You’re a lovely person. Simply charming. I mean that, I really do. You read my blog and leave nice comments and buy my books and write like you can’t go wrong. But I have to tell you:
“It’s not you. It’s me.”
In short, that’s what a literary rejection means. It’s not about YOU. Remember, YOU are lovely! It’s about the editor and whether the proposed project fits with her taste and imprint list.
Subjective, it’s all subjective! One editor’s rejection is another editor’s next book!
But editors and agents often provide writers with rejection statements that we want to understand. We feel the need to analyze, to determine what we can do better. But don’t over-analyze. Sometimes a rejection is just a way of saying “no, it’s not for me.”
Here is a list of common rejections heard by picture book writers (and other writers), plus an interpretation of what they mean. (Note that I said “interpretation”! Your mileage may vary.)
“It feels familiar.”
The editor is reminded of another book (or books) while reading your manuscript, but he can’t quite put his finger on it. Maybe it’s the character, the theme or the structure, but it’s impossible to pinpoint. In short, the story doesn’t feel unique enough. The editor doesn’t think it will stand out in the marketplace. There’s too much similar competition. If you wrote about a common theme (new sibling, moving to a new house, first day of school, etc.) without a fresh new twist, this could be the problem.
“It’s too slight.” or “It’s too one-note.”
The editor feels your story doesn’t have enough meat to it. It may be lacking a universal emotional theme (friendship, being yourself, perseverance, etc.) or a clear story arc. The editor may feel there isn’t enough going on to encourage re-readings. The story feels more like a one-line joke than a fully fleshed-out tale. The main character may not have struggled enough before finding the resolution, which is sometimes why an ending can “fall flat”. Also rejected as “needs more layers.”
“It’s not right for our list.”
Every imprint within each publisher has a specific “style”. Some are commercial, some are literary, some are message-driven, some are wacky and humorous. Know which imprint publishes what.
“It’s too similar to…”
Your story competes too closely with a book on the editor’s list or a wildly popular book by another publisher that’s already in the marketplace.
“It’s not right for us at this time.”
See above. They might have projects in the hopper that compete too closely with what you submitted. (You submitted a story about a bowling ball. They just signed a bowling ball book! What are the odds???) They may have recently contracted multiple projects and no longer have room on their list. They may be moving away from “older” picture books into the younger set (ages 2-5 vs. 4-8). Unfortunately, this rejection is also used as a polite catch-all or a form rejection.
“It’s too quiet.”
The imprint you submitted to might not publish literary fiction. The editor feels your manuscript doesn’t have a strong hook, something that will make your book marketable. They don’t feel it will stand out in the marketplace. It cannot be easily summarized into an elevator pitch, which is what their salespeople will use to market the book to stores, schools and libraries. It’s not a commercial or high-concept story.
“It’s too commercial.”
The imprint you submitted to might not publish commercial fiction. Commercial books have a strong marketing hook, are often high-concept (can be boiled down to an immediately understood, succinct statement), have a clear plot struggle and appeal to a wide range of readers. Literary fiction features artistic prose and often contains an internal conflict and more meandering plot.
“It doesn’t resonate with me.”
This is really a case of “It’s not you. It’s me.” The editor may think the story is well-written and even enjoy it, but it isn’t tugging at her heartstrings. Being an editor is like dating, like finding a potential mate—the story has to light something within her to want to devote passion and commitment to it. Remember, the editor has to spend two or more years with your story, bringing it to life. They need to feel sincerely attached to it. You want them to LOVE it, you want them to be EXCITED so they can create the best book possible. Examine your emotional theme—is it strong enough?
“I didn’t quite connect with this in the way I’d hoped.”
See above. The editor may have liked your concept and pitch, but not the execution of the story. Again, the story isn’t tugging at his heartstrings. Examine the POV, voice and the emotional theme (often referred to as a “layer”). A revision might be necessary…or not. Another editor may connect. Also rejected as, “It doesn’t have that WOW factor” or “I’m not getting that YES! feeling.”
“This needs a stronger voice.”
Voice is the unique way an author combines words and strings together sentences. It is your story’s personality, its manner of expression. It’s the difference between “Oh, shucks!” and “Oh, slippery slush!” (Little Red Gliding Hood) It’s the difference between “Charmaine’s showing off” and “Charmaine’s strutting hard enough to shame a rooster.” (The Quickest Kid in Clarksville) It’s the difference between “Pancake raced away” and “Pancake rappelled down a rope of linguini.” (Lady Pancake and Sir French Toast)
Go ahead and play with your words—use stronger verbs, alter the sentence structure, use alliteration, internal rhyme, onomatopoeia and uncommon words. Heck, make up a word every once in a while! Think of voice the way a poet thinks about meter—there’s a certain beat that the reader can dance to.
Pretend YOU are the main character. How would he or she TALK? Does the way you’ve written the story—the cadence of the words—match the character, the setting, the situation?
“There’s no current market for this.”
Your story’s subject matter and/or theme is either too popular or too obscure.
Remember when vampires were all the rage in YA? Same thing with pirates in picture books. There were a slew of well-received books featuring gangplanks that sold gangbusters. (Hey, there’s “voice” again!) But then that ship sailed. The market got soaked with pirates. So guess what? Editors didn’t necessarily buy a lot of pirate titles because there was too much existing, well-established competition. But everything is cyclical. I spot new pirate books on the horizon, captain! Land, ho!
Also, your manuscript might not be a picture book because it’s too long or too descriptive, yet it doesn’t fall neatly into another kidlit category, either.
Form Rejection vs. Personal Rejection
Most will send a form rejection. There’s just not enough time in the universe—or even in the flux capacitor—to personally respond to every manuscript. But if you receive a personal rejection, the editor or agent sees something promising. You haven’t hooked him, but he sees potential. Think of it as encouraging. You’re on the right wave. Just keep swimming; just keep swimming.
On the other hand, getting only form rejections doesn’t mean you DON’T have potential. It just means the editor or agent is crunched for time.
I mean, imagine this is what gets dumped on your desk every day!
One thing you should know: if an agent or editor wants to see more of your work, they will ask. No need for interpretation; it will be there in black and white. If they complimented your story but did not ask for a revision, DO NOT send one anyway thinking they just forgot to ask. If they want it, they WON’T FORGET. And if you send something they didn’t ask for, THEY WILL REMEMBER.
Let’s face it, the fact that you’re even receiving rejections is good. Yes, GOOD! You’re putting your work out there. And the sting of each rejection will lessen with every new one you receive. So let them pile up. Read ‘em. Move on. You WILL get rejections for the rest of your life if you’re a writer. Bottom line: learn to live with them, their brevity and their occasional ambiguity. Ever onward.
And, in case you forgot, you’re a lovely person.
89 comments
Comments feed for this article
February 2, 2016 at 3:53 pm
Jane Heitman Healy
This is a great post! I am bookmarking it to refer to when I get those dreaded rejections. And you, too, are a lovely person!
February 2, 2016 at 4:03 pm
Tara Lazar
Aww, thank you, Jane!
February 2, 2016 at 4:01 pm
Ginny Kaczmarek
Great post. As a writer and an editor, I get to be on both sides of rejections. And it’s true–it’s not you, it’s me (editor hat) or it’s not me, it’s you (writer hat). Either way, you’re lovely!
February 2, 2016 at 4:03 pm
Tara Lazar
❤
February 2, 2016 at 4:04 pm
Jilanne Hoffmann
Oh, you are the queen of translations! Thank you! I’ve received a couple I didn’t quite connect with this in the way I’d hoped” from an editor. Onward!
February 2, 2016 at 4:05 pm
Stephanie Werner Jané
Hi Tara,
This great advice. But how do you deal with no reply at all… just radio silence? It feels like I could still hold out hope, but is that false hope? And how long is reasonable to wait for a reply?
Steph
February 2, 2016 at 4:27 pm
Tara Lazar
A publisher or agent will typically say, “if you don’t hear from us in 9 months, it’s a no.” I remember this was Marshall Cavendish’s policy when I submitted to them years ago. Three months is typically reasonable but some may take longer. But the question is–what are you waiting for? Unless your submission is exclusive, send it out elsewhere!
February 2, 2016 at 4:09 pm
hmmmmm
Great post Tara. Affirming. And lovely.
February 2, 2016 at 4:15 pm
Lyn Miller-Lachmann
Thank you for this useful post! My last picture book submission, a couple of years ago, got the “too slight” rejection, and I stopped submitting because after that and a few others, I didn’t think I had the chops. But I’ve learned so much and will try again soon, knowing now what some of the key causes of rejection are.
February 2, 2016 at 4:21 pm
Sue Heavenrichs
great post! thanks for gathering all these comments (and your wise translations) onto one page.
February 2, 2016 at 4:22 pm
seschipper
Ditto, Tara! You are a lovely person 🙂
February 2, 2016 at 4:24 pm
Janet Slingerland Hammond
Great post! I’ve laminated the sweetest personal rejection I’ve gotten. I look at it when I need a little something to keep me going. Feel a bit like the little engine that could sometimes – I think I can, I think I can…
February 2, 2016 at 4:30 pm
Rebecca E. Guzinski
Tara, you’re like the guardian angel of picture books…always having the right advice at the right time.
February 2, 2016 at 4:36 pm
Tara Lazar
So you would say, “This is right for our list at this time.” LOL
February 2, 2016 at 4:34 pm
Amy
Putting it all in perspective. Thank you.
February 2, 2016 at 4:38 pm
Wendy Hinote Lanier
What a great post! It’s filled with really good information–delivered in the nicest possible way, of course. You MUST be a lovely person, too. ; )
February 2, 2016 at 5:02 pm
Tara Lazar
❤
February 2, 2016 at 4:39 pm
Juliana Lee
As always, I am grateful for the ‘it’s not you, it’s me’ posts I read. I just spoke to a friend today about a recent rejection. She seems amazed that I wasn’t heartbroken. I had to explain that the word ‘rejection’ is actually a much stronger word than it has to be. It’s really more of a ‘pass’ on your work than a ‘rejection’ of your work. Keeping my head up and my pencil sharpened!
February 2, 2016 at 5:02 pm
Tara Lazar
That’s an excellent way to think about it. “Pass” rather than “REJECT!”
February 3, 2016 at 6:43 pm
Juliana Lee
It helps me sleep at nights. heheheheh
February 7, 2016 at 8:08 pm
Pat Zietlow Miller
I always think of rejections as “declines.” It seems kinder.
February 2, 2016 at 4:40 pm
Deb Dunn
These are so helpful, Tara, thank you! I often wonder…and now you’ve cleared up a couple of them for me. Moving right along…LOL
February 2, 2016 at 4:54 pm
Monique
Great post!!
February 2, 2016 at 4:59 pm
shiela fuller
I’m glad I slowed down enough to read this post today. Thank you.
February 2, 2016 at 5:02 pm
viviankirkfield
Such a great topic, Tara…because we all know that if something merits a blog post or magazine article, it is something that most people are experiencing. Thank you!
February 2, 2016 at 5:09 pm
Charlotte Dixon
Onward! Thank you, Tara, for putting a face to all those rejections. Your grit and gumption will keep me moving forward 🙂
February 2, 2016 at 5:14 pm
mariagianferrari
Well said, Tara 😉
February 2, 2016 at 5:16 pm
Common Rejections and What They Mean | Love, Laughter, and Life
[…] Source: Common Rejections and What They Mean […]
February 2, 2016 at 5:16 pm
Angie
Great encouragement. Thanks, Tara. 🙂
February 2, 2016 at 5:21 pm
Brian Humek
Great article Tara. Over 500 rejections now and I’ve received all you mention, well, most of them. Persistence is a key, but moving onward does get tiring after a while. But I’ll keep going. Maybe 2016 will be my year.
February 2, 2016 at 5:23 pm
Brian Humek
Now that I looked at that in black and white, I think it’s more near 300 rejections that 500 🙂 Ahhh, i feel so much better now.
February 2, 2016 at 5:23 pm
ptnozell
Thank you, Tara, for sharing some universal truths about a topic that often feels so personal and especially for the parting thought that “you are a lovely person.” You truly are a lovely person, too!
February 2, 2016 at 5:42 pm
Kaye Baillie
This post is way cool, Tara Lazar! Thank you.
February 2, 2016 at 5:49 pm
lmconnors
And you’re a lovely person too Tara. Thanks!
February 2, 2016 at 6:07 pm
setwiggs
Tara,
I’m sending this onto my Critique Group. We all need to hear this over and over. Thanks for the reinterpretation. Writing a PB is like going to a foreign country. I need to learn the culture and the rules.
February 2, 2016 at 6:58 pm
Yvonne K
Very informative post Tara- thank you! I especially liked the notes and examples on making sure your voice is strong enough.
February 2, 2016 at 7:14 pm
LeeAnn Rizzuti
I’d like to add another form of rejection, if I may. This is the one where an editor asks for revisions, is still behind your ms after those are made, but the acquisitions team says “pass.” That could really suck the air from your balloon if you let it. Yet, this, too, is just another level of “it’s me, not you.” If a ms got that far, there must have been a lot that was right about it. Focus on that and get it back out there.
February 2, 2016 at 7:25 pm
Cobby Colson
I’ve received a few of these and always thought they were just different versions of a form rejection so this post was very helpful. Thank you.
February 2, 2016 at 7:35 pm
Rosi Hollinbeck
Thanks, Tara. This is an excellent post. I will be linking to this on my blog.
February 2, 2016 at 7:47 pm
gcartee86452015
Thanks, Tara. This post is very helpful and encouraging.
February 2, 2016 at 7:48 pm
writerjodimoore
Fantastic post, Tara. And may I say, you are a lovely person (AND a bag of chips) for sharing this with us! 🙂
February 2, 2016 at 8:27 pm
Sean P Carlin
For those looking for really cogent advice on voice, I recommend Bruce Holland Rogers’ essay “The Dark Enchantment of Style” from On Writing Horror: A Handbook by the Horror Writers Association (the principles in the essay, I should note, apply to any kind of fiction writing, not strictly genre).
February 2, 2016 at 8:34 pm
Dorothy Wiese
Thanks, Tara. You hit the nail right on the head. I kept hitting my finger. Time to concentrate on other editors!
February 2, 2016 at 8:55 pm
Robyn Campbell
*snort* Loved this post. You ARE lovely. 🙂 Thanks, Tara.
February 2, 2016 at 11:26 pm
Blue Chair Diary Illustrations
I really appreciate this article as I’ve just started submitting to agents. Not alot but it certainly helps me to understand any rejections as they come in. Thank you!
February 2, 2016 at 11:58 pm
Carrie Charley Brown
Excellent post, Tara!
February 3, 2016 at 12:05 am
Keila Dawson
Great article Tara. Funny you!
February 3, 2016 at 1:46 am
Darshana
This is fabulous. Just re-reviewing my rejections now. 🙂 I got the following from an agent who say my portfolio of stories and then rejected. “I really like these, but my plate is pretty full at the moment and I don’t have a totally clear sense of how to proceed with your work. ” Does this mean the agent didn’t ‘love it’ enough or they don’t see a place in the market for it? Any thoughts? Thanks!
February 3, 2016 at 9:52 am
Tara Lazar
Ooh, that’s a toughie. Did she invite you to resubmit at another time? Are your stories multicultural in scope? Perhaps the agent doesn’t have a strong background in that area and she doesn’t t hink she’s the best person to sell them.
February 3, 2016 at 5:23 pm
Darshana
No invitation to resubmit. Three of the four stories had a multi-cultural element but they definitely had “hooks” for today’s market.
February 3, 2016 at 6:30 pm
Tara Lazar
You’re so close. Just not the right agent fit for you. Keep trying!
February 3, 2016 at 2:42 am
Pam Miller
Thanks, Tara, most lovely, for the entertainment, the truth, and the lovely compliment, all of which are motivation for getting on with my work. Rejection letters?-definitely work collecting.
February 3, 2016 at 2:54 am
Tamara Stromquist
Good way to look at detours along the way to publication. BUT I reserve a few minutes to call the editor (or jr. gatekeeper who sent the form letter) a blithering idiot who’ll be sorry when another publisher accepts my gem…
then I get back to work. (with ice cream) 😉
February 3, 2016 at 7:50 am
Jim Chaize
Helpful to read. I was wondering what happened with my bowling ball story.
February 3, 2016 at 9:00 am
Luke Reynolds
Thanks for your wonderful wisdom and wit here Tara–inspiring and helpful as always! Gratefully!
February 3, 2016 at 9:13 am
Marilyn Garcia
This is so helpful, Tara. I never thought about how much an editor needs to love my manuscript before they say yes. I don’t blame them – I wouldn’t want to spend years with something that was just “meh”. I will definitely work on the heart string pulling apparatus for my submissions.
February 3, 2016 at 10:29 am
Mary Worley
Thanks, Tara. You are a lovely person!
February 3, 2016 at 11:03 am
Penny Parker Klostermann
This is great, Tara. I’m going to reference it in a workshop I’m doing later this year. Thanks for compiling this!
February 3, 2016 at 11:36 am
Jeanine Potter Lovell
Thank you Tara! You are an exceptionally lovely person, truly you are.
February 3, 2016 at 12:10 pm
Marcia Berneger
Great post, Tara! Thanks! I had an editor love my work, but each new piece she encouraged me to send was just “a bit too quiet” for her imprint. Now I have a better understanding of what that means.
My current motto is: Each day brings me one day closer to that one editor who LOVES my manuscript!
February 3, 2016 at 12:34 pm
creationsbymit
Great post, Tara!
Thanks!
February 3, 2016 at 2:48 pm
Sarah Pugliano
This is great, and I am proud/ashamed to admit I’ve received every one of these! In your opinion, around how many rejections should you receive with one manuscript before you should either move on or realize there is some serious revisions needed before submitting it again?
February 3, 2016 at 3:30 pm
Tara Lazar
I don’t think there’s a magic number. There’s a gut feeling. You’ll get to the point where you’ll put it away for a while and then look at it again later, with seemingly fresh new eyes. You’ll see things you maybe didn’t see before.
February 3, 2016 at 6:14 pm
Cathy
Thank you Tara for this post. Such helpful insight. You are so generous in your time and enthusiasm.
February 3, 2016 at 6:47 pm
Margaret Flint Suter
This is lovely and I thank you for all the interpretations you offered of the “rejections” Wonderful!
February 3, 2016 at 10:14 pm
marty
Thanks, Tara! Your insights are always helpful and encouraging!
February 3, 2016 at 10:53 pm
Marge Gower
Thank you for the post. Sometimes we can take these rejections personally. I will be saving this article. I have received a few of the above rejections. I do admit way back I did take them personally. When I look back on what I wrote I wonder why they even responded.:)
February 4, 2016 at 3:01 pm
sarahsbookreflections
Excellent post, Tara. Information well worth repeating. If you don’t mind I’d like to reblog this on my blog.
I had the “oh we’ve got a horse story just coming out” twice on my MG novel, “Emily’s Ride to Courage.” Both times the story made it all the way to the marketing department. I look forward to reading more posts from you. Sarah
February 4, 2016 at 3:34 pm
lindamartinandersen
Thanks for elaborating on common comments from agents and editors and their meanings. Very helpful!
February 4, 2016 at 6:48 pm
Artelle Lenthall
Thanks Tara especially for the reminder at the end
February 8, 2016 at 7:35 am
ThisKidReviewsBooks
Great post! A lot to think about. 🙂
February 8, 2016 at 2:41 pm
csheer18
Well-said, Tara! Thanks for being the cheerleader that you are!
I plan to share this post with my monthly critique group, in which some of the “rejections” phrases you’ve quoted have been received by members, shared with the group, and interpreted much the same way as you’ve done here.
Looking forward to tracking you down to say hello at NESCBWI this spring!
February 11, 2016 at 1:47 am
Sarah
Thank you, Tara! This is a sanity saver, very helpful for this new author on sub.
March 2, 2016 at 1:32 am
Welcome to the Florida Region | Winter 2016 SCBWI FL Newsletter- February Edition
[…] Common Rejections and What They Mean […]
March 3, 2016 at 5:16 pm
Cindy Williams Schrauben
Great advice, Tara!
October 12, 2016 at 4:44 pm
Donna Shepherd
Thank you for the lovely post. 😉 Very helpful! I’ll share.
January 27, 2017 at 3:04 am
Ann Martin
Thank you, Tara. It is always encouraging to remember that rejection is a part of every writers’ life. Never give up, for the reasons listed in this post. It’s not you, it’s them. Sooner or later you’ll find the perfect match, the publisher who is right for you.
January 25, 2018 at 10:52 am
Traci Bold
Reblogged this on Traci Bold's IT'S ALL ABOUT THE WORDS and commented:
‘Embedded’ in this article from Tara Lazar, is reassurance and hope for all writers. A definite mustread. @taralazar
January 25, 2018 at 1:19 pm
tiffanydickinson
Reblogged this on Tiffany Dickinson and commented:
Some great thoughts to focus on…
January 25, 2018 at 3:09 pm
MaryAnn Cortez
Thanks, great post.
January 25, 2018 at 6:32 pm
Linda Hofke
good post
January 25, 2018 at 7:48 pm
deborahholtwilliams
Thanks, Tara! I’ve gotten quite a few of these, and I’m sure I’ll get more, but it’s nice to think it’s not me, it’s them!
January 26, 2018 at 7:00 am
Sharon Mayhew
Such a good post!
January 26, 2018 at 8:46 pm
Arin Wensley
Great post.! At least now I can decipher my rejection letters.
January 26, 2018 at 10:06 pm
Emmie R Werner
So encouraging ❤️Thank you
January 26, 2018 at 11:47 pm
Melissa Stoller
This is definitely worth a re-post. Thanks, Tara!
January 31, 2018 at 7:42 pm
sallie wolf
This post ought to be included with every rejection letter/slip. Thanks for a great post.
May 21, 2019 at 8:44 pm
Kaitlyn Leann Sanchez
These are such good reminders and sub logical conclusions! I’m definitely sharing!❤️
March 4, 2020 at 10:19 am
Prairie Garden Girl
This post is filled with truths about a writer’s journey. Accept rejections. Move forward.
And you, too, are a lovely person, Tara.
Suzy Leopold