Editorial Anonymous provided a great explanation of basic picture book construction a few months ago.
At that time, I skimmed the info. Today, I’m studying it.
Why? An editor asked me to make page breaks on my current manuscript. And know what? I had more page breaks than a 32-page picture book would allow! Whoops. I knew that my manuscript had to fall within the 500- to 800-word length, but I had neglected to pay attention to logical page breaks.
The editor said, “Page turns can make or break a book, and it can be helpful to an editor to see how you envision the text.”
In a 32-page picture book, you don’t actually have 32 pages for your story. You only have 24 pages since 8 are used for the book ends, copyright and title. And 24 pages translates to 12 spreads (an illustration that spans the two opened pages in a book).

Self-ended means that the printed book block serves not only for the story, but also for the end pages. No additional paper is used to form the book. The printed book block is pasted directly onto the cover.
Another common format is colored ends. This means colored paper (different from the printed book block) is used for the end pages. With colored ends, you’ll gain an additional 2 1/2 spreads since more of the printed book block is available for story.

Some picture books have single-page illustrations instead of spreads. One of my favorite devices is when a group of three things are illustrated on one page. But this isn’t done on every page. A debut author’s work might be laid out only in spreads to save on costs (it’s less illustrations to produce), so you may want to think mostly in spreads. As always, publishing is a subjective industry, so this will vary by editor.
You may be asking, why do I need to know this? Won’t the editor and illustrator figure out the page breaks? Sure, they will. Some may not even ask for your page-break input. However, you can write a more appealing picture book if you understand the format for which you’re writing. Knowing the page turns will improve your story’s pacing. You’ll realize which scenes may have too much text. You can make page turns surprising and fun.
So give it a try. Take your current PB and plug it into the format. Does it fit?
I just took a random sampling of 7 picture books from my collection. Interestingly, none had self-ended construction. They all had colored ends. Here’s how they broke down:

I don’t think I’ll ever look at a picture book the same way again. My kids are going to be frustrated if I count spreads while I read to them!
It’s interesting to note that Cowboy Camp and Spaghetti Eddie are both by debut authors. Cowboy Camp is illustrated in spreads, whereas Spaghetti Eddie is told with mostly single-page illustrations. This “illustrates” that publisher preferences vary (as do manuscripts)!
Keep in mind that when you submit your manuscript, you should do so in the standard format, unless the submission guidelines specifically request that you mark page breaks.
Some editors will never ask you for page breaks, some will insist upon them. Remember that this is a subjective industry where there are many rules to follow but many places to break them, too.

As a children's book author and mother of two, I'm pushing a stroller along the road to publication. I collect shiny doodads on the journey and share them here. You've found a kidlit treasure box.





66 comments
Comments feed for this article
February 23, 2009 at 1:03 am
Kelly H-Y
SO true … what great advice, and what a fabulous graphic you provided!
February 23, 2009 at 8:31 am
Corey
What a fantastic diagram you made. Can you do my powerpoint presentation for me?
P.S. I had always heard 14 or 14 and a half spreads.
February 23, 2009 at 9:43 am
tara
Corey, the 14 or 14 1/2 spreads is for colored ends. It depends upon the editor, I suppose, but this editor said her house preferred self ended construction.
February 23, 2009 at 11:03 am
Randi
Thank you, Tara! Very informative. I have to send this one onto my writing group. =D
February 24, 2009 at 1:00 am
duckofalltrades
This is great information. Thanks for sharing! It goes to show how many variables you have to consider when writing for children.
March 1, 2009 at 1:03 pm
Ginger Pate
It was so nice of Tara to share this with everyone.
I write PB and I sent this on to a teacher who’s classes I’ve attended and here is some more information. He said: “That seems like an interesting article. Most my author friends don’t use rigid models like that one to write/illustrate their books, however. But, it does serve as a good “heads up” tool for people who are not familiar with the format. Editors usually do all that work at the end.”
Ginger
March 2, 2009 at 10:23 am
tara
Thanks, Ginger. I was always told that the editor does this work on their end, but the editor I met with was adamant about knowing where your page breaks are. But this industry is subjective. Another editor may not want your input on page breaks. I do think it’s excellent information to know, but of course, your editor has the final say on where readers will turn the page. And I know of one case where the illustrator had the final say, and that’s probably not uncommon.
I’ve since read this advice in numerous other sources, plus an Executive Editor and a picture book author both touted making dummies at a recent conference. The author even presented three examples of how to make a dummy–folded paper, a box diagram and a storyboard template.
Moreover, my editor said that publishers might want to take the least-expensive route when producing a debut author’s book, and self-ended construction with 12 spreads had lower production costs than colored ends with many single-page illustrations.
Check out the Editorial Anonymous post I referred to for more opinions on this topic.
And as a final reminder, no one should take anything they read here as absolute gospel. Take what works for you, discard all the rest.
May 1, 2011 at 7:18 pm
Carol Gordon Ekster
Tara, you have the patience of a saint! I was impressed with your thoughtful response to Ginger. Cheryl Klein, editor at Arthur A. Levine/Scholastic also recommends doing a PB layout similar to what you showed us. It’s in her blog as well. You’ve given writers a wonderful resource.
May 2, 2011 at 9:02 pm
Tara
Thanks, Carol!
March 2, 2009 at 2:18 pm
Ame Dyckman
Tara, you are AWESOME! You know I was in the same boat at the conference (“What do you mean my 500-word manuscript is too long?”) and totally confused, but your awesome explanation and magnificent diagrams make it crystal! I already used these to “revamp” two of my manuscripts, and it made them much better! Cheers to you, Super Writer Lady!
March 2, 2009 at 3:05 pm
tara
Ame, you’re equally AWESOME! So glad you dropped by my blog! I am fully expecting a contract to come your way…any day now!
July 1, 2009 at 11:29 am
Paolo Puggioni
Hello, thank you very very much for all the time and effort you put into this blog.
I am a professional illustrator with some skills in writing, so I recently started writing a short story on my own with a few illustrations in it. I use to write in italian and then have everything translated into english by my wife so don’t take my clumsy english as a sample of my skil
I was just about to start illustrating it when – looking for the proper size for an average pictures book – I stumbled upon this site and I learned about the whole lot of things you have to keep in mind before even considering the idea of submitting a manuscript to a publisher. Everything about style, words count, target age – and now this – have been really precious. Thanks:)
September 23, 2009 at 4:31 pm
Picture Book Review: That Rabbit Belongs to Emily Brown « Writing for Kids (While Raising Them)
[...] related posts: (automatically generated)Yee-haw! It’s the Tammi Sauer Round-up, Partner!Picture Book Construction: Know Your LayoutSteve Ouch: Can He Twitter to a Best Seller?Why I like Emily Brown and the Thing What is this [...]
September 30, 2009 at 6:50 pm
Ev
thanks! I didn’t think I could find such a great detailed article on line. Hopefully this will help me with my project…Many thanks!
October 4, 2009 at 7:23 pm
Gina Harden
Thanks so much for the information!! I am in the process of writing my first children’s book. Your page was like a mirage – surely I am dreaming that I found an answer to my question. Thanks, agian.
November 14, 2009 at 9:23 pm
PiBoIdMo Day 15: The Life and Times of…Who? « Writing for Kids (While Raising Them)
[...] picture book biographies or texts for older children? How can you tell that person’s story in 32 pages, in a way that’s suitable for young children? Which details would you keep? Which would you toss? [...]
January 18, 2010 at 4:43 pm
Robert Shumake
Just wanted to say that I read your blog quite frequently and I’m always amazed at some of the stuff people post here. But keep up the good work, it’s always interesting.
See ya,
January 26, 2010 at 8:28 pm
Margo Dill
Thank you, thank you, thank you for this awesome resource. Very kind of you!
January 28, 2010 at 6:01 pm
Ginger Pate
Tara,
You should write and publish a book for authors with all the information and suggestions you’ve given to us. You come up with some great helpful ideas.
Ginger
February 20, 2010 at 12:50 pm
tara
Thanks, Ginger. But I cannot take credit for many of the things I post here, as I’ve learned them from others in the industry. I’m just passing on the knowledge that I’ve collected in my treasure box. I’m glad you are finding my site useful!
February 20, 2010 at 2:46 pm
Stacy
This is great. Sharing it with folks in our local writer’s group.
April 9, 2010 at 11:51 am
idf
I have been all over the web looking for page layout information and found Tara’s site. It has great information but I’m really confused.
Like Tara, I have been asked by a publisher to provide my story with page breaks but they want it broken into 11, 14 or 28 pages. When I look at the examples on Tara’s blog they only show 24 pages or 30 pages depending on the self-ended or coloured ends.
I have determined that the best split for my story is 14 pages. Does anyone have any idea how I would set up a layout for 14 pages?
April 9, 2010 at 5:03 pm
tara
If the publisher is asking for 14 pages, they probably mean 14 SPREADS. A spread is the full opened book, two pages facing each other as one complete illustration. If they want 28 pages, they probably mean one illustration per page instead of a spread.
Non-traditional publishers may print books in shorter lengths other than 32 pages, but typically they are in 8-page increments. Baby board books are also shorter in length.
Hope that helps!
April 10, 2010 at 10:32 am
idf
Thank you Tara! This is my first children’s book and I have so much to learn. From what you have told me, I am going to contact the publisher and find out exactly what they want.
Thanks!
May 20, 2010 at 5:34 pm
Julia Mark
Thanks for the info and diagram! Very helpful, more so than other searches I came across with the same topic.
August 15, 2010 at 7:08 am
Thomas C. Jarrett
Thanks for the info, it is real helpful. I am just starting out in this field so wish me luck. I have been drawing it seems forever and aways wanted to do a picture book and now I have the time to work on it.
If you can point me in the right directions as in how to go about publishing a book it would be great as well.
I am also love to do some illustrations work, if you know of any writers/publishers looking for someone that would be great too….Thank again!
November 1, 2010 at 7:43 pm
anitanolan
Thanks for this, Tara. This is useful info for me at the moment, as I prepare for a Getting Published in Children’s Lit class I’m teaching soon.
January 6, 2011 at 11:13 am
KyraTeis
Thank you, Tara! Just the graphic I needed!
January 11, 2011 at 10:03 am
Jeannette Watt
Don’t know if this will help anyone, but if you type in story book titles in the browser bar on Amazon.com a great deal of books are listed with the “Sneak a Peak” option. You can take a look inside, and perhaps get a better idea of the layout of popular books.
January 20, 2011 at 7:54 pm
deborah freedman
Hi Tara. This is great. I think you are right, that different publishers/editors do things differently. From the illustration side of things, I think that sometimes the text arrives paced out, and sometimes it’s left up to the illustrator.
Both of my books have been self-ended, but instead of 32 pages (including the pasted down sides of the endpapers) as you show, they have been 40 pages. I mention this because I think it’s fairly common. And then there are variations on when the story begins – sometimes a title page or copyright/dedication will have an entire spread, sometimes one page.
This is great – it’s so useful for authors to have a general understanding of picture book layout and pacing!
January 20, 2011 at 8:35 pm
Ward
When I worked on my two picture books, the editor (from Simon & Schuster) had the page breaks already defined for me. It was entirely up to me if I wanted to do single page illustrations or spreads for each page break. It was all in how the story looked visually. If I found that it was easier to do more single pages, then I would do it – the same for spreads – but all the time I was very aware of how the story flowed from start to finish! If you do too many single pages, it might be awkward for the flow of the story. As you’ve said, Tara, it’s very subjective, depending on 1) the editors, and 2) the story.
January 20, 2011 at 9:57 pm
Picture Book Blueprint « Crave Writing
[...] Tara Lazar thoughtfully explains the storyboard concept. [...]
January 20, 2011 at 10:07 pm
Keith Schoch
Wow! You kinda forget that someone had to worry about all this technical info when you’re just losing yourself in a picture book. I guess that’s much like the technical production side of a good movie; if you notice it and think about it, then it hasn’t served its purpose.
Thanks for sharing!
February 5, 2011 at 8:23 pm
Storyteller « Phizzwizard
[...] I put together a storyboard. Boy is it harder than I thought to tell a story in 24 pages! (The length of a standard children’s picture book) There are a lot of issues to consider, and just from today on my first storyboard ever I ran into [...]
March 13, 2011 at 1:44 pm
Max Scratchmann
Hi Tara,
This is a very handy chart. I’m an illustrator/writer looking to producing a picture book, and there doesn’t seem to be much information on how to physically lay a book out. ANy thoughts on what’s a preferred size? Or how much bleed to leave?
Any opinions/info much appreciated!!!
Max
March 14, 2011 at 6:53 pm
Tara
Unfortunately, I don’t know those specific details. When an editor decides to buy a book, they decide what size the book should be (in order to run rough numbers on production cost)…and I suppose the designer and printer give the illustrator bleed specs. If you’re self-publishing, the company you’re using should provide that info.
March 15, 2011 at 5:42 am
Max Scratchmann
No, there doesn’t seem to be a fixed rule for this. I am hoping to sell this project, so I think the best bet is to maybe look at the books produced by major publishers and see what the most common formats are!!
March 15, 2011 at 2:50 pm
Tara
When you submit a PB to a publisher, you don’t have to get the bleeds right because it’s unlikely that version will be going to press. You can submit a PB dummy instead, or just submit the text and a sample portfolio.
March 15, 2011 at 5:17 am
Judy Polhemus
Your article is not for just authors and/or illustrators who find your information beneficial. As a librarian who likes to point out book layout and design, well-let’s say you have made my day! Thanks so much for sharing your findings!
March 15, 2011 at 2:42 pm
Tara
And librarians are some of my favorite people, so you’ve made my day!
April 3, 2011 at 4:21 pm
Annah Zeh
Just wanted to say thanks! I’m writing and self publishing my 1st book, this is exactly the info I needed.
May 2, 2011 at 6:53 pm
Lori
Great post, Tara – thanks!
May 7, 2011 at 4:23 am
Amy Burrell
Great information. Exactly what I need to know. I am currently writing my own children’s book and am collecting great knowledge on the process of creating a book form start to finish. I am writing a blog about it if anyone is interested http://childrensbookcreation.blogspot.com/
May 24, 2011 at 5:20 pm
Helpful Writing Sites and Blog Posts May 2011 | The Graceful Doe's Blog
[...] Picture Book Construction: Know Your Layout [...]
August 15, 2011 at 4:47 pm
cloud9design
Very informative! Love the visuals you made.
October 24, 2011 at 10:11 am
redheadedstepchild64
Great info! Thanks for posting this, Tara!
November 12, 2011 at 7:52 pm
Jessica Young
Very concise and useful explanation of PB structure! Thanks for the great post – I’ll pass this on!
November 14, 2011 at 4:44 pm
Lynda Shoup
Tara, this post is truly enlightening. I will have to apply what I’ve learned here and see how it changes my perspective.
November 19, 2011 at 8:04 am
Hope Marston
Thanks for this visual presentation. It will come in handy as I do forthcoming school visits now that my new book EYE ON THE IDITAROD; AISLING’S QUEST is about to be released.
December 7, 2011 at 1:35 am
patientdreamer
Thankyou very much for your graphs Tara, Love the visual tool. Another to add to my folder, will refer to often in my revisions. Thankyou for referring us to this.
December 7, 2011 at 11:53 am
Jarm Del Boccio
Tara, I can see why this is such a popular post. This is one thing that I have left entirely unexplored…thanks for bringing this very important matter to our attention!
December 28, 2011 at 8:32 am
Athena Hernandez
You know that a post is impactful when nearly two years later, you’re still receiving comments! This is extremely helpful information to aspiring children’s picture book authors. Imagining and writing a story is what we love, it’s our passion. But the business of writing and understanding editorial design are skills that we must also possess. Having just completed a PB manuscript, this exercise has helped me solidify my vision for my story, and I now know that my text is the appropriate lenghth and that my story can be supported with illustrations. THANK YOU!!
January 10, 2012 at 7:19 pm
The Storyboard « lucysbook
[...] found a post from the blog Writing for Kids (While Raising Them) by Tara Lazar. It’s a great blog I highly recommend. The post discusses the standard [...]
January 11, 2012 at 1:07 am
What Are Picture Books? « Never Give Up by Joan Y. Edwards
[...] 18. Tara Lazar “Picture Book Construction – Know Your Layout:” (a template) http://taralazar.wordpress.com/2009/02/22/picture-book-construction-know-your-layout/ 19. Tracy Marchini. “Nine Factors that Make a Picture Book Successful :” [...]
January 18, 2012 at 12:21 am
Picture Book Challenge 2012 | Julia Maisen
[...] to all this and need help understanding the layout of a typical picture book try this article or this one, they are both [...]
March 14, 2012 at 12:44 pm
Ade
Thanks so much for this article, the information is obviously timeless, as it’s still being commented on. This has helped confirm, that I’m on the right track. Thankyou
March 17, 2012 at 10:07 pm
rosa
Hello,
This information was very useful. I just started writing a book on my own. I have two kids so I am doing it more so because they love hearing my stories. I I figured I could do my best and really put effort into writing this book. Concentration is key!
Good luck to all future writers.
September 14, 2012 at 1:26 pm
Cesare
Hello! Thanks for the layout information! Do you have any suggestions on how to format a manuscript for a picture book? Thanks!!!
September 29, 2012 at 5:43 pm
Tara Lazar
Cesare, picture book manuscripts should be in Times New Roman 12 pt. font (or other serif font, not a monospaced font like Courier) and double-spaced. Put your last name and title of the project in the header or footer of each page. The first page should have all your contact info in the header: name, address, email, phone number, website if applicable.
October 1, 2012 at 4:52 pm
Cesare
Thanks a lot! For author-illustrators, is it recommended to include some type of scene descriptions for the illustrations in the manuscript?
October 1, 2012 at 5:55 pm
Tara Lazar
Cesare, if you are submitting a manuscript and not a picture book dummy, then, yes, it is advisable to include art notes. However, the art notes should be explaining something that isn’t apparent by the text. You should not dictate things that should be left up to the illustrator–like “Billy has red hair and a blue shirt”–details that aren’t absolutely necessary to tell the story. Only use art notes if your text says “Exit stage left” but your character really goes right. That kind of thing.
September 29, 2012 at 12:53 pm
Debra Feldman
I searched for children’s book spreads on Google. This is just what I was looking for. Thank you Tara!
October 17, 2012 at 1:30 am
Ian Robertson
Thank you Tara for those glistening drops of information. It would seem we can never know enough so a bright light in the haze is always welcome. I found folding a sheet of ‘butchers paper’ four times, and cutting the folds has helped ‘the page turn’ and centering the ‘blue page’ for a novice like myself.
Once again thank you for sharing!
December 31, 2012 at 10:34 pm
Sylvia Grech
Hi Tara, I feel I have a great idea for a book and have written the story already but I am quite new to all this and don’t even understand some of the terminology used by everyone. Do you recommend a book I could buy to help me get started? As I wrote, I included two photos on every page to help tell the story but I don’t know if that is “normal” or allowed. And also, my book is 38 pages long and about 2,400 words long. Too long, eh? What is a step up from a picture book…..one that would be for age 4-8. I’m sure I could cut some of the wording if they used illustrations from my photos. How does one create art notes? Where do you put them? Sorry for all the questions. Thanks much!
February 2, 2013 at 6:49 pm
bluerabbit
Thanks!!! Great post.
May 6, 2013 at 8:02 am
NAPIBOWRIWEE 2013: Day 6 – Guest Blogger Tania McCartney! (May 6, 2013) « Paula Yoo NaPiBoWriWee
[...] http://taralazar.com/2009/02/22/picture-book-construction-know-your-layout/ [...]