26, 2019 at 10:42 am
David McMullin
Great stories. Thanks so much, Meredith.
January 26, 2019 at 10:43 am
ptnozell
I remember this post! A terrific reminder of how words + art = so much more than the sum of their parts.
January 26, 2019 at 10:43 am
Sherri Jones Rivers
This is such good advice, and I love all three books that Meredith mentioned. I have a story that I am tempted to put illo notes in, but now I am rethinking. If it sells, that artist will have his/her own spin on things, and probably much better than I would have cooked up in my mind.
January 26, 2019 at 10:43 am
Joana Pastro
Those examples are great! I never noticed the text in Normal Norman didn’t mention him being a gorilla. That’s what makes it a perfect collaboration, when everything fits seamlessly. Thanks!
January 26, 2019 at 10:46 am
writersideup
This is SUCH an important post, especially for “authors only.” I do both so naturally “write” both simultaneously, BUT sometimes the words and art have to fight it out to see who wins. It truly IS a marriage of words and art 🙂
January 26, 2019 at 10:49 am
sarahheturadny
Sometimes I fear that I leave TOO Much to the potential illustrator to interpret and experiment with!
January 26, 2019 at 10:49 am
dlapmandi
Trust is hard with your precious words. It’s like finding quality childcare. But your examples make it somewhat less nerve wracking.
January 26, 2019 at 10:51 am
kaleegwarjanski
this is so important to remember. I look forward to working with an illustrator one day
January 26, 2019 at 10:52 am
Li’vee Rehfield
Thank you Meredith very good examples to sensitive questions😊
January 26, 2019 at 10:53 am
Carrie
It would be so thrilling to be surprised by an illustrator!
January 26, 2019 at 10:53 am
Judith Wright Aplin
It is a hard thing for a writer to ‘walk away’ and trust an illustrator because, naturally, I think, the writer has visions of what the characters look like; however, your advice is very important and true.
January 26, 2019 at 10:55 am
Kristen Tipman
Such a great reminder! Loved the examples you gave! Thanks for sharing.
January 26, 2019 at 10:55 am
Jessica Kulekjian
Picture book magic!
January 26, 2019 at 10:55 am
smpeace
Great post! Thanks!
January 26, 2019 at 10:57 am
laura516
I love that picture books are a creative collaboration between author/illustrator. Thanks for the editorial view!
January 26, 2019 at 10:59 am
Claire W Bobrow
Wow! Those are fabulous examples of illustrator magic. Thank you for sharing what can happen when both sides trust each other to do their creative best. Thanks for a fun and inspiring post, Meredith! I’ve read and loved Normal Norman and Your Alien. Now I’ll be adding This Old Van to my library request list.
January 26, 2019 at 11:00 am
LAUREN BARBIERI
Great advice!
January 26, 2019 at 11:00 am
Ashley Congdon
Sometimes you just don’t know what a scene would look like. It helps to have help from another creative person. This is a great reminder not to try to control every detail.
January 27, 2019 at 12:29 am
Melissa Mwai
I agree!
January 26, 2019 at 11:00 am
Manju B. Howard (@ManjuBeth)
I remember this post. But I didn’t know that Meredith is now the Executive Editor of the Appleseed imprint at Abrams.
January 26, 2019 at 11:00 am
Jennifer G Prevost
It’s something we hear over and over, but the real life examples sure help to make it tangible, thanks!!
January 26, 2019 at 11:03 am
Dea Brayden
Thank you for these great examples!
January 26, 2019 at 11:07 am
Lori Mozdzierz
I am a firm believer in let the illustrator do their thing. Yes, some art notes may be needed, but much less than we think. Illustrators have critiqued my manuscripts at conferences. I highly recommend this! Illustrators can teach us to be stronger wordsmiths. What our strengths are. Where our weak points hide. Simply by their interpretation of our words on the page. What I learned during my first ever manuscript critique by illustrator/author Matt Faulkner is that I am a screenplay writer. He said I envision scenes as my characters worlds are being built. I thought all wordsmiths write that way. Color me shocked to learn this is not so!! At a later date Matt critiqued another manuscript for me. What he envisioned in the artwork for that story I would not have imagined in a gazillion years. His ideas for the artwork put an over-the-top twist to the story which I thought was awesome.
Trust Your Illustrator!!
January 26, 2019 at 11:08 am
Joan Longstaff
Great post – I’m always worried I might be leaving too much space for an illustrator … but maybe not!
January 26, 2019 at 11:11 am
celticsea
I definitely get excited thinking about how an illustrator might see my story!
January 26, 2019 at 11:13 am
June Sengpiehl
This is a very helpful post about the business of writing picture books and
how to succeed at it. It answers a lot of questions.
January 26, 2019 at 11:15 am
SARAH Meade
This is a fascinating topic. I love the examples given. Thanks for the post!
January 26, 2019 at 11:15 am
SARAH Meade
This is a fascinating topic. I love the examples given. Thanks for the post!
January 26, 2019 at 11:16 am
Shel ledrew
Inspiration!!!!
January 26, 2019 at 11:17 am
Aimee
What a great illustration of the perfect pairing between words and art. These books are excellent. Thank you:)
January 26, 2019 at 11:21 am
Krista Harrington
Thank you, Meredith, for such great advice! I’m slowly learning the art of writing without writing, making room for the illustrator.
January 26, 2019 at 11:23 am
Sharon Nix Jones
Wonderful info! I will try to apply it.
January 26, 2019 at 11:26 am
Jennifer Phillips
Love this. One of my critique partners recently lobbed this idea out to me on a manuscript…maybe the main character isn’t a girl at all but an animal or ….I’ve been noodling keeping it very open to interpretation. Your blog post is very timely. Thanks!
January 26, 2019 at 11:28 am
Gregory E Bray
Thanks for the post.
January 26, 2019 at 11:28 am
Sylvia Grech
Thanks for the advice. I do leave a lot of room for the illustrator but my fear is that an agent and/or publisher are not enticed to take on the story, especially from an unpublished writer. But I will forge on!
January 26, 2019 at 11:33 am
donnacangelosi
I loved this post when I first read it, but I love it even more now. Thank you for the reminder to leave space for the illustrations.
January 26, 2019 at 11:35 am
polly renner
Thank you Meredith for revealing those behind-the-scene secrets:>
January 26, 2019 at 11:35 am
judyrubin13
Thank you, Meredith, for sharing your rationale that allows writer and illustrator the freedom to create their best book.
January 26, 2019 at 11:37 am
Lisa Pavalon
I think that it must be fun to see how an illustrator has interpreted your characters. I hope I get the chance to experience this someday!
January 26, 2019 at 11:38 am
Stephanie Shaw
It’s good to hear an editor’s POV on the process.
January 26, 2019 at 11:38 am
Janice Woods
Great examples! Thanks so much for sharing.
January 26, 2019 at 11:38 am
rgstones
Great reminder to leave space for the illustrator’s inspiration!
January 26, 2019 at 11:38 am
Bonni Goldberg
IOften in my critque group, the feedback I get is that I leave too much for the illustrator. My group feels that without the art notes, an editor or agent won’t see/understand my vision.
January 26, 2019 at 11:39 am
Pamela Harrison
Your post sends an important message. I think in images as I write so it’s not always easy but very wise to leave space for the illustrations. Thanks for the reminder.
January 26, 2019 at 11:41 am
Margie Markarian
Love all the examples! And as a someone who has been both editor and author, it makes perfect sense. You said it all so eloquently! Bravo and thanks! Great post!
January 26, 2019 at 11:42 am
Janie Reinart
Thank you for the post. What fun to see the creative genius of both the author and the illustrator.
January 26, 2019 at 11:45 am
Joni Nemeth
I love reading the history of how these books were put together – I would have expected more author input.
January 26, 2019 at 11:47 am
Juliana Jones
Thanks for setting us straight in realizing we need to trust the illustrator! It will make our project even better than we imagined.
January 26, 2019 at 11:47 am
Sherry Howard
Before my first PB was finished, it was hard for me to FULLY appreciate this advice. Illustrators rock!!
January 26, 2019 at 11:48 am
Janet AlJunaidi
Thank you Meredith! I love seeing the process the illustrators go through. It’s like ideas are swirling around out there and you have to catch them and then decide if it fits! (I’ve been reading Big Magic) 🙂
January 26, 2019 at 11:52 am
Cynthia Harmony
Wonderful post, thank you!
January 26, 2019 at 11:55 am
Nancy Ferguson
What a great post! Trust! Thank you.
January 26, 2019 at 11:59 am
thelmakat
This is great information and advice! Thanks!!
January 26, 2019 at 11:59 am
Cathy Ogren
Love this post! Great advice to writers. Let illustrators do their job!
January 26, 2019 at 12:01 pm
jaclynsmiller
Good reminder to let illustrators just do their thing, and let up on the reins a bit. Thanks.
January 26, 2019 at 12:06 pm
Darcee A Freier
Thank you for the view from the middle and examples of how well the process works.
January 26, 2019 at 12:07 pm
Lisa Billa
Thanks for sharing how these characters came to life! I may experiment with leaving some characters or situations more open-ended.
January 26, 2019 at 12:08 pm
karinlarson
Wonderful examples of a perfect marriage between author and illustrator. Thank you!
January 26, 2019 at 12:08 pm
jeanjames926
I love seeing how the author/illustrator relationship (from afar) work magic when creating a picture book! Thanks for providing such wonderful examples.
January 26, 2019 at 12:08 pm
Linda Mitchell
I have always been intrigued by the magic between author and illustrator. The examples you give in this post are perfect. The combination of idea, trust, collaboration is so special. Lucky you that gets to see it in action before we do!
January 26, 2019 at 12:09 pm
Marie Sanderson
As an illustrator, I love this post! Synergy between author and illustrator brought amazing results in all your examples. Hidden in there, also, were some really cute inspirations for story ideas.
January 26, 2019 at 12:09 pm
Sarah Tobias
As a visual person, I struggle with giving up this control. But I also understand the benefits to having two great minds pull one story together.
January 26, 2019 at 12:10 pm
Jane Dippold
I love this post so much!!!! You will always get the best work from an artist when they are allowed freedom in their concept and illustrations. Trust your artist! ❤️
January 26, 2019 at 12:10 pm
Sensibility and Sense
Oh, Meredith! Can’t thank you enough for this! I’ve had this conversation so many times with other writers who LOVE illustration notes, and I’ve also had to encourage writers through my critiques to tell their stories well and leave the illustrations to the illustrator. Thanks for the reassurance that the process works and works well! Patti Richards
January 26, 2019 at 12:13 pm
Elizabeth Metz
I love these stories!
January 26, 2019 at 12:16 pm
supermario6
Great advice for writers!
January 26, 2019 at 12:19 pm
Jane Serpa
Wonderful ideas. Thank you for sharing.
January 26, 2019 at 12:19 pm
rekrall@yahoo.com
This is something that I struggle with a lot in my writing. Great post!
January 26, 2019 at 12:20 pm
Debra Daugherty
Your post, Meredith, gave me pause. I felt an illustrator and writer needed to share thoughts and ideas. To give up total control and trust someone else with your vision sounds strange, but after reading about your examples, I see why this way works. Thanks for enlightening me.
January 26, 2019 at 12:21 pm
Becky Ross Michael
So interesting to take a peek at this process!
January 26, 2019 at 12:25 pm
Kaylynn Johnsen
I had never thought of it that way. Incredible. Thank you.
January 26, 2019 at 12:29 pm
heidikyates
I loved reading about the individual inspiration of these authors and illustrators. Thank you for sharing Meredith!
January 26, 2019 at 12:55 pm
Kay Phillips
Wonderful to hear that this process is geared toward maximum creativity!
January 26, 2019 at 1:04 pm
Mary York
Thanks for verifying from the editor’s perspective what we’ve been told about illustrator notes! Your explanation and examples make perfect sense!
January 26, 2019 at 1:07 pm
kimgjolly
Thank you for the insightful advice. What might you suggest for an author/illustrator who does both, and wants to ensure max creativity?
January 26, 2019 at 1:07 pm
Rinda Beach
Thank you for the reminder to leave room for the illustrator. I loved all your examples!
January 26, 2019 at 1:11 pm
Midge Ballou Smith
Fascinating to see how the character Norman came to be. Thank you!
January 26, 2019 at 1:14 pm
Alice Carty Fulgione
Thank you for sharing your great advice! It’s great to hear an editor’s point of view.
January 26, 2019 at 1:15 pm
Heather Stigall
I struggle with art notes. I do try to leave as much room as I can for the illustrator b/c I KNOW s/he will have so much to add to any mss of mine, but sometimes I feel I need to add in one or two (or more, depending on the mss). I will keep your advice in mind as I work on my next mss! Thank you.
January 26, 2019 at 1:21 pm
marty bellis
Thanks for showing us how much an illustrator adds to the storyline.
January 26, 2019 at 1:26 pm
rjtraxel
Cool story. I love Norman in Normal Norman!
January 26, 2019 at 1:28 pm
LenoraBiemans (@BiemansLenora)
Wow. Amazing challenge. I’m going to keep that securely in mind!
January 26, 2019 at 1:29 pm
KATHY Z.PRICE
Love learning the process–it’s fun to read!
January 26, 2019 at 1:35 pm
Rebecca Colby
It’s a collaboration and we writers often need that reminder. Thanks for a great post!
January 26, 2019 at 1:36 pm
DaNeil Olson
Loved the post. Thank you.
January 26, 2019 at 1:39 pm
Chelle Martin
This is an interesting post. I’m still learning just how much detail to put into a PB from a writer’s viewpoint. The examples were excellent. Would love to hear more about this topic.
January 26, 2019 at 1:47 pm
Jennifer
Thanks for explaining why this process works the way it does. It’s so exciting to discover what the illustrator comes up with in the end!
January 26, 2019 at 1:50 pm
Laurie Bouck
Very good advice! Thank you for sharing.
January 26, 2019 at 1:50 pm
Amy Bradshaw
I like hearing how it all works and comes together in the end. Normal Norman is perfect!
January 26, 2019 at 1:55 pm
Barbara Farr Renner
Very interesting article. I’m so glad you explained how the creativity works between authors and illustrators.
January 26, 2019 at 1:56 pm
jheitman22
What great examples! Yay, illustrators! Yay, writers! Yay, editors and publishers! Yay, IMAGINATION!
January 26, 2019 at 2:00 pm
Anne LeBlanc (@AnneLeBlanc2)
I never thought of it that way. Good to know! The final product becomes more than just a sum of its parts!
January 26, 2019 at 2:03 pm
Roxanne Troup
This is why picture books always feel so magical to me.
January 26, 2019 at 2:03 pm
Kim Pfennigwerth
These reposts carry as much wisdom and inspiration as they did the first time. Thank you Meredith and Tara!
January 26, 2019 at 2:05 pm
Megan Whitaker
Leaving the entire ending up to the illustrator is a huge leap of faith! Good for her-but scary!
January 26, 2019 at 2:07 pm
Mary Bleckwehl
These are such great examples of giving the illustrator their creative freedom. And as Roxanne T. already mentioned, why PBs are a little piece of magic!
January 26, 2019 at 2:15 pm
Nancy Kotkin (@Brave_New_Words)
Thanks for these examples of author/illustrator collaborations that worked well. Love the ending to This Old Van.
January 26, 2019 at 2:19 pm
Robin Brett Wechsler
Great reminder to leave room for the illustrator, with excellent examples. Thanks, Meredith!
January 26, 2019 at 2:21 pm
mariaordish
Thanks for this post….any advice for doing this…but then getting constant feedback from your critique partners that you must put more details in? Not sure everyone understands this concept. Perhaps writers need to see more examples of published MS’s so they can digest the meaning of leaving room for the illustrator?
January 26, 2019 at 2:24 pm
chardixon47
Thank you, Meredith, for these terrific examples of author/illustrator collaborations!
January 26, 2019 at 2:26 pm
Lisa Riddiough
Great examples of leaving room for the illustrator. I love thinking about how an illustrator might tackle my picture books. And how fun it must be to see your words brought to life with art. #someday
January 26, 2019 at 2:28 pm
Ann Jex
This is the perfect explanation with clear examples of why to trust each other with your separate tasks in creating the best unspoken collaboration. Thanks for your perspective.
January 26, 2019 at 2:29 pm
Gabi Snyder
Thank you, Meredith! I love this admonition to trust each other from afar. And, oh my goodness, the alien in YOUR ALIEN truly is the cutest in the universe!
January 26, 2019 at 2:32 pm
Nancy Colle
Hooray! As an author/illustrator I heartily agree. Nice reminder that the pictures can sometimes tell a very different story. Thank you;)
January 26, 2019 at 2:34 pm
Susan Johnston
“Leave room for the illustrator” reminds me of something an acting teacher told us about playwrights. Some still include stage directions, but many are told to minimize stage directions so the director and actors make can their own choices about the text.
January 26, 2019 at 2:41 pm
readstuffnwrite
Thanks for the insight. Illustrators do some amazing things!
January 26, 2019 at 2:41 pm
Amanda Davis
Thanks, Meredith! So fun to see the evolution of Norman!
January 26, 2019 at 2:45 pm
matthewlasley
In my class of first graders we talk about picture books and the relationship between writers and illustrators. I do this by reading them a story and not show them the pictures and have them draw a picture from the story as they imagine it. Then I cover up the words in another book and have the children tell me the story as we go through it.
100% of the kids could tell me a story from the pictures, but a majority struggled to draw a picture because as they looked at other people’s work, they questioned and changed their own work.
We then go back and reread the stories and talk about how we see things differently and diversely; based on our experiences.
My favorite book for this is Sam and Dave Dig a Hole, because Mac Barnett never mentions the dog and you don’t see the problem, until you see the pictures by Jon Klassen. The book completely changes.
It is an amazing thing to see how a book is transformed by an illustrator, or even how the words change meaning in that process.
January 26, 2019 at 2:54 pm
https://katiewalsh.blog/
Thank you for sharing!
January 26, 2019 at 2:54 pm
Paula VanEnkevort
Thank you for sharing the fun examples!
January 26, 2019 at 2:57 pm
Rebekah Lowell
Even when the author is also the illustrator, making a picture book is such a beautiful collaboration, and thank goodness it is!
January 26, 2019 at 2:59 pm
Kathy Halsey
Once I am satisfied w/my words for the ms, I then look to see that I left room for the illustrator. I work at having no art notes in my stories. Give the illustrator carte blanche. Thanks, Meredith.
January 26, 2019 at 3:00 pm
Sheri Radovich
I never thought of leaving an ending or destination or character look to the illustrator but I seldom include illustrator notes at all. Blew my mind.
January 26, 2019 at 3:04 pm
Linda Hofke
Trusting the illustrator certainly paid off. All those books are amazing.
January 26, 2019 at 3:07 pm
karengreenwald2985
Thank you for your explanation! This was the perfect post for me to read as edit my current wip. Fantastic!
January 26, 2019 at 3:12 pm
Sharon
Thanks Meredith! As an illustrator I like to start skeching with only the manuscript. It is so hard to get the author’s notes or suggestions out of my mind if they include them in the manuscript. I don’t feel I give the project MY full attention. Thank you!
January 26, 2019 at 3:14 pm
rhumba20
Thank you Meredith! Encouraging and inspiring!
-Anna Levin
January 26, 2019 at 3:14 pm
Cheryl Johnson
Love the examples! Thank you.
January 26, 2019 at 3:14 pm
K.A.Steed
This explanation is very helpful. Thank you!
January 26, 2019 at 3:17 pm
Krista Maxwell
Thanks for the explanation and the great advice!
January 26, 2019 at 3:19 pm
Suzanne Alexander
Thank you for this special insight into the publishing world.
January 26, 2019 at 3:25 pm
leeanimator
Thanks so much for the picture book examples and for helping understand how editors let the illustrator and author do their thing!
January 26, 2019 at 3:35 pm
Laurel Ranveig Abell
I LOVE this so much! Every picture book I write has plenty of room for the amazing illustrations! This kind of serendipitous collaboration is really what I’m striving for! And the surprises that may follow are indeed worth it.
January 26, 2019 at 3:37 pm
jenabenton
One of my favorite entries. I love this “best of” approach this year! ❤️
January 26, 2019 at 3:38 pm
Jodi Mckay
I love the seeing what the illustrator interprets from the words and then brings to the story. The creativity is always a fun surprise and wouldn’t be as exciting if I directed it.
January 26, 2019 at 3:41 pm
Paula Puckett
Leave the door open and see what creatively happens. Thanks!
January 26, 2019 at 3:43 pm
Keenie Valegs
Thank you for this article. I am new to writing children’s books. I have written two, but I’m stuck because I don’t know how to go about finding an editor.
I am an artist so I’ll be doing the illustrations myself.
I welcome any suggestions to keep my projects moving.
Thank you.
January 26, 2019 at 3:48 pm
Cynthia Hawthorne
What a delightful lesson. Thank you.
January 26, 2019 at 3:50 pm
Judy Pressler
Wonderful examples of leaving room for the illustrator’s inspiration.
January 26, 2019 at 3:51 pm
nicolesalterbraun
It’s SOOOOOO hard not to leave illustrator notes. I know I need to give up some control.
January 26, 2019 at 3:51 pm
Janet Frenck Sheets
I’m surprised, honestly, that the van story was accepted without identifying the Big Event. I’m glad someone saw that as an opportunity, not a drawback.
January 26, 2019 at 3:53 pm
Dayne Sislen, Children's Book Illustrator
As a picture book illustrator I thank you. Sometimes authors have such a narrow idea of what the characters and backgrounds should look like.
January 26, 2019 at 4:01 pm
curryelizabeth
What a great perspective. So important for the creativity to be 50-50.
January 26, 2019 at 4:01 pm
authorlaurablog
This is actually something I’ve grown to embrace in my writing and often give as feedback in my critiques.
January 26, 2019 at 4:05 pm
sherilyncook
Your suggestions are wonderful.
January 26, 2019 at 4:07 pm
Caren Cantrell
I know you are supposed to always leave space for the illustrator but it’s harder to do than it sounds.
January 26, 2019 at 4:08 pm
Mary Jane
Thank you Meredith for this insight. Your examples are really fun and they make your point exactly.
January 26, 2019 at 4:18 pm
Carrie Finison
Wow, that ending for THIS OLD VAN is PERFECT!! I’ve read the book, but never realized the illustrator came up with that. How delightful!
January 26, 2019 at 4:19 pm
Teresa Robeson
There is such a fine line to walk between adding just enough art notes to understand why something is happening in the story, and trusting that an editor *will* understand what you’re trying to get across without many/any notes. 🙂 It’s a tightrope walk and I feel like I’m ready for the circus. LOL!
January 26, 2019 at 4:20 pm
ranessadoucet
It must be the most incredible moment to see the illustrations for your PB for the first time!!!
January 26, 2019 at 4:21 pm
kathydoherty1
When I do school visits with my picture book, I sit on half of a chair and explain to kids how the book is only half mine; I had to leave room for the illustrator.
January 26, 2019 at 4:22 pm
ranessadoucet
It must be the most incredible feeling to see the illustrations for your PB for the first time!!!
January 26, 2019 at 4:26 pm
Debbie Meyer
As an illustrator, I know there are so many fabulous illustrators out there who know what they’re doing – let them put their creative twist on the story. I don’t have a book published yet, but I would be on board with letting someone else illustrate my manuscript because they’ll have a vision that might make it even better! Thanks for this post that encourages illustrators to create freely.
January 26, 2019 at 4:34 pm
Buffy Silverman
Terrific examples of stories where the authors left space for the illustrator–thanks for sharing them.
January 26, 2019 at 4:40 pm
Kathy O'Neill
I loved those behind-the-scene glimpses and what better way to help us all leave those illustrator notes behind!!
January 26, 2019 at 4:49 pm
Joelle
I love the idea of leaving room for the illustrator to draw his or her version of what the writer has written. I think it’s amazing and important that they come up with their own interpretation. It may make the book even better. When I write I definitely see illustrations in my mind but I’m totally flexible to have the illustrator do their job.
January 26, 2019 at 4:58 pm
SuZan Klassen
Interesting challenges.
January 26, 2019 at 4:59 pm
Prairie Garden Girl
Thank you, Meredith, for sharing three excellent examples of why an author and illustrator don’t need to collaborate.
Suzy Leopold
January 26, 2019 at 5:03 pm
mhklump
Excellent points. I always struggle with how many illustration notes to include.
January 26, 2019 at 5:03 pm
Kaitlyn Leann Sanchez
Love this! Especially the examples! Thank you for sharing, congrats in 20 years, and I’ll do my best on your challenge
January 26, 2019 at 5:08 pm
Kellie
I know this is the right thing to do but it is so hard!!! My control freak voice says, “What if they don’t get it right?” But, what is right? Who am I to say that my vision is ‘right’? I loved your great examples – particularly the versions of Norman. Time to stop being precious, I think.
January 26, 2019 at 5:13 pm
kmajor2013
I sometimes struggle with the question, “Should I include illustration notes in my manuscripts?”. My critique group has also kicked this around quite a bit. I worry that if I don’t include certain details that the story won’t seem finished or polished enough to attract any interest from editors or agents. I continue to debate it, but your post has given me more courage to leave some of them out. Thanks.
January 26, 2019 at 5:16 pm
claireannette1
Thanks for these 3 perfect examples of authors trusting their illustrators. You are a wise editor
January 26, 2019 at 5:21 pm
Carole Calladine
Thank you for sharing the synchronicity between author and illustrator. It’s magic!
January 26, 2019 at 5:34 pm
Debbi G
Thanks for these great examples of leaving space for the illustrator.
January 26, 2019 at 5:36 pm
Colleen Dabney
So inspiring! Thank you! I had fun reading this post.
January 26, 2019 at 5:39 pm
Heather Gallagher
Great to hear an editor’s views on this issue 😀
January 26, 2019 at 5:46 pm
Michele Helsel
I would love to trust in this advice. What is hard as an unpublished author is trusting in an agent or editor to get the story enough to offer to represent the author or buy the book. That’s why we are inclined to include illustrator notes.
January 26, 2019 at 6:04 pm
Helen Matthews
Thanks for this wonderful insight. I too thought (or heard) that publishers like to keep control 🙂
January 26, 2019 at 6:06 pm
phyllischerry.com
Thank you Meredith for explaining the freedom needed to create a great cover character. Many times I want to dictate what the character looks like, and may be restricting a creative picture for the reader. I love the characters, especially Norman and the cute alien.
January 26, 2019 at 6:08 pm
Debra Katz
Loved Meredith’s examples of how authors and illustrators can come together to create such wonderful picture books by working separately.
January 26, 2019 at 6:12 pm
Trine Grillo
I love to write descriptions, so it is always a challenge for me to “leave room for the illustrator.”
January 26, 2019 at 6:12 pm
Debra K Shumaker
Wow! I LOVE this. Thanks so much!
January 26, 2019 at 6:12 pm
mlflannigan
Thank you for sharing.
January 26, 2019 at 6:13 pm
Judy A Shemtob
Many editors and agents over the years have given diverse answers on this topic, but your reasons and examples have won me over. Thank you, Meredith Mundy!
January 26, 2019 at 6:13 pm
RebeccaTheWriter
Love all of this! Thank you!
January 26, 2019 at 6:14 pm
nrompella
So cool to see early versions of Norman! Thanks for sharing!
January 26, 2019 at 6:18 pm
Shawna J Tenney
I love this. I think this is so important for both the writers and the illustrators. And thanks for empowering the illustrators to have courage to ignore uninspiring illustration notes that might not be necessary to the story, and bringing in our own creativity!
January 26, 2019 at 6:35 pm
Carmela McCain Simmons
Trusting another creative with one’s story is the ultimate challenge for a pb writer. How lovely that we are blessed with such talented illustrators to complete with their “visions” our story babies.
January 26, 2019 at 6:40 pm
James Arthur
It was so great to hear from someone who has been in the business for so long!
January 26, 2019 at 6:44 pm
Charlotte Offsay
Wonderful insight, thank you!
January 26, 2019 at 6:49 pm
CJ Penko
Loved this! Thank you!
January 26, 2019 at 6:50 pm
8catpaws
A gift to the author,
A delightful surprise–to see her story
Through the illustarator’s eyes!
January 26, 2019 at 6:55 pm
Kirsten Pendreigh
Great reminder and examples. Great to hear the editor perpective. I was just contemplating adding more descriptors to a character in a very sparse manuscript—thinking an editor would want them—but will follow my initial instinct to leave room for the artist’s vision!
January 26, 2019 at 7:06 pm
Suzanne LaLiberte Lewis
Love this highlight of how individual creative effort (text and illustration) can separtately come together to create something beyond expectation, and so wonderfully and surprisingly unique! Thanks for the great examples, Meredith!
January 26, 2019 at 7:15 pm
Jenifer McNamara
Enjoyed your post about believing in the illustrator especially if you’re a writer.
January 26, 2019 at 7:20 pm
Sara A
Love hearing how these books came together in ways the author might not have imagined.
January 26, 2019 at 7:22 pm
Anne Bromley
Thank you for the great reminder! We writers can’t hear it too often. It’s truly all about trust.
January 26, 2019 at 7:25 pm
pjaegly
Meredith, I agree with you. Three different illustrators have amazed me with what they drew to accompany my words in my children’s book series. I think everyone should follow their passion and also let others follow theirs. Thank you for sharing the book examples. Much appreciated!
January 26, 2019 at 7:28 pm
Keila Dawson
It may be hard, but work having any creative add to the author’s words.
January 26, 2019 at 7:38 pm
karammitchell
This is great! Thank you!
January 26, 2019 at 7:42 pm
Erica Joseph
Interesting post! Thanks for sharing!
January 26, 2019 at 7:46 pm
Stephanie Williams
I hope one day an illustrator brings my ideas to like!
January 26, 2019 at 7:53 pm
Teresa Traver
Thanks for this. I’m still learning how to leave room for an illustrator and having these concrete examples of how it can work it action was very useful.
January 26, 2019 at 8:02 pm
Kathleen Cornell-Berman
Thanks for your wise advise Meredith. I had the pleasure of meeting you at a NJSCBWI back in ’13. I was lucky enough to get a critique by you. You were the kindest and most helpful person I met that year.
January 26, 2019 at 8:03 pm
MONICA HARRIS
I often get asked the same question when presenting to corporate type events — they cannot FATHOM the idea of people now working together for a common good.
January 26, 2019 at 8:12 pm
lizricewrites
Thank you sharing your insights about the illustrator’s in the picture book magic!
January 26, 2019 at 8:26 pm
Andria Rosenbaum
Thanks for reminding us to allow the illustrator to be a storyteller too.
January 26, 2019 at 8:54 pm
Sandy Perlic
I look forward to the day when I’ll have the pleasure of being surprised by an illustrator’s interpretation of my story! Until then, I’ll strive even harder to minimize my illustration notes. Thank you!
January 26, 2019 at 8:54 pm
Latasha Vernon
Meredith thank you for showing us two creatives can create that one picture book, just like how when two individuals get married they create one bond.
January 26, 2019 at 8:55 pm
Tracy Hora
I love the 50% that is the illustrator and all those wonderful surprises!
January 26, 2019 at 8:59 pm
writeforapples1
Great postT
January 26, 2019 at 9:04 pm
Sandy Foster
What a great reminder to pare down our PB texts and leave plenty of room for the illustrator! Thank you.
January 26, 2019 at 9:16 pm
Arlene Schenker
Thanks, Meredith. I try to leave room for illustrator but your post really reinforces the necessity of it.
January 26, 2019 at 9:33 pm
Beth Stilborn
I love this advice — and these examples! I rarely write picture books, but I think even in MG, we can remember to leave room for the reader’s imaginations. They don’t have to be spoon-fed everything. Thank you for this reminder, so brilliantly illustrated!
January 26, 2019 at 9:36 pm
Heather Kelso
Thank you for sharing.
January 26, 2019 at 9:40 pm
Robyn Campbell
Fabulous advice. Love the examples. This one is a keeper. Thanks for this magnificent post. Much appreciated.
January 26, 2019 at 9:56 pm
Sue Frye
Excellent post!
January 26, 2019 at 9:58 pm
teacherwriteracker
Thank you! These examples are fantastic. This is an area I’m focusing on this year.
January 26, 2019 at 10:12 pm
Mary Lou Johnson
I have left my last page blank, assuming the reader would have his or her own ideas. Maybe the book’s illustrator will want to suggest a definite wrap to the story!
January 26, 2019 at 10:21 pm
Jolene Ballard Gutierrez
I love this reminder for us writers-but-not-illustrators to trust in and leave space for our fabulous illustrators! Wonderful examples!!
January 26, 2019 at 10:27 pm
seschipper
Super post! Thanks for giving us this vantage point! 🙂
January 26, 2019 at 10:35 pm
Pam Miller
Leaving room for the illustrator, and it’s magical when the illustrations and words are the perfect fit. Loved that purple Orangutan.
January 26, 2019 at 10:40 pm
Nancy Ramsey
Thanks for this reminder! Great post!!
January 26, 2019 at 10:41 pm
LeeAnn Rizzuti
I often think of the collaboration of writer and illustrator as an arranged marriage where both parties must trust that their “matchmaker” rocks at creating the perfect partnerships. Thanks, Meredith.
January 26, 2019 at 10:48 pm
Juliana Lee
Hi Meredith. Thanks for the great examples of collaboration and trust. This evening I had dinner with my granddaughters. I could say that the same is true for playing with children. When given the freedom to be creative and not bound by adult intervention, they come up with fantastic ideas on their own! (Also the basis of the Montessori method of teaching practiced where they both attend.)
January 26, 2019 at 10:55 pm
sharongiltrow
Thank you Meredith. My characters went from humans to bears in my upcoming debut PB. I totally had to trust the illustrator and publisher otherwise I wouldn’t have my gorgeous bears.
January 26, 2019 at 11:02 pm
Garnett Natasha
Perfect examples. Great post. It’d be pretty amazing to have to worry about what the illustrator was doing with my story. You know?
January 26, 2019 at 11:33 pm
Rona Shirdan
A very inspiring post to remind us to trust the collaboration of creativity to develop a masterpiece. Thank you!
January 26, 2019 at 11:45 pm
Jennifer Hunt
A good reminder- It’s a team effort! 😃
January 26, 2019 at 11:45 pm
Jacqueline Adams
Thanks for the inside scoop on these stories! It’s fun to see how they developed so differently than they would have if only one person had been coming up with the ideas.
January 27, 2019 at 12:00 am
Cathy Pledger
Thank you for sharing. It is great to see how creative illustrators and authors are in their own right. I love how Normal Norman morphed into a purple gorilla.
January 27, 2019 at 12:04 am
cravevsworld
A much needed reminder! Thank you very much!
January 27, 2019 at 12:30 am
Robin Robb-Kraus
Thank you for reminding us to trust in the process! Congratulations on your long career in connecting the right creative companions!
January 27, 2019 at 12:35 am
Rani Iyer
Great examples! Thank you!
January 27, 2019 at 12:51 am
Erika Henkart
This is inspiring! Thank you for the encouragement to leave space.
January 27, 2019 at 12:56 am
Lucretia
Terrific post! Thank you for sharing your professional insights and experiences.
January 27, 2019 at 1:11 am
storycatcherpublishing
Terrific examples of taking that leap of faith in order to allow a story to be told!
Great post!
January 27, 2019 at 1:26 am
rachelnrosenthal
I have always felt like leaving too many illustration notes stifled the creativity of a potential illustrator. This was a good read!
January 27, 2019 at 2:03 am
Carol Gwin Nelson
It’s interesting that this same issue came up during the Q & A portion of a PB webinar this morning. Thanks for sharing your view. The trick seems to be leaving room for the illustrator while telling an engaging story in the text.
January 27, 2019 at 2:18 am
Nadia Salomon
Thank you for the reminder to leave room for the illustrator to take your words into a different realm imaginable. So often as writers we have a set vision, but by leaving room for the illustrator, the story ends up better than envisioned.
January 27, 2019 at 3:01 am
Vicki Wilke
Thanks for reminder to trust in the parallel development of a PB!
January 27, 2019 at 5:38 am
Maria J Cuesta
Thank you. Interesting perspective!
January 27, 2019 at 6:41 am
Bettie Boswell
Thanks for sharing more about the creative process for both the author and the illustrator. It was great to see how they work separately for a final story told by both.
January 27, 2019 at 6:52 am
jpuglow
Illustratrations in a picture book add to the storyline in ways that may not have been imagined by the author. Thank goodness for artists.
January 27, 2019 at 7:51 am
Freda Lewkowicz
Trust each other.Advice to remember. Thank you.
January 27, 2019 at 7:54 am
Mirka
Thank you for sharing these glimpses behind the scenes.
January 27, 2019 at 8:26 am
Tina Cho
Thanks for this reminder of why authors & illustrators don’t collaborate more.
January 27, 2019 at 9:10 am
Helen Lysicatos
Thank you for sharing these examples.
January 27, 2019 at 9:22 am
Hank Dallago
What an enlightening perspective between an author and an illustrator. And, as a writer, to leave 50% of the inspiration to an illustrator. This was by far a great example of “when the student is ready, the teacher appears.” Thank you, a hundred times over, Meredith!
January 27, 2019 at 9:25 am
PJ Taub
Thank you for all the wonderful books to look at as mentor texts. It was refreshing to know that the ending was up for grabs about the big event. That was surprising.
January 27, 2019 at 9:29 am
Carolyn Bennett Fraiser
I’ve often wondered this too. I’ve always thought that an author and illustrator could bounce ideas off each and come up with a great product, but the examples you gave were perfect! Thanks for explaining.
January 27, 2019 at 9:31 am
jodieparachini
Thank you so much for this! I’ve never actually met any of my illustrators, which seems like such a shame, but now I’m reminded why it works!
January 27, 2019 at 9:36 am
Amalia Reef
I have often wondered about this process. Your examples are wonderful reminders of the incredible partnership between words and illustrations in picture books. Thank you.
January 27, 2019 at 9:53 am
Katie Engen
great examples for the synergy of creators
January 27, 2019 at 10:19 am
Kristin Wauson
Great post! I had no idea it was possible that an illustrator would be left to decide an ending. That’s super cool!
January 27, 2019 at 10:42 am
mginsberg10
Those wonderful examples really drove your point home. Thanks, Meredith!
January 27, 2019 at 10:48 am
Carolyn Lucas
Great advise. Thank you.
January 27, 2019 at 10:56 am
moviemommie
Thanks for the specific stories and examples!
January 27, 2019 at 11:27 am
Louann Brown
Thanks for not only confirming the reason authors and illustrators each need their space, but for introducing us to such adorable books!
January 27, 2019 at 11:27 am
Jennifer
I didn’t see this post the first time around. Glad I was able to now! Thanks!
January 27, 2019 at 11:45 am
Mardi Edwards
It is very interesting how accepting the creative minds work for the success of the story.
January 27, 2019 at 11:47 am
writeremmcbride
Thank you for this informative post. As a visual thinker, my manuscripts often come together in my head that way. But the layering added by another interpretation is priceless! Thank you!
January 27, 2019 at 11:57 am
Andrew Lefebvre
Thank you. The examples make this very interesting to think about. It’s hard to let go of the picture created in your head but it could turn into something else amazing.
January 27, 2019 at 12:00 pm
Tracey Brown
Thank you for the wonderful examples of leaving room for the illustrator. I’ve always wondered how close the author’s vision is the finished book
January 27, 2019 at 12:01 pm
Lynn Alpert
I love this post as it really helps explain the possibilities that can come from the author/illustrator team.
January 27, 2019 at 12:05 pm
Roz Malin
I know there’s the saying — A picture’s worth a thousand words. But I try to make each of my words be worth a thousand pictures and put my trust in the illustrator.
January 27, 2019 at 12:14 pm
Writer on the run
Thanks for a great post- so glad I circled back to read this (was under the weather yesterday). I have had two disparate critiques of a manuscript- one demanded more art notes, and the other said leave them out. In the end, I worked on my words to be more clear, and hope that brings a vision to an illustrator.
January 27, 2019 at 12:31 pm
ryanrobertsauthor
I am more than happy leaving illustration to the illustrators. That’s where the magic happens!
January 27, 2019 at 12:36 pm
Lucky Jo Boscarino
Full creative freedom for all, lovely and it works!
January 27, 2019 at 12:38 pm
setwiggs
Hmm
I have trouble with endings. Maybe I need to let the illustrator figure them out!
January 27, 2019 at 12:40 pm
Carolyne Ruck
I saw that magic in another picture book where the illustrator added a chicken to a story about a girl in Africa (no dogs or cats in that village) and the chicken mirrored every emotion of the child and totally made the story sing! Thanks!
January 27, 2019 at 12:58 pm
Maria Bostian
Thank you for providing us the three examples. I LOVE all three boooks ans am so glad to know more about the process in which they were they made. Great post!
January 27, 2019 at 12:58 pm
Jen Bagan
Thank you for a great post! I loved your examples of giving the illustrator freedom.
January 27, 2019 at 1:05 pm
Johnell DeWitt
So helpful to hear this side of the process. Thank you.
January 27, 2019 at 1:17 pm
topangamaria
Just this week I was devouring THE HONEYBEE by Kirsten Hall and realizing how much the whimsical wonderful art of Isabelle Arsenault
adds delight for the reader to what is essentially a nonfiction book, which is just another example of what Meredith is pointing out so well here.
January 27, 2019 at 1:50 pm
bookfish1
Great post! So true the illustrator often takes the text to another level.
January 27, 2019 at 2:04 pm
debbiemccue
Great reminder with examples that inspire. Thanks
January 27, 2019 at 3:14 pm
Maria Marshall
Thank you Meredith for this reminder and especially for the great examples.
January 27, 2019 at 3:19 pm
Sara Matson
Thank you!
January 27, 2019 at 3:27 pm
Christine Pinto
Thanks for great examples of how well this can work.
January 27, 2019 at 3:28 pm
Susanne Whitehouse
I’m such a visual thinker, that it’s hard for me to leave out those illustrator notes. This was a good reminder to trust the process and let go of most of them. Thank you!
January 27, 2019 at 3:58 pm
Jen Fier Jasinski
We all win when we trust one another! Thank you for sharing your experiences and perspective!
January 27, 2019 at 4:03 pm
Jane Baskwill
One of the hardest things is to trust that someone else will ‘get’ your book. These examples were perfect for instilling confidence. Thanks Meredith.
January 27, 2019 at 4:44 pm
Marie Powell
Thanks for these great examples. It’s a great reminder that trust really does work. For Dragonflies are Amazing, my Scholastic editors created graphic dragonflies with fun facts — so terrific! and not I would have come up with on my own. Amicus editors found great photo illustrations that took everything up a level too, and Amy Cartwright’s illustrations have been bang on every time. So great to gain both support and added creativity!
January 27, 2019 at 5:07 pm
marsha e wright
As a writer and a visual learner, I struggle with writing too many “ART NOTES,” You’ve given me fodder to chew and to remember from now on. I wrote TRUST on a sticky note and tacked in on my computer. THANK YOU, Meredith!
January 27, 2019 at 5:08 pm
Angie
Perfect examples of wonderful author/illustrator collaborations! Love it! Complete trust is required…
January 27, 2019 at 5:46 pm
Tanya Shock
Wonderful examples! Thank you. 🙂
January 27, 2019 at 6:11 pm
Janet Halfmann
I love the extras that illustrators have added to my books!
January 27, 2019 at 6:28 pm
Carolyn Currier
Thank you for sharing awesome examples illustrating how trusting the process truly helps.
January 27, 2019 at 6:39 pm
Kaye Baillie
Illustrators are the best!
January 27, 2019 at 6:40 pm
Joyce
Giving up control is hard, but there are obvious benefits as you’ve illustrated.
January 27, 2019 at 6:51 pm
Joan Swanson
I have heard this advise, so I very rarely add any illustrator notes. Thanks for reiterating this!
January 27, 2019 at 7:00 pm
Angela H. Dale
Love this, and love those illustrators who do so much heavy lifting, and take the story to a new level.
January 27, 2019 at 7:26 pm
Gayle Veitenheimer
Great points!
January 27, 2019 at 7:28 pm
DB Cote
I liked your suggestion to “… leave 50% of the inspiration to an illustrator.“ Thank you.
January 27, 2019 at 7:42 pm
Elizabeth Brown
Thanks for such a great post!
January 27, 2019 at 7:43 pm
Genevieve Petrillo
Sometimes, I illustrate my own stories with the artistic talent of any self-respecting 3-year old. It’s a pleasure to leave the pictures up to an illustrator!!
January 27, 2019 at 7:46 pm
Jud Ward
Sometimes it feels like losing control when you trust the illustrator, but it can be an exciting, creative mystery to anticipate with an outcome beyond what one might imagine alone. Thanks for sharing great insider examples!
January 27, 2019 at 7:48 pm
Jim Chaize
Great advice to leave some of the heavy lifting to the illustrator. Thanks, Meredith.
January 27, 2019 at 7:59 pm
Jilanne Hoffmann
Excellent reasons for leaving the visuals up to the illustrator. Thank you!
January 27, 2019 at 8:12 pm
Barb Ostapina
An incredibly enlightening perspective, Meredith… thank you!
January 27, 2019 at 8:32 pm
Frances Kalavritinos
Invariably, when I’m trying to reduce word count, I find places where I’m trying to fill in for the illustrator. Thanks for this helpful post!
January 27, 2019 at 8:39 pm
susanzonca
I’ve heard this from my first foray into writing for children and finally learned to embrace it. Thanks for tangible examples for us!
January 27, 2019 at 8:51 pm
stephaniewildman
I really appreciate this explanation. I have a book about a multiracial family – it’s not part of the story – it just reflects modern life. Is there a way to convey that idea? does that happen in conversation with an agent? or a publisher? or are you suggesting just letting go of that vision? Thanks again for explaining the thinking behind the separate spheres. I do see that value.
January 27, 2019 at 9:05 pm
colleenrkosinski
Even though I am an author/illustrator, my next two books will be illustrated by other artists. I can’t wait to see their vision!
January 27, 2019 at 9:43 pm
Anne Appert
Thank you for providing such excellent examples. We’ve heard this advice often, it’s great to see the reasoning behind it!
January 27, 2019 at 9:45 pm
fireurchin
Great advice! As an illustrator/author myself, I have to remind myself to stop thinking only about what I have written, or draw first, write later, revise back and forth… and leave out words that are stronger in illustrations, add in words that are musical or language-special, specific to language, character voice.
bonnie fireurchin lambourn
http://fireUrchin.com
January 27, 2019 at 9:46 pm
Lucy Staugler
Meredith, can you hear the Snip! Snip! Snip! of all my numerous Art Notes getting removed!😃
Thank-you!!!
January 27, 2019 at 10:17 pm
J.D. Silverwood (@jdsilverwood)
Oh, my… Meredith, you have acquired some of my favorites! Thanks for sharing these inspiring words and images!
January 27, 2019 at 10:21 pm
Kathryn Jean Hagen
Loved the stories behind some of the books I love so much. Great reminder for writers to leave 50% of the “heavy lifting” to the illustrator. Thank you!
January 27, 2019 at 10:27 pm
Nicole Loos Miller (@beautify_life)
Oof. Good reminder – and timely too!
January 27, 2019 at 10:34 pm
denarose
Thanks for this post, and you are so right! I recently had a story in Ladybug, and the illustrator was amazing, totally capturing what I imagined and picturing parts I wish I’d imagined, grin! We had no contact whatsoever, but I couldn’t be happier with her amazing work.
January 27, 2019 at 10:52 pm
aturner513
It is amazing reading about these books and some others I have read about too, where the artists came up with perfect illustrations that enhanced the story. Thank you for this reminder.
January 27, 2019 at 11:00 pm
Steve Schwartz
Thanks for the wisdom in your post. It’s good to remember that often times the whole is greater than the sum of its parts.
January 27, 2019 at 11:05 pm
Cassie Bentley
This clears up the mystery about why the author and illustrator collaborate separately. Thank you.
January 28, 2019 at 12:03 am
Janet Smart
Great post. Love it
January 28, 2019 at 12:30 am
CeCeLibrarian
I can see why letting the illustrator do the work of bringing the story to life visually without too many notes from the writer can be beneficial. Illustrators are bringing their unique talents to the project and might very well create something that is far greater than what the writer imagined. However, I’m curious, are there instances when the writer is not happy with the Illustrator’s interpretation? If so, what happens then?
January 28, 2019 at 12:38 am
Suzanne Poulter Harris
Great examples of the magic that happens between words and pictures in a children’s book.
January 28, 2019 at 12:48 am
Hillary Homzie
Thank you. This post reminds us to trust the illustrator, and when that happens creativity blossoms.
January 28, 2019 at 1:13 am
Helen Taylor
I love books where the art conveys key elements of a story. 50/50 is a great goal imho.
January 28, 2019 at 3:37 am
Terri Sabol
Great examples. Thanks!
January 28, 2019 at 7:40 am
Lisa L Furness
Another reminder to only use illo notes if an action in story cannot be written into plot and MUST be shown for the story to move forward, to leave room for the illustrations. Great post!
January 28, 2019 at 7:53 am
melissamiles1
This is great advice! Especially for newbies to picture book writing. Thanks for sharing such perfect examples!
January 28, 2019 at 8:28 am
Zoraida Rivera
I’m eager to share my projects and do teamwork. It sounds wonderful!
January 28, 2019 at 9:15 am
Angela De Groot
Awesome examples, thank you. Makes sense that illustrators want freedom to bring their own vision to the table. It’s an exciting process.
January 28, 2019 at 9:20 am
Liz Steinglass
All I can say is yes. When my work has been illustrated I have loved seeing what the illustrator came up with.
January 28, 2019 at 9:42 am
Katie B
Good insight, thank you for sharing!
January 28, 2019 at 10:01 am
MD Knabb
I love Meredith’s reminder that illustrators need the freedom to enrich a writer’s text. Thank you for sharing.
January 28, 2019 at 10:11 am
CindyC
These three examples are adorable. Thanks for a great post.
January 28, 2019 at 10:28 am
alisongoldberg
I love this aspect of picture books. Thanks for the great post!
January 28, 2019 at 10:31 am
Daryl Gottier
Thanks for the great advice and examples!
January 28, 2019 at 10:56 am
Beth Gallagher
Fabulous inspiration! Thank you!
January 28, 2019 at 10:59 am
Penny Parker Klostermann
Excellent post! And such inspiring examples. I adore all three of these books!
January 28, 2019 at 11:09 am
hmmmmm
Fun examples — thanks for the post Meredith!
January 28, 2019 at 11:55 am
Catrine Kyster
I loved the examples.
January 28, 2019 at 12:01 pm
Monica Stoltzfus
Thank you for reminding me of this important advice, Merideth!
January 28, 2019 at 12:03 pm
Kelly Vavala
What wonderful examples! Never thought of it from this perspective and so glad you shred this post!
January 28, 2019 at 12:29 pm
Melissa Stoller
Thanks for a great post about inspiration coming from varying visions.
January 28, 2019 at 12:57 pm
Stephen S. Martin
So in agreement. I avoid art notes like the plague, as much as I have a vision. I get excited just thinking of what the illustrator will envision from the words.
January 28, 2019 at 1:10 pm
Melanie Ellsworth
Wonderful, informative examples! As an author, this takes a lot of practice, but it has definitely improved my own books over time.
January 28, 2019 at 1:12 pm
Rene` Diane Aube
Thank you, Meredith, for this reminder. I’ve gotten really good at not using art notes which is quite an accomplishment for a visual thinker. Now to get something out there to experience the wonder and surprise of an illustrator’s notes.
January 28, 2019 at 1:29 pm
Ashley Bankhead
I really enjoyed this post. It was great to see how the illustrators really brought the different author’s stories to life. They each bring their creative influence, that makes for an amazing book.
January 28, 2019 at 1:39 pm
Lori Alexander
Thanks for the peek behind the scenes!
January 28, 2019 at 1:47 pm
Cathey Nickell
This was a MOST helpful article, thank you for posting.
January 28, 2019 at 1:52 pm
Jennifer Broedel (@JBroedelAuthor)
This is the most crucial and invigorating challenge of the PB-writing process. When I give my manuscripts a once-over, I assess this: have I left enough room for the illustrator to contribute equally to the plot? It’s not always easy, but I try to ask myself at every step, along the way!
January 28, 2019 at 2:06 pm
Aimee Isaac
I often include art notes if the text may be confusing without them but if I am ever fortunate enough to get published, I would 100% hope that the illustrator would ignore them all and make the story even better!
January 28, 2019 at 2:28 pm
Dawn
Thanks for sharing.
January 28, 2019 at 2:32 pm
mona861
Thanks for the reminder about art notes.
January 28, 2019 at 2:49 pm
Nadine Gamble
Leaving room for the illustrator is still a grey area for me. Your words help me understand it just a little bit more.
January 28, 2019 at 3:19 pm
goodreadswithronna
After reading this post I am now going back to revisit a recent pb mansucript to see if leaving out certain things at the end and leaving that for the illustrator to decide is the way to go. Thanks
January 28, 2019 at 3:24 pm
RaeMcDonald
Leaving room for pictures! Yes, let’s do more of that…picture books are made for that! Thank you.
January 28, 2019 at 4:04 pm
Kelly Ohlert
This I great! I need to make more of a point to leave room for creative illustrations!
January 28, 2019 at 4:22 pm
sandrabyrdlawson
Great post!
January 28, 2019 at 4:25 pm
Deb Huard, Writer
Great post. I, by no means, consider myself an illustrator and I can’t wait to see what ideas people come up with for my manuscript.
January 28, 2019 at 4:28 pm
Linda KulpTrout
It is always fun to see how an illustrator interprets the story!
January 28, 2019 at 4:44 pm
Laurie Kaiser
This is something I always wondered about. Thanks for the vivid explanation!
January 28, 2019 at 4:45 pm
Joannie Duris
Thanks for reposting this one, Tara. I love Meredith’s examples of how the illustrator can bring an entirely new layer to a book, making it perfect.
January 28, 2019 at 5:10 pm
Beth Schneider
I’m guilty of too many illustrator notes. Thanks for the reminder 😊
January 28, 2019 at 6:25 pm
Dani Duck
As an illustrator I’m so happy you are saying this. It’s also difficult for Author/Illustrators to find the right balance. Everyone I talk to seems to think it makes things easier, but if anything it’s harder!
January 28, 2019 at 7:03 pm
kjerstenhayes
Working on illustration notes for a story right now and working at cutting as many as I can. This is helpful! Thank you!
January 28, 2019 at 7:04 pm
Angie Isaacs
Yes! I was just talking about this in a blog post!
January 28, 2019 at 8:15 pm
Noelle McBride
Challenge accepted! Heading into revision to slash away extra details!
January 28, 2019 at 8:15 pm
Kyle McBride
Wonderful advice!
January 28, 2019 at 9:24 pm
Marge Gower
I’ve always read the advise of leaving the art up to the illustrator. I’m happy to leave it up to the illustrator. I have no talent for drawing. 🙂
January 28, 2019 at 10:03 pm
Jenny Boyd
Fascinating! I loved reading about and seeing these examples. When I first started writing, I felt the need to describe everything. (e.g., Tilly wore a large, yellow hat with a pale pink flower jutting out the top.) My critique group helped me see that excessive descriptions can be left out (unless crucial to the story), and illustrators are great at putting their own creative spin on stories.
January 28, 2019 at 11:15 pm
Tracy Abell
Oh, I love these leaps of faith and the fabulous results. Thank you for sharing.
January 28, 2019 at 11:25 pm
Lydia Lukidis
Great points, and as writers, we need to learn how to trust
January 28, 2019 at 11:28 pm
Diane Tulloch
Loved this post. Great artwork too. Thanks Meredith.
January 28, 2019 at 11:44 pm
Karan Greene
Thanks for this insight into the picture book making process. Good info.
January 28, 2019 at 11:48 pm
aidantalkin
As an author-illustrator I’m always telling the story half through imagery and sketches, sometimes before he words – but love the idea of playing off someone elses’ words one day!
January 28, 2019 at 11:59 pm
Jill M Proctor
Half the fun will one day be the discovery of what my characters and storybook world look like. I trust the process! Thanks!
January 29, 2019 at 2:10 am
Brenda Miller
Picture books really are magic. And so is the process of creating them.
January 29, 2019 at 2:21 am
Michelle Sumovich
Great post and a great goal. I can’t wait for the day I get to share 50% of a story with someone!! Thank you, Meredith.
January 29, 2019 at 6:24 am
debobrienbookscom
Great post. Most people don’t understand the importance of letting the illustrator be creative. It can be so much fun waiting to see how another person sees your character. Thank you, Meredith.
January 29, 2019 at 7:04 am
Mary Warth
Thanks for the great post! I love seeing the progression of Norman.
January 29, 2019 at 10:15 am
Carrie Kruck
Thanks for the behind-the-scenes look at how “leaving room for the illustrator” has worked IRL!
January 29, 2019 at 10:18 am
Mary Worley
Art notes are a constant struggle. It’s fun to get a critique from an author/illustrator and see what they conjure up. Definitely better with two creators.
January 29, 2019 at 10:56 am
Leslie Leibhardt Goodman - Writer
I’m off to delete some illustrator notes in exchange for illustrator faith.
January 29, 2019 at 11:03 am
kcareywrites
Thank you for sharing those real life examples of how giving an illustrator room and freedom was the best recipe for fabulous PB!
January 29, 2019 at 11:42 am
Alicia
Thanks for the insight!
January 29, 2019 at 12:35 pm
Kassy Keppol
Thank you for encouraging the illustrators to play.
January 29, 2019 at 12:44 pm
Susan Schade
Something good to remember. Thanks for sharing.
January 29, 2019 at 1:23 pm
LaurenKerstein
I couldn’t agree more with this post! Nate Wragg’s ability to bring my book to life (Rosie the Dragon and Charlie Make Waves) was one of the most amazing experiences I’ve ever had! I love this quote: “The reason editors and art directors keep the wordsmith separate from the artist is to allow for maximum inspiration and creative freedom on BOTH sides.”
January 29, 2019 at 1:25 pm
hdening
Great reminder. Thank you!
January 29, 2019 at 1:28 pm
Poupette Smith
I’d heard reasons for the non-collaboration but never as clearly explained. Thanks for the clarifying samples, and of course if one could see the manuscript as sent, that too would be helpful (teehee!).
On a similar vein, why is PB text completed with illustrations rather than the other way around?
January 29, 2019 at 1:44 pm
Jen Bailey
These are really powerful examples! Thanks!
January 29, 2019 at 2:55 pm
Susie Sawyer
Thank you Meredith, for this window into how these amazing books took shape! As authors (only), we need to trust our illustrators and let go of the wheel so that wonderful things can happen! Thank you for that reminder!
January 29, 2019 at 3:09 pm
Meilssa Chupp
This was very helpful. I have a tendency to want to insert my illustration ideas too much.
January 29, 2019 at 3:25 pm
Laurel Goodluck
Sooooo….. I write and my husband illustrates. Although we are in the beginning stages of our dynamic duo, “I” must keep reminding myself, as a good wife and storyteller partner, to trust in this process even when he is ear shot away! :0 Thank you for your inspiring blog!
January 29, 2019 at 4:30 pm
writeknit
Thanks for the insider info!
January 29, 2019 at 5:08 pm
hannahtuohyillustration
Great examples, thank you for sharing!
January 29, 2019 at 5:25 pm
Laura Purdie Salas
Love these stories–and the books that they’re about. Thanks, Meredith!
January 29, 2019 at 6:21 pm
photojaq
Is there ever a time the illustrator just does not do what the writer imagined…so much that the writer wants to withdraw the story? What would happen then?
January 29, 2019 at 7:09 pm
jessica shaw
These are great examples of the 50/50 magic of picture books!
January 29, 2019 at 7:26 pm
Anita
Thanks for the insider info!
January 29, 2019 at 9:54 pm
pippamcalpine5968
This is an excellent post. Picture books are 50/50 works of art made up of the writer and the illustrator and they should lift each other up in equal measure! I will definitely avoid illustration notes in my submissions going forward!
January 29, 2019 at 10:56 pm
Charlene Avery
thank you, very helpful and perspective widening.
January 30, 2019 at 1:31 am
martina.franklin.poole
I need the books you mentioned.
January 30, 2019 at 6:18 am
Kathryn E Kass
Thanks for the post!
January 30, 2019 at 6:40 am
Rick Starkey
Thanks for sharing this. Sometimes it’s hard to let go of the images we have and let someone else take charge.
January 30, 2019 at 8:17 am
Patricia Alcaro
Love hearing any advice from Meredith Mundy! Thank you!
January 30, 2019 at 10:42 am
coralandkimmi
I really appreciate the use of color you use in your work. I’d love to talk hear about your process!
January 30, 2019 at 11:41 am
Myrna Foster
Great post! Thank you!
January 30, 2019 at 1:21 pm
Sharron Magyar
Thank you for broadening our ideas about illustrating.
January 30, 2019 at 1:31 pm
carol w Munro
One of the things I’ve always been so eager about since beginning to write PBs is to see what an illustrator would do with my story.
January 30, 2019 at 2:17 pm
cergunay
Thank you! As a writer, it’s always a challenge, but great to remember!
January 30, 2019 at 2:17 pm
Susan Tuggy
I appreciate Meredith’s advice. Trusting the illustrator to be amazing is where the story can soar to new heights.
January 30, 2019 at 2:32 pm
Michelle Kashinsky
Thank you, Meredith. I’m constantly reading the pros and cons of writing in illo. Notes. I have recently been writing PB MS’s without any and I’m finding it freeing. Your post gives me hope!
January 30, 2019 at 2:50 pm
Kimberly
Thank you for your post. I appreciate reading your thought process.
January 30, 2019 at 3:07 pm
Gail Hedrick
A much-appreciated repost with super information, thank you Meredith and Tara!
January 30, 2019 at 3:23 pm
shiela Fuller
Wow, this post gives me some thought as to eliminating some illustrator notes I have on one of my ms.
January 30, 2019 at 3:42 pm
creationsbymit
This is a GREAT post. I have illustrated both trade books and self-published books, & have gotten tight direction, as well as been given freedom. What has been especially fulfilling for me is when I deliver the art and am told I nailed the author’s vision. And that happens, even in cases where I WASN’T given detailed instruction. Of course, illustrating my own manuscripts is fun, too!!!
Michele Katz Grieder
January 30, 2019 at 4:03 pm
higherthanrubies
There are a couple of places in the beginning of my book that will have to be shown by the illustrations. It is hard to leave it that way because I always wonder about who is going to read it and wonder if it will make sense without pictures. I am not an illustrator at this point though, so I will leave it and let them do it.
January 30, 2019 at 4:05 pm
Amanda Malek-Ahmadi
Thanks for that awesome tip! That is a great eye opening strategy that editors have.
January 30, 2019 at 4:07 pm
Brittanny Handiboe
Currently working with a writer who has a very specific idea for her book, but I want to continue and finish the project anyway 🙂
January 30, 2019 at 4:12 pm
sallie wolf
Two of my 3 books were illustrated by someone else and I love what they brought to the table. I had minimal input about the illustrations and that left lots of room for the illustrator to include humor and details that make my books really child-friendly. Thanks for this post.
January 30, 2019 at 4:17 pm
Vicky Howard
Good reminder that we can relinquish some control and allow the artist’s creativity to flourish!
January 30, 2019 at 4:29 pm
Christine Irvin
Thanks for re-sharing this post.
January 30, 2019 at 4:37 pm
Shereen S.
What a magical process to provide the text and allow for the illustrator to create and add to the story.
January 30, 2019 at 5:12 pm
Francoise
Thanks – I’m always tempted to put too many illustration notes in my stories.
January 30, 2019 at 5:45 pm
Sharalyn Edgeberg
This was words of wisdom from your experience and the authors you mentioned. Tara, Tammi, and Kim, very smart of them and you. So advice received! Thanks for sharing.
January 30, 2019 at 6:20 pm
heatherbell37
Great advice and what spectacular books listed here that came from trusting each other!
January 30, 2019 at 7:41 pm
Eileen Saunders
Thanks for sharing this.
January 30, 2019 at 7:47 pm
Lauri Meyers
Excellent reminder to leave room for the illustrator. I wonder if Tara realized she was leaving an orangutan amount of space for the illustrator?!
January 30, 2019 at 8:29 pm
angelapenadahle
I loved seeing the Norman transformations.
January 30, 2019 at 8:43 pm
Becky Scharnhorst
Thanks for the fun post and great examples!
January 30, 2019 at 9:58 pm
thesheilster
It’s hard to give up control, but when you do, sometimes amazing things happen.
January 30, 2019 at 11:51 pm
Danielle Hicks
Thank you for sharing these examples! It’s hard to give up some control, but what a great reminder of the magic that can happen when you give the illustrator room to work!
January 31, 2019 at 12:17 am
Jocelyn Rish
I like to control everything, but this post definitely shows the wisdom in letting go.
January 31, 2019 at 12:23 am
vijikc
Thank you for including pictures of Norman before he was Norman. That makes it very interesting.
January 31, 2019 at 12:28 am
Tiffany Painter
Thank you for the reminder to let someone else’s vision in.
January 31, 2019 at 10:25 am
Elizabeth W Saba
Thanks for re-posting. I am so glad you did.
January 31, 2019 at 10:26 am
ciaraoneal
What great examples! I am wordy birdy so this is great advice!
January 31, 2019 at 12:29 pm
Michelle
Love this post. And it is fascinating to see what the illustrator comes up with that the writer might not have imagined.
January 31, 2019 at 1:37 pm
Judy Cooper
Loved reading the progression of the images in these books. Thank you for sharing them
January 31, 2019 at 2:07 pm
tiffanydickinson
These are excellent examples. Thank you for the reminder to leave space for the illustrator.
January 31, 2019 at 4:31 pm
Laurie Swindler
I agree. I always try to leave room in my PB manuscripts for for illustrators to work their magic
January 31, 2019 at 6:07 pm
Serge Smagarinsky
Thanks. I’m very much with you on this one. I occasionally get critique feedback to use a more specific word (eg. If I say “toy”, they suggest to say what type of toy). The thing is, I deliberately choose to make some words more vague or generic (where the detail is not important to the story, in order to leave room for the Illustrator.
Thanks for sharing the example process. Always love seeing the story behind the story.
January 31, 2019 at 7:16 pm
junesmalls
I think finding out what your characters looks like is the greatest surprise!! Illustrators amaze and astound me and I hope someday I have a surprise as cool as the ending of This Old Van!
January 31, 2019 at 8:19 pm
deniseaengle
Just loving this inspirational post! This Old Van? Wow. Love, love, love this.
January 31, 2019 at 10:37 pm
Irene Grace
Thanks for the great tips when working with an illustrator.
January 31, 2019 at 11:10 pm
Naomi Gruer
Thanks for the examples of leaving lots of room for the illustrator.
February 1, 2019 at 12:29 am
Dawn Prochovnic
One of the best parts of writing picture books is the moment you (finally!) see the amazing artwork an illustrator has created to complete a story that began with your words … Thanks for the great post, Meredith!
February 1, 2019 at 10:20 am
picturebookplaydate
I loved reading this and seeing real-world examples Thank
you!
February 1, 2019 at 10:40 am
saputnam
Great post, Meredith!! Thank you for all the information you gave on the author/ illustrator/ editor relationship. It’s hard for authors to give up control of “their baby” but your behind the scenes peek at the end results, especially “Normal Norman,” makes it easier to step back and allow the illustrator the freedom to create the perfect blending of art and text.
February 1, 2019 at 2:02 pm
Pat Miller
I read a whole stack of your books last week–they’d been recommended to me for humor examples. thanks!
February 1, 2019 at 8:23 pm
bevbaird
Great post, great advice!
February 1, 2019 at 10:06 pm
Tasha Hilderman
I have often wondered this myself. Thanks for the background!
February 2, 2019 at 12:44 am
Anna Brooks
Wonderful post! Thank you for the reminder about how to leave room for a talented illustrator to tell their half of the story!
February 2, 2019 at 3:23 am
Stephanie Lau
Loved seeing the different versions of Norman!
February 2, 2019 at 7:42 am
Mel Copeman
I’m a writer nd illustrator. I do sometimes wonder if working by myself limits the creative flow.
February 2, 2019 at 10:07 am
Kelly Russell Jaques
Great post, Meredith! Loved the fantastic examples!
February 2, 2019 at 7:29 pm
Sarah Maynard (@SarahDMaynard)
Thank you Meredith!
February 3, 2019 at 12:08 am
denitajohnson
Thank you!
February 3, 2019 at 12:44 am
Megan Walvoord (@mjwalvoord2)
So important to give the illustrator creative license because it is both the author and illustrator’s book. Thanks for the reminder.
February 3, 2019 at 1:20 pm
Bethanny Parker
Nice examples! I really love the mini derby van.
February 3, 2019 at 1:53 pm
Dianne
Thanks. Great food for thought.
February 3, 2019 at 3:10 pm
Kelly Rice Schmitt
Thank you for resisting this one, Tara! I really like these examples of how leaving room for the illustrator allows for the best stories possible!
February 3, 2019 at 5:44 pm
Johna Nicole Rossetti
Thank you for elaborating on why it is not advisable to include illustration notes in a MS. This make perfect sense –> to allow room for an illustrator’s inspiration and creativity.
February 3, 2019 at 9:41 pm
andromeda515
it’s so difficult to give up control. These are wonderful examples of the possibilities that open when we are willing to hand over the control.
February 4, 2019 at 10:17 am
Nicole Turner
Great examples of leaving room for illustrations!
February 4, 2019 at 1:00 pm
loelmu
Love it!
February 4, 2019 at 3:08 pm
Carolyn Kraft
Thanks for these great examples on why it’s so important to leave details up to the illustrator!
February 4, 2019 at 3:56 pm
Meli Glickman
I love how illustrators can so brilliantly add value to an author’s story and enhance it in ways never before conceived. What a partnership! Many thanks for sharing!
February 4, 2019 at 6:20 pm
Jess Bourgeois
Leaving room for the illustrator to work their magic is so very important
February 4, 2019 at 9:32 pm
Meghan Burch
As an author and illustrator, I appreciate this post so much. Thanks!
February 5, 2019 at 11:48 am
Becky Shillington
Long ago, I did not understand this. But after seeing so many picture book texts brought to life by brilliant illustrators, it makes perfect sense now. Picture books are truly a collaboration!!!
February 5, 2019 at 3:40 pm
shanah salter
illustrators are so important!
February 5, 2019 at 6:16 pm
Sheri Dillard
I love hearing how stories and illustrations come together! Thanks for sharing! 🙂
February 5, 2019 at 11:18 pm
thedandelionzoo
I love these examples of great collaboration!
February 11, 2019 at 5:58 pm
Wendy
These are three great mentor books, and great advice.
February 28, 2019 at 10:29 pm
M.A. Cortez
This makes total sense. I love the interpretations the illustrators came up with.
January 30, 2020 at 12:43 pm
Faith Pray
I love hearing about this part of the process from an editor’s perspective. And I love seeing how the illustrators steered each story into something new. Thank you!
January 25, 2021 at 11:45 am
amyrsinn
Thanks for your insights!